Gotowe bibliografie tematyczne / Alchemy

Gotowa bibliografia na temat „Alchemy”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 31 sierpnia 2024

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Artykuły w czasopismach na temat "Alchemy"

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Masson, Cynthea. "Intention to Write, Intention to Teach: Vernacular Poetry and Pedagogy in Thomas Norton's Ordinal of Alchemy". Florilegium 17, nr 1 (styczeń 2000): 45–58. http://dx.doi.org/10.3138/flor.17.003.

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Connections made by scholars between language and alchemy generally focus on the enigmatic or obscure technical jargon used by alchemists throughout alchemy's extensive history. Only occasionally do critical studies of medieval alchemical texts examine these works for their contribution to the canon of medieval vernacular literature or literary theory. Not surprisingly, scholarly discussions of alchemical writing in Middle English literature focus primarily on Chaucer. As recently as a 1999 article in the Chaucer Review, Mark J. Bruhn in "Art, Anxiety, and Alchemy in the Canon's Yeoman's Tale" discusses alchemy as "a metaphor for Chaucer's poetry." "[W] e should have no difficulty," say_s Bruhn, in "construing the ground of the metaphor between Chaucerian letters and alchemical multiplication" (p. 309). Jane Hilberry in a 1987 article on the technical language of the Canon's Yeoman's Tale argues that alchemy's "primary attraction lies in the language that surrounds the practice." She concludes her article: "While Chaucer in the Canon's Yeoman's Tale confirms alchemy's failure to change base metals into gold, he succeeds in transmuting the language of alchemy into poetry" (p. 442). We do find, then, an effort by medievalists to explore the relationship between language and alchemy in English literature, albeit seemingly limited to an interest in Chaucer's poetry rather than in his specific use of the English language.
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Perrone Compagni, Vittoria. ""Dispersa Intentio." Alchemy, Magic and Scepticism in Agrippa". Early Science and Medicine 5, nr 2 (2000): 160–77. http://dx.doi.org/10.1163/157338200x00164.

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AbstractThe study of Agrippa's works confirms his constant interest in the theory and practice of alchemy. The apparent contradiction between De occulta philosophia, which uses alchemical doctrines, and De vanitate scientiarum, where alchemy is harshly criticized, is to be resolved in the light of a moral and cultural reform founded on a Hermetic-Christian perspective on the relationship between faith and reason. The analysis of the alchemic passages in De occulta philosophia proves that Agrippa's transmutatory operations have no secondary role in his 'restored' magic. Furthermore, these operations are oriented towards a utopia, where original unity is to be regained.
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Woodward, Walter W., William R. Newman, William R. Newman i Lawrence M. Principe. "The Alchemy of Alchemy". William and Mary Quarterly 60, nr 4 (1.10.2003): 920. http://dx.doi.org/10.2307/3491718.

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Barnett, John H. "Alchemy". Proceedings of the International Association for Business and Society 2 (1991): 1529–37. http://dx.doi.org/10.5840/iabsproc1991261.

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Bouwsma, Julia. "Alchemy". Colorado Review 38, nr 1 (2011): 96–101. http://dx.doi.org/10.1353/col.2011.0018.

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Miller, Jim Wayne. "Alchemy". Appalachian Heritage 24, nr 2 (1996): 64–66. http://dx.doi.org/10.1353/aph.1996.0032.

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Glover, Laurie. "Alchemy". Western American Literature 52, nr 3 (2017): 315–22. http://dx.doi.org/10.1353/wal.2017.0054.

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Turk, D., i J. Zupan. "ALCHEMY". Journal of Chemical Information and Modeling 28, nr 2 (1.05.1988): 116–18. http://dx.doi.org/10.1021/ci00058a012.

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Cantalupo, R. G. "Alchemy". English Journal 96, nr 3 (1.01.2007): 115. http://dx.doi.org/10.2307/30047313.

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Dill, LeConté J. "Alchemy". Health Promotion Practice 23, nr 6 (listopad 2022): 934. http://dx.doi.org/10.1177/15248399221127999.

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This poem follows the cues of the drumbeat. This poem leaves breadcrumbs. This poem decodes recipes for the writer and the reader. This poem introduces, or rather re-introduces, the onto-epistemology and theory of “conjure feminisms” to public health audiences—Black Feminist ways of being, knowing, and inquiring with attention to nature, memory, the body, one’s lineage, and magic making. This poem is an invitation to heal and a re-centering of healing within public health. To view the original version of this poem, see the supplemental material section of this article online.
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Rozprawy doktorskie na temat "Alchemy"

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Gaddis, Christopher Stephen. "Diatom Alchemy". Thesis, Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/7611.

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This work resulted in the development of multiple distinct and novel methods of cheaply producing large numbers of biologically derived, complex, 3-dimensional microstructures in a multitude of possible compositions. The biologically derived structures employed in this work were diatoms, a type of single celled algae, which grow complex silica shells in species-specific shapes. Due to the wide diversity of naturally occurring diatom shapes (on the order of 105), and the flexibility in tailoring chemical compositions using the methods developed here, real potential exists for cheaply mass-producing industrially relevant quantities of controlled shape and size 3-d particles for the first time. The central theme of this research is the use of diatoms as a transient scaffold onto which a coating is applied. After curing the coating, and in some cases firing the coating to form ceramic, the diatom can be selectively etched away leaving a free standing replica of the original structure with the salient features of the pre-form intact, but now composed of a completely different material. Using this concept, specific methods were developed to suit various precursors. Dip coating techniques were used to create epoxy diatoms, and silicon carbide diatoms. The Sol-Gel method was used to synthesize zirconia diatoms in both the tetragonal and monoclinic phases. A multi step method was developed in which previously synthesized epoxy diatoms were used as a template for deposition of a silicon carbide precursor and then heat treated to produce a silicon carbide/carbon multi-component ceramic. A hydrothermal reaction was also developed to convert Titania diatoms to barium titanate by reaction with barium hydroxide. Finally, the device potential of diatom-derived structures was conclusively demonstrated by constructing a gas sensor from a single Titania diatom. Under suitable conditions, the sensor was found to have the fastest response and recovery time of any sensor of this type reported in the literature. Furthermore, this work has laid the groundwork for the synthesis of many other tailored compositions of diatoms, and provided several compositions for device creation.
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Short, Anna. "Tender Alchemy". Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555718320899574.

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Darwin, Emma Lucie. "A Secret Alchemy". Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/22668/.

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Secret Alchemy consists of my novel, A Secret Alchemy, and a critical commentary on the process and context of writing it. The novel reimagines the world of Elizabeth Woodville (14377-1492), the mother of the Princes in the Tower, and her brother Anthony Woodville (1442?-1483). In their voices, it tells their story from childhood, through Anthony's murder by Richard III and the disappearance of the Princes, to Elizabeth's old age. These two narrative strands intertwine with a third: Una Pryor, a modern bibliographer, is researching the Woodvilles' books. As she tries to save the family printing business, secrets, loves and rivalries from her own past reawaken, and interact with her experience of the Woodville!story, culminating in her realisation that to bring the Woodvilles alive she must write them as fiction. The commentary explores the particular issues which arise in fiction which is based on real historical figures, starting from the process of writing the novel but also embracing critical and theoretical issues and the work of other novelists. Following a discussion ofthe complex relationship of such fiction to the historical record, it examines how parallel narrative fiction such as A Secret Alchemy embodies that relationship. It then looks at voice, whose role as both medium and message makes questions of historical authenticity particularly complex. Finally these questions are brought together in discussing historical fiction as storytelling, in the context of narrative theory. Atwood states that it is in fiction that individual and collective memory and experience come together; the commentary proposes that historical fiction is unique in how it does so, by virtue of its double-duality: 'not only then, but also now,' and 'not only fiction but also history'. A Secret Alchemy was written under contract to Headline Review and it incorporated editorial changes, some of which are discussed here. It was published in November 2008, and in the US by Harper Perennial in June 2009.
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Meitzner, Bettina Libavius Andreas. "Die Gerätschaft der chymischen Kunst der Traktat "De sceuastica artis" des Andreas Libavius von 1606 : Übersetzung, Kommentierung und Wiederabdruck /". Stuttgart : F. Steiner, 1995. http://books.google.com/books?id=Ad_aAAAAMAAJ.

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Judge, Andrew. "Alchemy in the atomic age". [Ames, Iowa : Iowa State University], 2008.

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Soderberg, Nanda. "The Alchemy of the Everyday". VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/665.

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Everyday objects inspire and inform what I do. The personal histories and associations we may have with ordinary things are of great personal interest to me. Often times, these items reflect the social class, education, and background of the owners. I am drawn to these objects and the possibility of elevating them in a way that transcends their implied meanings (their worth, importance, and status). The transformation of the mundane is a method of working that allows associations to remain intact while bringing new meaning and perspective to the object. My method of working becomes an alchemic process aimed at turning the ordinary into "art" which is second only to turning used cooking oil into fuel to run your car, and maybe third to turning lead into gold.
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Yoo, Daniel. "Alchemy -- Transmuting base specifications into implementations". Worcester, Mass. : Worcester Polytechnic Institute, 2008. http://www.wpi.edu/Pubs/ETD/Available/etd-022609-151429/.

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Toor, Kiran. "Coleridge's chrysopoetics : alchemy, authorship, and imagination". Thesis, Queen Mary, University of London, 2007. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1616.

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This thesis is an attempt to assess the creative potential of alchemy as a master trope in Coleridge's conception of authorship and imagination. It begins with a challenge to the idea that an autonomous author is at the centre of a literary work. This idea is crucial to the reception of literature and to the way in which concepts of "originality" and "authorship" are typically understood. Against this marking out of an author as a singular, autonomous, and uniquely privileged "self', I posit that, for Coleridge, authorship occurs in a transformative or alchemical interspace between the desire for self-expression and the necessarily other-determined nature of creativity. Offering an alternative trajectory for the author, Coleridge elaborates an imaginative strategy in which the dislocation of the selffrom itself is the truest path to self-expression, and the author must become other in order to become morefully himself. Demonstrating a unique link between plagiarism and creativity, this thesis suggests that alchemy, better than any other system, accounts for Coleridge's propensity for plagiarism and for an aesthetic of artifice. In an attempt to trace Coleridge's familiarity with Hermetic and alchemical discourses throughout his life, it has been necessary to review works as varied as those of Plato, Marsilio Ficino, Ralph Cudworth, Jacob Boehme, Herman Boerhaave, and F. W. J. Schelling. I then suggest how Coleridge appropriates alchemical terminology to his own aesthetic and imaginative ends. Unable to resolve the desire for aesthetic autonomy with the impossibility of asserting the self in one's own voice, the thesis posits that Coleridge "plays" in the hermeneutic interspace between selfhood and otherness, creativity and counterfeit, authority and artifice, in order to arrive at an entirely unique strategy of alchemical self-exposition. Arriving at authorial selfhood through the odyssey of alterity, Coleridge's "play"giarisms, in this view, do not violate the principles of originality, but redefine them. The thesis ends with a consideration of the necessarily negotiated fiction of all acts of imagination and authorship.
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Yoo, Daniel. "Alchemy: Transmuting Base Specifications into Implementations". Digital WPI, 2009. https://digitalcommons.wpi.edu/etd-theses/168.

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Alloy specifications are used to define lightweight models of systems. We present Alchemy, which compiles Alloy specifications into implementations that execute against persistent databases. Alchemy translates a subset of Alloy predicates into imperative update operations, and it converts facts into database integrity constraints that it maintains automatically in the face of these imperative actions. In addition to presenting the semantics and an algorithm for this compilation, we present the tool and outline its application to a non-trivial specification. We also discuss lessons learned about the relationship between Alloy specifications and imperative implementations.
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Lamb, Elizabeth T. "The Alchemy of Space: A Translation". University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1490701723931841.

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Książki na temat "Alchemy"

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Kosiec, Małgorzata. Alchemia: Alchemy. Płock: Płocka Galeria Sztuki, 2018.

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Margaret, Mahy. Alchemy. New York: Margaret K. McElderry Books, 2003.

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Holmyard, Eric John. Alchemy. New York: Dover Publication, 1990.

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Holmyard, Eric John. Alchemy. New York: Dover, 1990.

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Spooner, Kenneth. Alchemy. Penzance (56 Chapel Street, Penzance): Goldfish Contemporary Fine Art, 2004.

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Sims, Roderick. Design Alchemy. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-02423-3.

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Fisherman, Hercules. Digital alchemy. [London]: Middlesex University, 1993.

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Burkquest, H. N. Alchemy. Independently Published, 2021.

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Holmyard, E. J. Alchemy. Dover Publications, Incorporated, 2012.

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Duffy, Maureen. Alchemy. HarperCollins UK, 2006.

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Części książek na temat "Alchemy"

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Hudson, John. "Alchemy". W The History of Chemistry, 16–34. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22362-6_2.

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Gooch, Jan W. "Alchemy". W Encyclopedic Dictionary of Polymers, 25. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_391.

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Martelli, Matteo. "Alchemy". W Encyclopedia of Renaissance Philosophy, 1–6. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-02848-4_249-1.

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Hudson, John. "Alchemy". W The History of Chemistry, 16–34. Boston, MA: Springer US, 1992. http://dx.doi.org/10.1007/978-1-4684-6441-2_2.

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Maxwell-Stuart, P. G. "Alchemy". W The Occult in Early Modern Europe, 191–224. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27293-8_5.

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Martelli, Matteo. "Alchemy". W Encyclopedia of Renaissance Philosophy, 92–97. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_249.

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Vančik, Hrvoj. "Alchemy". W Integrated Science, 39–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69224-7_4.

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da Silva, João R. R. Tenório, i Cristiano B. Moura. "Alchemy". W The Palgrave Encyclopedia of the Possible, 1–9. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-98390-5_192-1.

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Miller, Juliet. "Alchemy". W Art, Memoir and Jung, 96–106. 1 Edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003083030-13.

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da Silva, João R. R. Tenório, i Cristiano B. Moura. "Alchemy". W The Palgrave Encyclopedia of the Possible, 58–67. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_192.

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Streszczenia konferencji na temat "Alchemy"

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Willis, Karl D. D., i Jacob Hina. "Alchemy". W Proceeding of the seventh ACM conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1640233.1640342.

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Lundgren, Sus, i Martin Hjulström. "Alchemy". W the 15th International Academic MindTrek Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2181037.2181047.

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Crockett, Eric, Chris Peikert i Chad Sharp. "ALCHEMY". W CCS '18: 2018 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3243734.3243828.

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Krishnamurthi, Shriram, Kathi Fisler, Daniel J. Dougherty i Daniel Yoo. "Alchemy". W the 16th ACM SIGSOFT International Symposium. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1453101.1453123.

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Sawada, Dan, Anirudh Sharma, Sujoy Kumar Chowdhury, Christine Hsieh i Andrea Miller. "Wave alchemy". W CHI '13 Extended Abstracts on Human Factors in Computing Systems. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2468356.2468644.

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Hunt, J. R., i W. T. Chen. "WLCSP Materials: Science and Alchemy". W 2006 11th International Symposium on Advanced Packaging Materials: Processes, Properties, and Interfaces. IEEE, 2006. http://dx.doi.org/10.1109/isapm.2006.1665997.

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Watt, Trudy. "Effective Interdisciplinarity is like Alchemy". W 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.64.

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This paper describes a theoretical framework for conducting design research with students based on early anecdotal evidence from an academic design research team that weaves a strengths-based approach to developing self-knowledge into an open-ended and non-hierarchical project investigation environment that explores inherently interdisciplinary ‘wicked’ problems.
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Beretta, Giordano B., i Nathan M. Moroney. "Harmonious colors: from alchemy to science". W IS&T/SPIE Electronic Imaging. SPIE, 2012. http://dx.doi.org/10.1117/12.915839.

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Case, Dominic. "Film Visual Quality – Alchemy is Not Dead". W SMPTE Australia Conference. IEEE, 1999. http://dx.doi.org/10.5594/m001199.

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Oliveira, Caio Souza, i Diogenes C. da Silva. "Alchemy: An MSP430-based reconfigurable processor architecture". W 2015 IEEE 6th Latin American Symposium on Circuits & Systems (LASCAS 2015). IEEE, 2015. http://dx.doi.org/10.1109/lascas.2015.7250440.

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Raporty organizacyjne na temat "Alchemy"

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Leeper, Eric. Monetary Science, Fiscal Alchemy. Cambridge, MA: National Bureau of Economic Research, październik 2010. http://dx.doi.org/10.3386/w16510.

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Benmelech, Efraim, i Jennifer Dlugosz. The Alchemy of CDO Credit Ratings. Cambridge, MA: National Bureau of Economic Research, kwiecień 2009. http://dx.doi.org/10.3386/w14878.

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Farmer, Roger E. A. The End of Alchemy: A Review Essay. Cambridge, MA: National Bureau of Economic Research, luty 2017. http://dx.doi.org/10.3386/w23156.

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Bunnell, F. L. Alchemy and uncertainty: What good are models? Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 1989. http://dx.doi.org/10.2737/pnw-gtr-232.

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Khan, Sarosh R. Caribbean Economic Alchemy: Has Magic Returned to Bauxite? Inter-American Development Bank, styczeń 2015. http://dx.doi.org/10.18235/0008452.

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After a long period of stagnating prices, the global bauxite market is experiencing changes which are expected to drive prices higher. To a large extent, these changes are driven by increasing demand from Chinese manufacturing. However, constraints on exports imposed by major bauxite producers, such as Indonesia and India have affected the supply side as well, and represent an opportunity for Caribbean bauxite exporters to increase their share of a growing market. This Policy Brief provides an overview of the aforementioned changes in market conditions and proposes a new approach to organizing bauxite mining for the Caribbean bauxite exporters.
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Wei, Shang-Jin, i Yi Wu. Negative Alchemy? Corruption, Composition of Capital Flows, and Currency Crises. Cambridge, MA: National Bureau of Economic Research, marzec 2001. http://dx.doi.org/10.3386/w8187.

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Voss, Zannie, i Glenn Voss. The Alchemy of High-Performing Arts Organizations, Part II: A Spotlight on Organizations of Color. SMU DataArts, marzec 2021. http://dx.doi.org/10.59656/a-ao9815.001.

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Tedesco, Vincent J., i III. Tactical Alchemy: Heavy Division Tactical Maneuver Planning Guides and the Army's Neglect of the Science of War. Fort Belvoir, VA: Defense Technical Information Center, grudzień 1999. http://dx.doi.org/10.21236/ada381774.

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Anderson, I. M. The role of ALCHEMI in understanding the properties of ordered intermetallic alloys. Office of Scientific and Technical Information (OSTI), listopad 1998. http://dx.doi.org/10.2172/290936.

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Anderson, I. M., i J. Bentley. Rocking-beam spectrum images and ALCHEMI of Ni{sub 50}Al{sub 40}Fe{sub 10}. Office of Scientific and Technical Information (OSTI), kwiecień 1997. http://dx.doi.org/10.2172/505351.

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