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Pavlova, Svetlana Yu. "Russian literary criticism of the 20th century on Moliere’s comedy “The Misanthrope”". Izvestiya of Saratov University. Philology. Journalism 23, nr 1 (21.02.2023): 48–54. http://dx.doi.org/10.18500/1817-7115-2023-23-1-48-54.
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The article addresses the reception of J.-B. Moliere’s comedy “The Misanthrope” (1666) by the Russian literary critics of the 20th century, reflected in monographs, academic publications, textbook, articles and the scientific apparatus to the complete works of the great French playwright. The reason of this persistent interest to this play is determined by two essential factors: its ambiguity and its influence on A. S. Griboyedov’s comedy “Woe from Wit”. The author of the article traces the transformation of the researchers’ evaluations, ranging from the pre-revolutionary period and up to the latest reviews. It is stated that the reception of “The Misanthrope” can be generally traced back to the ideas of A. N. Veselovsky, the founder of the Russian studies of Moliere. Having been perceived controversially by the closest followers of the scientist, they became ideological in the works of the Soviet researchers of the 1930–1940s, then they were in the focus of attention of the literary critics of the middle of the century and were further developed in the studies of the turn of the 20th – 21st centuries. Addressing “The Misanthrope”, the Russian researchers of the French literature of the 17th century focus on the distinguishing features of the comic, on the biographical basis of the play, on the system of images, prototypes of the main character and the essence of his conflict with the society. They invariably concentrate on the issue of the author’s viewpoint, and on the question of who Moliere sides with – Alceste or Philinte. The carried-out analysis shows that the research thought has changed from the biographical, social and political interpretation of the comedy “The Misanthrope” to refocusing on ethical issues. It appears that, despite the importance of all of these aspects, clearly significant for the comprehension of the play, a cultural studies approach, characteristic for the French literary studies and based on the most recent studies of the gallant epoch, will facilitate a more sensible perception of the play.
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Maritchik-Sioli, Youlia A. "“Very Russian, the French Would Say... Very French, the Russians Would Say”: The Metamorphosis of E. Bakunina’s Novel ‘The Body’ in French and Russian Literary Criticism". Literary Fact, nr 1 (31) (2024): 217–41. http://dx.doi.org/10.22455/2541-8297-2024-31-217-241.
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The article is devoted to the reception of the novel “The Body” (1933) by emigré writer E.V. Bakunina in French and Russian literary criticism in the early 1930s. A number of researchers have already analyzed the responses of Russian critics to the publication of the novel but have not paid enough attention to a cross-sectional view of the perception of the writer’s work. This question is of interest insofar as it allows us to identify weaknesses and strengths of Bakunina’s work and rethink the literary and cultural norms established in the early 20th century. One of the article’s crucial questions is critics’ reaction to the verbalization of the female character’s body experience. In France, the literary context of the 1920s and 1930s, the presence of progressive journals, and some trends in the history of French literature contributed to the fleeting but genuine interest of critics in the novel. At the same time, the focus on preserving the best traditions of Russian literature in exile, the historical “memory of culture,” and the requirement to observe the artistic measure led to a sharp rejection of body discourse among emigré critics. The conclusion focuses on the stereotypical perception of the novel by French and Russian literary criticism, and emphasizes the importance of studying the creative heritage of “minor” authors. If French literary criticism often perceived Bakunina’s novel through the prism of the distinctive features of the “Slavic soul,” then Russian criticism judged the writer’s novel through an established grid of artistic criteria (measure, taste, femininity).
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van Rooden, Aukje. "Kafka Shared Between Blanchot and Sartre". arcadia 55, nr 2 (9.11.2020): 239–59. http://dx.doi.org/10.1515/arcadia-2020-2010.
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AbstractEver since their translation in the course of the 20th century, the works of Kafka have been widely appreciated by French intellectuals. Kafka’s greatest admirers include Maurice Blanchot and Jean-Paul Sartre, both of whom consider his work an exemplary illustration of their own poetical-philosophical views. This is remarkable, because Blanchot’s and Sartre’s respective views are generally conceived of as opposites. Apparently, then, these two authors who are so divergent in their philosophical views and literary criticism, as well as in their own literary works, find themselves on the same page in their appreciation of Kafka. I will argue that this shared appreciation not only reveals some unexpected points of agreement between them, but also facilitates an interesting intellectual encounter between Blanchot and Sartre in the late 1940 s. It is, we will see, only on the basis of an agreement with regards to Kafka’s work that their ways can part.
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Pujante, Ángel-Luis. "The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources". Sederi, nr 20 (2010): 103–19. http://dx.doi.org/10.34136/sederi.2010.5.
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Shakespeare criticism in Spain began in 1764 and has been on the increase ever since. The main source of information on the subject has long been the tremendous work done by Alfonso Par from the beginning of the 20th century until his death in 1936: without his Shakespeare en la literatura española (1935) none of the later studies could have been written, or at least they would have taken a good deal longer to write. On the other hand, Par’s book includes gaps and errors which need to be corrected. Among these are three cases of supposedly original texts which have turned out to be appropriations of foreign originals whose sources were not acknowledged. This article sets out to analyze these cases, examine their critical implications and thus contribute to a better knowledge and understanding of the Spanish reception of Shakespeare.
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Pomyluiko-Nedashkivska, Halyna. "GEORGES BERNANOS’ WRITING AS MODERNIST CODE OF FRANCOPHONIC METAMODERNISTIC SENSIBILITY". CONTEMPORARY LITERARY STUDIES, nr 20 (20.12.2023): 75–80. http://dx.doi.org/10.32589/2411-3883.20.2023.293567.
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The article analyzes the presence of an intertext between literary prose and political essay writing by a representative of the French Catholic literary revival of the first half of the 20th century. - Georges Bernanos - within the limits of modern intergenre French literature. The example is the collection of essays by the French-speaking writer Juan Asensio. However, the broader context of the reactualization of modernist writing in the contemprorary literary process is shown. The metamodernist sensibility of the 2000s is considered to be a result of the end of the dominance of the postmodernist discourse, its main theorists are investigated and the reasons for its appearance are shown. The dialogic character of metamodernism with the clue ideas of both modernism and postmodernism is noted, which is a middle way between modernist enthusiasm and postmodernist irony and skepticism, between hope and melancholy, between empathy and apathy, between truth and relativism, between totality and fragmentation, between experience and omniscience. Linguistic etymology and semantic plurality of the concept of “metamodernism” at the epistemological, ontological and historical levels are shown. The basic characteristics of the metamodernist worldview are named, such as: the return of metanarratives, belief in the truth, sincerity, empathy, the return ofhistory, the seriousness of religious experience, the search for the real, the importance of subjective experience. On the basis of these categories, the intertextual connection of the texts of Bernanos and Asensio is revealed according to four categories based on G. Genette’s narratology. It is about architextuality, thus citation at the genre level, narrative and poetic-stylistic closeness, explicit citation and allusions, and Bernanos’ meta-literary criticism provided in a comparative way. It is proved that the writing of Georges Bernanos became not only an intertext, but also a productive pretext of modern French literature, although the radical prophetism of the former was turned into a voice that just found the right to the truth and sincerity.
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Glazkova, Marina M., i Yana V. Ikonnikova. "Virtual-creative interethnic dialogue (A. Gide – F. Nietzsche – F. Dostoevsky) in French and Russian literary criticism". Neophilology, nr 25 (2021): 51–61. http://dx.doi.org/10.20310/2587-6953-2021-7-25-51-61.
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The review of literature on the problem of “Dialogue of cultures in A. Gide’s works” establish extensive contact and typological convergence, a rollcall of images and ideas, reveal new interpretation of the story. All this became the basis of intertextual analysis, which allows us to understand more deeply the intention of the artists of the word, especially F.M. Dostoevsky, with whom A. Gide enters into a virtual dialogue. The work purpose is to address the ethical and philo-sophical ideas of F. Nietzsche and F.M. Dostoevsky in the context of A. Gide’s works, which turns out to be the most important moment and the basis for understanding the essence of the work of prominent French writer. The system of analysis includes a peculiar dialogue between F. Nietzsche, A. Gide and F.M. Dostoevsky – artists belonging to different nationalities and cul-tures, who did not coincide in time, did not know each other personally, which turned out to be evidence of their inextricable cultural connection. We determine the study degree and A. Gide’s artistic world originality on the basis of the rich factual material contained in the studies of the creative heritage of the French writer, which allows us to trace the evolution of A. Gide’s work from the beginning of the 20th to the beginning of the 21st century, to determine the literary signi-ficance of the problems posed in his work. The methodology of the work includes an overview of what has already been done in French and Russian literary studies on this issue in the context of the embodiment of national ideas in their work, which is the novelty and relevance of this study. Conclusions: for A. Gide, an appeal to F.M. Dostoevsky was immersed in his literary texts in order to understand the Russian mentality in comparison with the Western European system of values. The French writer emphasized that in the Russian environment, depicted by F.M. Dostoevsky, love prevails, which is “inclusive”, so the writer called it “world responsiveness”. People go to such love through compassion, sacrifice, meekness and deep faith in the Savior and the Mother of God. Realizing their messianic role in the world, the Russian people, represented by F.M. Dostoevsky, according to A. Gide, in the future will renew the Catholic Church, which dis-torted Christianity and brought strife in the world community. The dialogical perspective requires a deeper study, because French, German and Russian writers-thinkers turn their gaze not only to the interpretative part, not only to the interpretation, interpretation of the works of F.M. Dos-toevsky, but also scattered in the works of A. Gide rolls with his thoughts, disputes with his heroes, allusions to his plots, to playing out individual episodes, which did not find a detailed study and justification in this interesting virtual dialogue.
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Grigor’eva, Nadezhda Ia. "Critique of the new hero in cinema (L.Visconti) and literature (F.M.Dostoevsky)". Vestnik of Saint Petersburg University. Language and Literature 18, nr 3 (2021): 444–59. http://dx.doi.org/10.21638/spbu09.2021.302.
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The article examines the philosophical basis of the figure of a new hero in literature and film. “New heroes” in selected literary and cinema works are compared within the context of existentialist philosophy and “philosophical anthropology”. Material for the comparative intertextual and intermedial analysis is the novel Demons by Fyodor Mikhailovich Dostoevsky and Luchino Visconti’s late films The Damned, Ludwig and Conversation Piece. The article attempts to broaden the intertextual horizon of research on Visconti by drawing new parallels between his films and Dostoevsky’s work. The work argues that the Italian filmmaker, follow ing the Russian writer of the 19th century and the European philosophers of the 20th century, criticises the “hero” who destroyed the old order on purpose to create a new one. Visconti’s revolutionary hero suffers from “the pathology of freedom” and refers to the figure of a nihilist from Dostoevsky’s novels, on the one hand, and to the figure of a sovereign in the philosophical and anthropological works of German and French writers of the 1930–50s, on the other. In his films The Damned, Ludwig and Conversation Piece, Visconti adopts not only a number of motifs from Dostoevsky but also replicates the main idea of the Russian writer who supposed that the enhancement of the human race was possible only after the second coming of Christ.
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Radavska, Oksana. "The expressional style of the novel by Jean Giono «Big flock»". Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, nr 22 (2020): 66–73. http://dx.doi.org/10.34079/2226-3055-2020-13-22-66-73.
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The paper is devoted to the analysis of the stylistic peculiarities of the novel of the French writer Jean Giono «Big Flock» (1931) dedicated to the events of World War I. The article proposes to use the Gaston Bashlar’s conception «The Poetics of Fire» as a methodology for the research of the expressive style. In the French criticism there is an idea about stylistic sophistication of this work, which is defined as a model of the tragic naturalism. It is suggested to look at the style of this work from the point of view of the poetics of expressionism. It is shown that the work of J. Giono is an example of «the ardent language», which contains the bright «The Poetics of Fire» and many other means of expressionist style. The novel «Big Flock» is called an amazing work of world literature on the endlessly elaborated theme of the war 1914. According to the French criticism, the novel is written in the spirit of the tragic naturalism. In a novel hatred for a civilization that has shed so much blood is expressed with utmost power. We intend to prove the consistently expressionistic nature of this work. If we use Gaston Bashlar's concept of «Poetics of Fire» as a methodology to identify the expressionist style, it is precisely the dominant archetype of fire that will enable to move the novel by J. Giono on a style scale from tragic naturalism to expressionism. G. Bashlar is a distinguished French philosopher, cultural scientist, literary scholar of the 20th century who explores dreams, in particular the creative dream described in his work «Psychoanalysis of Fire», which examines the images inspired by the contemplation of the fire. Also in this work, the philosopher identifies specific psychological complexes that allow deeper understanding of poetic works. All the manifestations of the fire G. Bashlar connects with the creative process. The main features of the poetics of expressionism in the novel of J. Giono «Big Flock» are as follows: the active use of the fire image that makes the work an example of «The Poetics of Fire» written by Gaston Bashlyar; the fragmentation of the plot; the inciting of the naturalistic pictures of mutilation and the death; the schematized character-images, the descriptions of human appearance compared to animals; the hyperbolization of every language means; the richness of the multiple tropes, the pervasive allegory of the «great flock», which enables to bring the generalizations to the scale of all humanity, to equalize the human and the animal world as an object of destruction, etc. Apparently, there is no expressionist means that wouldn’t manifest itself in this novel.
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Svitlenko, Serhiy. "Ukrainian intellectual Trokhym Zinkivskyi and preservation of historical memory of Taras Shevchenko". Chornomors’ka Mynuvshyna, nr 17 (31.12.2022): 71–78. http://dx.doi.org/10.18524/2519-2523.2022.17.268828.
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The personality of Trochym Zinkivskyi (1861–1891) remains little known and insufficiently developed in modern Ukrainian historiography. The purpose of the article is to study the figure of Trokhym Zinkivskyi in the context of the problem of preserving the historical memory of Taras Shevchenko. Research methods are personalistic, historical-genetic and historical-systemic. Sources: published epistolaries of T. Zinkivskyi and his addressees, memories of contemporaries, biographical articles in the Ukrainian press of the beginning of the 20th century etc. The main results consist in elucidating the peculiarities of the formation of T. Zinkivskyi's worldview under the conditions of the oppression of the Southern Ukrainian lands by the Russian imperial regime, in particular in Berdyansk, Feodosia and Odesa, the establishment of his Ukrainian national-democratic views during his studies and military service in Smila, Shpola and Uman, in Kyiv and St. Petersburg. It is noted that an important factor in the development of his Ukrainian consciousness and identity was his family upbringing, which instilled love for his native language and formed Christian, religious values. A prominent role was played by the reading circle, which included Shevchenkov's «Kobzar» along with other literary works of Ukrainian and foreign writers; as well as Ukrainian folk art. V. Kravchenko, L. Smolenskyi, B. Grinchenko, M. Komarov, and a number of representatives of the Ukrainian colony in St. Petersburg were included in the closest circle of persons who significantly influenced the formation of the worldview of the Ukrainian figure. The article traces the main stages of the intellectual and public activity of the Ukrainian figure in the matter of preserving the historical memory of Kobzar. It is noted that already in the middle and second half of the 80s of the 19th century. T. Zinkivskyi began work in the field of Ukrainian literature, took care of translation activities. In St. Petersburg, he was able to begin wider work for the benefit of Ukrainianism and became an ideological leader of young Ukrainians. The powerful vital energy of the activist was organically combined with consistent and convinced actions in the name of the Ukrainian cause. In the youth group at Shevchenko's anniversary, T. Zinkivskyi read a number of essays, such as «The National Question in Russia», «Shevchenko in the Light of European Criticism», «Young Ukraine» and others. His essay «Taras Shevchenko in the Light of European Criticism», which was read in Ukrainian on the evening of February 25, 1889 in the capital of the empire, was of exceptional importance. This speech, prepared mostly on the basis of French, Austrian, German, and Polish historiographical sources, presented Kobzar as a figure of global poetic scale and destroyed the perception of the Russian metropolitan public about Ukrainians and the Ukrainian language as something provincial and inferior. Conclusions.T. Zinkivskyi became one of the brightest representatives of the «Young Ukraine» generation. The short-lived but important intellectual activity of the ideological leader of young Ukrainians, in particular, speeches at the Shevchenko anniversary, publication of abstracts, epistolaries, drew the attention of contemporaries to the figure of Taras Shevchenko, to his poetic heritage; actualized the issue of preserving the historical memory of Kobzar as a leader of the national values of Ukrainians. It has been proven that during the 1880s and early 1890s, T. Zinkivskyi's intellectual activity contributed to the progress of Ukrainian public affairs and national science, the establishment of Ukrainian national consciousness among the generation of young Ukrainians. The practical significance of the article is that the given material will be of interest to specialists in the context of studying the ethno-national history of Ukraine in the second half of the 19th century. The originality of the article lies in the understanding of insufficiently studied aspects of the activity of the Ukrainian intellectual, who stood at the origins of the idea of «Young Ukraine». Scientific novelty in updating the intellectual activity of T. Zinkivskyi in the matter of preserving Ukrainian national memory and forming national consciousness and identity.
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Herman, David. "How Jewish Refugee Critics Changed British Literary Criticism, 1970–2020". Humanities 9, nr 3 (14.08.2020): 80. http://dx.doi.org/10.3390/h9030080.
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During the mid- and late 20th century, a small group of Jewish refugee critics changed the way British culture thought about what kind of literature mattered and why. These outsiders went on to have an enormous impact on late 20th-century British literary culture. What was this impact? Why in the last third of the 20th century? Why did British literary culture become so much more receptive to critics like George Steiner, Gabriel Josipovici, Martin Esslin and SS Prawer and to a new canon of continental Jewish writers? The obstacles to Jewish refugee critics were formidable. Yet their work on writers like Kafka, Brecht and Paul Celan, and thinkers like Heidegger and Lukacs had a huge impact. They also broke the post-war silence about the Holocaust and moved the Jewish Bibl from the margins of English-speaking culture.
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Vatazhko, Elvira. "THE CONCEPTS OF ‘METATEXTUALITY’ AND ‘METAFICTION’ IN LITERARY CRITICISM". Слово і Час, nr 2 (25.03.2021): 100–109. http://dx.doi.org/10.33608/0236-1477.2021.02.100-109.
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Undoubtedly, the second half of the 20th century and the early 21st century are notable for the extensive artistic experiment, including metatextual and metafictional phenomena. Such scholars as Gérard Genette, Anna Wierzbicka, Patricia Waugh, Linda Hutcheon, Robert Sholes, and many others focused on the mentioned issues in their research work. Therefore, this paper considers metatextuality and metafiction in the theoretical perspective tracing the origins of metatextuality and its connections with postmodern literature. The terms ‘metatext’ and ‘metafiction’ appeared as rather close in time. Notably, both of them are based on the discursive practices of the late 20th century. However, the term ‘metatext’ originated in the scholarly practice of structuralism. It is obvious that ‘metatext’ was constructed by analogy with the concept of ‘metalanguage’. Either of them does not exist without the initial text (or language). Metatextual elements are important for analyzing styles, genres, types of expression, discursive functions, and more. On the other hand, the term ‘metafiction’ has an obvious connection with genre studies. Metafiction qualifies as a special kind of literary text that became characteristic of the postmodern era. Such features as self-referentiality of artistic expression, introspection, and self-consciousness became essential for postmodern aesthetics. Metatextuality relates to the narrative theory and metacritiсism, while metafictionality is applicable within the intertextual analysis. Thus, the paper highlights an advance of metadiscourse in the cultural consciousness of the late 20th century.
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Zhang, Jie, i Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”". Neophilology, nr 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.
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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.
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Le, Quoc Hieu. "KIEU THANH QUE AND HIS MONOGRAPH “LITERARY CRITICISM”". UED Journal of Social Sciences, Humanities and Education 11, nr 1 (21.06.2021): 22–27. http://dx.doi.org/10.47393/jshe.v11i1.919.
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The literary legacy of the writer Kiều Thanh Quế can be considered a “fertile land” and an “opening structure” which suggest/require numerous interpretations and judgments. Understanding Kieu Thanh Que’s essential contributions to the formation of theoretical fundamentals of literary criticism helps re-evaluate his role and position in Vietnamese literature of the first half 20th century, especially in literary criticism - Kieu Thanh Que’s most dynamic and productive area of work. This article aims to: 1, introduce his monograph Literary Criticism; 2, point out several features of Kieu Thanh Que’s reasoning and critical thinking; and then 3. highlight his contributions to literary criticism of Vietnamese literature over the period 1932-1945. Contextualizing his book Literary Criticism in such early stage of literary criticism allows us to see clearly how he contributed with his ability to recognize and represent some theoretical and current issues in the field of literary criticism.
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Kisieliūtė, Ingrida. "Literature and Economics. Another Way to Read the Text". Respectus Philologicus 28, nr 33 (25.10.2015): 31–40. http://dx.doi.org/10.15388/respectus.2015.28.33.3.
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At the end of the 20th century, the study of literature was supplemented by such new methods as biopoetics, geopoetics, new historicism, etc. The New Economic Criticism, a new approach to the literary text, was found in the United States in the late 20th century. The present article discusses the main aspects of the aforementioned area of the study of literature and as well presents the possible approaches to literary texts from the economic perspective. The New Economic Criticism does not aim to become a method or tendency; thus, it givesthe freedom for a researcher to choose the perspective on the relationship between the literature and economics. The above-mentioned kind of analysis may be found in the English-speaking countries; whereas, the Russian literature has still remained unconsidered; however, Russian scholars are attempting to look at their fiction through the eyes of an economist. In Lithuania, the kind of research has not been found yet. Therefore, the article suggests one of the possible economic approaches, i.e., the analysis of the financial practices of the protagonist of The Gambler by F. Dostoyevsky.
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Ivanovic, Aleksandra. "Serbian medieval poetry: 20th-century literary-historical and theoretical interpretations". Prilozi za knjizevnost, jezik, istoriju i folklor, nr 88 (2022): 79–92. http://dx.doi.org/10.2298/pkjif2288079i.
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This paper examines how national literary histories written in the twentieth century define medieval Serbian poetry. Grounded in the canon of Byzantine liturgical poetry and dedicated to cult practice, hymnography often did not conform to modern poetic principles, originality, and metrical form. Formalist approaches to poetry shaped the anthologies of Serbian medieval literature published in Yugoslavia in the 1960s. The editors transformed sequences from narrative prose into poetic texts, thus creating medieval poems. These cases draw attention to the importance of textual criticism and the social context in defining medieval literary genres. Exploring hymnography as a linguistic and liturgical event - a poem sung to an engaged audience - introduces new perspectives on its interpretation.
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S, Anbarasu. "Impact of Rhetoric on the Scientific Concepts in the Tamil Epic Manimegalai". International Research Journal of Tamil 4, S-18 (8.12.2022): 28–32. http://dx.doi.org/10.34256/irjt224s184.
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‘Rhetoric’ is the common word given for both theoretical studies and literary criticism. Since the ancient period itself rhetoric is used in literature, but it entwined with literary theory and literary criticism only in 20th century. The controversy between the rhetoric and science dates back to thousand years. Rhetoric should be based on science was the main idea of Aristotle and Cicero who formally defined rhetoric their works. This article shows the relationship between rhetoric and science and how both these are linked in the Tamil literature. It also brings out the impact of rhetoric in science through the Tamil text ‘Manimegalai’.
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Munari, Alessandra. "The double nature of ‘source criticism’: Between philology and intertextuality". Forum Italicum: A Journal of Italian Studies 53, nr 1 (2.02.2019): 27–52. http://dx.doi.org/10.1177/0014585818813894.
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This article analyzes so-called ‘source criticism’, and it observes how this discipline historically and conceptually developed into the theory of intertextuality. This research traces the steps of source criticism from the end of the 19th century and through the 20th century, paying special attention to Italian literature; it deals with texts by critics Pio Rajna, Renato Serra, Ernst Robert Curtius, Gian Biagio Conte, Ezio Raimondi and Giuseppe Velli.
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Tegelberg, Elisabeth. "Carl Gustaf Bjurström – un médiateur littéraire unique en Suède". Moderna Språk 110, nr 3 (5.12.2016): 54–74. http://dx.doi.org/10.58221/mosp.v110i3.7822.
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This article adresses the phenomenon of literary mediation as reflected in the mediating work of one particular person, Carl Gustaf Bjurström (1919-2001), a Swedish translator and promotor of French literature in Sweden and of the Nordic literatures in France during the second half of the 20th century. It focuses on the manifold activities of Bjurström in favour of French literature in Sweden. Its scope is essentially general in its efforts to provide some elements of answer to the question as to the nature of literary mediation as a phenomenon, while being at the same time special in trying to show the uniqueness of the work carried out by a particular mediator in the field of literary mediation.
Through a detailed study of the many aspects of the work of C.G. Bjurström in his different roles (author, translator, promotor, reader), the emerging picture is one of a person whose mediating work was decisive in order to make French literature read and appreciated in Sweden in the second half of the 20th century.
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Rozov, Aleksandr Nikolaevich. "THE IMAGE OF THE DEACON IN THE RUSSIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY — EARLY 20TH CENTURY, AS ASSESSED BY THE CLERICAL JOURNALISM". Russkaya literatura 2 (2023): 118–27. http://dx.doi.org/10.31860/0131-6095-2023-2-118-127.
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The article examines the works of the writers of the 19–20th centuries, where various types of deacons are represented, assessed either as positive or as negative types by the clerical criticism. The images of the deacons did not reflect the sophisticated reality of clerical practices. Still, literary works familiarized the wider readership with these practices. Clerical critics analyzed the respective works from the religious and moral point of view, and modern literary scholars do not always fully take this into account.
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Rozov, Aleksandr Nikolaevich. "THE IMAGE OF THE DEACON IN THE RUSSIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY — EARLY 20TH CENTURY, AS ASSESSED BY THE CLERICAL JOURNALISM". Russkaya literatura 2 (2023): 118–29. http://dx.doi.org/10.31860/0131-6095-2023-2-118-129.
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The article examines the works of the writers of the 19–20th centuries, where various types of deacons are represented, assessed either as positive or as negative types by the clerical criticism. The images of the deacons did not refl ect the sophisticated reality of clerical practices. Still, literary works familiarized the wider readership with these practices. Clerical critics analyzed the respective works from the religious and moral point of view, and modern literary scholars do not always fully take this into account.
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Fokin, S. "CHARLES MAURRAS AND THE LITERATURE OF ACTION FRANCAISE". Voprosy literatury, nr 1 (30.09.2018): 270–95. http://dx.doi.org/10.31425/0042-8795-2018-1-270-295.
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The paper sets out to examine the literary impulses at the heart of Charles Maurras’ (1868-1952) philosophy, namely, the doctrine of integral nationalism, which signified French literary nationalism in the 20th century. The author finds that, in Maurras’ view, the concept of ‘integral’ was inseparable from the ‘monarchy’, with the latter destined to blend together the real social oppositions spawned by various anarchies, be it political, religious, familial, university-based, economic or even literary ones.
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Komkov, Oleg. "The Vertical Form: Iconological Dimension in 20th Century Russian Religious Aesthetics and Literary Criticism". Literature and Theology 20, nr 1 (1.03.2006): 7–19. http://dx.doi.org/10.1093/litthe/fri056.
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Shamilova, Shahnaz. "MODERN FRENCH AND AZERBAİJANİ POETRY AT THE LEVEL OF COMPARATİVİSTİCS". Scientific Journal of Polonia University 62, nr 1 (8.07.2024): 104–14. http://dx.doi.org/10.23856/6214.
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In the article, the stages of development of Azerbaijani poetry from the 19th century to the 20th–21st centuries, which were accompanied by fundamental changes, were reviewed. It has been noted that the wars that took place at the beginning of the 20th century and the strict rules and regulations applied by the Soviet regime had an undeniable influence on our literature. It was at that time, during the years of Repression, prominent representatives of Azerbaijani poetry were subjected to political oppression and persecution, exiled and shot. The names of the poets who played a special role in the development of Azerbaijani poetic thought during the Soviet period were mentioned, and at the same time, the genre and form innovations they brought to our poetry were shown. Starting from the 60s, poets and writers began to deepen their view of man and his spiritual world. This movement, which began in literature for the sake of freedom of speech and thought, political thought, pluralism, national independence, and social justice, was continued in the 70s and 90s, and finally achieved its prospective goals with the acquisition of political sovereignty and state independence of Azerbaijan. The trend of critical realism that prevailed in Azerbaijani poetry in the 19th century was replaced by socialism- realism in the 20th century. The names of the leading representatives of this current have been mentioned. The article compares the similarities and differences of both French and Azerbaijani poetry of the 20th century in terms of literary trends, form, content, and genre, citing the names of poets and showing examples. In particular, the poems of the French surrealist poet Jacques Préver are compared to the poems of Rasul Rza and Huseyn Javid and Adil Mirseyid. The article also examines the form and content of the newest poets distinguished by their innovation in 21st century Azerbaijani poetry.
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Hambur, Fransiska Marsela, i Nurhayati Nurhayati. "Feminism thoughts in 20th and 21st century literary works: A comparative study". EduLite: Journal of English Education, Literature and Culture 4, nr 2 (4.09.2019): 183. http://dx.doi.org/10.30659/e.4.2.183-193.
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One of most arguable and observable social phenomena is gender inequality which is based on feminism thoughts. Considering how literature may portray human’s life along with its values, this study is purposed to elaborate and compare how feminism thoughts and gender inequality take place in various literary works. Based on the importance of feminism thoughts and gender inequality in cross cultural literature, then there is a necessity to conduct a comparative literature study which focused on feminism thoughts. This study took four kinds of literary works, namely drama, prose (short-story), movie, and poetry. Feminism approach as sociological approach was applied in this study altogether with comparative criticism and content analysis method. This study discussed how feminism thoughts got more supports and encouragement as the century progressed. By comparing literary works from 20th and 21st century, several important findings can be drawn, namely (a) feminism thoughts are getting stronger along with the progression of century, (b) feminism thoughts always oppose gender inequality as both are always found as binary oppositions in literary work, (c) both feminism and gender-inequality live through human’s values and repetitive actions, (d) personal and familial values are crucial in order to develop feminism thoughts and gender-inequality in an individual, and (e) the change of values, especially social and cultural values can bring changes in both feminism and gender inequality phenomena.
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Shahab, Ali, Faruk Faruk i Arif Rokhman. "French Literature: From Realism to Magical Realism". Jurnal Poetika 8, nr 2 (26.12.2020): 170. http://dx.doi.org/10.22146/poetika.v8i2.58651.
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The purpose of the article is to explore the evolution of French literature between the late 19th century and early 21st century. Although French literature has long been dominated by rationalistic ways of thinking, based on the thoughts of René Descartes and John Locke, authors have used different means to express their perceptions of society. The novel Madame Bovary (1856), including its depiction of conjugal relationships, can be considered to have pioneered realism in French literature. During the Second World War, existentialism and absurdism appeared as new ways of examining not only the relationship among humans, but also between humans and God. In the late 20th century, magical realism emerged as a new literary stream that explicitly recognized the irrationality of human thinking. This article finds that the rationality of realism was necessary for magical realism to be accepted; in this rationality, although works of magical realism were irrational, they had to be recognized as fine examples of French literature that embodied such revolutionary ideas as liberté (liberty), égalité (equality), and fraternité (fraternity). To study this phenomenon, we examine the history of french literature by applying archeological method in order to understand the world views of the authors and how they change over time.
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Al-Dabbagh, Abdulla. "The anti-romantic reaction in modern(ist) literary criticism". Acta Neophilologica 47, nr 1-2 (16.12.2014): 55–67. http://dx.doi.org/10.4312/an.47.1-2.55-67.
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While the antagonism of modernism to realism has often been commented upon, its equally vehement rejection of romanticism has not been as widely discussed. Yet, if modernism compromised at times with realism or, at least, with a "naturalistic" version of realism, its total antipathy to the fundamentals of romanticism has been absolute. This was a modernist trend that covered both literature and criticism and a modernist characteristic that extended from German philosophers, French poets to British and American professors of literature. Names as diverse as Paul Valery, Charles Maurras and F.R. Leavis shared a common anti-romantic outlook. Many of the important modernist literary trends like the Anglo-American imagism, French surrealism, German expressionism and Italian futurism have been antagonistic not only to ordinary realism as a relic of the 19th century, but also, and fundamentally, to that century's romanticism. In nihilistically breaking with everything from the past, or at least the immediate past, they were by definition anti-romantics. Even writers like Bernard Shaw or Bertolt Brecht and critics like Raymond Williams or George Lukacs, who would generally be regarded as in the pro-realist camp, have, at times, exhibited, to the extent that they were afflicted with the modernist ethos, strong anti-romantic tendencies.
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Chizhov, N. S. "Soviet Poetic Underground in Critical and Scientific Coverage (Article Two)". Nauchnyi dialog, nr 10 (29.10.2021): 298–326. http://dx.doi.org/10.24224/2227-1295-2021-10-298-326.
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An overview of scientific and critical works devoted to the study of Soviet uncensored poetry as a historical and literary phenomenon in general and the work of its key personalities, in particular is presented in the article. The relevance of the work is due to the lack of study of this segment of Russian literary criticism of the 20th century and the need to systematize the accumulated experience of evaluating and interpreting underground poetic culture in order to identify promising directions for its further scientific development. The article focuses, first, on the samizdat criticism of the uncensored poets of the 1980s. Such features of their artistic writing as culture-centricity, impersonality, autonomy of poetry due to the rejection of the “Aristotelian mimesis” and the reorientation of the poetic utterance to “the language itself”, etc. are characterized. Secondly, the author considers the formation in the scientific-critical discourse of the postmodernist concept of the development of Russian literature, in the light of which such underground style movements as “metarealism” and “conceptualism” are presented as the most representative phenomena of poetic postmodernism. Thirdly, it is indicated that in literary criticism of the 2000s-2010s, a number of scientific concepts were proposed that limit the research field of application of postmodern theory to Russian poetry of the second half of the 20th century (“neomodernism”, “transavant-garde”, “post-realism”). Fourth, it is determined that the development of the legacy of the Soviet poetic underground in modern literary science occurs primarily from the standpoint of a systematic study of the poetics and axiology of the work of nonconformist poets and the identification of the genetic links of their poetry with the Russian modernist and avant-garde tradition of the early 20th century.
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Liu, Miaowen, i Natalia Z. Koltsova. "Perception of works of V. Shklovsky in China". RUDN Journal of Studies in Literature and Journalism 24, nr 3 (15.12.2019): 462–76. http://dx.doi.org/10.22363/2312-9220-2019-24-3-462-476.
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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary character, reception, since the early 80s of the 20th century adopted by the science of China. The article emphasizes that the history of the perception of the theoretical views of V. Shklovsky in China includes several stages, while a true study of his works, like Russian formalism in general, begins only in the 1980s of the 20th century. The artworks of Shklovsky in China began to pay attention only to the XXI century.
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Chang, Xuewei, Marzelan Bin Salleh i Jifang Sun. "Resonating Reflections: A Critical Review of Ethnosymbolic Dynamics in Les Six’s Music Nationalism Movement". Arts 13, nr 2 (22.04.2024): 75. http://dx.doi.org/10.3390/arts13020075.
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Les Six and their mentors stirred a debatement of French nationalist music in the early 20th century. However, this movement faced serious criticism and mockery from various quarters and eventually fell apart amid challenges. This critical review explores the ethnosymbolic dynamics within the nationalism music movement of Les Six, and drawing upon ethnomusicological perspectives, the study examines how their compositions reflected and resonated with French national identity and cultural heritage. By analyzing primary sources, scholarly literature, and musical compositions, this article meticulously uncovers the chain reactions generated in the process of constructing national identity and cultural identity within this movement by examining the French societal backdrop, musical traditions, as well as the relationships and attitudes among relevant figures in this movement. The conclusions highlight the multifaceted nature of ethnosymbolism in their work, shedding light on the complexities of national identity construction through music.
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Monica Chifor. "Modernism-context and Overlooked Literary Manifestations". Creative Launcher 8, nr 4 (31.08.2023): 61–72. http://dx.doi.org/10.53032/tcl.2023.8.4.07.
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The following paper discusses the emergence and characteristics of modernism, a dominant trend in art and culture that emerged in the late 19th century. Modernism encompasses various aspects of culture, including high art, criticism, city planning, and more. In literature, modernism represents a reaction against the conventions of realist narrative, moving away from traditional storytelling and embracing new techniques such as interior monologue and showing instead of telling. The research explores the debate on whether modernism has come to an end. Critics argue that it ended around 1930, while others disagree, pointing to the continued emergence of literary studies on modernism and its influence on various literary theories. The concept of modernism is discussed in an interdisciplinary context, encompassing various artistic currents, including symbolism, impressionism, expressionism, and more. The paper also touches upon the development of modernism in different art forms like visual arts, music, and architecture, and its influence on the concept of the “Bauhaus” movement. Furthermore, the paper discusses the Harlem Renaissance, a cultural movement centered in Harlem, New York, during the early 20th century. It highlights prominent figures of the movement, such as Langston Hughes, Zora Neale Hurston, and Richard Bruce Nugent, who expressed African American life and culture through various forms of art. The impact of mass culture on modernism is also explored, with references to Mathew Arnold’s concept of culture and anarchy and F.R. Leavis’ criticism of mass civilization and its effect on authentic feeling and responsible thinking. Overall, the paper provides and overview of modernism’s multifaceted nature, its influence on various art forms, and its interaction with societal and cultural shifts during the 20th century.
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Walczak, Maria. "The relationship between ethics and literature in light of Levinas’s work". Hybris 30, nr 3 (30.09.2015): 46–61. http://dx.doi.org/10.18778/1689-4286.30.05.
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In my paper I intend to uncover the relationship between ethics and literature. The aforementioned issue is connected to ’ethical turn’ — new orientation in literary studies, which was introduced in the nineties of 20th century. In order to uncover its source of inspiration, I refer to Lévinas’s works, such as Reality and its Shadow, The poet’s vision, Totality and Infinity, Otherwise than Being. I advocate the view that not only Lévinas’s concept of language, but also his account of poetry and responsibility underlie ethical criticism. Therefore, they are regarded as crucial to understand this new approach to literary studies. To illustrate my thesis, I attempt to interpret literary works, i.e. Wordsworth’s and Coetzee’s in light of Lévinas’s concepts.
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Williams, Raymond L. "New Approaches to the novel: From Terra Nostra to twitter literature". Co-herencia 12, nr 22 (czerwiec 2015): 13–23. http://dx.doi.org/10.17230/co-herencia.12.22.1.
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This article addresses new approaches to the novel in the twenty-first century. It begins with an affirmation that even the most avant-garde of contemporary critics in the late twentieth and early twenty-first century share a commonality: a background in what was identified as “close reading” in the Anglo-American academic world and analyse de texte in French. After numerous declarations in recent decades about the death of the novel, the death of the author and the death of literary criticism, it is evident that the novel as a genre has survived, authors remain a subject of study, and new approaches are possible. The study of trauma in fiction (as introduced by Cathy Caruth and David Aberbach), as well as eco-criticism, are promising new points of departure. The required close reading implied by Twitter also opens up new possibilities.
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Trostina, Marina Aleksandrovna, i Ksenia Nikolaevna Shishkanova. "The doctor’s image in the reception of Russian criticism and literary studies in the 20th and 21st centuries". Philology. Issues of Theory and Practice 17, nr 4 (4.04.2024): 1019–25. http://dx.doi.org/10.30853/phil20240148.
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The article highlights the stages of literary and critical reception of the doctor’s image presented in Russian prose in the 19th, 20th and 21st centuries. The work is novel in that it is the first to consider and systematize different points of view of critics and literary scholars on the nature of the doctor’s artistic image, on the doctor’s place in the cultural and historical space of Russia. The research aims to identify the key trends in the reception of the doctor’s image in Russian criticism and literary studies in the 20th and 21st centuries. As a result, it is found that while the thinkers of the 19th century highlight characterological features of a doctor character such as inner freedom, thirst for knowledge and empiricism of thinking inherent in the new generation, the critics and literary scholars of the early 20th century consider a doctor character in the context of the era of scientific discovery. During the period of totalitarianism, the hero is evaluated in terms of having “obligatory” qualities and his involvement with socialism and its achievements. Since the late 1980s, a doctor character has been analyzed from the position of his belonging to the intelligentsia, whose representatives are characterized by internal contradictions. The studies of the early 21st century attempt to reinterpret traditional renderings of Russian classical literature, outline new approaches to the analysis of a literary image: a doctor character is presented as a bearer of the highest spiritual value, a way to transmit hidden meanings.
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Kuang, Xiuli. "Archetypal literary criticism and intertextuality". Философская мысль, nr 9 (wrzesień 2023): 87–98. http://dx.doi.org/10.25136/2409-8728.2023.9.43571.
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Literary criticism was an important part of Western literary theory in the 20th century and has not lost its importance to this day. Criticism has an active influence on the literary process, as well as directly on the formation of public consciousness. This article discusses two important approaches, the principle of literary criticism. The archetypal literary criticism and the theory of intertextuality. Archetypal literary criticism is a theory that interprets a text by focusing on mythological motifs and archetypes in narrative, symbols, imagery, and character types that recur in different literary works. Analysis of the inclusions of intertext in the text of a work of art gives reason to consider them as one of the most important devices in the writer's stylistic system. The ability to integrate elements of another text into one's own work and introduce one's own text into the public consciousness is called "intertextualization" within the framework of this theory. Intertextuality is a common property of texts, expressed in the presence of links between them, due to which texts (or parts of them) can explicitly or implicitly refer to each other in a variety of ways. It is worth noting that the archetypal literary criticism and the theory of intertextuality have deep internal theoretical connections, which boil down to three main points: these are literary repetitions, general views on literature, and the consideration of literature as a repository of memory. Although these theories arose in the era of different cultural and historical paradigms - structuralism and post-structuralism, they have much in common in terms of connotation. Being different theoretical systems of literary criticism, archetypal criticism and intertextuality are closely connected by the presence of an element of psychological criticality in both. This article searches for similarities between the two indicated systems in these three aspects and substantiates their theoretical connection, which proves the complementary nature of these two theories.
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Beßlich, Barbara. "Nietzsche und die Weltanschauungsliteratur". Scientia Poetica 25, nr 1 (6.12.2021): 175–88. http://dx.doi.org/10.1515/scipo-2021-006.
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Abstract The study aims to demonstrate the significance of Friedrich Nietzsche for ›Weltanschauungsliteratur‹ (ideological literature) in the early 20th century. ›Weltanschauungsliteratur‹ adopts thematic elements of Nietzsche’s cultural criticism. Nietzsche’s habitus of the outmoded academic outsider becomes important for the writers’ self-staging. ›Weltanschauungsliteratur‹ closely observes Nietzsche’s combination of philosophical reasoning and literary writing and develops it further. Finally, the article examines exemplary ›Weltanschauungsliteratur‹ by Salomo Friedländer, Theodor Lessing, Rudolf Pannwitz, and Ernst Bertram.
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Kantoříková, Jana. "Melancholy, Hanuš Jelínek and Miloš Marten". Acta Musei Nationalis Pragae – Historia litterarum 61, nr 1-2 (2016): 77–82. http://dx.doi.org/10.1515/amnpsc-2017-0022.
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The aim of this article is to present the roles of Miloš Marten (1883–1917) in the Czech–French cultural events of the first decade of the 20th century in the background of his contacts with Hanuš Jelínek (1878–1944). The first part of the article deals with Marten’s artistic and life experience during his stays in Paris (1907–1908). The consequences of those two stays to the artist’s life and work will be accentuated. The second part takes a close look at Miloš Marten’s critique of Hanuš Jelínek’s doctoral thesis Melancholics. Studies from the History of Sensibility in French Literature. To interpretate Marten’s reasons for such a negative criticism is our main pursued objective. Such criticism results not only from the rivality between Czech critics oriented to France, but also from different conceptions of the role of critical method and the role of the critic and the artist in the international cultural politics. The third part concludes with the critics’ „reconciliation‟ around 1913 by means of the common interest in the work and personality of Paul Claudel.
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Nikolarea, Ekaterini. "Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology". TTR : traduction, terminologie, rédaction 7, nr 1 (27.02.2007): 219–67. http://dx.doi.org/10.7202/037174ar.
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Abstract Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology — This study tries to show that the abundance of translations, imitations and radical re-interpretations of a genre like tragedy is due to various social discourses of target societies. Taking as an example Sophocles' Oedipus the King, the acclaimed tragedy par excellence, this essay discusses how the discourses of philosophy, politics and philology influenced the reception of this classical Greek tragedy by the French and British target systems (TSs) during the late 17th and early 18th century and the late 19th and early 20th century. The first section shows how, by offering Sophocles' Oedipus the King as a Greek model of tragedy, Aristotle's Poetics has formed the Western literary criticism and playwriting. The second section attempts to demonstrate why three imitations of Oedipus by Corneille (Oedipe), Dryden {Oedipus) and Voltaire {Oedipe) became more popular than any other contemporary "real" translation of the Sophoclean Oedipus. The third and final part holds that the observed revival of Oedipus the King in late 19th- and early 20th-century France and England was due to the different degrees of influence of three conflicting but overlapping discourses: philosophy, philology and politics. It illustrates how these discourses resulted in different reception of the Greek play by the French and British TSs.
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Лисанець, Юлія Валеріївна, Олена Миколаївна Бєляєва i Інеса Віталіївна Роженко. "МОТИВИ ЕПІДЕМІЇ ТА ПАНДЕМІЇ В ЛІТЕРАТУРНО-МЕДИЧНОМУ ДИСКУРСІ ПРОЗИ США". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, nr 99 (2022): 69–84. http://dx.doi.org/10.34142/2312-1076.2022.1.99.05.
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The aim of this research is to examine the narrative representation of epidemics in the 20th century U.S. literature, using the methods of narratological analysis and receptive aesthetics. The study relies on the corpus of the 20th century U.S. novels: Scarlet Plague (1912) by Jack London, Earth Abides (1949) by George R. Stewart, I am Legend (1954) by Richard Matheson, The Stand (1978) by Stephen King, Contagion (1996) by Robin Cook, and Darwin’s Radio (1999) by Greg Bear. The aspects of epidemic representation in fiction have been studied using modern literary criticism research in the areas of narratology and receptive aesthetics, which determines the relevance of the present paper. The motif is rooted in the 19th-century Romantic literature (E.A. Poe’s fiction); it acquires further extensive development in the 20th century science fiction, horror, post-apocalyptic (dystopian) and contemporary medical thriller genres. In the second half of the 20th century, by using the motifs of epidemic and pandemic, the writers contemplate upon the issues of science, its capacities, limitations and potential hazards. In the frame of examined novels, the pandemic topos serves as a tool for «reloading» the human population on earth, «resetting» humanity and bringing it back ad fonts. It also acts as a reminder about the dangers of negligence and misuse of research advances. In such a manner, the authors caution the readers against the potential dangers of the 20th-century advances. In the light of COVID-19 pandemic, the study of the literary depiction of this motif in national literatures and different historical periods becomes especially relevant, because it allows us to re-consider this phenomenon and thus to try to help the mankind to learn one's lesson and perhaps avoid similar calamities in the future.
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Nah, Dominic. "Towards a Dialogic Ethical Criticism:". L1-Educational Studies in Language and Literature 23, nr 2 (29.12.2023): 1–33. http://dx.doi.org/10.21248/l1esll.2023.23.2.547.
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Since the late 20th century, Literature educators have adopted dialogic pedagogies that connect aesthetic appreciation and other-centred approaches to literary texts. However, classroom research on students’ ethical meaning-making has rarely been connected with theoretical developments of ethical criticism or conducted in non-western contexts and classroom debate settings. To map how Literature classroom interactions open or close possibilities for ethical meaning-making, I propose a dialogic ethical criticism that synthesises an other-centred ethical criticism influenced by Emmanuel Levinas’ ethical philosophy and Hans-Georg Gadamer’s notion of hermeneutic conversation. Using deductive and inductive analysis, I develop and apply a coding framework to examine classroom discourse in a high-ability Singapore Secondary Four (Grade 10) class in an Asian poetry unit. I focus on a series of classroom debates comparing poems with ethical invitations on the representations of asylum seekers, the process of embracing diversity, and reasserting identity amidst discrimination. While some students keenly consider others’ perspectives and develop the strength of their interpretive possibilities with close textual evidence, other students simulate an ethical openness by selectively using textual evidence. Although antagonistic forms of literary debates can inhibit students’ ethical meaning-making, student adjudicators providing constructive feedback with close textual support can facilitate responsible interpretive possibilities.
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Vo, Nhon Van. "TRANSLATED LITERATURE IN COCHINCHINA IN THE LATE 19th CENTURY AND IN THE EARLY 20th CENTURY". Science and Technology Development Journal 13, nr 1 (30.03.2010): 5–12. http://dx.doi.org/10.32508/stdj.v13i1.2099.
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Being colonized by France, Cocochina (the South of Vietnam) was the region where Western literature was introduced into earlier than the North. Truong Minh Ky was considered the first translator of Western literature in Vietnam. His earliest works of translation appeared in 1884. By the early 20th century, introduced to Vietnamese readers were Western literary works not only of French origin but also of British, American and Russian origins; not only poetry, prose but also drama. In the late 19th century, many writers such as Truong Vinh Ky, Huynh Tinh Cua were interested in Chinese literature. In the first decade of the 20th century, a wide variety of Chinese novels were translated into Vietnamese, forming a strong movement of translating "truyen Tau” (Chinese fictions). The remarkable characteristics of the translation of Western literature in Cochinchina were as follows - The newspapers and magazines in “Quoc Ngu” (Vietnamese language written in Latin characters) where the first works of translation were published played very important role. - The translators were greatly diverse, coming from different social and cultural backgrounds. - More translation was made on prose. Novels of martial arts, historical stories, novels of heroic deeds attracted the attention of the translators and the publishers. Therefore, they were translated much more than romance novels were, because of their compatibility with popular audience. - By translating the works of Western literature, the writers tried to express new concepts of humanism, such as women rights, or gender issues. Translated literature in Cocochina in the late 19th and early 20th centuries reflects a paradox: Western influences started to leave their marks but the Chinese influence was still strongly engraved. However, this was a remarkable step in the journey of modernization of national literature. Through these early translated works, new literary genres were introduced and Vietnamese readers gradually became familiar with them. Translation experiences were the first steps for Cocochina writers to achieve thorough understanding, to learn Western writing techniques and styles, which helped them become the pioneers of new literature in Vietnam.
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Czerska, Karolina. "O naprawczej mocy literatury w eseju Alexandre’a Gefena Réparer le monde. La littérature française face au XXIe siècle [Naprawianie świata. Literatura francuska wobec XXI wieku]". Wielogłos, nr 2 (48) (31.12.2021): 189–99. http://dx.doi.org/10.4467/2084395xwi.21.018.14346.
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On the Restorative Power of Literature in Alexandre Gefen’s Essay Réparer le monde. La littérature française face au XXIe siècle [Repairing the World. French Literature Facing the 21st Century] The aim of this paper is to discuss Alexandre Gefen’s essay published in 2017 in which the researcher presents the panorama of latest French prose in the perspective of responsibility for the world and fixing it. The author notes that Gefen also discusses texts from the two last decades of the 20th century, which shows that it was in that period that French writers started to take interest in the human identity and relationship with the world. One of the important genres analyzed by Gefen is autobiography, well-established in the French literary tradition. Another significant matter is the current transformation of literary practices, of the position of the writer and the reader, and of the publishing market, which Gefen also analyzes from the perspective of restoration and therapeutic literature that should care for the readers and heal them. Gefen’s essay is presented as a text encouraging its reader to reflect deeply on the condition of the contemporary world.
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Lamm, Mariya A. "The development of Belarusian literature in a multicultural context". Slavic Almanac, nr 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.
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Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusian literature during Soviet period are examined particularly, especially the literature about Second World War. The national aspects of literary comprehension of the experience of German-fascist occupation in Belarusian literature during Soviet period are revealed. The important characteristic of the modern Belarusian literature after the Chernobyl disaster that has started in 1986, is emphasized upon.
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Hewitt, Leah D., i Allan Stoekl. "Agonies of the Intellectual: Commitment, Subjectivity, & the Performative in the 20th Century French Tradition". SubStance 23, nr 3 (1994): 141. http://dx.doi.org/10.2307/3685378.
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Spahić, Elmir. "The Ethics of the Anti-War Letter and Poetics of Testimony in Tvrtko Kulenović’s History of Illness (1994)". Context: Journal of Interdisciplinary Studies 9, nr 1 (30.06.2022): 115–30. http://dx.doi.org/10.55425/23036966.2022.9.1.115.
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Tvrtko Kulenović’s History of Illness (1994) belongs to the anti-war letter and poetics of testimony genres from late 20th-century Bosniak and Bosnian-Herzegovian literature. Although a novel, History of Illness depicts the evils of the 1992–1995 war, in which Sarajevo was besieged by the Yugoslav People’s Army and the Army of Republika Srpska. Kulenović writes from the position of victim, and advocates the idea of ethical engagement during the writing process, in which the narrative and existential selves merge. This paper uses the methodological bases of ethical literary criticism to prove the ethical dimension of the literary text.
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Kravets, Yarema. "Mykhailo Hrushevsky and His Francophonic «Anthologie de la littérature ukrainienne» (1921) in Belgian and French Publications of the 20th and 21stcenturies (in Ukrainian) 7-15". Sultanivski Chytannia, nr 12 (1.06.2023): 7–15. http://dx.doi.org/10.15330/sch.2023.12.7-15.
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Mykhailo Hrushevsky’s presence in French culture dates back to the beginning of the 20th century (a course of lectures in Paris, a review of É. Verhaeren’s drama, a 1912 Paris edition, etc.). Scholar’s most outstanding work in the context of Ukrainian-Francophone literary relations is his «Anthologie de la literature ukrainienne» (1921), which helped Francophone researchers learn about the literary heritage of Ukraine from ancient times to the 19th century. The main thesis of the article is the importance of this anthology in further acquaintance of the French speaking world with Ukrainian literature. The preface to this book written by the French linguist professor Antoine Meillet of College de France was important as it emphasized such an significant fact about the publication as «literature in Ukrainian not well known in other countries». M. Hrushevsky explained that it was only the first step of Ukrainian sociological institute which started its work on creation of the anthology of Ukrainian literature of later period. Materials from the edition of Ukrainian Sociological Institute were partly used in 1928 by the editorship of the Belgian-French magazine «La Nervie», being completed by some other samples of Ukrainian literature of the second half of the 19th century and the first two decades of the 20thcentury. Another fact that testifies about the importance ofHrushevsky’s anthology is that the outstanding French scholar and literary critic Roger Tisserand, the author of numerous encyclopedia articles about Ukrainian writers and the work «Life of a nation. Ukraine», referred to it more than once using some samples of Ukrainian poetry. Two excerpts from Mykhailo Hrushevsky’s edition («Galician–Volhynian Chronicle» (fragment) and «Praise to St. Volodymyr») were reprinted in Vol. 4a (1993) by the compilers of Belgian encyclopaedia «Patrimoine littéraireeuropéen» (12 vols.). A separate chapter about Mykhailo Hrushevsky and an excerpt from his foreword to the «Anthologie…» were included into Sarcelles anthology of Ukrainian literature (2004) by literary scholar Arkady Zhukovsky. The scholar described extensively Mykhailo Hrushevsky with special focus on his scholarly-research work, teaching and organization of academic life.The literary critic illustrated life and creative activity of the scholar by extracts from the preface to «Anthologie de la littérature ukrainienne…» and gave a short explanation of the issues, raised by Mykhailo Hrushevsky in his subsequent works. The material in the article about the resonance of M. Hrushevsky’s French anthology in the French speaking milieu testifies to the presence of the outstanding scholar, historian and literary critic in European culture. Such works as André Mazon’s memorable article in the Slavic journal «Le Monde Slave» (V. 12, № 1–2, 1935) and A. Joukovsky’s French language research «Mykhailo Hrouchevskyi. Sa vie et son œuvre. Paris, 1997» are of great interest.
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Simsone, Bārbala. "Science Fiction In Latvian Literature". Interlitteraria 22, nr 2 (16.01.2018): 397. http://dx.doi.org/10.12697/il.2017.22.2.16.
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The present paper is devoted to the overview of the beginnings and development of the genre of science fiction in Latvian literature. Similarly to other popular fiction genres, science fiction in Latvian literature has not been very popular due to social and historical reasons; however, during the course of the 20th century several authors have at least partially approached the genre and created either fully fledged science fiction works or literary works with science fiction elements in them. The paper looks at the first attempts to create science fiction-related works during the beginning of the 20th century; it then provides an insight into three epochs when the genre received comparatively wider attention: 1) the 1930s produced mainly adventure novels with elements of science fiction mirroring the correspondent world tendencies of that time period; 2) the period between the 1960s and 80s saw authors who had the courage to leave the strict platform of Soviet Social Realism, experimenting with a variety of science fiction elements in the postmodern literary context which allowed for a wide metaphoric interpretation. This epoch also saw the emergence of a specific phenomenon – humorous / satiric science fiction which the authors employed in order to offer social criticism of the Soviet lifestyle; 3) the beginning of the 21st century saw the emergence of several science fiction works by a new generation of writers: these works presently comprise the majority of newly published science fiction. The paper outlines the main tendencies of the newest Latvian science fiction such as authors experimenting with a variety of themes, the preference for dystopian future scenarios and humour. The paper offers brief conclusions as to the possible future of Latvian science fiction in context of the current developments in the genre.
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Ibragimov, Marsel I., i Elmera M. Galimzyanova. "Identity Discourse in Theoretical Works of Tatar Literary Critics at the Beginning of the XX Century". Polylinguality and Transcultural Practices 16, nr 2 (15.12.2019): 228–38. http://dx.doi.org/10.22363/2618-897x-2019-16-2-228-238.
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The subject of the research is the identity discourse in literary works of Tatar literary figures at the beginning of the 20th century (G. Ibraghimov, G. Sagdie, G. Battala, N. Dumavie, G. Rakhim). The coexistence of Eastern and European literary terms and concepts, which indicates the reception of works by Russian and European scientists and the transformation of traditional views on literature, caused by Eastern poetics influence, was established in the works under study. The research was carried out in the context of the problem of identity that is relevant to contemporary literary criticism. For the first time, literary works of Tatar writers and scholars are considered as one of discursive practices in which the national identity of Tatar literature is manifested. It is revealed that the discourse of identity in the analyzed works is problematic in two aspects: civilization aspect (the problem of East and West) and national aspect (the problem of literary science as one of the factors of national construction).
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MEHERREMOVA, Könül. "THE INFLUENCE OF TURKISH LITERARY TRADITIONS ON HUSEYN JAVID’S WORKS". Zeitschrift für die Welt der Türken / Journal of World of Turks 13, nr 1 (15.04.2021): 49–60. http://dx.doi.org/10.46291/zfwt/130103.
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The influence of the Turkish literature on the Azerbaijani literature in the beginning of the 20th century is indisputable. In this aspect, the works of the prominent Azerbaijani poet and playwright Huseyn Javid draws attention. The similarities with the works and thoughts of the significant representatives of the Turkish literature like Namık Kemal, Abdulhak Hamit, Mehmed Akif Ersoy, Tevfik Fikret and Riza Tevfik is observed in Huseyn Javid’s poems and plays. In the Turkish literary criticism, researches about Huseyn Javid increased noticeably in the recent times and these researches largely compared his works and philosophical thoughts with Turkish writers and poets. These studies focused Javid’s works, their topics, and literary features. Observing this kind of features in the works of H. Javid who lived and studied in Turkey for some time is normal, and this matter does not cause his works to lose their originality. Keywords: Azerbaijani literature, Turkish literature, poems, plays
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BENSSOKHRI, ZOUBEYR. "Literary between formalism and Deconstruction". Milev Journal of Research and Studies 3, nr 2 (31.12.2022): 104–19. http://dx.doi.org/10.58205/mjrs.v3i2.1301.
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Literarity has been considered as an important feature within the literary criticism during the twentieth century, particularly with the adoption of the structural linguistic framework which viewed it as an end in itself while criticising the litrary texts. However, with the advent of the philosophy of deconstruction with the French philosopher Jacques Derrida in the 1970s, and the emergence of new concepts for text and literature, there appeared some cultural and semiotic approaches which go beyond the traditional concepts for literarity. The latter has no longer a direct relationship with the self, but has become an experience for the meaning before reaching the concept, where all the taxonomic features of the text disappear, and literature has come to be –in the absence of the centre- part of the culture rather than representing an aestheticcentre as it was.
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BAĞIROVA, G. M. "ROMAN QARİNİN “ÇİNGİZ XAİMANIN RƏQSİ” ROMANINDA POSTMODERNİST ELEMENTLƏR". Actual Problems of study of humanities 2, nr 2024 (15.07.2024): 115–19. http://dx.doi.org/10.62021/0026-0028.2024.2.115.
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Postmodernist Elements in Romain Gary’s Novel “The Dance of Genghis Cohn” Summary An outstanding representative of French literature of the 20th century, Romain Gary’s literary career is distinguished by its variety and color. The writer periodically presents the problems of the time he lived in and the Jewish identity to which he belongs. Also in his works “The dance of Genghis Cohn” highlighted the German-Jewish problem in a unique way. Using various principles of the postmodern novel, Romain Gary has created an interesting novel. From this point of view, the article first gives brief information about postmodern literature, and then analyzes the novel. Key words: Postmodernism, French literature, irony, the grotesque, the Holocaust