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1

Sanders, Scott R. Writing from the center. Bloomington: Indiana University Press, 1997.

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2

A, Guerin Charles, i Colorado Springs Fine Arts Center., red. The New West: January 11-March 16, 1986, Colorado Springs Fine Arts Center. Colorado Springs, Colo. (30 West Dale St., Colorado Springs 80903): The Center, 1986.

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3

Prix de West Invitational (1995 Oklahoma City, Okla.). Prix de West Invitational: Inaugural exhibition 1995. Oklahoma City: National Cowboy Hall of Fame, 1995.

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1887-1986, O'Keeffe Georgia, Amarillo Art Center i West Texas State University, red. Georgia O'Keeffe & her contemporaries: Amarillo Art Center, September 7-December 1, 1985 in honor of the 75th anniversary of West Texas State University. Amarillo, Tex: The Center, 1985.

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5

Foundation, Philippine-American Educational, red. Directory of Filipino and American participants in the Fulbright, East-West Center, Hubert Humphrey, and international visitors programs, 1948-1984. Manila: Philippine-American Educational Foundation, 1985.

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6

Jane, Waugh Lillian, Schultz Bernard 1948- i West Virginia University. Creative Arts Center. Galleries., red. With gratitude to Eva Hubbard: A celebration of women artists at West Virginia University : a catalogue to accompany the exhibition, March 4 through April 12, 1991, Creative Arts Center Galleries, West Virginia University, Morgantown, WV. [Morgantown]: West Virginia University, 1991.

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7

Art/Denver, Museum of Contemporary, i Scottsdale Museum of Contemporary Art, red. West of center: Art and the counterculture experiment in America, 1965-1977. [Denver, Colo.]: Published in cooperation with the Museum of Contemporary Art Denver, 2012.

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8

C, Work James, red. Prose & poetry of the American West. Lincoln: University of Nebraska Press, 1991.

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9

D, Estleman Loren, i Western Writers of America, red. American West: Twenty new stories. New York: Forge, 2001.

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10

Franklin, Kelly, Tyler Ronnie C. 1941-, American-Australian Foundation for the Arts., International Cultural Corporation of Australia Limited., Art Gallery of Western Australia. i Art Gallery of New South Wales., red. America: Art and the West. [Australia?]: American-Australian Foundation for the Arts, 1986.

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11

Harry, Greenberg Martin, red. Great stories of the American West. New York: D.I. Fine, 1994.

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12

Little, Jean. Great stories of the American West. New York: Jove Books, 1994.

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13

Harry, Greenberg Martin, red. Great stories of the American West. New York: Jove, 1996.

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14

1932-, Jakes John, i Greenberg Martin Harry, red. Great stories of the American West. Thorndike, Me: G.K. Hall, 1995.

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15

Fees, Paul. Frontier America: Art and treasures of the Old West from the Buffalo Bill Historical Center. New York: The Buffalo Bill Historical Center in association with H.N. Abrams, 1988.

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16

Arif, Dirlik, i Yeung Malcolm, red. Chinese on the American frontier. Lanham, Md: Rowman & Littlefield, 2001.

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17

Dirlik, Arif, red. Chinese on the American Frontier. Lanham, USA: Rowman & Littlefield, 2001.

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18

Harry, Greenberg Martin, red. Great stories of the American West II. New York: D.I. Fine Books, 1996.

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19

Alexander, Blackburn, Lesley Craig i Landem Jill, red. The Interior country: Stories of the modern West. Athens, Ohio: Swallow Press/Ohio University Press, 1987.

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20

J, Fernlund Kevin, i University of New Mexico. Center for the American West., red. The Cold War American West, 1945-1989. Albuquerque: University of New Mexico Press, 1998.

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21

Harold, Samuels, i Samuels Peggy, red. Techniques of the artists of the American West. Secaucus, NJ: Wellfleet Press, 1990.

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22

Hopper, Kippra D. Art of West Texas women: A celebration. Lubbock, Tex: Texas Tech University Press, 2010.

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Hopper, Kippra D. Art of West Texas women: A celebration. Lubbock, Tex: Texas Tech University Press, 2010.

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24

Etulain, Richard W. The American West: A modern history, 1900 to the present. Wyd. 2. Lincoln: University of Nebraska Press, 2006.

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25

Westermann, H. C. H.C. Westermann: West. Richmond, Calif: Richmond Art Center, 1997.

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26

Patricia, Trenton, D'Emilio Sandra 1939- i Autry Museum of Western Heritage., red. Independent spirits: Women painters of the American West, 1890-1945. Berkeley: Autry Museum of Western Heritage in association with the University of California Press, 1995.

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27

Sanders, Scott R. Writing from the Center. Indiana University Press, 1995.

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28

Art of the American Frontier: From the Buffalo Bill Center of the West. Yale University Press, 2013.

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29

Peterson, Mr Larry Len. Charles M. Russell: Photographing the Legend (The Charles M. Russell Center Series on Art and Photography of the American West). University of Oklahoma Press, 2014.

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30

(Foreword), Anne Morand, Brian W. Dippie (Contributor), Peter H. Hassrick (Contributor), Rick Stewart (Contributor) i B. Byron Price (Editor), red. Charles M. Russell: A Catalog Raisonne (The Charles M. Russell Center Series on Art and Photography of the American West). University of Oklahoma Press, 2007.

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31

Smoak, Gregory E. Western Lands, Western Voices: Essays on Public History in the American West. University of Utah Press, 2021.

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Western Lands, Western Voices: Essays on Public History in the American West. University of Utah Press, 2021.

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Western Lands, Western Voices: Essays on Public History in the American West. University of Utah Press, 2021.

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34

Prozorovskii, A., i V. Khoros. West–East–Russia 2021. Yearbook. Primakov National Research Institute of World Economy and International Relations, Russian Academy of Sciences (IMEMO), 23, Profsoyuznaya Str., Moscow, 117997, Russian Federation, 2022. http://dx.doi.org/10.20542/978-5-9535-0607-6.

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The yearbook "West – East – Russia" 2021 contains an analysis of the main trends, processes and the most significant events in the relations of the countries of the Center, Periphery and Semi-Periphery, taking into account the positions and interests of Russia in this interaction. Particular attention is paid to the weakening of the potential of American leadership and related increase of tension and the strengthening of the anti-Russian trend in the world. These problems are examined both at global and regional levels (the post-Soviet space, the Middle East, East and Southeast Asia, Latin America, etc.). The yearbook is completed with sections on ecology and scientific life, as well as a review of one of the new books on the subject of the yearbook and a chronology of the most important events of the year.
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35

Adventures west: Fifty masterworks from the National Cowboy Hall of Fame and Western Heritage Center : the Albuquerque Museum, December 10, 1989-March 4, 1990. [Albuquerque, N.M.]: The Museum, 1989.

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36

West, Martha Ullman. Todd Bolender, Janet Reed, and the Making of American Ballet. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066776.001.0001.

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Martha Ullman West illustrates how American ballet developed over the course of the twentieth century from an aesthetic originating in the courts of Europe into a stylistically diverse expression of a democratic culture. West places at center stage two artists who were instrumental to this story: Todd Bolender and Janet Reed. Lifelong friends, Bolender (1914–2006) and Reed (1916–2000) were part of a generation of dancers who navigated the Great Depression, World War II, and the vibrant cultural scene of postwar New York City. They danced in the works of choreographers Lew and Willam Christensen, Eugene Loring, Agnes de Mille, Catherine Littlefield, Ruthanna Boris, and others who West argues were just as responsible for the direction of American ballet as the legendary George Balanchine and Jerome Robbins. The stories of Bolender, Reed, and their contemporaries also demonstrate that the flowering of American ballet was not simply a New York phenomenon. West includes little-known details about how Bolender and Reed laid the foundations for Seattle’s Pacific Northwest Ballet in the 1970s and how Bolender transformed the Kansas City Ballet into a highly respected professional company soon after. Passionate in their desire to dance and create dances, Bolender and Reed committed their lives to passing along their hard-won knowledge, training, and work. This book celebrates two unsung trailblazers who were pivotal to the establishment of ballet in America from one coast to the other.
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Swartz, David R. Facing West. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190250805.001.0001.

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The dramatic growth of Christianity in the Global South over the last century has shifted the balance of power away from strongholds in Europe and the United States. While we typically imagine religion traveling from West to East and from North to South, David R. Swartz shows that lines of influence also run in other directions. Missionaries and non-Western evangelicals have shaped the American evangelical church. On issues of race, economics, human rights, and social justice, these complex transnational relationships often feature accommodation and mutuality, and they often push toward cosmopolitan sensibilities among elite and establishment evangelicals. But they also feature resistance among American evangelical populists, many of whom voted for Donald Trump in 2016. And on issues of sexuality and the supernatural, they draw sustenance from the Global South. This geographically expansive book, which spans Asia, Africa, and South America, offers new insights into a tradition that imagines itself as both American and part of a global communion. It considers how evangelical networks not only go out to, but also come from, the ends of the earth.
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38

consultant, Harris Duchess author, red. Hidden human computers: The black women of NASA. ABDO Publishing Company, 2017.

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39

Harris, Duchess. Hidden Human Computers: The Black Women of NASA. ABDO Publishing Company, 2017.

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40

Estleman, Loren D. American West: Twenty New Stories from the Western Writers of America. Forge Books, 2000.

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41

Estleman, Loren D. American West: Twenty New Stories from the Western Writers of America. Doherty Associates, LLC, Tom, 2007.

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Estleman, Loren D. American West: Twenty New Stories from the Western Writers of America. Forge Books, 2001.

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43

West of Center: Art and the Counterculture Experiment in America, 1965-1977. University of Minnesota Press, 2011.

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44

Bryan-Wilson, Julia, Adam Lerner i Elissa Auther. West of Center: Art and the Counterculture Experiment in America, 1965-1977. University of Minnesota Press, 2011.

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West of Center: Art and the Counterculture Experiment in America, 1965-1977. University of Minnesota Press, 2011.

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46

West of Center: Art and the Counterculture Experiment in America, 1965 1977. University of Minnesota Press, 2011.

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47

Johnson, Benjamin H., red. Making of the American West. ABC-CLIO, 2007. http://dx.doi.org/10.5040/9798400681660.

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A richly researched, evocative account of the individuals and institutions involved in the settling of the non-Indian West—and of the impact of the development of the West on the nation as a whole. Making of the American West surveys the experiences of major social groups in the lands from the Mississippi to the Pacific, from the United States’ penetration of the region in the early 19th century to its incorporation into national political, economic, and cultural fabric by the early 20th century. This revealing volume offers fascinating portraits of the people and institutions that drove the Western conquest (traders and trappers, ranchers and settlers, corporations, the federal government), as well as of those who resisted conquest or hoped for the emergence of a different society (Indian peoples, Latinos, Asians, wage laborers). Throughout, expert contributors continually return to the growing myth of the West and the impact of its promise of freedom and opportunity on those who sought to “Americanize” it.
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48

Buckley, Jay H., i Jeffery D. Nokes. Explorers of the American West. ABC-CLIO, 2016. http://dx.doi.org/10.5040/9798400649073.

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With original primary source documents, this anthology brings readers into the vast unknown 19th-century American West—through the eyes of the explorers who saw it for the first time. This volume brings together book excerpts, maps, and illustrations from 12 explorers from the 19th century, highlighting their lives and contributions. Arranged chronologically, the 10 chapters focus on individual explorers, with biographies and background information about and document excerpts from each person. The chapters offer analyses of each document's relevance to the historical period, geographic knowledge, and cultural perspective. This guide shares the important contributions from explorers like Lewis and Clark, Zebulon Pike, Jedediah Smith, James P. Beckwourth, John C. Fremont, Susan Magoffin, and John Wesley Powell. It also nurtures readers' historical literacy by modeling historians' methods of analyzing primary sources. Readers will see new and familiar events from different perspectives, including that of a woman traveling along the Santa Fe Trail, one of the most famous African American mountain men, and a Civil War veteran, among many others.
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Idaho +: Contemporary poetry from the American West. Boise, Idaho: Painted Smiles, 1987.

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Kaiser, Wolfram, i Piotr H. Kosicki, red. Political Exile in the Global Twentieth Century. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664228.

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This book focuses on the political exile of Catholic Christian Democrats during the global twentieth century, from the end of the First World War to the end of the Cold War. Transcending the common national approach, the present volume puts transnational perspectives at center stage and in doing so aspires to be a genuinely global and longitudinal study. Political Exile in the Global Twentieth Century includes chapters on continental European exile in the United Kingdom and North America through 1945; on Spanish exile following the Civil War (1936–39), throughout the Franco dictatorship; on East-Central European exile from the defeat of Nazi Germany and the establishment of Communist rule (1944–48) through the end of the Cold War; and Latin American exile following the 1973 Chilean coup. Encompassing Europe (both East and West), Latin America, and the United States, Political Exile in the Global Twentieth Century places the diasporas of 20th-century Christian Democracy within broader, global debates on political exile and migration.
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