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Książki na temat „Aesthetic patterns”

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Autor: Grafiati

Data publikacji: 22 czerwca 2024

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1

Engelberg, Edward. The vast design: Patterns in W.B. Yeats's aesthetic. Wyd. 2. Washington, D.C: Catholic University of America Press, 1988.

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2

Fatima, Ibrahim Binta, i Binta Fatima Ibrahim. Themes, patterns and oral aesthetic forms in Nigerian literature. Ilorin, Nigeria: Haytee Press and Pub. Co., 2008.

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3

John, Briggs. Fractals: The patterns of chaos : a new aesthetic of art, science, and nature. New York: Simon & Schuster, 1992.

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4

Winold, Allen. Harmony: Patterns and principles. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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5

Stone, Mark Van. Celtic knots: Techniques and aesthetics. Arvada, Colo: Alphabet Studio, 1992.

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6

Harris, Carolyn. Knitting patterns from nature. London: B.T. Batsford, 1989.

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7

Lindner, Christoph, i Gerard Sandoval, red. Aesthetics of Gentrification. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722032.

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Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city. In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.

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8

Becker, Joyce R. Nature's patterns: Inspirations and techniques for quilt makers. Lincolnwood, Ill., U.S.A: Quilt Digest Press, 1996.

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9

Davis, W. Bowdoin. Duchamp: Domestic patterns, covers and threads. New York: Midmarch Arts Press, 2002.

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10

(Firm), Vanessa-Ann Collection, red. 100 cross-stitch gifts from nature. New York: Sedgewood Press, 1989.

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11

Colvin, Joan. Quilts from nature. Bothell, WA: That Patchwork Place, 1993.

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12

Ball, Philip. The self-made tapestry: Pattern formation in nature. Oxford [England]: Oxford University Press, 1999.

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13

Marsh, Christina. The countryside in cross stitch. London: Merehurst, 1995.

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14

Mayhew, Jayne Netley. Four seasons in cross stitch. Newton Abbot: David & Charles, 1997.

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15

Macnab, Maggie. Design by nature: Using universal forms and principles in design. Berkeley, CA: New Riders, 2012.

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16

Borkowska, Ewa. From Donne to Celan: Logo(theo)logical patterns in poetry. Katowice: Wydawn. Uniwersytet Śląskiego, 1994.

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17

Dubé, Richard L. Natural pattern forms: A practical sourcebook for landscape design. New York: Van Nostrand Reinhold, 1997.

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18

Suan, Stevie. The anime paradox: Patterns and practices through the lens of traditional Japanese theater. Leiden: Global Oriental, 2013.

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19

Crowe, Sylvia. The pattern of landscape. Chichester: Packard Pub., 1988.

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20

Crowe, Sylvia. The pattern of landscape. Chichester: Packard Publishing, 1993.

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21

Meyer, Leonard B. Music, the arts, and ideas: Patterns and predictions in twentieth-century culture. Chicago: University of Chicago Press, 1994.

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22

Meyer, Leonard B. Music, the arts and ideas: Patterns and predictions in twentieth-century culture. Chicago: University of Chicago Press, 1994.

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23

Propst, Susan Taylor. Nature's beauty in appliqué: Pretty and practical projects. Bothell: Martingale & Company, 2012.

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24

Stevens, Peter S. Handbook of regular patterns: An introduction to symmetry in two dimensions. Cambridge, Mass: MIT Press, 1991.

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25

Janssen-Chiappinelli, Lucilla. Patterns of enclosure: Edith Wharton's ambivalent sence of beauty : Lucilla Janssen-Chiappinelli. Zurich: Difo-Druck, 1997.

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26

Kuma, Kengo, Salvator-John A. Liotta i Matteo Belfiore. Patterns and layering: Japanese spatial culture, nature and architecture. Berlin: Gestalten, 2012.

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27

Jervis, John. Exploring the modern: Patterns of western culture and civilization. Oxford, UK: Blackwell Publishers, 1998.

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28

Jervis, John. Exploring the modern: Patterns of western culture and civilisation. Malden, Ma: Blackwell Publishers, 1998.

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29

Hibi, Sadao. Snow, wave, pine: Traditional patterns in Japanese design. Tokyo: Kodansha International, 2001.

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30

Fassett, Kaffe. Kaffe Fassett's glorious inspiration for needlepoint & knitting. New York: Sterling Pub. Co., 2000.

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31

Engelberg, Edward. The Vast Design: Patterns in W.B. Yeats's Aesthetic. Wyd. 2. Catholic Univ of Amer Pr, 1989.

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32

Engelberg, Edward. Vast Design: Patterns in W. B. Yeats's Aesthetic. University of Toronto Press, 2019.

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33

Whitesell, Lloyd. Viewing Patterns. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0004.

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The chapter focuses on musical macrostructure, taking the chorus of the featured popular song as the basic unit of form and exploring the kinds of large-scale aesthetic patterns that develop as songs are expanded into routines. It argues that sonic patterning, or “euphony,” provides its own pleasures independent of narrative logic. It surveys a broad sample of formal types, from a single chorus to twelve choruses in length, to investigate how formal design itself contributes to glamour. Examples are arranged in order of increasing complexity, introducing a basic vocabulary regarding formal subdivision, performance type, and audience address, and considering how formal patterns shape time, space, and affect.

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34

Briggs, John. Fractals: The Patterns of Chaos: Discovering a New Aesthetic of Art, Science, and Nature (A Touchstone Book). Simon & Schuster, 1992.

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35

Coloring, Anakim Anakim. Aesthetic Relaxing Flowers Coloring Book for Adults: Beautiful Flowers Patterns, Butterflies and More for Relaxation and Stress Relief. Independently Published, 2022.

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36

QASSEMI, Yassine. Relaxing Flowers Coloring Book for Adults: Aesthetic and Soothing Floral Designs for Relaxation with Beautiful Bouquets, Patterns, and Leaves. Independently Published, 2022.

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37

as, sad dam. 50 Flowers Coloring Book for Adults: Aesthetic and Soothing Floral Designs for Relaxation with Beautiful Bouquets, Patterns, and Leaves. Independently Published, 2022.

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38

Perez, Patricia T. 50 Flowers Coloring Book for Adults: Aesthetic and Soothing Floral Designs for Relaxation with Beautiful Bouquets, Patterns, and Leaves. Independently Published, 2022.

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39

Publishers, Fortune. Mandala Colouring Book with Unique Pattern along with Flower Patterns for Adult or Kids Unique Aesthetic Design: Anxiety Relief Colouring Book for Adult and Kids Large Print. Independently Published, 2022.

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40

Spring, Scott. 100 Flower Coloring Book: Wildflower Botanical Cottagecore Aesthetic Coloring Book with Bouquets, Wreaths, Swirls, Patterns, Decorations, Inspirational Designs, and Much More! Independently Published, 2020.

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41

Press, Creative Coloring. Easy and Large Print Flowers Coloring Book: Aesthetic and Soothing Floral Designs for Relaxation with Beautiful Bouquets, Patterns, and Leaves Inspirational Designs. Independently Published, 2022.

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42

Books, Roy Coloring. Anxiety Relief Coloring Book for Adults: More Than 40+ Beautiful Aesthetic and Soothing Flower Designs for Relaxation with Beautiful Botanical Flower Patterns, and Leaves. Independently Published, 2022.

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43

Miranda, Lieyry. Anxiety Relief Coloring Book for Adults: More Than 40+ Beautiful Aesthetic and Soothing Flower Designs for Relaxation with Beautiful Botanical Flower Patterns, and Leaves. Independently Published, 2022.

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44

Naim, Amin Jan. Pattern of Thought and Aesthetic. Independently Published, 2017.

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45

Lather, Amy. Materiality and Aesthetics in Archaic and Classical Greek Poetry. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474462358.001.0001.

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This book formulates a novel way to comprehend the relationship between materiality and cognition by demonstrating how descriptions of objects in archaic and classical Greek texts reveal distinctive ways of conceptualizing human thought and perception. The readings center on the concept of poikilia, a richly multivalent term in Greek aesthetics that is used to characterize artifacts as well as mental activity. By delineating patterns of interaction between living and inorganic beings through the lens of this aesthetic concept, this book maps a body of canonical texts onto the new critical terrains comprised by the new materialisms and cognitive humanities and reveals the points of intersection between cognitive processes and the material entities produced by them. The result, an innovative contribution to both Classics and New Materialism studies, uncovers the intimate and reciprocal interaction between minds and matter as central to ancient Greek aesthetic experience.

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46

Style, Bowie. Print and Pattern - Nature. King Publishing, Laurence, 2017.

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47

Stevenson, Kenneth. Anglican Aesthetics. Redaktorzy Mark Chapman, Sathianathan Clarke i Martyn Percy. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199218561.013.11.

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This chapter focuses on the applied aesthetics of Anglican worship. As a seventeenth-century development, with definitive roots in the sixteenth-century Reformation, as well as in the Western Catholic tradition, Anglican aesthetics is a complex interaction of all sorts of factors, theological, cultural, and historical, which at times make it appear contradictory, even dysfunctional. Beginning with the particular case study of the opening Eucharist of the 2008 Lambeth Conference, the chapter goes on to show how Anglican identity in worship has from its very beginnings been constantly evolving and responding to new contextual challenges. After discussing the importance of church music and hymnody and charting its development through the centuries, it moves on to describe the architectural shape of the liturgy which has also evolved along with changing patterns of worship. It concludes by suggesting that it will continue to evolve into the future in as yet uncharted ways.

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48

Winold, Allen. Harmony: Patterns and Principles. Prentice Hall, 1986.

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49

Winold, Allen. Harmony: Patterns and Principles. Prentice Hall College Div, 1986.

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50

Winold, Allen. Harmony: Patterns and Principles. Prentice Hall College Div, 1986.

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