Gotowa bibliografia na temat „American music”
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Artykuły w czasopismach na temat "American music"
Volk, Terese M. "Folk Musics and Increasing Diversity in American Music Education: 1900-1916". Journal of Research in Music Education 42, nr 4 (grudzień 1994): 285–305. http://dx.doi.org/10.2307/3345737.
Pełny tekst źródłaYoo, Hyesoo, Sangmi Kang i Victor Fung. "Personality and world music preference of undergraduate non-music majors in South Korea and the United States". Psychology of Music 46, nr 5 (14.07.2017): 611–25. http://dx.doi.org/10.1177/0305735617716757.
Pełny tekst źródłaKURAGANO, LEAH. "Hawaiian Music and Oceanizing American Studies". Journal of American Studies 52, nr 04 (listopad 2018): 1163–72. http://dx.doi.org/10.1017/s0021875818001147.
Pełny tekst źródłaRasmussen, Anne K. "Made in America: Historical and Contemporary Recordings of Middle Eastern Music in the United States". Middle East Studies Association Bulletin 31, nr 2 (grudzień 1997): 158–62. http://dx.doi.org/10.1017/s002631840003563x.
Pełny tekst źródłaDickinson, Peter. "American Music". Musical Times 130, nr 1757 (lipiec 1989): 418. http://dx.doi.org/10.2307/1193457.
Pełny tekst źródłaJohnson, Bret. "American Music". Tempo 57, nr 226 (październik 2003): 56–57. http://dx.doi.org/10.1017/s004029820330035x.
Pełny tekst źródłaBeal, Amy C. "Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956". Journal of the American Musicological Society 53, nr 1 (2000): 105–39. http://dx.doi.org/10.2307/831871.
Pełny tekst źródłaPaul, David C. "Consensus and Crisis in American Classical Music Historiography from 1890 to 1950". Journal of Musicology 33, nr 2 (2016): 200–231. http://dx.doi.org/10.1525/jm.2016.33.2.200.
Pełny tekst źródłaGABRIEL, JOHN. "There and Back Again: Zeitoper and the Transatlantic Search for a Uniquely American Opera in the 1920s". Journal of the Society for American Music 13, nr 2 (maj 2019): 195–215. http://dx.doi.org/10.1017/s1752196319000075.
Pełny tekst źródłaSHADLE, DOUGLAS. "Nineteenth-Century Music". Journal of the Society for American Music 9, nr 4 (listopad 2015): 477–84. http://dx.doi.org/10.1017/s1752196315000401.
Pełny tekst źródłaRozprawy doktorskie na temat "American music"
Fernandez, Carlos. "American music / Cuban music: influences and connections". FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3231.
Pełny tekst źródłaOlson, Ted S. "Anglo-American Gospel Music". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5516.
Pełny tekst źródłaWise, Timothy Elbert. "Yodelling in American popular music". Thesis, University of Liverpool, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428246.
Pełny tekst źródłaSpeedie, Penelope Ann. "American operas on American themes by American composers : a survey of characteristics and influences /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758178236837.
Pełny tekst źródłaTaylor, Corey Michael. "Ambiguous sounds African American music in modernist American literature /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 253 p, 2009. http://proquest.umi.com/pqdweb?did=1654487481&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Pełny tekst źródłaNguyen, Jason R. "Staging Vietnamese America| Music and the performance of Vietnamese American identities". Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1546986.
Pełny tekst źródłaThis study examines how Vietnamese Americans perform identities that acknowledge their statuses as diasporic Vietnamese to construct and maintain specifically Vietnamese American communities. I argue that music, especially public forms of musical expression within mass media and locally staged cultural performances, is a crucial way for Vietnamese Americans across the diaspora to transmit markers of cultural knowledge and identity that give them information about themselves and the "imagined community" constructed through their linked discourses.
The argument is organized around two main ideas that focus on broad cultural patterns and locally situated expressions, respectively. First, music produced by the niche Vietnamese American media industry is distributed across the diaspora and models discourses of Vietnamese identity as different companies provide different visions of what it means to be Vietnamese and perform Vietnamese-ness on stage. I analyze the music variety shows by three different companies (Thuy Nga Productions, Asia Entertainment, and Van Son Productions) to argue that Vietnamese American popular media should not be seen as representing a single monolithic version of Vietnamese-ness; rather, each articulation of Vietnamese identity is slightly different and speaks to a different formulation of the Vietnamese public, producing a discursive field for diverse Vietnamese American identity politics.
Secondly, I show how identity is always performed in particular places, illustrating that Vietnamese Americans performing music in different places can have vastly different understandings of that music and its relationship to their identities. Using a Peircian semiotic framework, I articulate a theory of place-making in which places become vehicles for the clustering of signs and meaning as people experience and interpret those places and make meaning there. As people's experiences imbue places with meaning, people coming from similar cultural backgrounds may gain different attachments to those places and one another and thus different understandings of their identities as Vietnamese. I use two contrasting examples of Vietnamese American communities in Indianapolis and San Jose to show how people in each place construct entirely different discourses of identity surrounding musical performance based upon their positionality within the diaspora.
Williams, Zaneh M. "American Influence on Korean Popular Music". Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.
Pełny tekst źródłaBetz, Marianne. "Aspects of US-American Music: Introduction". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71894.
Pełny tekst źródłaOlson, Ted S. "African American Music in Southwest Virginia". Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5514.
Pełny tekst źródłaPayne, Alyson. "Creating music of the Americas in the Cold War Alberto Ginastera and the Inter-American Music Festivals /". Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1165436117.
Pełny tekst źródłaKsiążki na temat "American music"
Malone, Bill C. Southern music/American music. Lexington, KY: University Press of Kentucky, 2002.
Znajdź pełny tekst źródła1952-, Stricklin David, red. Southern music/American music. Lexington, Ky: University Press of Kentucky, 2003.
Znajdź pełny tekst źródłaLeibovitz, Annie. American music. London: Jonathan Cape, 2003.
Znajdź pełny tekst źródłaMendelsohn, Jane. American music. New York: Alfred A. Knopf, 2010.
Znajdź pełny tekst źródłaAmerican music. New York: Random House, 2003.
Znajdź pełny tekst źródłaLeibovitz, Annie. American music. New York: Random House, 2004.
Znajdź pełny tekst źródłaMartin, Chris. American music. Port Townsend, Wash: Copper Canyon Press, 2007.
Znajdź pełny tekst źródłaAmerican music. New York: Vintage Contemporaries, 2011.
Znajdź pełny tekst źródłaAmerican music. New York: Alfred A. Knopf, 2010.
Znajdź pełny tekst źródłaMendelsohn, Jane. American music. New York: Alfred A. Knopf, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "American music"
Dorf, Samuel N., Heather MacLachlan i Julia Randel. "American Band Music". W Anthology to Accompany Gateways to Understanding Music, 238–42. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-39.
Pełny tekst źródłaCornelius, Steven, i Mary Natvig. "Black American Music". W MusicA Social Experience, 70–101. Wyd. 3. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003155812-7.
Pełny tekst źródłaReichardt, Ulfried. "African American music in the Americas". W Sonic Politics, 44–50. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: InterAmerican Research: Contact, Communication, Conflict ; ASHSER-1426: Routledge, 2019. http://dx.doi.org/10.4324/9780429423932-3.
Pełny tekst źródłaKrummel, D. W. "Vernacular Music". W Bibliographical Handbook of American Music, 113–26. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_10.
Pełny tekst źródłaKrummel, D. W. "Sacred Music". W Bibliographical Handbook of American Music, 145–52. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_12.
Pełny tekst źródłaKrummel, D. W. "Current Music". W Bibliographical Handbook of American Music, 35–53. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_5.
Pełny tekst źródłaKrummel, D. W. "Concert Music". W Bibliographical Handbook of American Music, 97–111. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_9.
Pełny tekst źródłaDorf, Samuel N., Heather MacLachlan i Julia Randel. "Early American Popular Music". W Anthology to Accompany Gateways to Understanding Music, 169–70. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-32.
Pełny tekst źródłaDorf, Samuel N., Heather MacLachlan i Julia Randel. "African American Religious Music". W Anthology to Accompany Gateways to Understanding Music, 232–33. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-36.
Pełny tekst źródłaDorf, Samuel N., Heather MacLachlan i Julia Randel. "American Popular Music Today". W Anthology to Accompany Gateways to Understanding Music, 487–91. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-60.
Pełny tekst źródłaStreszczenia konferencji na temat "American music"
Chang, Charles B., i Danielle Dionne. "Unity and diversity in Asian American language variation: Data from Chinese, Filipino, Korean, and Vietnamese Americans". W Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001669.
Pełny tekst źródłaWhite, Christopher Wm, Jeffrey Fulmer, Brian Cordova, Alexandria Black, Chloe Danitz, William Evans, Aidan Fischer i in. "A new corpus of texture, timbre, and change in 20th-century American popular music". W Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0015.
Pełny tekst źródłaUlhôa, Martha. "Southern currents: Some thoughts on Latin American popular music studies". W Situating Popular Musics, redaktorzy Ed Montano i Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.34.
Pełny tekst źródłaHishida, Hirotoshi, Yoshihiro Komatsu, Tomohiro Nomura, Yasuhiro Hishida i Keiko Hishida. "Music Database for Earphone Hearing Loss Prevention and Music Therapy - American Musical Songs -". W 13th International Multi-Conference on Complexity, Informatics and Cybernetics. Winter Garden, Florida, United States: International Institute of Informatics and Cybernetics, 2022. http://dx.doi.org/10.54808/imcic2022.02.40.
Pełny tekst źródłaHuepe, C., R. F. Cadiz i M. Colasso. "Generating music from flocking dynamics". W 2012 American Control Conference - ACC 2012. IEEE, 2012. http://dx.doi.org/10.1109/acc.2012.6315529.
Pełny tekst źródłaGrisé, Adam. "Music Education Through Cultural Immersion: Preservice Music Teachers' Experiences in a Caribbean-American Steel Band". W 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442995.
Pełny tekst źródłaBlount, PJ, i Jake X. Fussell. "Musical Counter Narratives: Space, Skepticism, and Religion in American Music". W 52nd Aerospace Sciences Meeting. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2014. http://dx.doi.org/10.2514/6.2014-0670.
Pełny tekst źródłaFlorido, Irapuru, i Roberto Tadeu Raittz. "Hybrid Method for Automatic Music Labeling". W 2018 XLIV Latin American Computer Conference (CLEI). IEEE, 2018. http://dx.doi.org/10.1109/clei.2018.00038.
Pełny tekst źródłaVölkel, Thomas, Jakob Abeßer, Christian Dittmar i Holger Großmann. "Automatic genre classification of Latin American music using characteristic rhythmic patterns". W the 5th Audio Mostly Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1859799.1859815.
Pełny tekst źródłaLi, Fei, i Li Xu. "Research on the European and American Music Education Mode and Corresponding Influence on the Chinese Native Music Education". W 2015 Conference on Informatization in Education, Management and Business (IEMB-15). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/iemb-15.2015.73.
Pełny tekst źródłaRaporty organizacyjne na temat "American music"
Schneider, William. Music and Race in the American West. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.5558.
Pełny tekst źródłaMehegan, Laura, i G. Chuck Rainville. Music and Brain Health Among African American/Black Adults. Washington, DC: AARP Research, listopad 2020. http://dx.doi.org/10.26419/res.00387.004.
Pełny tekst źródłaTempleton, Patricia. Atomic tunes: The intersection of Lab science and popular music from 1945-1962 How American music was influenced by nuclear science. Office of Scientific and Technical Information (OSTI), październik 2021. http://dx.doi.org/10.2172/1826489.
Pełny tekst źródłaWaldfogel, Joel. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster. Cambridge, MA: National Bureau of Economic Research, marzec 2011. http://dx.doi.org/10.3386/w16882.
Pełny tekst źródłaTurner, Tom, i Nancy Hodges. Americana Music Festivals: An Ethnographic Exploration of the Experiential Consumptionscape. Ames: Iowa State University, Digital Repository, listopad 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-25.
Pełny tekst źródłaTurner, Tom, i Nancy Hodges. Exploring Outdoor Lifestyle Brands within the Americana Music Festival Marketplace. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-395.
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