Gotowa bibliografia na temat „Aesthetic walkthrough”
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Artykuły w czasopismach na temat "Aesthetic walkthrough"
Bekti, Eric Setiyo, Sita Anggraeni i Ipin Sugiyarto. "Analisis Usability pada Aplikasi Universitas123 Portal Universitas dan Beasiswa Menggunakan Metode Heuristic Evaluation dan Cognitive Walkthrough". Jurnal Teknologi Informatika dan Komputer 9, nr 2 (30.09.2023): 1356–70. http://dx.doi.org/10.37012/jtik.v9i2.1838.
Pełny tekst źródłaPollock, Katherine. "Matter’s Performance in Christoph Schlingensief’s “Animatographische Editionen”". Studia Germanica Posnaniensia, nr 42 (1.08.2023): 193–208. http://dx.doi.org/10.14746/sgp.2022.42.12.
Pełny tekst źródłaHassanain, Mohammad A., Mohammed Kajak, Mohammad B. Hamida i Ahmed M. Ibrahim. "Post Occupancy Evaluation of the Built Environment: A Case Study of Mosque Facilities". International Journal of Built Environment and Sustainability 8, nr 3 (30.08.2021): 107–19. http://dx.doi.org/10.11113/ijbes.v8.n3.831.
Pełny tekst źródłaByun, Il Hwan, Ji Eun Jung, In Seok Shin i Sang Hoon Park. "Periareolar augmentation mastopexy: Finding the aesthetic level of breast lifting". Journal of Cutaneous and Aesthetic Surgery, 4.08.2023. http://dx.doi.org/10.4103/jcas.jcas_42_23.
Pełny tekst źródłaBrans, Luuc. "“Who made my clothes?” how transparency apps bring politics to cultural fields". Journal of Consumer Culture, 7.04.2023, 146954052311668. http://dx.doi.org/10.1177/14695405231166875.
Pełny tekst źródłaSeenapatabendige, K.B. "Adaptive Reuse of Old Houses into Boutique Hotels: An Approach to Market Architectural Heritage". Proceedings of International Forestry and Environment Symposium 28 (14.02.2024). http://dx.doi.org/10.31357/fesympo.v28.7015.
Pełny tekst źródła"Integral rationalism: ontological and epistemological intentions in context of the european rationalism development". Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", nr 59 (2019). http://dx.doi.org/10.26565/2306-6687-2019-59-02.
Pełny tekst źródłaA. Abu Bakar, Juliana, Chew Shiaujing, Ooi Wooisim, Pang Chongmeng, Hafizatul H. Abdrahman i Hazarotul L. Hussin. "DEVELOPMENT OF VIRTUAL TRADITIONAL HOUSE FOR INTERACTIVE REAL-TIME NAVIGATION". Jurnal Teknologi 75, nr 3 (29.07.2015). http://dx.doi.org/10.11113/jt.v75.5040.
Pełny tekst źródłaSwerzenski, JD, i Dasol Kim. "THE NEW SELFIE STANDARD: FACETUNE AND THE SHIFT TOWARD EAST ASIAN SELFIE AESTHETICS". AoIR Selected Papers of Internet Research, 15.09.2021. http://dx.doi.org/10.5210/spir.v2021i0.12249.
Pełny tekst źródłaBeattie, Alex. "From Poacher to Protector of Attention: The Therapeutic Turn of Persuasive Technology and Ethics of a Smartphone Habit-breaking Application". Science, Technology, & Human Values, 13.09.2021, 016224392110426. http://dx.doi.org/10.1177/01622439211042667.
Pełny tekst źródłaRozprawy doktorskie na temat "Aesthetic walkthrough"
Lauraire, Héloïse. "Parcours scéniques : un genre de dispositif esthétique spécifique dans l'art contemporain occidental des années 2005-2012 : étude d’une sélection d’œuvres de Christoph Büchel, Mike Nelson, Jonah Freeman & Justin Lowe". Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080034.
Pełny tekst źródłaBetween the early 2000s and the early 2010s, four contemporary Western artists Christoph Büchel, Mike Nelson, Jonah Freeman and Justin Lowe built gigantic and enigmatic multi-room installations in Europe and the United States. Our initial hypothesis was that there were relationships between the labyrinthine super-productions of these artists, both in terms of their conceptions and their receptions.Our study describes and analyzes the specificities (construction, visitors reception, themes and references ...) and the issues (exploration, elaboration of a story, visitors’ endangerment and risk-taking...) of the aesthetic experiences offered by these works of art, nowadays invisible. The gathering and assessment of unpublished archives concerning ten of these artistic devices and their geneses as well as a field survey carried out among their spectators have enabled us to reconstruct mental images of these works. The plans and ekphrases, illustrated fictions, presented in this thesis reveal the spatial and temporal dimensions of these aesthetic walkthroughs and bring to light a set of similar set ups, materials, and themes. Based upon the scenographic strategies of the artists and the feelings of the spectators, our analysis leads us to consider these works as emotional installations and as dystopian narrative spaces. Walking across these, as if journeying through a voyage of initiation, sparks the spectator’s imagination and makes him fully conscious of his individuality and ability to take action