Gotowa bibliografia na temat „Actor-Character”
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Artykuły w czasopismach na temat "Actor-Character"
Tennent, Hamish, Dylan Moore i Wendy Ju. "Character Actor". Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 1, nr 4 (8.01.2018): 1–23. http://dx.doi.org/10.1145/3161407.
Pełny tekst źródłaIORGA, Anca. "The actor and his character". Theatrical Colloquia 13, nr 1 (15.05.2023): 71–82. http://dx.doi.org/10.35218/tco.2023.13.1.09.
Pełny tekst źródłaRajewsky, Irina. "Schauspieler, Figur, Rolle". Zeitschrift für französische Sprache und Literatur 131, nr 1-2 (2021): 85–110. http://dx.doi.org/10.25162/zfsl-2021-0004.
Pełny tekst źródłaBAYRAK, TAMER. "CHARACTER IN CINEMA: SADRİ ALIŞIK AS A CHARACTER ACTOR". Turkish Online Journal of Design, Art and Communication 4, nr 2 (1.04.2014): 105–22. http://dx.doi.org/10.7456/10402100/008.
Pełny tekst źródłaDamen, Mark. "Actor and Character in Greek Tragedy". Theatre Journal 41, nr 3 (październik 1989): 316. http://dx.doi.org/10.2307/3208183.
Pełny tekst źródłaHarding, Frances. "Actor and Character in African Masquerade Performance". Theatre Research International 21, nr 1 (1996): 59–71. http://dx.doi.org/10.1017/s0307883300012712.
Pełny tekst źródłaGao, Guangyu, Mengdi Xu, Jialie Shen, Huadong Ma i Shuicheng Yan. "Cast2Face: Assigning Character Names Onto Faces in Movie With Actor-Character Correspondence". IEEE Transactions on Circuits and Systems for Video Technology 26, nr 12 (grudzień 2016): 2299–312. http://dx.doi.org/10.1109/tcsvt.2015.2504738.
Pełny tekst źródłaBaruah, ManashP, Sanjay Kalra i Salam Ranabir. "Metformin; A character actor in the leptin story!" Indian Journal of Endocrinology and Metabolism 16, nr 9 (2012): 532. http://dx.doi.org/10.4103/2230-8210.105569.
Pełny tekst źródłaTal-Or, Nurit, Shani Sela, Israel Igumnov, Hanoch Dov Milwidsky, Benjamin Rafaeli i Michael Sanilevich. "Does What We Know About Actors’ Real Lives". Journal of Media Psychology 33, nr 3 (lipiec 2021): 155–64. http://dx.doi.org/10.1027/1864-1105/a000293.
Pełny tekst źródłaEdgerton, Gary R., i Michael T. Marsden. "Character Actor as Shapeshifter: An Interview with Doug Jones". Journal of Popular Film and Television 47, nr 4 (2.10.2019): 186–97. http://dx.doi.org/10.1080/01956051.2019.1654789.
Pełny tekst źródłaRozprawy doktorskie na temat "Actor-Character"
Soule, Lesley Anne. "Character, actor and anti-character". Thesis, University of Exeter, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387186.
Pełny tekst źródłaCRESPO, DANIEL RISI VIANNA. "THE DIGITAL ACTOR: A CHARACTER DESIGN PERSPECTIVE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12251@1.
Pełny tekst źródłaEsta dissertação tem como objetivo analisar os aspectos de design envolvidos na credibilidade de personagens geradas através de computação gráfica, que operam como efeitos especiais em filmes de ação ao vivo. Para isto, é apresentada a hipótese de que se trata de uma categoria ontologicamente discreta de personagens - propondo-se a nomenclatura atores digitais para designá-la - cujo processo de design se baseia em três contextos de desenvolvimento: os níveis diegético, imagético e tecnológico. Essa proposição é investigada através da metodologia do estudo de caso, utilizando-se a criatura Gollum, da trilogia cinematográfica O Senhor Dos Anéis (2001-2003). A análise das variáveis intrínsecas a cada um dos contextos citados indica que, de fato, essas personagens clamam por uma abordagem original de design, sugerindo novos papéis e novas habilidades para o designer.
This paper aims to analyze the design aspects responsible for the believability of computer generated characters in live-action movies. This research proposes the hypothesis that synthetic thespians constitute an ontologically distinct category of characters - to which the term Digital Actor is proposed - based upon a design process that involves three development contexts: the diegetic, the perceptual and the technological levels. In order to carry out such investigation, the case study methodology is used, in which the creature Gollum, from the movie trilogy The Lord of the Rings (2001-2003) is analyzed. The intrinsic variables investigated in this case show that Digital Actors in fact suggest an original design approach and therefore a new role for the designer.
Haarhoff, Emil Ernst. "Embodied shiftings to bridge actor-character dissonance". Thesis, University of Pretoria, 2020. http://hdl.handle.net/2263/78618.
Pełny tekst źródłaThesis (PhD)--University of Pretoria, 2020.
Drama
PhD
Unrestricted
Turri, Maria Grazia. "A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre". Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18738.
Pełny tekst źródłaWilson, Chris. "Margaret Rutherford, Alastair Sim, eccentricity and the British character actor". Thesis, Sheffield Hallam University, 2005. http://shura.shu.ac.uk/17393/.
Pełny tekst źródłaCouncell, Catie. "Killing the goose". Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6087.
Pełny tekst źródłaWitting, Carrie L. "The character within the actor a journey through myself to find Manya /". Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=4017.
Pełny tekst źródłaTukachinsky, Riva. "Processing Mode and Actor-Character Congruency as Moderators of Narratives' Effects on Viewers' Attitudes". Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/222836.
Pełny tekst źródłaO'Rourke, Kevin. "Performing The Zoo Story and writing Morality Day two character development processes exploring character development challenges for the actor and the playwright /". Connect to resource, 2009. http://hdl.handle.net/1811/37146.
Pełny tekst źródłaEgocheaga, Ramos Karina Ximena. "La complementación entre el guion, actuación y la dirección de arte para la creación del personaje Kevin Wendell Crumb en la película Fragmentado". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/652125.
Pełny tekst źródłaThe present research work covers the subject of complementation in the script, acting and art direction for the creation of the character of Kevin Wendell Crumb. This is because many times, these elements are not taken into account to create certain characters in the films.
Trabajo de investigación
Książki na temat "Actor-Character"
Character actor. Winnipeg, Man: Signature Editions, 2008.
Znajdź pełny tekst źródłaMirodan, Vladimir. The Actor and the Character. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433.
Pełny tekst źródłaIl-sŏng, Kim. The character and the actor. Pyŏngyang, Korea: Foreign Languages Pub. House, 1987.
Znajdź pełny tekst źródłaMovement: From person to actor to character. Lanham, Md: Scarecrow Press, 1998.
Znajdź pełny tekst źródłaSoule, Lesley Wade. Actor as anti-character: Dionysus, the Devil, and the boy Rosalind. Westport, Conn: Greenwood Press, 2000.
Znajdź pełny tekst źródłaThe audience as actor and character: The modern theater of Beckett, Brecht, Genet, Ionesco, Pinter, Stoppard, and Williams. Lewisburg [Pa.]: Bucknell University Press, 1989.
Znajdź pełny tekst źródłaHall, Parnell. Actor. New York: Mysterious Press, 1993.
Znajdź pełny tekst źródłaCowell, Stephanie. Nicholas Cooke, actor, soldier, physician, priest: A novel. New York: W.W. Norton, 1993.
Znajdź pełny tekst źródłaAn actor, and a rare one: Peter Cushing as Sherlock Holmes. Lanham, Md: Scarecrow Press, 2001.
Znajdź pełny tekst źródłaJok, Church, Wyatt Ed i TVbooks inc, red. Beakman's world: A visit to the hit TV show. Kansas City: Andrews and McMeel, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Actor-Character"
Mirodan, Vladimir. "Imagining the character". W The Actor and the Character, 135–53. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-10.
Pełny tekst źródłaMirodan, Vladimir. "Experiencing the character". W The Actor and the Character, 154–73. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-11.
Pełny tekst źródłaMirodan, Vladimir. "An independent character". W The Actor and the Character, 11–22. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-2.
Pełny tekst źródłaMirodan, Vladimir. "Constructing the character". W The Actor and the Character, 51–73. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-6.
Pełny tekst źródłaMirodan, Vladimir. "The drama of no character". W The Actor and the Character, 41–47. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-5.
Pełny tekst źródłaHartley, Andrew James. "Character, Agency and the Familiar Actor". W Shakespeare and Character, 158–76. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230584150_9.
Pełny tekst źródłaMirodan, Vladimir. "Introduction". W The Actor and the Character, 1–7. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-1.
Pełny tekst źródłaMirodan, Vladimir. "Deception, self-deception and the transformative actor". W The Actor and the Character, 174–83. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-12.
Pełny tekst źródłaMirodan, Vladimir. "A brief history of . . . type". W The Actor and the Character, 23–32. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-3.
Pełny tekst źródłaMirodan, Vladimir. "Friends for life". W The Actor and the Character, 33–40. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-4.
Pełny tekst źródłaStreszczenia konferencji na temat "Actor-Character"
Baran, Remigiusz, Filip Rudzinski i Andrzej Zeja. "Face Recognition for Movie Character and Actor Discrimination Based on Similarity Scores". W 2016 International Conference on Computational Science and Computational Intelligence (CSCI). IEEE, 2016. http://dx.doi.org/10.1109/csci.2016.0249.
Pełny tekst źródłaSchiffer, Sheldon. "Game Character Facial Animation Using Actor Video Corpus and Recurrent Neural Networks". W 2021 20th IEEE International Conference on Machine Learning and Applications (ICMLA). IEEE, 2021. http://dx.doi.org/10.1109/icmla52953.2021.00113.
Pełny tekst źródłaGhilas, Ana. "Traditional cultural expressions in theatrical performance: meaning and value". W Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.02.
Pełny tekst źródłaM. Ali Jabara, Kawthar. "The forced displacement of Jews in Iraq and the manifestations of return In the movie "Venice of the East"". W Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/1.
Pełny tekst źródłaOlivares González, Adriana I., i Tania Córdova Martínez. "Coastal landscape management in mexican tourist regions: Punta de Mita case in Bahía de Banderas, Nayarit". W Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8157.
Pełny tekst źródłaOANCEA-NEGESCU, Mihaela Diana, Petrut Cristian VASILACHE, Oana Matilda SABIE i Ovidiu Andrei Cristian BUZOIANU. "STATISTICAL ANALYSIS OF THE POPULATION OF ECONOMIC AND SOCIAL OPERATORS: ROMANIA-FRANCE COMPARISON". W International Management Conference. Editura ASE, 2022. http://dx.doi.org/10.24818/imc/2021/01.21.
Pełny tekst źródłaCruceru, Valerica. "FROM A TRADITIONAL LEARNING STYLE TO A HYBRID ONE: THE DOCTORAL PROGRAMS AT THE "CAROL I" NATIONAL DEFENSE UNIVERSITY". W eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-065.
Pełny tekst źródłaGodfroy-Cooper, Martine, Jean-Christophe Sarrazin, B. Bardy, E. Bachelder i J. D. Miller. "Differential Role of Gravitoinertial Cues for Active and Passive Control in Degraded Visual Environments". W Vertical Flight Society 78th Annual Forum & Technology Display. The Vertical Flight Society, 2022. http://dx.doi.org/10.4050/f-0078-2022-17506.
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