Gotowa bibliografia na temat „African American aesthetics”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „African American aesthetics”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "African American aesthetics"
Pyrova, Tatiana Leonidovna. "Philosophical-aesthetic foundations of African-American hip-hop music". Философия и культура, nr 12 (grudzień 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.
Pełny tekst źródłaMcGowan, Grace. "“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition". Contemporary Women's Writing 13, nr 3 (listopad 2019): 339–56. http://dx.doi.org/10.1093/cww/vpaa001.
Pełny tekst źródłaKumar, Fayaz Ahmad, i Colette Morrow. "Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction". Global Language Review V, nr IV (30.12.2020): 45–53. http://dx.doi.org/10.31703/glr.2020(v-iv).06.
Pełny tekst źródłaDeFrantz, Thomas F. "African American Dance - Philosophy, Aesthetics, and ‘Beauty’". Topoi 24, nr 1 (styczeń 2005): 93–102. http://dx.doi.org/10.1007/s11245-004-4165-7.
Pełny tekst źródłaDjeDje, Jacqueline Cogdell. "APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY". African Music: Journal of the International Library of African Music 11, nr 2 (1.12.2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.
Pełny tekst źródłaSchur, Richard. "Post-Soul Aesthetics in Contemporary African American Art". African American Review 41, nr 4 (1.12.2007): 641. http://dx.doi.org/10.2307/25426982.
Pełny tekst źródłaSherrard-Johnson, C. "Revolutionary Potential: African-American Aesthetics in the Depression Era". American Literary History 27, nr 2 (23.02.2015): 351–62. http://dx.doi.org/10.1093/alh/ajv005.
Pełny tekst źródłaJenkins, Chris. "Assimilation and Integration in Classical Music Education". Action, Criticism, and Theory for Music Education 21, nr 2 (wrzesień 2022): 156–81. http://dx.doi.org/10.22176/act21.2.156.
Pełny tekst źródłaMoore, Jeania Ree V. "African American Quilting and the Art of Being Human: Theological Aesthetics and Womanist Theological Anthropology". Anglican Theological Review 98, nr 3 (czerwiec 2016): 457–78. http://dx.doi.org/10.1177/000332861609800302.
Pełny tekst źródłaCrawford, Margo Natalie. "What Time Is It When You’re Black?" South Atlantic Quarterly 121, nr 1 (1.01.2022): 153–72. http://dx.doi.org/10.1215/00382876-9561601.
Pełny tekst źródłaRozprawy doktorskie na temat "African American aesthetics"
Gibson, Ebony Z. "Art for whose Sake?: Defining African American Literature". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/17.
Pełny tekst źródłaPotter, Lawrence T. "Harlem's forgotten genius : the life and works of Wallace Henry Thurman /". free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946287.
Pełny tekst źródłaEllis, Aimé Jero. "The "bad nigger" in contemporary Black popular culture : 1940 to the present /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Pełny tekst źródłaSilvio, Carl. "The institutional production of literary value studies of African-American popular music lyrics and the avant-garde /". Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2061.
Pełny tekst źródłaTitle from document title page. Document formatted into pages; contains iii, 310 p. Includes abstract. Includes bibliographical references (p. 301-310).
Moskowitz, Alex. "American Imperception: Literary Form, Sensory Perception, and Political Economy in Nineteenth-Century American Literature". Thesis, Boston College, 2021. http://hdl.handle.net/2345/bc-ir:109138.
Pełny tekst źródłaThesis advisor: Jennifer Greiman
“American Imperception” explores how early American writers investigated the role that political economy plays in the relation between sensory perception and knowledge. This dissertation argues that nineteenth-century American writers used literature to teach their readers to understand how economic forms and forms of economic activity fundamentally shape and train the sensorium to sense in historically and contextually specific ways. In “American Imperception,” I show how literature can make legible otherwise insensible forms of social and economic relations. The impossibility of sensing social and economic form—and the way in which that impossibility is rendered through literature—is what I call in this project “imperception.” Imperception describes the way in which literary form makes intelligible the structures of social, political, and economic life: structures that themselves cannot be sensed directly and which therefore cannot be directly represented by literature. “American Imperception” is focused on how literature interacts with social life within a capitalist modernity defined by the value form and the commodity form, and how literature formalizes the structures of social life through a specifically literary logic, transforming them into something that can be read where they cannot be seen, heard, felt, or represented. This dissertation draws on Karl Marx’s thinking on the senses and the suprasensible to consider how U.S. writers of the nineteenth-century mobilized literary form to make thinkable forms of sociality that cannot be contained by the imperceptible nature of sociality under capital. As I show in this dissertation, the political economy of social life determines what can be sensed, just as what can be sensed marks the horizon of political and social possibility
Thesis (PhD) — Boston College, 2021
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Hopkins, Richard L. D. "Reggae in the Motor City: The Afropolitan Aesthetics of Reggae in Detroit, MI". Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1573002146396538.
Pełny tekst źródłaIsaac, Rochell J. "AFRICAN HUMANISM: A PRAGMATIC PRESCRIPTION FOR FOSTERING SOCIAL JUSTICE AND POLITICAL AGENCY". Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/186541.
Pełny tekst źródłaPh.D.
This study explores an African conception of Humanism as distinct from the European model and challenges the notion that Humanism is an entirely European construct. I argue that the ideological core of Humanism originated in ancient Kemet, the basis of which frames the African worldview. Furthermore, the theoretical framework provided by the African Humanistic paradigm serves as a model for structuring inter and intra group relations, for tackling notions of difference and issues of fundamentalism, for addressing socio-economic political concerns, and finally, to shift the currents of political rhetoric from one of jouissance to a more progressive and pragmatic stance.
Temple University--Theses
Reed, Caroliese Frink. "Aesthetic Re-Creation and Regeneration in African American Storytelling: The Works of Torrence, Goss and Alston". Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/362263.
Pełny tekst źródłaPh.D.
From the animal and trickster tales told by enslaved Africans in America to current education and performance based storytelling by contemporary African American storytellers, this study traces the aesthetics and epistemologies of the collaborative African diasporic oral expressive traditions. Through systematic analysis based on data derived from bibliographic and archival sources, interviews, and participant observation, it delineates the progression of the repertoire and content of Blackstorytelling through the lives and works of national and internationally known storytellers, Jackie Torrence, Linda Goss and Charlotte Blake Alston. Its theoretical framework is inspired by Kariamu Welsh Asante’s aesthetic senses coupled with pertinent ideas of other scholars in the field. The study demonstrates the existence of significant evidence of cultural preservation and artistic re-interpretation of the African aesthetic in Blackstorytelling. The genre comprises both traditional and contemporary expressions of African American culture. As such, it is a major component of the universal African oral continuum
Temple University--Theses
White, Theresa Renee. "Media as pedagogy and socializing agent influences of feminine beauty aesthetics in American teen-oriented films and magazines on African American adolescent female self image /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610103761&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaThompson, Sheneese. "Oshun, Lemonade and Other Yellow Things: Philosophical and Empirical Inquiry into Incorporation of Afro-Atlantic Religious Iconography". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555573211820986.
Pełny tekst źródłaKsiążki na temat "African American aesthetics"
1944-, Baer Hans A., Polk Noel i University of Southern Mississippi, red. Black church ritual and aesthetics. Hattiesburg: University of Southern Mississippi, 1985.
Znajdź pełny tekst źródłaDriskell, David C. African American visual aesthetics: A postmodernist view. Washington: Smithsonian Institution Press, 1995.
Znajdź pełny tekst źródłaOmry, Keren. Cross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.
Znajdź pełny tekst źródłaCross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.
Znajdź pełny tekst źródłaLooking for Harlem: Urban aesthetics in African American literature. London: Pluto Press, 2000.
Znajdź pełny tekst źródłaKariamu, Welsh-Asante, red. The African aesthetic: Keeper of the traditions. Westport, Conn: Greenwood Press, 1993.
Znajdź pełny tekst źródłaGabbin, Joanne V. Sterling A. Brown: Building the Black aesthetic tradition. Charlottesville: University Press of Virginia, 1994.
Znajdź pełny tekst źródłaMoten, Fred. In the break: The aesthetics of the Black radical tradition. Minneapolis: University of Minnesota Press, 2003.
Znajdź pełny tekst źródłaShockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: University of Iowa Press, 2011.
Znajdź pełny tekst źródłaBlack intellectuals, Black cognition, and a Black aesthetic. Westport, Conn: Praeger, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "African American aesthetics"
Taylor, Clyde R. "Black Cinema and Aesthetics". W A Companion to African-American Philosophy, 399–406. Malden, MA, USA: Blackwell Publishing, 2007. http://dx.doi.org/10.1002/9780470751640.ch26.
Pełny tekst źródłaSimpson, Lorenzo C. "Critical Theory, Aesthetics, and Black Modernity". W A Companion to African-American Philosophy, 386–98. Malden, MA, USA: Blackwell Publishing, 2007. http://dx.doi.org/10.1002/9780470751640.ch25.
Pełny tekst źródłaLewis-Mhoon, Abena. "Foraging Fashion: African American Influences on Cultural Aesthetics". W Soul Thieves, 61–75. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137071392_5.
Pełny tekst źródłaSchur, Richard. "Stomping the Blues No More? Hip Hop Aesthetics and Contemporary African American Literature". W New Essays on the African American Novel, 201–20. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_14.
Pełny tekst źródłaCooper, Preston Park. "“A Beautiful Black Butterfly”: Eastern Aesthetics and Postmodernism in Ishmael Reed’S Japanese by Spring". W Cross-Cultural Visions in African American Literature, 177–90. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119123_9.
Pełny tekst źródłaUwakweh, Pauline Ada. "Mobilities as Transnational Literary Aesthetics in Adichie's Americanah". W Women Writers of the New African Diaspora, 68–85. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429296383-5.
Pełny tekst źródłaThompson, Mark Christian. "Aesthetic Hygiene: Marcus Garvey, W.E.B. Du Bois, and the Work of Art". W A Companion to African American Literature, 243–53. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch16.
Pełny tekst źródłaSackeyfio, Rose A. "Negotiating identity and Pan-African aesthetics in Americanah by Chimamanda Ngozi Adichie". W West African Women in the Diaspora, 53–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003219323-5.
Pełny tekst źródłaMoody, Shirley C. "Anna Julia Cooper, Charles Chesnutt, and The Hampton Folklore Society—Constructing a Black Folk Aesthetic through Folklore and Memory". W New Essays on the African American Novel, 13–32. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_2.
Pełny tekst źródłaTredell, Nicolas. "‘Hasn’t got any name’: Aesthetics, African Americans and Policemen in The Great Gatsby". W Reassessing the Twentieth-Century Canon, 27–42. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137366016_3.
Pełny tekst źródła