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Artykuły w czasopismach na temat "20th century music"
Marks, Anthony. "20th Century". Musical Times 127, nr 1718 (maj 1986): 281. http://dx.doi.org/10.2307/965468.
Pełny tekst źródłaMarks, Anthony, i Paul Griffiths. "20th Century". Musical Times 128, nr 1732 (czerwiec 1987): 332. http://dx.doi.org/10.2307/1193737.
Pełny tekst źródłaMarks, Anthony. "20th Century". Musical Times 128, nr 1732 (czerwiec 1987): 337. http://dx.doi.org/10.2307/1193747.
Pełny tekst źródłaCriswick, Mary. "20th-Century Guitar". Musical Times 127, nr 1726 (grudzień 1986): 695. http://dx.doi.org/10.2307/964679.
Pełny tekst źródłaCriswick, Mary. "20th-Century Guitar". Musical Times 128, nr 1734 (sierpień 1987): 442. http://dx.doi.org/10.2307/965019.
Pełny tekst źródłaO'Loughlin, Niall. "20th Century Wind". Musical Times 131, nr 1766 (kwiecień 1990): 206. http://dx.doi.org/10.2307/966272.
Pełny tekst źródłaBanfield, Stephen. "20th-Century British". Musical Times 126, nr 1704 (luty 1985): 99. http://dx.doi.org/10.2307/963479.
Pełny tekst źródłaCraig, Dale A. "Trans–Cultural Composition in the 20th Century". Tempo, nr 156 (marzec 1986): 16–18. http://dx.doi.org/10.1017/s0040298200022075.
Pełny tekst źródłaRoseberry, Eric, i Robert P. Morgan. "Anthology of 20th-Century Music". Musical Times 133, nr 1797 (listopad 1992): 581. http://dx.doi.org/10.2307/1002593.
Pełny tekst źródłaVon Blumröder, Christoph. "Ende der Neuen Musik". Die Musikforschung 72, nr 3 (22.09.2021): 201–13. http://dx.doi.org/10.52412/mf.2019.h3.44.
Pełny tekst źródłaRozprawy doktorskie na temat "20th century music"
Bagley, Paul Michael. "Mysticism in 20th and 21st century violin music". Thesis, University of Maryland, College Park, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3643907.
Pełny tekst źródła“Mysticism,” according to the Oxford dictionary, can be defined as “belief in or devotion to the spiritual apprehension of truths inaccessible to the intellect.” More generally, it applies to the aspects of spirituality and religion that can only be directly experienced, rather than described or learned. This dissertation examines how mysticism fits into the aesthetic, compositional, and musical philosophies of four prominent composers of the 20th and 21st centuries—Ernest Bloch, Olivier Messiaen, Sophia Gubaidulina, and John Zorn, with a cameo by the Jewish composer David Finko—and how their engagement with the concept of mysticism and the mystical experience can be seen in a selection of their works featuring the violin: Bloch's Baal Shem suite and Poème mystique; Finko's Lamentations of Jeremiah, Zorn's Kol Nidre, Goetia, All Hallow's Eve, and Amour fou; Gubaidulina's In tempus praesens; and Messiaen's Quartet for the End of Time. These works exemplify the mysticism shared by these composers, despite their different religious and cultural backgrounds, particularly their belief in the transcendental nature of music. This belief is expressed in their works through programmatic, melodic, harmonic, rhythmic, and formal elements, all of which display, to a greater or lesser degree, the influence of mystical philosophy and symbolism.
Tsurtsumia, Rusudan. "The Value Orientation of 20th-Century Georgian Music". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72008.
Pełny tekst źródłaOhki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.
Pełny tekst źródłaSoprano: Hitomi Ohki
Piano: Anders Kilström
Aaron Copland (1900-1990)
Twelve Poems of Emily Dickonson
1, Nature, the gentlest mother
2, There came a wind like a bugle
3, Why do they shut me out of Heaven?
4, The world feels dusty
5, Heart, we will forget him!
6, Dear March, come in!
7, Sleep is supposed to be
8, When they come back
9, I felt a funeral in my brain
10, I've heard an organ talk sometimes
11, Going to Heaven!
12, The Chariot
Bernier, Kiyono Monique. "Disparate measures: Two 20th century treatments of the Paganini theme". Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284086.
Pełny tekst źródłaKane, Mike. "A consideration of modes of dissonance in 20th-century music". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59180.pdf.
Pełny tekst źródłaOuyang, Yiwen. "Westernisation, ideology and national identity in 20th-century Chinese music". Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/8f19c444-ee12-c022-d86c-879118683355/7/.
Pełny tekst źródłaMilin, Melita. "The National Idea in Serbian Music of the 20th Century". Gudrun Schröder, 2004. https://ul.qucosa.de/id/qucosa%3A21226.
Pełny tekst źródłaHocking, Rachel School of Music & Music Education UNSW. "Crafting connections: original music for the dance in Australia, 1960-2000". Awarded by:University of New South Wales. School of Music and Music Education, 2006. http://handle.unsw.edu.au/1959.4/27289.
Pełny tekst źródłaLeung, Tai-wai David. "Memory, aesthetics and musical quotation four case studies in 20th century music /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/HKUTO/record/B39733919.
Pełny tekst źródłaLeung, Tai-wai David, i 梁大偉. "Memory, aesthetics and musical quotation: four case studies in 20th century music". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39733919.
Pełny tekst źródłaKsiążki na temat "20th century music"
Hao, Huang, red. Music in the 20th century. Armonk, NY: M.E. Sharp, 1999.
Znajdź pełny tekst źródłaRead, Gardner. 20th-century microtonal notation. New York: Greenwood Press, 1990.
Znajdź pełny tekst źródłaLebrecht, Norman. The companion to 20th-century music. New York: Da Capo Press, 1996.
Znajdź pełny tekst źródłaLebrecht, Norman. The companion to 20th-century music. New York: Simon & Schuster, 1992.
Znajdź pełny tekst źródłaThe companion to 20th-century music. London: Simon & Schuster, 1992.
Znajdź pełny tekst źródłaLebrecht, Norman. The companion to 20th-century music. New York: Da Capo Press, 1996.
Znajdź pełny tekst źródłaDavid, Pickering. Cassell companion to 20th-century music. London: Cassell, 1997.
Znajdź pełny tekst źródłaShen, Sin-yan. Chinese music in the 20th Century. Chicago: Chinese Music Society of North America, 2001.
Znajdź pełny tekst źródła20th-century microtonal notation. New York: Greenwood Press, 1990.
Znajdź pełny tekst źródłaFord, Andrew. Illegal harmonies: Music in the 20th century. Sydney: Hale & Iremonger, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "20th century music"
Wanke, Riccardo D. "Sound in 20th-century music". W Sound in the Ecstatic-Materialist Perspective on Experimental Music, 10–30. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003132387-1.
Pełny tekst źródłaWebster, Peter. "Chichester Music". W Church and Patronage in 20th Century Britain, 187–211. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_7.
Pełny tekst źródłaCorsbie-Massay, Charisse L’Pree. "Recorded Music". W 20th Century Media and the American Psyche, 35–49. London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780203702352-4.
Pełny tekst źródłaRossi, Arcangelo. "Kantianism and Physics from the 19th to the 20th Century". W Language, Quantum, Music, 293–301. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2043-4_27.
Pełny tekst źródłaChristensen, Erik. "Overt and Hidden Processes in 20th Century Music". W Process Theories, 97–117. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-007-1044-3_5.
Pełny tekst źródłaWebster, Peter. "Music, Art and Poetry: 1944–1955". W Church and Patronage in 20th Century Britain, 85–118. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_4.
Pełny tekst źródłaO’Flynn, John. "Irish composers and 20th-century film and TV". W Music, the Moving Image and Ireland, 1897–2017, 135–60. London: Routledge, 2021. http://dx.doi.org/10.4324/9780203710395-9.
Pełny tekst źródłaSeeger, Anthony. "Music of Struggle and Protest in the 20th Century". W Springer Handbook of Systematic Musicology, 1029–42. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55004-5_53.
Pełny tekst źródłaWilson, Andrew. "Improvisation and Authenticity in Early 20th Century Western Music". W The Routledge Handbook of Philosophy and Improvisation in the Arts, 355–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-29.
Pełny tekst źródłaBazayev, Inessa, i Christopher Segall. "Introduction". W Analytical Approaches to 20th-Century Russian Music, 1–10. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-1.
Pełny tekst źródłaStreszczenia konferencji na temat "20th century music"
White, Christopher Wm, Jeffrey Fulmer, Brian Cordova, Alexandria Black, Chloe Danitz, William Evans, Aidan Fischer i in. "A new corpus of texture, timbre, and change in 20th-century American popular music". W Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0015.
Pełny tekst źródłaWang, Qi. "The Promotion of Russian Music Culture on Harbin Music Education in the 20th Century". W Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.185.
Pełny tekst źródłaLaato, Samuli, Sampsa Rauti i Erkki Sutinen. "The Role of Music in 21st Century Education-Comparing Programming and Music Composing". W 2020 IEEE 20th International Conference on Advanced Learning Technologies (ICALT). IEEE, 2020. http://dx.doi.org/10.1109/icalt49669.2020.00088.
Pełny tekst źródłaCoroiu, Petruta-Maria. "THE PSALMS OF DAVID � TEXTUAL CONSENSUS IN THE MUSIC OF THE 20TH CENTURY". W 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s16.62.
Pełny tekst źródłaShkolina, Marina Sergeevna. "Ornamenting of Music Texture in Russian Piano Pieces in 19th – Early 20th Century". W All-Russian Scientific Conference with International Participation, Chair Zivar Makhmudovna Guseinova. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-99579.
Pełny tekst źródłaQi, Ling. "Explanation of Chinese Piano Music National Character in the First Half of the 20th Century". W 2016 2nd International Conference on Education Technology, Management and Humanities Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/etmhs-16.2016.97.
Pełny tekst źródłaYue, Shengdong, i Yutong Xuan. "Commentary of Sichuan Opera Music Reform' Research Literature in the Latter Half of the 20th Century". W 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.113.
Pełny tekst źródłaXiang, Yu. "An Overview of the Development of Music Education in China's Normal Universities in the Second Half of the 20th Century". W Proceedings of the 2018 8th International Conference on Management, Education and Information (MEICI 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/meici-18.2018.83.
Pełny tekst źródłaXiang, Yu. "An Overview of the Development of Music Education in China's Normal Universities in the First Half of the 20th Century". W 8th International Conference on Education, Management, Information and Management Society (EMIM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emim-18.2018.5.
Pełny tekst źródłaMiyazaki, Shintaro. "Musik für Maschinen?! – Wo sich die Wissenschaft der Medien, des Computers und der Musik treffen und wie sie zusammenarbeiten könnten". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.105.
Pełny tekst źródłaRaporty organizacyjne na temat "20th century music"
Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481274.
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