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Armstrong, Kevin Anthony. "Aesthetics/ethics, two modern views". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37936.pdf.
Pełny tekst źródłaJames, Michael. "Reflections and elaborations upon Kantian aesthetics". Uppsala : Stockholm, Sweden : Academia Ubsaliensis ; Distributor, Almqvist & Wiksell International, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18255569.html.
Pełny tekst źródłaSchmid, Erica. "Fail Better: The Aesthetics of Contemporary Criticism". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/274890.
Pełny tekst źródłaPh.D.
Though literature and literary study have needed defense for most of their respective histories, the current crisis in academic literary study and the humanities more generally has forced scholars into the uncomfortable position of selling their disciplines and simultaneously warning students about the risks involved in earning what the dominant public considers to be "useless" degrees. The paradox, of course, is that dissuading would-be studiers is both ethical and destructive: it is necessary to inform students of the frightful instability of careers in literary study, but doing so renders such careers even more unstable. While some argue that the decline of the discipline is a result of practices within the discipline, I suggest that the root of the problem lies in the dominant discourse, which forces scholars to defend the discipline according to dominant notions of success. Using Frank Lentricchia's "Last Will and Testament of an Ex-Literary Critic" as a hinge between discussions of the value of literary study and elaborations of the antisocial thesis in queer theory, I contend that the discipline is not socially valued for the same reason it is socially valuable: it facilitates the pleasure of experiencing and envisioning new possibilities in and through the circulation of discourse. Since this aim does not (easily) translate into wealth accumulation or employability, it does not read as "success" and therefore the discipline has difficulty being socially valued. Rather than explaining the various benefits of earning a degree in literature, I argue that the discipline should embrace (its) failure as both a challenge to and re-imagining of dominant notions of success.
Temple University--Theses
Eccles, Tim. "Looking for beauty: a call to educators to address the need for aesthetic education in our classrooms /". Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2204.
Pełny tekst źródłaLong, David Thomas. "Object vanishings in early modern narrative". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495946191&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaIida, Yumiko. "Rethinking identity in modern Japan : nationalism as aesthetics /". Abingdon ; New York : Routledge, 2002. http://catalogue.bnf.fr/ark:/12148/cb40016503j.
Pełny tekst źródłaFelstead, Kenneth Desmond 1945. "The metaphysical grounds for the modern relationship between aesthetics and ethics". Monash University, School of Literary, Visual and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8648.
Pełny tekst źródłaKitamura, Katie. "The aesthetics of vulgarity and the modern American novel". Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424932.
Pełny tekst źródłaBarker, Jennifer. "The aesthetics of resistance modernism and antifascism /". [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.
Pełny tekst źródłaSource: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."
Grahn, Emma. "A study in GUI aesthetics for modern pixel art games". Thesis, Blekinge Tekniska Högskola, Sektionen för datavetenskap och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5423.
Pełny tekst źródłaTydlighet och användarvänlighet, i det grafiska användargränssnittet är en mycket viktig del för att göra ett digitalt spel omtyckt. Pixelgrafik är en grafisk stil i låg upplösning som består av en genomtänkt placering av pixlar, de minsta representationen av färg som en skärm kan visa. Pixelgrafik har potentialet att vara billigt, lätt att skapa och nostalgiskt, men den kräver teknik att använda. Den här uppsatsen diskuterar hur pixelgrafik kan använda sitt användargränssnitt och ”Heads up display” för att skapa vackra spel utan att förlora tydlighet.
POLIZZO, ANA PAULA. "THE MODERN AESTHETICS OF THE LANDSCAPE: ROBERTO BURLE MARX’S POETICS". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17068@1.
Pełny tekst źródłaA arte dos jardins comparada com as outras artes é extremamente ambígua:ela se constrói com a própria natureza, e, no entanto, desta deve se afastar por intermédio de um gesto que a torna jardim e que a isola da extensão que o cerca. O jardim é uma realidade frágil uma vez que lida com o mundo transitório e efêmero das plantas, com o ciclo de vida, com a mutabilidade, com a temporalidade bem marcada, diferente da obra de arte estática. Sob esta perspectiva, muitos autores são incisivos ao indicar Roberto Burle Marx como definidor de uma estética moderna de paisagem, incorporando o espírito da pesquisa plástica às soluções dos jardins. Colocam suas produções como descobertas de uma nova forma de arte intelectual, uma linguagem moderna, harmonizando valores geométricos e de ordem com os valores instáveis da natureza. Esse processo de trabalho pressupõe uma forma articulada de visão, que considera o jogo entre constantes e variantes: a definição formal do espaço (que busca um foco extremamente visual na composição, como numa tela em que os elementos possuem uma lógica intrínseca), o conhecimento das espécies com a compreensão do movimento e a dimensão do tempo no jardim. Estas composições paisagísticas passam a constituir uma unidade, uma experiência própria e autônoma possuidora de lógica interna, ainda que ligadas a uma extensão e a um movimento infinitamente mais vasto da natureza como um todo. Há um intercâmbio de vertentes na noção da paisagem: o ordenamento construído através da arte, numa coexistência com o princípio eterno de natureza. Através da manobra de introduzir a natureza estetizada na arquitetura, se estabelecia uma maneira de realizar a conciliação entre arquitetura e natureza, ora possibilitando uma unidade compositiva, ora ressaltando a distância entre os dois elementos insistindo em sua recíproca exterioridade.
Garden art, if compared to other kinds of art, can be extremely ambiguous: it is built with nature although it should get away from it through a gesture which makes it a garden and that isolates it from the surrounding extension. The garden is a fragile reality since it deals with the transitory and ephemeral world of the plants, with a life cycle, with mutability, with well established temporality, different from static art. Under this perspective, many authors are incisive to point Roberto Burle Marx as a definer of landscape modern aesthetics, joining the spirit of plastic research to garden solutions. They state his productions as discoveries of a new form of intellectual art, a modern language, harmonizing geometric and order values with unstable values from the nature. This work process presupposes an articulated point of view, which considers the role played by the constant and variables: the formal definition of space (which seeks for an extremely visual focus in the composition, just as on a canvas where the elements have an intrinsic logic), the knowledge of species as the understanding of the movement, and the time dimension in the garden. These landscape compositions start to constitute a unit, an autonomous and own experience having internal logic, despite being connected to an extension and to an infinitely wider movement of the nature as a whole. There is a strand exchange related to landscape knowledge: the planning built through art, in a coexistence with the eternal principal of nature. By introducing aestheticized nature into architecture, a way of carrying out the reconcilement between architecture and nature was established, sometimes enabling a compositional unit, and sometimes enhancing the distance between the two elements instituted in its reciprocal externality.
Kerting, Verena. "Henry David Thoreau's aesthetics : a modern approach to the world /". Frankfurt-am-Main : P. Lang, 2006. http://catalogue.bnf.fr/ark:/12148/cb402429803.
Pełny tekst źródłaSmyth, Edmund Joseph. "The nouveau Roman and the aesthetics of modernity and postmodernity". Thesis, University of Glasgow, 1993. http://theses.gla.ac.uk/4834/.
Pełny tekst źródłaSohn, Won Jung. "In search of another eye : mimesis, Chinese aesthetics, post-modern theatre". Thesis, University of London, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542434.
Pełny tekst źródłaBrennan, Mary Kate. "Nietzsche on Suffering, Affirmation, and Modern Tragedy". Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/593202.
Pełny tekst źródłaPh.D.
As an artform, tragedy is deeply perplexing. On the one hand, it depicts events that are painful, depressing, and difficult to watch. On the other hand, it is a genre that has been continually replicated, revered, and enjoyed throughout history. I examine Nietzsche’s response to this problem. Nietzsche, I argue, develops a clear response to the paradox of tragedy: Tragedy is valuable because, even though (or precisely because) it is painful to watch, it allows us to affirm life. Interestingly, Nietzsche’s discussion of tragedy is filled with numerous mentions of Shakespeare. I argue that Nietzsche’s comments on Shakespeare emphasize the historically sensitive nature of Nietzsche’s theory of life affirmation. While Nietzsche might seem to be delivering a universal, trans-historical account of life affirmation, his comments on Shakespeare make it clear that life affirmation functions differently in different times and cultures.
Temple University--Theses
Fokt, Simon. "Defining art culturally : modern theories of art : a synthesis". Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3675.
Pełny tekst źródłaTsoulou, Marina-Georgia. "Philosophical approaches to classical ballet and modern dance". Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/50522/.
Pełny tekst źródłaSantos, Anna Maria Affonso dos. "John Graz: o arquiteto de interiores". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-03032010-112258/.
Pełny tekst źródłaThe main purpose of this research is to carry out a formal analysis of the home interior architecture designs developed by John Graz in São Paulo in the first decades of the 20th century. For that matter, it intends to show his importance as the innovator of modern design for home interiors in São Paulo and acknowledge his contribution to the Brazilian art and architecture.
Magdaleno, Danieli Gervazio [UNESP]. "As bases hegelianas da literatura dramática de Jean-Paul Sartre". Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151925.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A presente dissertação se volta para as diferentes formas de linguagem nas obras literárias de Jean-Paul Sartre e o que determina sua escolha pelo teatro como meio privilegiado para expressar o engajamento do indivíduo junto à coletividade. Sartre se mostra importante no panorama do drama moderno, visto que, ao mesmo tempo em que os personagens de suas peças, partindo de uma situação de total isolamento e desamparo, manifestam sua incapacidade de agir, ainda assim conseguem resgatar a liberdade de atuação constitutiva do gênero dramático. Sartre se empenhou por preservar as características do drama, mesmo diante das investidas épicas e líricas que tomaram conta do gênero dramático a partir do século XIX. A retomada do drama empreendida pela filosofia existencialista tenta sanar o estado de impotência que teria assolado o homem moderno. Nossa hipótese é de que Sartre parece buscar uma forma de legitimar seus dramas na sistematização dos gêneros literários exposta por Hegel em seus Cursos de Estética.
This dissertation's object are the different language forms in Jean-Paul Sartre's literary work and his choice for theatre as privileged means of expressing individual engagement in the collectivity. Sartre has been as an important name in the modern drama panorama, because his characters show an incapacity to act, coming from a situation of total isolation and abandonment, and at the same time are still able to rescue the liberty of acting. This liberty constitutes the drama, so Sartre strove diligently for preserving drama's features, even against the assaults from the epic and the lyric genders, which took over the dramatic gender from the nineteenth century onwards. Retaking the drama, a task undertaken by the existential philosophy, is one step towards solving the state of impotence that had devastated the modern man. We support the hypothesis that Sartre seems to seek for a way of legitimating the drama by means of the literary genders exposed by Hegel in his Lectures on Aesthetics.
Brake, Daniel David. "God is also beautiful Karl Barth's inclusion of beauty in the doctrine of God /". Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Pełny tekst źródłaHiginbotham, Sarah. "The Violence of the Law: Aesthetics of Justice in Early Modern England". Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/english_diss/113.
Pełny tekst źródłaAlRajaibi, Iman M. "Aesthetics in the Qur’ān : a thematic study based on selected modern exegeses". Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6986/.
Pełny tekst źródłaJeffrey, Anthony Cole. "The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.
Pełny tekst źródłaMitra, Samarpita. "The literary public sphere in Bengal: Aesthetics, culture and politics, 1905-1939". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2009. http://wwwlib.umi.com/cr/syr/main.
Pełny tekst źródłaLindley, Anne Hollinger. "Relating to relational aesthetics". Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Pełny tekst źródłaHitt, Christopher J. "The natural sublime : romanticism and the aesthetics of wilderness /". view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3018373.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 277-286). Also available for download via the World Wide Web; free to University of Oregon users.
Callwood, Chaneel Marie. "Architectural nights : an articulation of the structure of "The Garden of Forking Paths" by Jorge Luis Borges and "One Hundred Years of Solitude" by Gabriel Garcia Marquez". Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23932.
Pełny tekst źródłaFerguson, Bruce W. "From sight to site : some considerations regarding contemporary theory in relation to contemporary art". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61972.
Pełny tekst źródłaPrickett, Stacey Lee. "Marxism, modernism and realism : politics and aesthetics in the rise of American modern dance". Thesis, Open University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304885.
Pełny tekst źródłaBurstow, Robert. "Modern public sculpture in 'New Britain', 1945-1953". Thesis, University of Leeds, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369070.
Pełny tekst źródłaArcher, Carol. "Frames, flows, feminist aesthetics: paintingsby Judy Watson, Cai Jin and Marlene Dumas". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B3690787X.
Pełny tekst źródłaCase, Marlene Katherine. "The Carnivalesque and Grotesque Realism in Modernist Literature| The Final Novels of Ronald Firbank and Virginia Woolf". Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096025.
Pełny tekst źródłaConcerning the Eccentricities of Cardinal Pirelli by Ronald Firbank and Between the Acts by Virginia Woolf both liberate the text from the expected form to engage emotional awareness and instigate reform of societal standards. Employing Mikhail Bakhtin’s theories of the carnivalesque and grotesque realism as a means to create this perspective is unconventional; nevertheless, Firbank, predominantly misunderstood, and Woolf, more regarded but largely misinterpreted, both address sexuality and religion to parody what they believe to be the retrogression of civilization by narrating christenings, pageants, and other forms of carnival. Both novels forefront nonconformity, and the conspicuous influence of debasement is identified as a form of salient renewal. Christopher Ames, Melba-Cuddy Keane, and Alice Fox have already expressed remarkable insight into Woolf; unfortunately not a single scholar has approached Firbank’s text in this manner, and this essay discusses the value of both authors in the aspect of Bakhtin’s theories.
Schefer, Niklaus. "Philosophie des Automobils Ästhetik der Bewegung und Kritik des automobilen Designs /". München : Wilhelm Fink, 2008. http://books.google.com/books?id=5GbbAAAAMAAJ.
Pełny tekst źródłaJones, Doyle Michael. "Masonry ornament : applications of masonry construction in post-modern architecture". Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/24139.
Pełny tekst źródłaSato, Yasuko. "Neither past nor present the pursuit of classical antiquity in early modern and modern Japan /". online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3060262.
Pełny tekst źródłaBracht, Christian. "Kunstkommentare der sechziger Jahre : Funktionen und Fundierungsprogramme /". Weimar : VDG, 2002. http://www.h-net.org/review/hrev-a0d4g3-aa.
Pełny tekst źródłaDe, Andrade Pissarra Mario. "Locating Malangatana: decolonisation, aesthetics and the roles of an artist in a changing society". Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31161.
Pełny tekst źródłaSager, Jenny Emma. ""The strategy with cunning shows" : the aesthetics of spectacle in the plays of Robert Greene". Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:af29d412-c285-46e4-953c-43eac3e86f13.
Pełny tekst źródłaSummers, Stephen. "Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18322.
Pełny tekst źródłaArcher, Carol. "Frames, flows, feminist aesthetics paintings by Judy Watson, Cai Jin and Marlene Dumas /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B3690787X.
Pełny tekst źródłaChoi, Yoon Kyung. "The spatial structure of exploration and encounter in museum layouts". Diss., Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23301.
Pełny tekst źródłaBloomer, Jennifer Allyn. "Towards an architecture of desire : the (s) crypt of Joyce and Piranesi". Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23414.
Pełny tekst źródłaLee, Dongeon. "Phenomenology, hermeneutics, and existentialism as sources of an inquiry into the meaning of modern architecture". Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/21807.
Pełny tekst źródłaKorta, Jeremie Charles. "The Aesthetics of Discovery: Text, Image, and the Performance of Knowledge in the Early-Modern Book". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467521.
Pełny tekst źródłaRomance Languages and Literatures
Christianson, James H. "Revolutionizing time and space : the close accord of modern science and aesthetics in picturing physical planes /". Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.
Pełny tekst źródłaSpičanović, Vladimir. "Beyond the anti-aesthetic". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20473.
Pełny tekst źródłaThomas, Bryant David. "New Retro: An Exploration of Modern Video Games With A Retro Aesthetic". Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1493401505332341.
Pełny tekst źródłaRehman, Mohammad Munib. "Infinite surface : An extended reflection on the estrangement of the modern subject". Thesis, KTH, Urbana och regionala studier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-287277.
Pełny tekst źródłaAu, Chung-to, i 區仲桃. "Shifting ground: modernist aesthetics in Taiwanese poetry since the 1950s". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2554939X.
Pełny tekst źródłaJúnior, Luiz Carlos Gonçalves de Oliveira. "Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-29062015-123125/.
Pełny tekst źródłaThe thesis investigates the recurrence of Alfred Hitchcock\'s Vertigo (1958) as the matrix scheme of a meta-artistic reflection that crosses all the modern history of cinema. It includes a series of films whose subject is the image itself (cinematographic, pictorial, photographic, as well as digital image). After defining and analyzing the artistic theory proposed by Vertigo, the thesis verifies the developments of this theory in many modern and contemporary films made since the beginning of the 1960\'s. Among the films analyzed one will find La Jetée (Chris Marker, 1962), Blow up (Michelangelo Antonioni, 1966), Obsession (Brian De Palma, 1975), Special Effects (Larry Cohen, 1984), The Stendhal Syndrome (Dario Argento, 1996), Lost Highway (David Lynch, 1997), La captive (Chantal Akerman, 2000), and In the city of Sylvia (En la ciudad de Sylvia, José Luis Guerín, 2007).