Rozprawy doktorskie na temat „American music”
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Fernandez, Carlos. "American music / Cuban music: influences and connections". FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3231.
Pełny tekst źródłaOlson, Ted S. "Anglo-American Gospel Music". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5516.
Pełny tekst źródłaWise, Timothy Elbert. "Yodelling in American popular music". Thesis, University of Liverpool, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428246.
Pełny tekst źródłaSpeedie, Penelope Ann. "American operas on American themes by American composers : a survey of characteristics and influences /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758178236837.
Pełny tekst źródłaTaylor, Corey Michael. "Ambiguous sounds African American music in modernist American literature /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 253 p, 2009. http://proquest.umi.com/pqdweb?did=1654487481&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Pełny tekst źródłaNguyen, Jason R. "Staging Vietnamese America| Music and the performance of Vietnamese American identities". Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1546986.
Pełny tekst źródłaThis study examines how Vietnamese Americans perform identities that acknowledge their statuses as diasporic Vietnamese to construct and maintain specifically Vietnamese American communities. I argue that music, especially public forms of musical expression within mass media and locally staged cultural performances, is a crucial way for Vietnamese Americans across the diaspora to transmit markers of cultural knowledge and identity that give them information about themselves and the "imagined community" constructed through their linked discourses.
The argument is organized around two main ideas that focus on broad cultural patterns and locally situated expressions, respectively. First, music produced by the niche Vietnamese American media industry is distributed across the diaspora and models discourses of Vietnamese identity as different companies provide different visions of what it means to be Vietnamese and perform Vietnamese-ness on stage. I analyze the music variety shows by three different companies (Thuy Nga Productions, Asia Entertainment, and Van Son Productions) to argue that Vietnamese American popular media should not be seen as representing a single monolithic version of Vietnamese-ness; rather, each articulation of Vietnamese identity is slightly different and speaks to a different formulation of the Vietnamese public, producing a discursive field for diverse Vietnamese American identity politics.
Secondly, I show how identity is always performed in particular places, illustrating that Vietnamese Americans performing music in different places can have vastly different understandings of that music and its relationship to their identities. Using a Peircian semiotic framework, I articulate a theory of place-making in which places become vehicles for the clustering of signs and meaning as people experience and interpret those places and make meaning there. As people's experiences imbue places with meaning, people coming from similar cultural backgrounds may gain different attachments to those places and one another and thus different understandings of their identities as Vietnamese. I use two contrasting examples of Vietnamese American communities in Indianapolis and San Jose to show how people in each place construct entirely different discourses of identity surrounding musical performance based upon their positionality within the diaspora.
Williams, Zaneh M. "American Influence on Korean Popular Music". Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.
Pełny tekst źródłaBetz, Marianne. "Aspects of US-American Music: Introduction". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71894.
Pełny tekst źródłaOlson, Ted S. "African American Music in Southwest Virginia". Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5514.
Pełny tekst źródłaPayne, Alyson. "Creating music of the Americas in the Cold War Alberto Ginastera and the Inter-American Music Festivals /". Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1165436117.
Pełny tekst źródłaPayne, Alyson Marie. "Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals". Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1165436117.
Pełny tekst źródłaBrown, Philip. "Brass music during the American revolutionary era /". Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11253.
Pełny tekst źródłaMcCluskey, John M. "Music as Narrative in American College Football". UKnowledge, 2016. http://uknowledge.uky.edu/music_etds/57.
Pełny tekst źródłaLopez, Edwin Gerardo Aybar. "American Folk Traditions in Piano Concert Music". Diss., North Dakota State University, 2013. https://hdl.handle.net/10365/27102.
Pełny tekst źródłaSchneider, William Steven. "Music and Race in the American West". PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/3674.
Pełny tekst źródłaBonner, Dennis M., i Dennis M. Bonner. "Irving Gifford Fine: His Choral Music and His Contributions to American Music". Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/626241.
Pełny tekst źródłaStraw, Will 1954. "Popular music as cultural commodity : the American recorded music industries 1976-1985". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39241.
Pełny tekst źródłaLove-Tulloch, Joanna K. "Marketing American identity : the role of American classical music in television advertising /". abstract and full text PDF (free order & download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1440922.
Pełny tekst źródła"December, 2006." Includes bibliographical references (leaves [92]-[94]). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2006]. 1 microfilm reel ; 35 mm.
Crutchfield, Rory. "'I saw America changed through music' : an examination of the American collecting tradition". Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3392/.
Pełny tekst źródłaJones, Mary Jane. "Revival and Community: The History and Practices of a Native American Flute Circle". Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1279293747.
Pełny tekst źródłaStahl, Matthew Wheelock. "Reinventing certainties : American popular music and social reproduction /". Diss., Connect to a 24 p. preview or request complete full text in PDF formate. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3244179.
Pełny tekst źródłaHolman, Jones Stacy Linn. "Music for torching". Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037501.
Pełny tekst źródłaMcReynolds, Robert Timothy. "The influences of American popular music upon twentieth-century song and chamber music". College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3088.
Pełny tekst źródłaCraford, Mary Elizabeth. "Inventory of modern American cello-keyboard literature /". Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11847815.
Pełny tekst źródłaIncludes tables. Typescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Lenore M. Pogonowski. Includes bibliographical references (leaves 89-104).
Coleman, W. H. "Music in the American political experience, 1788-1865". Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1469340/.
Pełny tekst źródłaOttum, Joshua J. "Anthropogenic Moods: American Functional Music and Environmental Imaginaries". Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1458123106.
Pełny tekst źródłaDiGiallonardo, Richard L. (Richard Lee). "Musical Borrowing: Referential Treatment in American Popular Music". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277911/.
Pełny tekst źródłaMontagnet, Emilie G. "A Content Analysis of Product Placements in American and Hispanic American Music Videos". Thesis, University of Louisiana at Lafayette, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10163323.
Pełny tekst źródłaThis study compared and contrasted product placements found in two different pop music markets in the United States: the American Hot 100 Billboard charts and the American Hispanic Hot Latin Billboard charts. It determined there are numerous product placements in the current music video market. Also, differences were found between the types of products in a video and the artists and record labels using those products in videos. A majority of the videos had male artists performing in them. Artists were analyzed based on their genders, ethnicity, and the number of performers in the ensemble. Product placements were also analyzed by the way the products were placed in the music video: background, in use by a character, or connected to the story shown on screen. The study related the theory of the social construction of reality to the product placements present in popular music videos.
Wise, Raymond. "Defining African American gospel music by tracing its historical and musical development from 1900 to 2000". Connect to resource, 2002. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243519734.
Pełny tekst źródłaTuomi, Scott Lawrence. "Finnish art song for the American singer". Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289889.
Pełny tekst źródłaDamm, Robert J. 1964. "American Indian Music in Elementary School Music Programs of Oklahoma : Repertoire, Authenticity and Instruction". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278099/.
Pełny tekst źródłaMcGinley, Paige A. "Sound travels: Performing diaspora and the imagined American South". View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319110.
Pełny tekst źródłaCronin, Molly K. "American Fuging Tunes in The Sacred Harp". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283.
Pełny tekst źródłaOhki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.
Pełny tekst źródłaSoprano: Hitomi Ohki
Piano: Anders Kilström
Aaron Copland (1900-1990)
Twelve Poems of Emily Dickonson
1, Nature, the gentlest mother
2, There came a wind like a bugle
3, Why do they shut me out of Heaven?
4, The world feels dusty
5, Heart, we will forget him!
6, Dear March, come in!
7, Sleep is supposed to be
8, When they come back
9, I felt a funeral in my brain
10, I've heard an organ talk sometimes
11, Going to Heaven!
12, The Chariot
Hartz, Jason Michael. "The American community band history and development /". Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=232.
Pełny tekst źródłaBrown, Maya Olivia. "EMPOWERMENT THROUGH ACKNOWLEDGEMENT:CONTEMPORARY STRING BANDS AND THE BLACK ROOTS MUSIC REVIVAL". Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1532894230322707.
Pełny tekst źródłaErickson, Clipper. "The six piano suites of Nathaniel Dett". Thesis, Temple University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3623149.
Pełny tekst źródłaThe six piano suites of R. Nathaniel Dett (1882-1943) constitute a substantial body of piano music that illustrates the musical development of an important, but historically neglected American musician. Dett was a seminal figure in the preservation and study of spirituals, both as a writer and choral leader, and as a great teacher and inspirer of African-American musicians in the generations that followed him. Educated at Oberlin and Eastman, he was lauded as the first American composer to fuse Negro folk music with European art music tradition.
The writing of a series of like-genre works over a composer's lifetime, reflecting stylistic changes and a deepening world view, is a special event in the history of keyboard music. Unfortunately, Dett's piano music is rarely performed except for the second of the suites, In the Bottoms. Although his importance to African-American musical history is generally acknowledged by musicologists, his works for piano have remained largely unexplored by performers.
Dett's eclectic pursuits included poetry, the Rosicrucian Society, and religion. This study explores the connections between the suites and other musical styles and traditions, Dett's many extra-musical interests, and his performing life. It also offers some possible explanations for the relative lack of attention received by his piano music.
This study incorporates research from readily-available sources, as well as the Nathaniel Dett archives at the Niagara Falls New York Public Library and Hampton University. The first three chapters give an overview of Dett's style and influences, as well as a description of how his musical language developed from his first suite, Magnolia (1912), to his last, Eight Bible Vignettes (1941-43), written at the end of his life. Each suite is examined individually in detail in the following six chapters. It is hoped that this work will stimulate appreciation of Dett's piano music and lead to more frequent performances. Its goal is to give to the reader the same sense of admiration and joy that the author's exploration of these works has given him.
Newton, Gregory Middleton Owen. "An American original the guitar music of Owen Middleton /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383468361&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaVita. Includes original and revised versions of Honoring song : variations on an American Indian theme. Includes bibliographical references (leaves 249-250) and discography (leaf 251).
McWhirter, Christian. ""Liberty's great auxiliary" music and the American Civil War /". Thesis, [Tuscaloosa, Ala. : University of Alabama Libraries], 2009. http://purl.lib.ua.edu/2141.
Pełny tekst źródłaDarby, Spencer Harrison. "American Opera and Film Music: Illustrating a Cultural Identity". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17347.
Pełny tekst źródłaHolmes, Thomas Alan, i Roxanne Harde. "Walking the Line: Country Music Lyricists and American Culture". Digital Commons @ East Tennessee State University, 2013. http://amzn.com/073916967X.
Pełny tekst źródłahttps://dc.etsu.edu/etsu_books/1048/thumbnail.jpg
Kajikawa, Loren Yukio. "Centering the margins black music and American culture, 1980-2000 /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaWang, Qiaorong. "APPLYING AMERICAN PEDAGOGICAL APPROACHESTO FIRST-YEAR MUSIC THEORY CLASSES IN CHINESE COLLEGES". Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1588705054276667.
Pełny tekst źródłaGriffing, Joan. "Audition procedures and advice from concertmasters of American orchestras". The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282927053.
Pełny tekst źródłaPohly, Linda Louise. "Welsh choral music in America in the nineteenth century /". The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu148767034687525.
Pełny tekst źródłaMás-Arocas, Octavio. "Fearless Programming: Invigorating the American Orchestral Tradition through New Music". Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862.
Pełny tekst źródłaBuys, Brenda Willer, i Brenda Willer Buys. "The Bassoon Music of Libby Larsen". Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625881.
Pełny tekst źródłaBortz, Yuri. "Selective American perspectives on issues of Twenty-First-Century musical progress". Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1110210137.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages; contains xiv, 128 p. Includes bibliographical references (p. 128). Available online via OhioLINK's ETD Center
Johnson, Maya Ayana. "Harem Fantasies and Music Videos: Contemporary Orientalist Representation". W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626527.
Pełny tekst źródłaOrtiÌz, Gabriela. "Compositional techniques in acoustic and electroacoustic music". Thesis, City University London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310446.
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