Książki na temat „Adaptation”

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1

Silverstein, Alvin. Adaptation. Minneapolis: Twenty-First Century Books, 2008.

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Nicolas, Cage, Streep Meryl i Jonze Spike, red. Adaptation. Aylesbury: SONY V The Entertainment Network, 2003.

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Kaufman, Charlie. Adaptation. New York: Newmarket Press, 2002.

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Steve, Parker. Adaptation. Oxford: Heinemann Library, 2006.

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1955-, Rose Michael R., i Lauder George V, red. Adaptation. San Diego: Academic Press, 1996.

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Wilkins, Christina. Embodying Adaptation. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08533-8.

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Demory, Pamela, red. Queer/Adaptation. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05306-2.

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Kameo, Yoshitaka, Ken-ichi Tsubota i Taiji Adachi. Bone Adaptation. Tokyo: Springer Japan, 2018. http://dx.doi.org/10.1007/978-4-431-56514-7.

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Smith, William K., Thomas C. Vogelmann i Christa Critchley, red. Photosynthetic Adaptation. New York, NY: Springer New York, 2004. http://dx.doi.org/10.1007/b138844.

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10

Sternad, Dietmar. Strategic Adaptation. Vienna: Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0455-2.

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Cartmell, Deborah, i Imelda Whelehan. Screen Adaptation. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-11153-1.

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Florian, Coulmas, red. Language adaptation. Cambridge [England]: Cambridge University Press, 1989.

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1927-, Harrison G. A., red. Human adaptation. Oxford: Oxford University Press, 1993.

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Florian, Coulmas, red. Language adaptation. Cambridge: Cambridge University Press, 1989.

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P, Bensimon, Coupaye Didier, Centre de recherches en traduction et stylistique comparée de l'anglais et du français. i Centre national des lettres, red. Traduction/adaptation. [Paris]: Publications de la Sorbonne nouvelle, 1990.

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16

Commission, Canadian Human Rights. Adaptation planning. [Ottawa]: Canadian Human Rights Commission, 1986.

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17

Elliott, Kamilla. Adaptation Theory and Adaptation Scholarship. Redaktor Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.39.

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Streszczenie:
Adaptation studies and adaptation scholars have persistently been faulted for theoretical failure. Developing the argument that this critique is the fallout of a dysfunctional relationship between adaptation and theorization in the humanities, this essay examines particular problems that have arisen in adaptation scholarship as a result of adaptation’s and theorization’s impasses: tensions between theoretical nostalgia and theoretical progressivism, theoretical sprawl, failures in citation, mythological field histories, and transtheoretical field myths, most notably the claim that adaptation studies has been primarily concerned with fidelity of adapting to adapted work. This is untrue. The essay concludes that scholars instead attend to and critique our attempts to force adaptations to be faithful to theories that all too often obscure, neglect, and abuse adaptation.
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18

Anastasia Samoylova : Adaptation: Adaptation. Thames & Hudson, Limited, 2024.

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19

Boyd, Brian. Making Adaptation Studies Adaptive. Redaktor Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.34.

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An evolutionary (or “adaptationist”) perspective on adaptation studies offers ways past the “fidelity discourse” that has long vexed adaptation scholars. Biological adaptation forgoes exact fidelity to solve the new problems posed by inevitably changing environments, in a process that is fertile as well as faithful. Artistic adaptation also looks two ways, toward retention or fidelity and toward innovation or fertility. The complex and multiple adaptations and hybridizations of art and nature, of page, stage, screen, and painting in Nabokov’s 1969 novel Ada suggest that the more exactly you know your world, or the world of art, the more you can transform them as you wish. Charlie Kaufman’s 2002 screenplay Adaptation. resembles Ada not only in spotlighting orchids but also in being meta-adaptational, addressing, like Ada, both fidelity within adaptation and the creative fertility to be found in building on prior design but moving beyond fidelity.
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20

Krämer, Lucia. Adaptation in Bollywood. Redaktor Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.14.

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Chapter 14 examines the role of adaptation as both genre and practice in contemporary Hindi mainstream cinema, with reference to Indian film history and adaptation in Hollywood. In Bollywood today, despite the relative scarcity of literary adaptations, the multiplex boom has led to new ways of marketing adaptations and to a greater number of best-seller adaptations in recent years. Intramedial adaptations of both local and foreign films, by contrast, are a fully established practice of risk management, whose policies of copyright and self-positioning in relation to foreign films, for example the switch from “Indianization” strategies toward attempts at global accessibility, have reflected Bollywood’s changing role within world cinema. Based on its investigation of adaptation in Bollywood, the essay proposes several corrective implications for adaptation studies that arise from testing analytical categories developed on the basis of Western adaptations against adaptation in a different cultural sphere.
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21

Redmon, Allen H., red. Next Generation Adaptation. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832603.001.0001.

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Next Generation Adaptation: Spectatorship and Process explores the ways in which cross-cultural adaptations often stage a collusion between competing cultural capital. The collusion conceals and reveals commonalities and differences between these cultural traditions before giving way to the differences that can distinguish one textual expression from another, just as it ultimately distinguishes one set of readers from another. An adaptation of any sort, but especially those that cross accepted stereotypes, or geographic or political boundaries, provide spectators space to negotiate attitudes and ideas that might otherwise lay latent in the text. Spectators are left to parse through each, often with special attention to the differences that exist between two expressions. Each new set of readers, each generation, distinguishes itself from an earlier set of readers, even as they exist along the same family tree. Given enough time, some new shared organizing strategy emerges until a new encounter or new expression of a text restarts the adaptational process every adaptation can trigger. Taken together, the chapters in Next Generation Adaptation each argue that the texts they consider foreground the kinds of space that exists between texts, between political commitments, between ethical obligations that every filmic text can open when the text is experienced as an adaptation. The chapters esteem the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another.
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22

Tyrrell, Jeremy. Adaptation. Independently Published, 2019.

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Reynolds, Mack. Adaptation. Independently Published, 2017.

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Waldron, Melanie. Adaptation. Capstone, 2013.

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Archer, Neil, i Andreea Weisl-Shaw, red. Adaptation. Peter Lang UK, 2012. http://dx.doi.org/10.3726/978-3-0353-0226-4.

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26

Personogen. Adaptation. CreateSpace Independent Publishing Platform, 2018.

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27

Adaptation. Rosen Publishing Group, 2016.

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28

Adaptation. Oxford: Heinemann Library, 2011.

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Adaptation. Simon & Schuster, 2008.

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30

Adaptation. Hachette Children's Group, 2014.

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31

Adaptation. Blurb, 2018.

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32

Adaptation. Little, Brown, 2013.

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33

Cage, Nicolas. Adaptation. n/a, 2006.

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34

Adaptation. New York: Little, Brown Books for Young Readers, 2012.

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Adaptation. Fantasy.Productions L.L.C., 2024.

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Lo, Malinda. Adaptation. Little Brown & Company, 2014.

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37

Lloyd, Elisabeth. Adaptation. University of Cambridge ESOL Examinations, 2021.

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Waldron, Melanie. Adaptation. Capstone, 2013.

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39

Lauder, George V., i Michael R. Rose. Adaptation. Elsevier Science & Technology Books, 1996.

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Reynolds, Dallas McCord. Adaptation. Start Publishing LLC, 2014.

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Reynolds, Mack. Adaptation. Spastic Cat Press, 2013.

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42

PUBLISHERS, SAXON. Adaptation. Houghton Mifflin Harcourt Publishing Company, 2007.

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43

Cobb, Shelley. Adaptation. Palgrave Macmillan, 2014.

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44

Mack Reynolds (Dallas Mccord Reynolds). Adaptation. Lector House, 2019.

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45

PUBLISHERS, SAXON. Adaptation. Houghton Mifflin Harcourt Publishing Company, 2009.

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46

Reynolds, Mack. Adaptation. Endymion Press, 2016.

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47

Silverstein, Virginia B., Laura Silverstein Nunn i Alvin Silverstein. Adaptation. Twenty-First Century Books (CT), 2007.

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48

PUBLISHERS, SAXON. Adaptation. Houghton Mifflin Harcourt Publishing Company, 2006.

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49

George, Gale. Adaptation. Rosen Publishing Group, 2016.

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George, Gale. Adaptation. Rosen Publishing Group, 2016.

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