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Tumin, Aleksandr D. "The Modern Rationale for the Spanish National Idea of Espaholidad and the Problem of Spanish “Historical Nationalities”". Imagologiya i komparativistika, nr 16 (2021): 174–86. http://dx.doi.org/10.17223/24099554/16/11.
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The main particularity of the Spanish civic collective identity is that its doctrine, Espanolidad, was initially formulated as theocratic, proclaiming the unity of the Spanish nation under the aegis of the Spanish Empire. However, after the Spanish War of Independence of 1808-1814, Espanolidad became the banner of opposite political forces: conservative on the one hand and liberal on the other. Espanolidad as the basic factor of the formation of the Spanish civic collective identity in the course of the 19th century favored Castelano-centrismo, which consisted in the centralization of the Spanish economy around Madrid and in the cultural Castilization of the Spanish state, the principal mechanism of which was the universal introduction of the Castilian language. Basque and Catalan regional nationalists being partial towards Castelanocentrismo considered the federalization of the Spanish state as an alternative to it already at the beginning of the 20th century. Conservative elements of Espanolidad received their distinct shape in the Francoist cultural doctrine of Nacionalcatolicismo, which had to justify the Spanish monoethnic state resting on the Christian unity. The Spanish “transition to democracy” is the transformation of the Francoist monoethnic state into the Spanish State of Autonomous Communities. Nevertheless, the rejection of Nacionalcatolicismo, symbolized by the slogan Spain is difference, put the unity of the Spanish nation into question and led to the intensification of regional separatist movements (Catalan and Basque). The criticism of the principle of ethnic nationalism, partly related to Nacionalcatolicismo, fostered the adoption of Constitutional Patriotism as the dominant Spanish cultural strategy. While postulating unity in variety, Constitutional Patriotism gives new breath to the old Espanolidad asserting national unity through the State of Autonomous Communities. The equal legal status of Spanish regions resting on the principles of solidarity and economic utility is upheld by the leveling of the inequalities of economic development between the rich and the poor autonomous communities.
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Pujante, Ángel-Luis. "The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources". Sederi, nr 20 (2010): 103–19. http://dx.doi.org/10.34136/sederi.2010.5.
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Shakespeare criticism in Spain began in 1764 and has been on the increase ever since. The main source of information on the subject has long been the tremendous work done by Alfonso Par from the beginning of the 20th century until his death in 1936: without his Shakespeare en la literatura española (1935) none of the later studies could have been written, or at least they would have taken a good deal longer to write. On the other hand, Par’s book includes gaps and errors which need to be corrected. Among these are three cases of supposedly original texts which have turned out to be appropriations of foreign originals whose sources were not acknowledged. This article sets out to analyze these cases, examine their critical implications and thus contribute to a better knowledge and understanding of the Spanish reception of Shakespeare.
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García, María Isabel Maldonado. "The Spanish Women Poet’s Contribution To The Literature Of The 20th Century". Pakistan Journal of Gender Studies 10, nr 1 (8.03.2015): 129–43. http://dx.doi.org/10.46568/pjgs.v10i1.230.
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The 20th century offers us a wealth of literary authors. The Spanish poets of the 20th century that usually come to mind are mainly male due to the fact that the female poets never received proper recognition and were ignored for many years. The historical events of the 20th century could have ceasedthe literary works of the Spanish authors. However, instead, the Spanish utilized the poetry of protest as a means of rebelling towards their social reality. Not only male poets but also women were extremely prolific in their craft. First during the Civil War and after during the thirty six years of dictatorship that followed in spite of the hardships, censorship and vigorous opposition. A few of these women are Carmen Conde, Rosa Chacel, Ernestina de Champourcin and others. This research studies thecontribution of a few outstanding women poets to the 20th century Spanish literature and language.
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Herman, David. "How Jewish Refugee Critics Changed British Literary Criticism, 1970–2020". Humanities 9, nr 3 (14.08.2020): 80. http://dx.doi.org/10.3390/h9030080.
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During the mid- and late 20th century, a small group of Jewish refugee critics changed the way British culture thought about what kind of literature mattered and why. These outsiders went on to have an enormous impact on late 20th-century British literary culture. What was this impact? Why in the last third of the 20th century? Why did British literary culture become so much more receptive to critics like George Steiner, Gabriel Josipovici, Martin Esslin and SS Prawer and to a new canon of continental Jewish writers? The obstacles to Jewish refugee critics were formidable. Yet their work on writers like Kafka, Brecht and Paul Celan, and thinkers like Heidegger and Lukacs had a huge impact. They also broke the post-war silence about the Holocaust and moved the Jewish Bibl from the margins of English-speaking culture.
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Vatazhko, Elvira. "THE CONCEPTS OF ‘METATEXTUALITY’ AND ‘METAFICTION’ IN LITERARY CRITICISM". Слово і Час, nr 2 (25.03.2021): 100–109. http://dx.doi.org/10.33608/0236-1477.2021.02.100-109.
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Undoubtedly, the second half of the 20th century and the early 21st century are notable for the extensive artistic experiment, including metatextual and metafictional phenomena. Such scholars as Gérard Genette, Anna Wierzbicka, Patricia Waugh, Linda Hutcheon, Robert Sholes, and many others focused on the mentioned issues in their research work. Therefore, this paper considers metatextuality and metafiction in the theoretical perspective tracing the origins of metatextuality and its connections with postmodern literature. The terms ‘metatext’ and ‘metafiction’ appeared as rather close in time. Notably, both of them are based on the discursive practices of the late 20th century. However, the term ‘metatext’ originated in the scholarly practice of structuralism. It is obvious that ‘metatext’ was constructed by analogy with the concept of ‘metalanguage’. Either of them does not exist without the initial text (or language). Metatextual elements are important for analyzing styles, genres, types of expression, discursive functions, and more. On the other hand, the term ‘metafiction’ has an obvious connection with genre studies. Metafiction qualifies as a special kind of literary text that became characteristic of the postmodern era. Such features as self-referentiality of artistic expression, introspection, and self-consciousness became essential for postmodern aesthetics. Metatextuality relates to the narrative theory and metacritiсism, while metafictionality is applicable within the intertextual analysis. Thus, the paper highlights an advance of metadiscourse in the cultural consciousness of the late 20th century.
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Zhang, Jie, i Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”". Neophilology, nr 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.
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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.
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Le, Quoc Hieu. "KIEU THANH QUE AND HIS MONOGRAPH “LITERARY CRITICISM”". UED Journal of Social Sciences, Humanities and Education 11, nr 1 (21.06.2021): 22–27. http://dx.doi.org/10.47393/jshe.v11i1.919.
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The literary legacy of the writer Kiều Thanh Quế can be considered a “fertile land” and an “opening structure” which suggest/require numerous interpretations and judgments. Understanding Kieu Thanh Que’s essential contributions to the formation of theoretical fundamentals of literary criticism helps re-evaluate his role and position in Vietnamese literature of the first half 20th century, especially in literary criticism - Kieu Thanh Que’s most dynamic and productive area of work. This article aims to: 1, introduce his monograph Literary Criticism; 2, point out several features of Kieu Thanh Que’s reasoning and critical thinking; and then 3. highlight his contributions to literary criticism of Vietnamese literature over the period 1932-1945. Contextualizing his book Literary Criticism in such early stage of literary criticism allows us to see clearly how he contributed with his ability to recognize and represent some theoretical and current issues in the field of literary criticism.
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Al-Rubaiee, Assist Instructor: Ahmed Abdulrazzaq. "The Creativity Literary of Gongora". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 222, nr 1 (5.11.2018): 1–12. http://dx.doi.org/10.36473/ujhss.v222i1.383.
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Luis de Góngora y Argote, (1561-1627), Spanish poet, is one of the most influential Spanish poets of his era. His Baroque, convoluted style, known as Gongorism was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th century.. In his literary works has expressed very well his feelings and emotions perfectly, especially the thought of his time and the themes of criticism and disappointment of the Baroque. His poetic work breaks molds and inaugurates a new language whose virtuality, still unsurpassed, continues to mark the course of contemporary poetry. This investigation is divided in two chapters, the first presnte the biography and style of Gongora besides its works that comprise the satire. The second chapter is concerned Cultism and gonorismo, besides the Architecture of the sonnets of Góngora
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Kisieliūtė, Ingrida. "Literature and Economics. Another Way to Read the Text". Respectus Philologicus 28, nr 33 (25.10.2015): 31–40. http://dx.doi.org/10.15388/respectus.2015.28.33.3.
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At the end of the 20th century, the study of literature was supplemented by such new methods as biopoetics, geopoetics, new historicism, etc. The New Economic Criticism, a new approach to the literary text, was found in the United States in the late 20th century. The present article discusses the main aspects of the aforementioned area of the study of literature and as well presents the possible approaches to literary texts from the economic perspective. The New Economic Criticism does not aim to become a method or tendency; thus, it givesthe freedom for a researcher to choose the perspective on the relationship between the literature and economics. The above-mentioned kind of analysis may be found in the English-speaking countries; whereas, the Russian literature has still remained unconsidered; however, Russian scholars are attempting to look at their fiction through the eyes of an economist. In Lithuania, the kind of research has not been found yet. Therefore, the article suggests one of the possible economic approaches, i.e., the analysis of the financial practices of the protagonist of The Gambler by F. Dostoyevsky.
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Ivanovic, Aleksandra. "Serbian medieval poetry: 20th-century literary-historical and theoretical interpretations". Prilozi za knjizevnost, jezik, istoriju i folklor, nr 88 (2022): 79–92. http://dx.doi.org/10.2298/pkjif2288079i.
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This paper examines how national literary histories written in the twentieth century define medieval Serbian poetry. Grounded in the canon of Byzantine liturgical poetry and dedicated to cult practice, hymnography often did not conform to modern poetic principles, originality, and metrical form. Formalist approaches to poetry shaped the anthologies of Serbian medieval literature published in Yugoslavia in the 1960s. The editors transformed sequences from narrative prose into poetic texts, thus creating medieval poems. These cases draw attention to the importance of textual criticism and the social context in defining medieval literary genres. Exploring hymnography as a linguistic and liturgical event - a poem sung to an engaged audience - introduces new perspectives on its interpretation.
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S, Anbarasu. "Impact of Rhetoric on the Scientific Concepts in the Tamil Epic Manimegalai". International Research Journal of Tamil 4, S-18 (8.12.2022): 28–32. http://dx.doi.org/10.34256/irjt224s184.
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‘Rhetoric’ is the common word given for both theoretical studies and literary criticism. Since the ancient period itself rhetoric is used in literature, but it entwined with literary theory and literary criticism only in 20th century. The controversy between the rhetoric and science dates back to thousand years. Rhetoric should be based on science was the main idea of Aristotle and Cicero who formally defined rhetoric their works. This article shows the relationship between rhetoric and science and how both these are linked in the Tamil literature. It also brings out the impact of rhetoric in science through the Tamil text ‘Manimegalai’.
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Pluta, Nina. "The New Man in Spanish American Essay and Literature at the Turn of the 19th and 20th Century". Politeja 17, nr 1(64) (26.02.2020): 255–69. http://dx.doi.org/10.12797/politeja.17.2020.64.13.
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This paper aims to show how the “New Man” was defined in different literary and political conceptions that abounded in Spanish American culture at the turn of the 19th and 20th century. Although both Americas were perceived through the stereotype of newness from the very beginning of the colonial era, it is at the end of the 19th century when the necessity to integrate the extremely heteregenous Spanish American societies brought forth a variety of renewal propositions. Focused on the spiritual or economic aspects of a given social or ethnic group (the elites, implicitly white, for Rodó or the working classes, mostly Indian, for the Indigenistas), those conceptions were not able to provide overall solutions for the Spanish American republics, struggling with a deepening neocolonial dependency. Nevertheless, many tendencies and formulas defined in that period – idealistic or politically subversive – have survived through the 20th century and resurfaced in new forms (e.g. the nuevo hombre bolivariano in Venezuela at the beginning of 21st century).
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Munari, Alessandra. "The double nature of ‘source criticism’: Between philology and intertextuality". Forum Italicum: A Journal of Italian Studies 53, nr 1 (2.02.2019): 27–52. http://dx.doi.org/10.1177/0014585818813894.
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This article analyzes so-called ‘source criticism’, and it observes how this discipline historically and conceptually developed into the theory of intertextuality. This research traces the steps of source criticism from the end of the 19th century and through the 20th century, paying special attention to Italian literature; it deals with texts by critics Pio Rajna, Renato Serra, Ernst Robert Curtius, Gian Biagio Conte, Ezio Raimondi and Giuseppe Velli.
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Rozov, Aleksandr Nikolaevich. "THE IMAGE OF THE DEACON IN THE RUSSIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY — EARLY 20TH CENTURY, AS ASSESSED BY THE CLERICAL JOURNALISM". Russkaya literatura 2 (2023): 118–27. http://dx.doi.org/10.31860/0131-6095-2023-2-118-127.
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The article examines the works of the writers of the 19–20th centuries, where various types of deacons are represented, assessed either as positive or as negative types by the clerical criticism. The images of the deacons did not reflect the sophisticated reality of clerical practices. Still, literary works familiarized the wider readership with these practices. Clerical critics analyzed the respective works from the religious and moral point of view, and modern literary scholars do not always fully take this into account.
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Rozov, Aleksandr Nikolaevich. "THE IMAGE OF THE DEACON IN THE RUSSIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY — EARLY 20TH CENTURY, AS ASSESSED BY THE CLERICAL JOURNALISM". Russkaya literatura 2 (2023): 118–29. http://dx.doi.org/10.31860/0131-6095-2023-2-118-129.
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The article examines the works of the writers of the 19–20th centuries, where various types of deacons are represented, assessed either as positive or as negative types by the clerical criticism. The images of the deacons did not refl ect the sophisticated reality of clerical practices. Still, literary works familiarized the wider readership with these practices. Clerical critics analyzed the respective works from the religious and moral point of view, and modern literary scholars do not always fully take this into account.
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Martí Mestre, Joaquim. "Tradició i modernitat en el llenguatge dels llibrets de falla de les primeres dècades del segle XX". Zeitschrift für Katalanistik 33 (1.07.2020): 201–37. http://dx.doi.org/10.46586/zfk.2020.201-237.
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Summary: During the first quarter of the 20th century, Valencian writers showed increasing interest in developing a correct orthographical and linguistic model, free from castilianisms, both for formal literature and for popular genres. Traditionally, researchers have insisted mostly on the orthographical influence from the Spanish language in the Fallas books. The researchers thought that even the authors of the Catalan formal literature, when writing the Fallas texts, adopted the Spanish orthographic model. With this work we find, however, that many writers of Fallas books, some engaged in other Valencian literary and cultural activities, were striving to use also in the Fallas books a correct language. The Fallas books, because of the popular character of the genre, are of great lexicographical interest for the study of colloquialisms, dialectalisms and neologisms linked to the social changes of the 20th century. Also, because traditionally they have not been taken into account by lexicographers, the Fallas books offer words and meanings not registered in the historical and etymological dictionaries. Keywords: orthography, lexicon, 20th century, Fallas books, history of the Catalan language
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Pavlova, Svetlana Yu. "Russian literary criticism of the 20th century on Moliere’s comedy “The Misanthrope”". Izvestiya of Saratov University. Philology. Journalism 23, nr 1 (21.02.2023): 48–54. http://dx.doi.org/10.18500/1817-7115-2023-23-1-48-54.
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The article addresses the reception of J.-B. Moliere’s comedy “The Misanthrope” (1666) by the Russian literary critics of the 20th century, reflected in monographs, academic publications, textbook, articles and the scientific apparatus to the complete works of the great French playwright. The reason of this persistent interest to this play is determined by two essential factors: its ambiguity and its influence on A. S. Griboyedov’s comedy “Woe from Wit”. The author of the article traces the transformation of the researchers’ evaluations, ranging from the pre-revolutionary period and up to the latest reviews. It is stated that the reception of “The Misanthrope” can be generally traced back to the ideas of A. N. Veselovsky, the founder of the Russian studies of Moliere. Having been perceived controversially by the closest followers of the scientist, they became ideological in the works of the Soviet researchers of the 1930–1940s, then they were in the focus of attention of the literary critics of the middle of the century and were further developed in the studies of the turn of the 20th – 21st centuries. Addressing “The Misanthrope”, the Russian researchers of the French literature of the 17th century focus on the distinguishing features of the comic, on the biographical basis of the play, on the system of images, prototypes of the main character and the essence of his conflict with the society. They invariably concentrate on the issue of the author’s viewpoint, and on the question of who Moliere sides with – Alceste or Philinte. The carried-out analysis shows that the research thought has changed from the biographical, social and political interpretation of the comedy “The Misanthrope” to refocusing on ethical issues. It appears that, despite the importance of all of these aspects, clearly significant for the comprehension of the play, a cultural studies approach, characteristic for the French literary studies and based on the most recent studies of the gallant epoch, will facilitate a more sensible perception of the play.
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Komkov, Oleg. "The Vertical Form: Iconological Dimension in 20th Century Russian Religious Aesthetics and Literary Criticism". Literature and Theology 20, nr 1 (1.03.2006): 7–19. http://dx.doi.org/10.1093/litthe/fri056.
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Hambur, Fransiska Marsela, i Nurhayati Nurhayati. "Feminism thoughts in 20th and 21st century literary works: A comparative study". EduLite: Journal of English Education, Literature and Culture 4, nr 2 (4.09.2019): 183. http://dx.doi.org/10.30659/e.4.2.183-193.
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One of most arguable and observable social phenomena is gender inequality which is based on feminism thoughts. Considering how literature may portray human’s life along with its values, this study is purposed to elaborate and compare how feminism thoughts and gender inequality take place in various literary works. Based on the importance of feminism thoughts and gender inequality in cross cultural literature, then there is a necessity to conduct a comparative literature study which focused on feminism thoughts. This study took four kinds of literary works, namely drama, prose (short-story), movie, and poetry. Feminism approach as sociological approach was applied in this study altogether with comparative criticism and content analysis method. This study discussed how feminism thoughts got more supports and encouragement as the century progressed. By comparing literary works from 20th and 21st century, several important findings can be drawn, namely (a) feminism thoughts are getting stronger along with the progression of century, (b) feminism thoughts always oppose gender inequality as both are always found as binary oppositions in literary work, (c) both feminism and gender-inequality live through human’s values and repetitive actions, (d) personal and familial values are crucial in order to develop feminism thoughts and gender-inequality in an individual, and (e) the change of values, especially social and cultural values can bring changes in both feminism and gender inequality phenomena.
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Chizhov, N. S. "Soviet Poetic Underground in Critical and Scientific Coverage (Article Two)". Nauchnyi dialog, nr 10 (29.10.2021): 298–326. http://dx.doi.org/10.24224/2227-1295-2021-10-298-326.
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An overview of scientific and critical works devoted to the study of Soviet uncensored poetry as a historical and literary phenomenon in general and the work of its key personalities, in particular is presented in the article. The relevance of the work is due to the lack of study of this segment of Russian literary criticism of the 20th century and the need to systematize the accumulated experience of evaluating and interpreting underground poetic culture in order to identify promising directions for its further scientific development. The article focuses, first, on the samizdat criticism of the uncensored poets of the 1980s. Such features of their artistic writing as culture-centricity, impersonality, autonomy of poetry due to the rejection of the “Aristotelian mimesis” and the reorientation of the poetic utterance to “the language itself”, etc. are characterized. Secondly, the author considers the formation in the scientific-critical discourse of the postmodernist concept of the development of Russian literature, in the light of which such underground style movements as “metarealism” and “conceptualism” are presented as the most representative phenomena of poetic postmodernism. Thirdly, it is indicated that in literary criticism of the 2000s-2010s, a number of scientific concepts were proposed that limit the research field of application of postmodern theory to Russian poetry of the second half of the 20th century (“neomodernism”, “transavant-garde”, “post-realism”). Fourth, it is determined that the development of the legacy of the Soviet poetic underground in modern literary science occurs primarily from the standpoint of a systematic study of the poetics and axiology of the work of nonconformist poets and the identification of the genetic links of their poetry with the Russian modernist and avant-garde tradition of the early 20th century.
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Liu, Miaowen, i Natalia Z. Koltsova. "Perception of works of V. Shklovsky in China". RUDN Journal of Studies in Literature and Journalism 24, nr 3 (15.12.2019): 462–76. http://dx.doi.org/10.22363/2312-9220-2019-24-3-462-476.
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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary character, reception, since the early 80s of the 20th century adopted by the science of China. The article emphasizes that the history of the perception of the theoretical views of V. Shklovsky in China includes several stages, while a true study of his works, like Russian formalism in general, begins only in the 1980s of the 20th century. The artworks of Shklovsky in China began to pay attention only to the XXI century.
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Monica Chifor. "Modernism-context and Overlooked Literary Manifestations". Creative Launcher 8, nr 4 (31.08.2023): 61–72. http://dx.doi.org/10.53032/tcl.2023.8.4.07.
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The following paper discusses the emergence and characteristics of modernism, a dominant trend in art and culture that emerged in the late 19th century. Modernism encompasses various aspects of culture, including high art, criticism, city planning, and more. In literature, modernism represents a reaction against the conventions of realist narrative, moving away from traditional storytelling and embracing new techniques such as interior monologue and showing instead of telling. The research explores the debate on whether modernism has come to an end. Critics argue that it ended around 1930, while others disagree, pointing to the continued emergence of literary studies on modernism and its influence on various literary theories. The concept of modernism is discussed in an interdisciplinary context, encompassing various artistic currents, including symbolism, impressionism, expressionism, and more. The paper also touches upon the development of modernism in different art forms like visual arts, music, and architecture, and its influence on the concept of the “Bauhaus” movement. Furthermore, the paper discusses the Harlem Renaissance, a cultural movement centered in Harlem, New York, during the early 20th century. It highlights prominent figures of the movement, such as Langston Hughes, Zora Neale Hurston, and Richard Bruce Nugent, who expressed African American life and culture through various forms of art. The impact of mass culture on modernism is also explored, with references to Mathew Arnold’s concept of culture and anarchy and F.R. Leavis’ criticism of mass civilization and its effect on authentic feeling and responsible thinking. Overall, the paper provides and overview of modernism’s multifaceted nature, its influence on various art forms, and its interaction with societal and cultural shifts during the 20th century.
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Walczak, Maria. "The relationship between ethics and literature in light of Levinas’s work". Hybris 30, nr 3 (30.09.2015): 46–61. http://dx.doi.org/10.18778/1689-4286.30.05.
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In my paper I intend to uncover the relationship between ethics and literature. The aforementioned issue is connected to ’ethical turn’ — new orientation in literary studies, which was introduced in the nineties of 20th century. In order to uncover its source of inspiration, I refer to Lévinas’s works, such as Reality and its Shadow, The poet’s vision, Totality and Infinity, Otherwise than Being. I advocate the view that not only Lévinas’s concept of language, but also his account of poetry and responsibility underlie ethical criticism. Therefore, they are regarded as crucial to understand this new approach to literary studies. To illustrate my thesis, I attempt to interpret literary works, i.e. Wordsworth’s and Coetzee’s in light of Lévinas’s concepts.
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Trostina, Marina Aleksandrovna, i Ksenia Nikolaevna Shishkanova. "The doctor’s image in the reception of Russian criticism and literary studies in the 20th and 21st centuries". Philology. Issues of Theory and Practice 17, nr 4 (4.04.2024): 1019–25. http://dx.doi.org/10.30853/phil20240148.
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The article highlights the stages of literary and critical reception of the doctor’s image presented in Russian prose in the 19th, 20th and 21st centuries. The work is novel in that it is the first to consider and systematize different points of view of critics and literary scholars on the nature of the doctor’s artistic image, on the doctor’s place in the cultural and historical space of Russia. The research aims to identify the key trends in the reception of the doctor’s image in Russian criticism and literary studies in the 20th and 21st centuries. As a result, it is found that while the thinkers of the 19th century highlight characterological features of a doctor character such as inner freedom, thirst for knowledge and empiricism of thinking inherent in the new generation, the critics and literary scholars of the early 20th century consider a doctor character in the context of the era of scientific discovery. During the period of totalitarianism, the hero is evaluated in terms of having “obligatory” qualities and his involvement with socialism and its achievements. Since the late 1980s, a doctor character has been analyzed from the position of his belonging to the intelligentsia, whose representatives are characterized by internal contradictions. The studies of the early 21st century attempt to reinterpret traditional renderings of Russian classical literature, outline new approaches to the analysis of a literary image: a doctor character is presented as a bearer of the highest spiritual value, a way to transmit hidden meanings.
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Beßlich, Barbara. "Nietzsche und die Weltanschauungsliteratur". Scientia Poetica 25, nr 1 (6.12.2021): 175–88. http://dx.doi.org/10.1515/scipo-2021-006.
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Abstract The study aims to demonstrate the significance of Friedrich Nietzsche for ›Weltanschauungsliteratur‹ (ideological literature) in the early 20th century. ›Weltanschauungsliteratur‹ adopts thematic elements of Nietzsche’s cultural criticism. Nietzsche’s habitus of the outmoded academic outsider becomes important for the writers’ self-staging. ›Weltanschauungsliteratur‹ closely observes Nietzsche’s combination of philosophical reasoning and literary writing and develops it further. Finally, the article examines exemplary ›Weltanschauungsliteratur‹ by Salomo Friedländer, Theodor Lessing, Rudolf Pannwitz, and Ernst Bertram.
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Kuang, Xiuli. "Archetypal literary criticism and intertextuality". Философская мысль, nr 9 (wrzesień 2023): 87–98. http://dx.doi.org/10.25136/2409-8728.2023.9.43571.
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Literary criticism was an important part of Western literary theory in the 20th century and has not lost its importance to this day. Criticism has an active influence on the literary process, as well as directly on the formation of public consciousness. This article discusses two important approaches, the principle of literary criticism. The archetypal literary criticism and the theory of intertextuality. Archetypal literary criticism is a theory that interprets a text by focusing on mythological motifs and archetypes in narrative, symbols, imagery, and character types that recur in different literary works. Analysis of the inclusions of intertext in the text of a work of art gives reason to consider them as one of the most important devices in the writer's stylistic system. The ability to integrate elements of another text into one's own work and introduce one's own text into the public consciousness is called "intertextualization" within the framework of this theory. Intertextuality is a common property of texts, expressed in the presence of links between them, due to which texts (or parts of them) can explicitly or implicitly refer to each other in a variety of ways. It is worth noting that the archetypal literary criticism and the theory of intertextuality have deep internal theoretical connections, which boil down to three main points: these are literary repetitions, general views on literature, and the consideration of literature as a repository of memory. Although these theories arose in the era of different cultural and historical paradigms - structuralism and post-structuralism, they have much in common in terms of connotation. Being different theoretical systems of literary criticism, archetypal criticism and intertextuality are closely connected by the presence of an element of psychological criticality in both. This article searches for similarities between the two indicated systems in these three aspects and substantiates their theoretical connection, which proves the complementary nature of these two theories.
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Nakashydze, Iryna. "DEVELOPMENT OF UKRAINIAN LITERATURE IN ARGENTINA IN THE 20th CENTURY". Naukovì zapiski Nacìonalʹnogo unìversitetu "Ostrozʹka akademìâ". Serìâ Ìstoričnì nauki 1 (17.12.2020): 215–19. http://dx.doi.org/10.25264/2409-6806-2020-31-215-219.
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Argentina is one of the countries that are inhabited by a large number of ethnic Ukrainians. The purpose of this article is to study the development of Ukrainian literature in Argentina. One of the tasks aimed at achieving this goal is the introduction of the names of emigrant writers into scientific circulation. The arrival of a large number of active and educated people in Argentina in the interwar period (including writers O. Drahomanova, P. Buk, O. Devlad, etc.) led to the emergence of new forms of public life. A large number of literary and art schools, libraries, and reading rooms appeared. An important factor in the preservation of ethnic identity and the development of cultural life was the formation of the Ukrainian Cultural Society “Prosvita” in 1924. The biggest wave of emigration took place during the postwar period. Writers such as L. Holotsvan, Y. Prylutska-Farni, K. Buldyn, etc. arrived here. At this time Argentina became a real cultural center of Ukrainians. The Society of Artists, Writers and Scholars was formed, uniting almost all cultural figures. In the biography and works of many writers of this period Argentina appears as an “intermediate” point (for example, I. Kachurovsky, O. Kerch, V. Kulish, Yu. Krokhmalyuk-Tys, etc.). Writers from all over the world have long been united by the magazine “Porogy”. Unfortunately, with the death of writers in Argentina (as in the rest of the world), literary life almost subsided. Among the writers of the fourth wave of emigration can be identified I. Voloshchuk. Translation activity played a significant role. From the beginning of the resettlement, Ukrainian emigrants distributed works of T. Shevchenko, I. Franko, M. Shashkevych, and L. Ukrainka. Many of the writers translated Ukrainian works into Spanish and vice versa. Thus, literary life in Argentina developed very actively in the 20th century. It was most striking in the postwar period, when a large number of cultural figures emigrated here. The research started in this article is promising for the future, as further detailed study of the features of works of art of Ukrainian-speaking writers in Argentina is required.
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Rodríguez Sánchez, Francisco. "Transgredir el modelo hegemónico de la masculinidad en la poesía. De Luis Cernuda a Ángelo Néstore". Clepsydra. Revista de Estudios de Género y Teoría Feminista, nr 26 (2024): 67–87. http://dx.doi.org/10.25145/j.clepsydra.2024.26.05.
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This paper analyzes the representations of new masculinities and dissident identities in poetic texts written in Spanish in the 20th and 21st centuries, from Luis Cernuda to Ángelo Néstore, including Porfirio Barba-Jacob, Federico García Lorca, Leopoldo M.ª Panero and Ana Rossetti as representative authors of what has come to be considered queer literature. In this current, issues about the construction of the subject, corporeality, sex, categories and cultural institutions of the patriarchal and binary system are recognized and problematized. To this end, this study employs the methodological synergy of queer studies with literary criticism in order to expose and evaluate the literary manifestations of abject bodies in the Hispanic context.
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Tabares Plasencia, Encarnación. "Fraseología jurídica en la obra de Benito Pérez Galdós". Revista de Filología de la Universidad de La Laguna, nr 46 (2023): 207–27. http://dx.doi.org/10.25145/j.refiull.2023.46.10.
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In previous works (Tabares Plasencia 2018, 2020, 2021a, 2021b), the importance of legal elements in Spanish literature has been pointed out. This article will mainly offer a sample of verbonominal constructions, together with an analysis of the abundant legal phraseology present in the work of one of the most prolific writers of our literature, Benito Pérez Galdós. Beforehand, however, the author’s relationship with Law, as well as the characteristics of the CORLITES corpus (Corpus of Spanish Literature), will be briefly outlined. This corpus has been compiled with the aim of extracting and analysing, from a diachronic point of view, the legal terminology and phraseology used in Spanish literary texts from the origins of the Spanish language until the first two decades of the 20th century, with a special emphasis on the CORLIGA subcorpus (Corpus of Literature-Galdós).
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Лисанець, Юлія Валеріївна, Олена Миколаївна Бєляєва i Інеса Віталіївна Роженко. "МОТИВИ ЕПІДЕМІЇ ТА ПАНДЕМІЇ В ЛІТЕРАТУРНО-МЕДИЧНОМУ ДИСКУРСІ ПРОЗИ США". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, nr 99 (2022): 69–84. http://dx.doi.org/10.34142/2312-1076.2022.1.99.05.
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The aim of this research is to examine the narrative representation of epidemics in the 20th century U.S. literature, using the methods of narratological analysis and receptive aesthetics. The study relies on the corpus of the 20th century U.S. novels: Scarlet Plague (1912) by Jack London, Earth Abides (1949) by George R. Stewart, I am Legend (1954) by Richard Matheson, The Stand (1978) by Stephen King, Contagion (1996) by Robin Cook, and Darwin’s Radio (1999) by Greg Bear. The aspects of epidemic representation in fiction have been studied using modern literary criticism research in the areas of narratology and receptive aesthetics, which determines the relevance of the present paper. The motif is rooted in the 19th-century Romantic literature (E.A. Poe’s fiction); it acquires further extensive development in the 20th century science fiction, horror, post-apocalyptic (dystopian) and contemporary medical thriller genres. In the second half of the 20th century, by using the motifs of epidemic and pandemic, the writers contemplate upon the issues of science, its capacities, limitations and potential hazards. In the frame of examined novels, the pandemic topos serves as a tool for «reloading» the human population on earth, «resetting» humanity and bringing it back ad fonts. It also acts as a reminder about the dangers of negligence and misuse of research advances. In such a manner, the authors caution the readers against the potential dangers of the 20th-century advances. In the light of COVID-19 pandemic, the study of the literary depiction of this motif in national literatures and different historical periods becomes especially relevant, because it allows us to re-consider this phenomenon and thus to try to help the mankind to learn one's lesson and perhaps avoid similar calamities in the future.
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Nah, Dominic. "Towards a Dialogic Ethical Criticism:". L1-Educational Studies in Language and Literature 23, nr 2 (29.12.2023): 1–33. http://dx.doi.org/10.21248/l1esll.2023.23.2.547.
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Since the late 20th century, Literature educators have adopted dialogic pedagogies that connect aesthetic appreciation and other-centred approaches to literary texts. However, classroom research on students’ ethical meaning-making has rarely been connected with theoretical developments of ethical criticism or conducted in non-western contexts and classroom debate settings. To map how Literature classroom interactions open or close possibilities for ethical meaning-making, I propose a dialogic ethical criticism that synthesises an other-centred ethical criticism influenced by Emmanuel Levinas’ ethical philosophy and Hans-Georg Gadamer’s notion of hermeneutic conversation. Using deductive and inductive analysis, I develop and apply a coding framework to examine classroom discourse in a high-ability Singapore Secondary Four (Grade 10) class in an Asian poetry unit. I focus on a series of classroom debates comparing poems with ethical invitations on the representations of asylum seekers, the process of embracing diversity, and reasserting identity amidst discrimination. While some students keenly consider others’ perspectives and develop the strength of their interpretive possibilities with close textual evidence, other students simulate an ethical openness by selectively using textual evidence. Although antagonistic forms of literary debates can inhibit students’ ethical meaning-making, student adjudicators providing constructive feedback with close textual support can facilitate responsible interpretive possibilities.
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Lamm, Mariya A. "The development of Belarusian literature in a multicultural context". Slavic Almanac, nr 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.
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Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusian literature during Soviet period are examined particularly, especially the literature about Second World War. The national aspects of literary comprehension of the experience of German-fascist occupation in Belarusian literature during Soviet period are revealed. The important characteristic of the modern Belarusian literature after the Chernobyl disaster that has started in 1986, is emphasized upon.
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Lease, Sarah. "A usage-based account of paragogic /e/ in 20th century New Mexican Spanish". Studies in Hispanic and Lusophone Linguistics 16, nr 2 (1.09.2023): 473–501. http://dx.doi.org/10.1515/shll-2023-2017.
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Abstract This study tests if New Mexican Spanish speakers’ productions of words that variably display paragogic /e/ (rincón ∼ rincon e ‘corner’) are predictable from their lexical frequency, utterance position, and the frequency with which these words occur in an utterance position that conditions paragoge. In the study, the variable that measures the frequency with which words occur in the conditioning context is referred to as the FCC. The analysis of 77 word types and 2,235 tokens produced by 24 speakers demonstrates that the likelihood that a speaker produces paragogic /e/ increases when words are produced at the end of an utterance. The study also finds novel evidence for the mediating effect of lexical frequency on the effect of the FCC variable: the influence of the frequency with which words are produced in utterance-final position on the likelihood of paragogic /e/ is strengthened as lexical frequency decreases. Together with research on reductive phonological processes (e.g., Forrest, John. 2017. The dynamic interaction between lexical and contextual frequency: A case study of (ING). Language Variation and Change 29(2). 129–156), it seems that the effect of the FCC variable is amplified by lexical frequencies that already harbor the phonological process. These novel findings invite scholars to reconsider the assumption that such effects require many exemplars to shape lexical representation and speech production.
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Bagno, V. Ie. "Yasniie Poliany and Petersburg Corners of Russia and Russian Literature (Prophesies and Prognostications of E. Pardo Bazán)". Russkaya literatura 3 (2020): 74–84. http://dx.doi.org/10.31860/0131-6095-2020-3-74-84.
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The article analyzes E. Pardo Bazán’s concept of Russian literature, as formulated in her book "La Revolución y la Novela en Rusia". The work of the Spanish female writer is considered in the context of the «prophetic» pronouncements of the Russian 19th-century writers regarding the fates of the Russian novel in Europe, as well as in the context of her predecessors’ and contemporaries’ writings, primarily those of E.-M. de Vogüé. The perspective of the perception of the Russian literature abroad in the 20th century, as pre-chartered in Pardo Bazán’s book, is traced, the patterns of her true and false prognostications are identifi ed, including dispute over Tolstoy and Dostoevsky.
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Spahić, Elmir. "The Ethics of the Anti-War Letter and Poetics of Testimony in Tvrtko Kulenović’s History of Illness (1994)". Context: Journal of Interdisciplinary Studies 9, nr 1 (30.06.2022): 115–30. http://dx.doi.org/10.55425/23036966.2022.9.1.115.
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Tvrtko Kulenović’s History of Illness (1994) belongs to the anti-war letter and poetics of testimony genres from late 20th-century Bosniak and Bosnian-Herzegovian literature. Although a novel, History of Illness depicts the evils of the 1992–1995 war, in which Sarajevo was besieged by the Yugoslav People’s Army and the Army of Republika Srpska. Kulenović writes from the position of victim, and advocates the idea of ethical engagement during the writing process, in which the narrative and existential selves merge. This paper uses the methodological bases of ethical literary criticism to prove the ethical dimension of the literary text.
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Simsone, Bārbala. "Science Fiction In Latvian Literature". Interlitteraria 22, nr 2 (16.01.2018): 397. http://dx.doi.org/10.12697/il.2017.22.2.16.
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The present paper is devoted to the overview of the beginnings and development of the genre of science fiction in Latvian literature. Similarly to other popular fiction genres, science fiction in Latvian literature has not been very popular due to social and historical reasons; however, during the course of the 20th century several authors have at least partially approached the genre and created either fully fledged science fiction works or literary works with science fiction elements in them. The paper looks at the first attempts to create science fiction-related works during the beginning of the 20th century; it then provides an insight into three epochs when the genre received comparatively wider attention: 1) the 1930s produced mainly adventure novels with elements of science fiction mirroring the correspondent world tendencies of that time period; 2) the period between the 1960s and 80s saw authors who had the courage to leave the strict platform of Soviet Social Realism, experimenting with a variety of science fiction elements in the postmodern literary context which allowed for a wide metaphoric interpretation. This epoch also saw the emergence of a specific phenomenon – humorous / satiric science fiction which the authors employed in order to offer social criticism of the Soviet lifestyle; 3) the beginning of the 21st century saw the emergence of several science fiction works by a new generation of writers: these works presently comprise the majority of newly published science fiction. The paper outlines the main tendencies of the newest Latvian science fiction such as authors experimenting with a variety of themes, the preference for dystopian future scenarios and humour. The paper offers brief conclusions as to the possible future of Latvian science fiction in context of the current developments in the genre.
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Ibragimov, Marsel I., i Elmera M. Galimzyanova. "Identity Discourse in Theoretical Works of Tatar Literary Critics at the Beginning of the XX Century". Polylinguality and Transcultural Practices 16, nr 2 (15.12.2019): 228–38. http://dx.doi.org/10.22363/2618-897x-2019-16-2-228-238.
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The subject of the research is the identity discourse in literary works of Tatar literary figures at the beginning of the 20th century (G. Ibraghimov, G. Sagdie, G. Battala, N. Dumavie, G. Rakhim). The coexistence of Eastern and European literary terms and concepts, which indicates the reception of works by Russian and European scientists and the transformation of traditional views on literature, caused by Eastern poetics influence, was established in the works under study. The research was carried out in the context of the problem of identity that is relevant to contemporary literary criticism. For the first time, literary works of Tatar writers and scholars are considered as one of discursive practices in which the national identity of Tatar literature is manifested. It is revealed that the discourse of identity in the analyzed works is problematic in two aspects: civilization aspect (the problem of East and West) and national aspect (the problem of literary science as one of the factors of national construction).
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MEHERREMOVA, Könül. "THE INFLUENCE OF TURKISH LITERARY TRADITIONS ON HUSEYN JAVID’S WORKS". Zeitschrift für die Welt der Türken / Journal of World of Turks 13, nr 1 (15.04.2021): 49–60. http://dx.doi.org/10.46291/zfwt/130103.
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The influence of the Turkish literature on the Azerbaijani literature in the beginning of the 20th century is indisputable. In this aspect, the works of the prominent Azerbaijani poet and playwright Huseyn Javid draws attention. The similarities with the works and thoughts of the significant representatives of the Turkish literature like Namık Kemal, Abdulhak Hamit, Mehmed Akif Ersoy, Tevfik Fikret and Riza Tevfik is observed in Huseyn Javid’s poems and plays. In the Turkish literary criticism, researches about Huseyn Javid increased noticeably in the recent times and these researches largely compared his works and philosophical thoughts with Turkish writers and poets. These studies focused Javid’s works, their topics, and literary features. Observing this kind of features in the works of H. Javid who lived and studied in Turkey for some time is normal, and this matter does not cause his works to lose their originality. Keywords: Azerbaijani literature, Turkish literature, poems, plays
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Grati, Aliona. "The literary work as dialogue and relationship". Akademos, nr 4(67) (marzec 2023): 104–9. http://dx.doi.org/10.52673/18570461.22.4-67.13.
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The intention of this article is to present the results of a collective scientific research project in the theory of literature that was carried out in a period of more than ten years (2011–2022) on the topic “Dialogism of the literary work”. These results determined another collective contribution in the theory of literary criticism. By the notion of “scientific project” we understand the PhD thesis (Aliona Grati) and other four doctoral theses (Oxana Popa, Elisaveta Iovu-Macari, Diana Dementieva, Rodica Gotca), which were carried out in the same research direction and a collective monograph. The objective of this vast project was to present the development directions of dialogic theory/aesthetics and dialogism that Mikhail Bakhtin imposed on the international circuit. The scientist insisted on the idea that the literary work is the aesthetic area for the full unfolding of dialogic relationships, thus foreshadowing a paradigm in the research of 20th century literature. The doctoral theses presented how dialogic theory was approached within some theoretical schools and systems, as well as by some brand personalities. These researches constituted pretexts for the theorization of five new models of literary criticism that grew from the stem of dialogism: Dialogic, Imagology, Sociocriticism, Criticism oriented towards the reader, Ergocriticism. They aim at modern, complex and layered literary works that represent the existence and the world with human voices in dialogue, with texts in relation and with systems in relation.
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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa i Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan". Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, nr 35 (13.05.2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.
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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-class authors Brendan Behan (2002) and Pat Barker (2005), and the first book to investigate twentieth-century Irish literature and culture using critical race theories, Race in Modern Irish Literature and Culture (2009). His most recent book, Archipelagic Modernism: Literature in the Irish and British Isles, 1890-1970 (2014), explores new ways of understanding the relationship between literature, place and environment in 20th-century Irish and British writing. He was editor of the international peer-reviewed journal, Irish University Review, from 2010 to 2016.
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Kuizinienė, Dalia. "Alfonsas Nyka-Niliūnas’s Literary Review: Polemical Dialogues". Colloquia 43 (20.12.2019): 77–96. http://dx.doi.org/10.51554/col.2019.28640.
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Alfonsas Nyka-Niliūnas (1919–2015), the celebrated Lithuanian poet of the 20th century, was also one of the most prominent literary critics. For more than two decades, he had been an active literary critic, publishing his texts in Lithuanian émigré literary and culture magazines. In addition to his studies on the history and criticism of Lithuanian literature, articles on Western and Lithuanian classics, Nyka-Niliūnas wrote literary reviews. In the field of Lithuanian émigré literature and criticism, he validated a certain type of critical review which emphasized novelty, originality and evaluation of the book in question.Nyka-Niliūnas wrote his first reviews in a monthly pedagogical journal, Tremtinių mokykla [School of Exiles], published in a German DP camp. The reviews published in the journal, and later in the cultural magazine, Aidai [Echoes], stood out for their completeness, coherent structure, and strict and straightforward evaluation that allowed seeing a particular book in a broader context. A number of Nyka-Niliūnas’s reviews of this period sparked controversy and encouraged literary dialogue.In the US, Nyka-Niliūnas continued to publish literary reviews in Aidai and literary magazine, Literatūros lankai [The Pages of Literature]. In the reviews written during this period, he debated with a group of critics who held a different opinion, established the criteria for evaluating the literature, and highlighted the objectives and the importance of a literary review. Nyka-Niliūnas’s reviews can be characterized not only by author’s suggestive argumentation and fiery style, but also by his poetic metaphors.
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Kachorovskaya, A. E. "On the Reception of the Myth of Prometheus in Austrian Literature of 19th-20th Centuries". Nauchnyi dialog, nr 3 (30.03.2020): 221–35. http://dx.doi.org/10.24224/2227-1295-2020-3-221-235.
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This article focuses its attention on the motive of resistance characteristic of Austrian literature of the 19th - 20th centuries, which is considered from the point of view of the historical and literary relationship with the myth of Prometheus. The history of the issue is reviewed. A selective analysis of the versions of the Promethean myth in the Austrian historical and literary context of the 19th-20th centuries, which is part of the pan-European literary and philosophical heritage, is given. The stylistic and genre originality of Austrian interpretations of the myth of Prometheus is proved on the basis of a study of a number of works. The artistic reception of the image of Prometheus in the poem by Z. Lipiner "Liberated Prometheus", little studied in Russian literary criticism is considered in the article. Attention is paid to the version of the Promethean myth in the literature of Austrian Art Nouveau (on the example of F. Kafka's little prose). The issue of conflicting trends in the development of Austrian literature of the 20th century, affecting the interaction of the motive of resistance with the Promethean myth, is investigated by the example of M. Gruber's essay. The correlation of the Austrian versions of the motive of resistance with the myth of Prometheus is proved. The results of the study confirm the significance of the Promethean myth in the Austrian reception of the 19th-20th centuries, which has more pronounced features of drama and theatricality in relation to the European context.
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Gold, Hazel. "Back to the Future: Criticism, the Canon, and the Nineteenth-Century Spanish Novel". Hispanic Review 58, nr 2 (1990): 179. http://dx.doi.org/10.2307/473120.
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Lukaszewicz, Marta. "Reception of Religious Themes in Nikolai Leskov's Works at the Turn of the 20th Century". Vestnik Tomskogo gosudarstvennogo universiteta, nr 468 (2021): 34–43. http://dx.doi.org/10.17223/15617793/468/4.
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The article aims to consider tendencies predominating in literary criticism at the turn of the 20th century in its reception of religious issues in Nikolai Leskov's works, to identify the peculiarities of their understanding by representatives of diverse groups and trends, to examine their influence on changes in Leskov's literary reputation. The role of the spiritual atmosphere of the Silver Age in changing attitudes towards Leskov's legacy is mentioned, as well as the consequences of the duality of his reception formed at that time. The research materials consists of various works of literary criticism (articles, notes, reviews) written and published in Russia between 1895 and 1917. They are studied using the methods of the thematic, discourse and comparative analysis of the text. The research demonstrated that the comprehension of Leskov's legacy, which began at the end of the writer's life, took place in the critical period of the coexistence of realism and symbolism in literature, and sociological and modernist trends in criticism. Leskov's literary works attracted mainly critics of the sociological trend, who emphasized the writer's evolution from a photographic depiction of Russian Orthodox clergymen's everyday life to the finding of peace, rational and moral understanding of religiosity akin to Protestantism and Leo Tolstoy's teaching. The approach of the less numerous modernist critics was different as they appreciated Leskov's depiction of the mystical depths of Orthodoxy, his penetration into the secrets of the popular faith and ability to juxtapose them with the mundane life. They evaluated the late works of the writer as less interesting, excessively rationalistic and moralising. Thus, the analysis of literary reviews of the turn of the 20th century allows making a conclusion about a strong influence of the artistic principles of the two main literary movements of the epoch, and critics' desire to incorporate Leskov into the modern context, thereby updating his legacy. Such a possibility is, in particular, the result of Leskov's ideological evolution and of the peculiarity of his manner of writing, with its elusive author's position, which still makes it feasible to formulate contradictory assessments of his works and personal religiosity, varying between a ‘heretic' and ‘profoundly Orthodox'. In addition, the author observed the fundamental importance of the category of literary reputation and noted the fact of transition from assessing the personality and socio-political stance of the author to evaluating his artistic output. It was also due to the beginning of the ‘linguistic turn' of the literary critics of the time, which resulted in the reception of Leskov's works becoming more complex and multifaceted. The contradictory assessment of his works and, in particular, their religious component, still continue to shape the position of many contemporary researchers.
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Cai, Cecily. "Doktor Faustus and its Variations on Lateness". arcadia 57, nr 2 (1.11.2022): 282–300. http://dx.doi.org/10.1515/arcadia-2022-9053.
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Abstract Thomas Mann’s novel Doktor Faustus, first published 1947, tells the story of a fictional German musician, Adrian Leverkühn, paralleled with the rise and fall of Germany in the first half of the 20th century. In fact, the idea of Doktor Faustus predated Mann’s exile, and it had been already conceived as a work of lateness – a Faust, a Parsifal in prose. In the process of creating variations on lateness, Mann referred to the musical models of Beethoven, Wagner, Mahler, Schoenberg, and the music criticism of Theodor W. Adorno. As a product of Mann’s exile in Southern California, Doktor Faustus connects the concept of lateness with his experience of exile through music, as Edward Said would later point out in his reflections on “late style.” By engaging with pre-existing compositions and criticism, I will present Doktor Faustus as a novelistic rendering of musical lateness that not only engages with compositions such as Wagner’s Parsifal and Mahler’s Ninth Symphony but also sheds new light on the interpretation of lateness as an artistic and – above all – human experience.
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Earle, Peter G., i Doris Meyer. "Rereading the Spanish American Essay. Translations of 19th and 20th Century Women's Essays". Hispanic Review 65, nr 2 (1997): 253. http://dx.doi.org/10.2307/474421.
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Jaćimović, Sladjana. "THE DEMONIC VITALISM OF THE FEMME FATALE AS A TRAGIC EXPRESSION OF REBELLION – KAP ŠPANSKE KRVI (A DROP OF SPANISH BLOOD) BY MILOŠ CRNJANSKI". Studia et Documenta Slavica 8, nr 2 (4.04.2020): 45–54. http://dx.doi.org/10.25167/setds/2019/2/4.
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This paper points to the exceptional place of the novel Kap španske krvi (A Drop of Spanish Blood, 1932) in the literary work of Miloš Crnjanski and Serbian literature of the 20th century. The novel is overpowered by other great literary pieces by Crnjanski Dnevnik o Čarnojeviću (The Journal of Čarnojević), Seobe (Migrations), Druga knjiga Seoba (Other books of Migrations), Roman o Londonu (A Novel about London). Nevertheless, it is interpreted as the first Serbian novel in which the model of a fatal woman is activated and, in the era of modernism, revitalizes the romantic concept of femme fatale.
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Correoso-Rodenas, José Manuel. "Poe's Academic Editions in Spain within the First Fifteen Years of the Twenty-First Century". Edgar Allan Poe Review 17, nr 2 (1.11.2016): 161–77. http://dx.doi.org/10.5325/edgallpoerev.17.2.161.
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Abstract The purpose of this article is to show how the academic studies on Poe have been developed during the first fifteen years of the twenty-first century in Spain. To achieve this goal, the critical editions of Poe's works published from 2000 on, along with the works of literary criticism composed around Poe's life and works, will be analyzed. The year 2009, with the celebration of Poe's two-hundredth anniversary, was a turning point where many works were produced and many scholars focused on the works of Poe. Many books, articles, and new editions were produced in every research field; but they were not the only ones who made this effort of paying attention to Poe: Spanish students also got involved in some of the activities that took place during this year. Short stories, poems, Poe's life and travels, his influence in later authors on both sides of the Atlantic, and many other aspects were explored. This article will try to offer an overview of all these new publications and how they were received by the Spanish audience, being acquainted the idea that Poe was (and he is still) unknown for most Spaniards, who only have heard of him as an author of horror stories.
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Lyu, Xiaoqin, i Xiaoxi Li. "The Construction of Wu Mi’s Literary Philosophy: The Integration of Humanism into Chinese Confucianism". English Language and Literature Studies 13, nr 3 (30.06.2023): 23. http://dx.doi.org/10.5539/ells.v13n3p23.
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Wu Mi, a believer in humanism, and student of Irving Babbitt, loved traditional Eastern and Western cultures and advocated the “continuity and convergence” of literature. This is an ideology of fair and just treatment of the different cultures of the East and the West, externally opposing drastic cultural changes but internally pursuing the continuity of ancient and modern culture and the integration of Eastern and Western cultures. Due to its fierce criticism of “old literature” in the New Culture Movement, Wu Mi’s literary philosophy was considered old-fashioned and anachronistic at the beginning of the 20th century. On the contrary, Wu Mi had no bias toward the literature of the past and present, East and West, which is a significant step toward understanding in culture and its development, during turbulent and chaotic times.
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Karjagdiu, Lirak, Naim Kryeziu i Isa Spahiu. "The Reception of Ernest Hemingway’s Works in Albanian Literature and Culture". Arab World English Journal For Translation and Literary Studies 5, nr 3 (15.08.2021): 151–68. http://dx.doi.org/10.24093/awejtls/vol5no3.11.
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The main aim of this paper is to illuminate the positive reception and influence of Hemingway’s translated work in the Albanian-speaking world. On the whole, Hemingway’s reception in Albanian literature and culture has largely been overlooked and it thus requires more profound attention and consideration. Hence, this paper will attempt to fill up a large vacuum that existed so far in Ernest Hemingway’s reception in Albanian literature and culture.“Jeta e re,” one of the most reputable literary journals in Kosova, published several journalistic and literary critiques on Hemingway written by various Albanian and international authors throughout the 20th century. Using a critical and comparative literary approach and by referencing these published prefaces, introductions, articles, reviews, etc. mainly by Albanian authors, this paper details and analyzes the research, journalism, and literary criticism published in “Jeta e re” regarding Hemingway’s works. The paper concludes that Hemingway’s literary works and masterpieces were translated and published frequently and were received with warmth and enthusiasm, leading to Hemingway becoming one of the most admired authors among Albanian readers.