Gotowa bibliografia na temat „Aboriginal Australian artists”
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Artykuły w czasopismach na temat "Aboriginal Australian artists"
Franklin, Adrian. "Aboriginalia: Souvenir Wares and the ‘Aboriginalization’ of Australian Identity". Tourist Studies 10, nr 3 (grudzień 2010): 195–208. http://dx.doi.org/10.1177/1468797611407751.
Pełny tekst źródłaMason, Matthew J. "Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization". ARTMargins 11, nr 3 (1.10.2022): 67–88. http://dx.doi.org/10.1162/artm_a_00326.
Pełny tekst źródłaGoldstein, Ilana Seltzer. "Visible art, invisible artists? the incorporation of aboriginal objects and knowledge in Australian museums". Vibrant: Virtual Brazilian Anthropology 10, nr 1 (czerwiec 2013): 469–93. http://dx.doi.org/10.1590/s1809-43412013000100019.
Pełny tekst źródłaBradford, Clare, Catherine Sly i Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community". Papers: Explorations into Children's Literature 24, nr 1 (1.01.2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.
Pełny tekst źródłaAllen, Louis A. "The Artists and Their Work". Aboriginal Child at School 14, nr 4 (wrzesień 1986): 54–59. http://dx.doi.org/10.1017/s0310582200014553.
Pełny tekst źródłaMaher, Katie. "Traveling with Trained Man". Transfers 10, nr 2-3 (1.12.2020): 83–102. http://dx.doi.org/10.3167/trans.2020.1002306.
Pełny tekst źródłaBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives". Art Libraries Journal 44, nr 3 (12.06.2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
Pełny tekst źródłaGibson, Chris. "“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music". Environment and Planning D: Society and Space 16, nr 2 (kwiecień 1998): 163–84. http://dx.doi.org/10.1068/d160163.
Pełny tekst źródłaPrice-Williams, Douglass, i Rosslyn Gaines. "The Dreamtime and Dreams of Northern Australian Aboriginal Artists". Ethos 22, nr 3 (wrzesień 1994): 373–88. http://dx.doi.org/10.1525/eth.1994.22.3.02a00050.
Pełny tekst źródłaCameron, Liz. "Australian Indigenous sensory knowledge systems in creative practices". Creative Arts in Education and Therapy 7, nr 2 (28.01.2022): 114–27. http://dx.doi.org/10.15212/caet/2021/7/4.
Pełny tekst źródłaRozprawy doktorskie na temat "Aboriginal Australian artists"
Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists". Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.
Pełny tekst źródłaFernandez, Eva. "Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/741.
Pełny tekst źródłaRivett, Mary I. "Yilpinji art 'love magic' : changes in representation of yilpinji 'love magic' objects in the visual arts at Yuendumu /". Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAH.M/09arah.mr624.pdf.
Pełny tekst źródłaCoursework. "January, 2005" Bibliography: leaves 108-112.
Butler, Sally. "Emily Kngwarreye and the enigmatic object of discourse /". St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16427.pdf.
Pełny tekst źródłaMcDonald, Michelle. "Selling Utopia marketing the art of the women of Utopia /". Master's thesis, Australia : Macquarie University, 1999. http://hdl.handle.net/1959.14/15101.
Pełny tekst źródłaIncludes bibliographical references.
Introduction -- Literature review -- A brief history of Utopia's art production; its place in the indigenous art movement -- The role of the wholesaler -- The retail sector -- Report on survey of the buyers of indigenous art -- Emily Kame Kngwarreye -- Authenticity -- Conclusion.
Summary: The thesis focuses on marketing art from the Aboriginal community, Utopia, where the majority of artists, and the best known artists, are women. It documents methods by which the art moves from the community to retail art outlets; it includes detailed documentation of marketing in the retail sector and also includes research into the buying of indigenous art by private buyers. -- Emily Kame Kngwarreye is the best known of the Utopia painters. The study proposes reasons for her success and points to further questions beyond the scope of this study. Problems inherent in criticism and editing of her work are raised and interpreted in the context of the marketplace. -- The original thesis plan did not include detailed discussion about authorship. However, in 1997 the media reported controversy about authorship of a prize-winning work. As such controversy must affect marketing, this topic (as it relates to this artist), was included. -- Although possibilities for improvement in marketing methods have become apparent as a result of this research, areas where further research would be beneficial have also become apparent.
Mode of access: World Wide Web.
265, [48] p
Peacock, Janice, i n/a. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today". Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.140720.
Pełny tekst źródłaPeacock, Janice. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today". Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365502.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
Croft, Pamela Joy, i n/a. "ARTSongs: The Soul Beneath My Skin". Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030807.124830.
Pełny tekst źródłaCroft, Pamela Joy. "ARTSongs: The Soul Beneath My Skin". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367423.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
Full Text
Syron, Liza-Mare. "Ephemera Aboriginality, reconciliation, urban perspectives ; Artistic practice in contemporary Aboriginal theatre /". Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060220.155544/index.html.
Pełny tekst źródłaKsiążki na temat "Aboriginal Australian artists"
Annemarie, Brody, i Holmes à Court Collection, red. Stories: Eleven aboriginal artists. Roseville, Sydney, NSW: Craftsman House, 1997.
Znajdź pełny tekst źródła1963-, Thompson Liz, red. Aboriginal voices: Contemporary aboriginal artists, writers, and performers. Brookvale, NSW: Simon & Schuster Australia, 1990.
Znajdź pełny tekst źródłaSayers, Andrew. Aboriginal artists of the nineteenth century. Melbourne: Oxford University Press in association with National Gallery of Australia, 1996.
Znajdź pełny tekst źródłaCarol, Cooper, red. Aboriginal artists of the nineteenth century. Melbourne: Oxford University Press in association with National Gallery of Australia, 1994.
Znajdź pełny tekst źródłaPring, Adele. Aboriginal artists in South Australia. [Adelaide]: Dept. of Employment, Education, Training, and Youth Affairs, 1998.
Znajdź pełny tekst źródłaJudith, Ryan. Tiwi: Art & artists. Melbourne, Vic: Council of Trustees of the National Gallery of Victoria, 2020.
Znajdź pełny tekst źródłaRyan, Judith. Colour power: Aboriginal art post 1984 : in the collection of the National Gallery of Victoria. Melbourne: National Gallery of Victoria, 2004.
Znajdź pełny tekst źródłaIsaacs, Jennifer. Australian aboriginal paintings. Sydney: Weldon, 1989.
Znajdź pełny tekst źródłaIsaacs, Jennifer. Australian aboriginal paintings. The Rocks, NSW, Australia: Lansdowne, 1999.
Znajdź pełny tekst źródłaIsaacs, Jennifer. Australian Aboriginal paintings. Sydney: New Holland, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "Aboriginal Australian artists"
Boyd, Candice P. "Creating the ‘Finding Home’ Exhibition". W Exhibiting Creative Geographies, 31–64. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6752-8_3.
Pełny tekst źródłaCameron, Liz. "Embodied Realisms in Australian Aboriginal Art". W The Oxford Handbook of Global Realisms. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197610640.013.28.
Pełny tekst źródłaAlthans, Katrin. "Aboriginal Gothic". W Twenty-First-Century Gothic, 276–88. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440929.003.0020.
Pełny tekst źródłaGlowczewski, Barbara. "Lines and Criss-Crossings: Hyperlinks in Australian Indigenous Narratives". W Indigenising Anthropology with Guattari and Deleuze, 281–96. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0010.
Pełny tekst źródłaBest, Susan. "Repair and the Irreparable in Contemporary Aboriginal Art". W Truth in Visual Media, 15–35. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.003.0001.
Pełny tekst źródłaJoyce, Rosemary A. "Interlude 5". W The Future of Nuclear Waste, 192–99. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888138.003.0011.
Pełny tekst źródłaSumartojo, Shanti, i Ben Wellings. "Anzac, Race and Empire". W Commemorating Race and Empire in the First World War Centenary, 169–86. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940889.003.0010.
Pełny tekst źródłaClarkson, Chris, Kasih Norman, Sue O'Connor, Jane Balme, Peter Veth i Ceri Shipton. "Australia’s First People". W The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea, C9.S1—C9.S20. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190095611.013.9.
Pełny tekst źródłaLayton, Robert. "Traditional and Contemporary Art of Aboriginal Australia: Two Case Studies". W Anthropology Art and Aesthetics, 137–59. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198277330.003.0007.
Pełny tekst źródłaFlood, Josephine. "The Rock Art of Aboriginal Australia from Pleistocene to the Present". W Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art, 59–70. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv846.9.
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