Gotowa bibliografia na temat „1950s Illustration”
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Artykuły w czasopismach na temat "1950s Illustration"
Zeller, Sara. "Centering the Periphery: Reassessing Swiss Graphic Design Through the Prism of Regional Characteristics". Design Issues 37, nr 1 (styczeń 2021): 64–75. http://dx.doi.org/10.1162/desi_a_00625.
Pełny tekst źródłaKorvatskaya, Elena Sergeevna. "The objective world of Soviet everydaylife in illustrated books for children of the 1950s and 1960s". Культура и искусство, nr 12 (grudzień 2023): 12–33. http://dx.doi.org/10.7256/2454-0625.2023.12.69124.
Pełny tekst źródłaBohn, Thomas M. "Bagpipe Players and Painted Birds: Some Reflections on Writing the History of the People in the Marshes from a German Perspective". Journal of Belarusian Studies 10, nr 1 (25.11.2020): 32–43. http://dx.doi.org/10.30965/20526512-12350001.
Pełny tekst źródłaHedenborg White, Manon. "Magic in Art, Poetry, and Biography". Religion and the Arts 28, nr 1-2 (27.03.2024): 133–69. http://dx.doi.org/10.1163/15685292-02801005.
Pełny tekst źródłaSavich, A. A. "History of Western Belarus in 1921–1939 in domestic soviet historiography of the 1950s–1980s." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 65, nr 1 (12.02.2020): 44–51. http://dx.doi.org/10.29235/2524-2369-2020-65-1-44-51.
Pełny tekst źródłaPodalko, Petr. "“Another Russia in the Orient”: the Phenomenon of So-Called “Japanese Branch” of Russian Emigration". ISTORIYA 13, nr 7 (117) (2022): 0. http://dx.doi.org/10.18254/s207987840022197-5.
Pełny tekst źródłaSanthiago, Ricardo, i Astrid Salles. "An artist’s narrative self-construction: a conversation with Astrid Salles". PORTO ARTE: Revista de Artes Visuais 23, nr 38 (10.01.2018): 197. http://dx.doi.org/10.22456/2179-8001.80806.
Pełny tekst źródłaLee, Eun Joo. "Changes in the Representation of Children Shown in the Cover Illustration of a Magazine <Saebeot> in the 1950s-1960s". Treatise on The Plastic Media 25, nr 2 (31.05.2022): 23–32. http://dx.doi.org/10.35280/kotpm.2022.25.2.3.
Pełny tekst źródłaBasso, Andrew R., Patrick Ciaschi i Bree Akesson. "Cumulative domicide: The Sayisi Dene and destruction of home in mid-twentieth century Canada". Current Sociology 68, nr 5 (12.06.2020): 651–68. http://dx.doi.org/10.1177/0011392120927763.
Pełny tekst źródłaSpencer, Les. "The Expanding Role of Clinical Sociology in Australia". Journal of Applied Social Science 3, nr 2 (wrzesień 2009): 56–62. http://dx.doi.org/10.1177/193672440900300205.
Pełny tekst źródłaRozprawy doktorskie na temat "1950s Illustration"
Andersén, Jenny. "En virtuell klädkollektion : En rapport om processen i att designa och illustrera en virtuell klädbutik till Stardoll.com". Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19504.
Pełny tekst źródłaKLEOPFER, KIRSTIE L. "NORMAN ROCKWELL'S CIVIL RIGHTS PAINTINGS OF THE 1960s". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179431918.
Pełny tekst źródłaSchütz, Marine. "Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975)". Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3104.
Pełny tekst źródłaBy 1962 with the beginning of Pop art, the iconography of illustration and advertising points the development of an art founded on graphics. Interestingly, the relations between Pop art and drawing allow to follow how the handmade practices reassess the artists’ positions towards mass culture and deal with material issues (such as manual involvement) and the meaning of iconography (counter-culture, return of the figure). Starting from the point that artistic pop economy of art owes its back and forth mouvement between manual and mechanical options to its protagonists’ artistic education, this dissertation opens with the study of drawing’s emergence in a pedagogical context. The study of the relations between drawing and mass culture wouldn’t be fully led without assessing the answer of the artists who involve in the claim for a bigger audience (with a class strategy, an iconography full of mass products and the possibilities of prints). Moreover, not only the graphic works stem from the hand, but pop drawing overwhelms the solely issue of creation processes to exist in an autonomous corpus of works, which doesn’t fall into the finalist schema. This presence points how critical may be the body, through drawing, as an image and as an action. Similary to Claes Oldenburg and David Hockney who oppose a manual tension to the social mechanized expressions – and there lay the double sense of the very notion of involvement which is to be understood in Pop art in the same time on a physical and a political level – the reinvolvement of the body by way of portrait or nude shows its solidarity with the fights in the wake of the sixties, fight for sexual liberation, or women rights
Royer, Ludovic. "Le territoire de Krasnoïarsk sous la direction d'Alexandre Lebed : enjeux géopolitiques : une illustration de la Russie contemporaine". Paris 8, 2005. http://www.theses.fr/2005PA082531.
Pełny tekst źródłaIn June 1996, Gen. Lebed came third in the first ballot of the presidential elections that were going to lead to Boris Yeltsin's re-election. After a short period at the summit of the Russian power, Alexander Lebed became involved in a new political battle which was meant to open the Kremlin's gates to him after he first won regional political power. After Lebed's election in the Krasnoyarsk Territory, the great wealth of the region, which is the source of financial means for his future campaign for the presidency, over which people from the field of politics as well as economics were soon competing. In this struggle where everyone tried to take the lion's share, Alexander Lebed found himself in the middle of merciless wars between powerful groups run by oligarchs. Unable to seize the levers of economic power, Governor Lebed had, moreover, to face the challenge of regional nationalism. Regularly on a war footing because of property redistribution, Alexander Lebed died in April 2002
LISSONI, ELENA. "LA STORIA ILLUSTRATA: LODIVICO POGLIAGHI TRA ACCADEMIA E MODERNITA' (1857-1950)". Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/745.
Pełny tekst źródłaThe research reconstructs in the international historical and critical frame the complex and wide artistic personality of Lodovico Pogliaghi - painter, sculptor, decorator, illustrator active from the end of nineteenth to the mid-twentieth century. His illustrations reveal artist’s relationships to tradition, history painting, photograph, poster art and silent cinema in a continuous dialogue between high culture and innovative request of visual communication.
LISSONI, ELENA. "LA STORIA ILLUSTRATA: LODIVICO POGLIAGHI TRA ACCADEMIA E MODERNITA' (1857-1950)". Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/745.
Pełny tekst źródłaThe research reconstructs in the international historical and critical frame the complex and wide artistic personality of Lodovico Pogliaghi - painter, sculptor, decorator, illustrator active from the end of nineteenth to the mid-twentieth century. His illustrations reveal artist’s relationships to tradition, history painting, photograph, poster art and silent cinema in a continuous dialogue between high culture and innovative request of visual communication.
Chabaud, Sandrine. "Sémiologies et entreprise de 1950 à l'an 2000 en France : vers la construction des discours identitaires et institutionnels des méga-marques médiatiques". Paris 2, 2007. http://www.theses.fr/2007PA020027.
Pełny tekst źródłaMaillard, Sophie. "Pharmacie, pharmacien et médicament à travers le dessin de presse (1950-2000)". Bordeaux 2, 2000. http://www.theses.fr/2000BOR2P098.
Pełny tekst źródłaMoreau, Florence. "Pour une histoire culturelle du magazine "LIFE" dans les années 1950 : mythe, photojournalisme et rhétorique de l'image au service d'une culture visuelle américaine". Paris 7, 2012. http://www.theses.fr/2012PA070056.
Pełny tekst źródłaAs a leading 20 Century American photojournalism magazine, Life benefits from a prestigious aura turning it into an iconic entity — in press history, scholars usually refer to Life as a paragon of picture magazine when in the meantime Life plays a part in collective history as a Visual record of 20th Century American society -. The first part of this doctoral dissertation dedicated to examining the historiography of Life, explores the emblematic status held by Life, both on the academic field of press history and American studies. As a mainstream culture artifact, and under the impulsion of the counterculture of the 1960s, Life has largely been criticized for being a conservative media. Due to a dissatisfaction with the ideological critique towards Life — which often reduces the study of its editorial content to political issues — the second part of this work focuses on Life's editorial practices, so as to understand how its news content serves the establishment of a Visual culture, rather than offers a sole political statement. These first two parts are preliminary to the main purpose of this doctoral dissertation, which is to identify and analyze the main stakes that are raised when considering Life as a cultural artifact. Thus, the scope of the third part is to investigate Life's use of photography as means to celebrate and evaluate the cultural references the magazine highlights. The corpus of this investigation is a series of case studies, based on a selection of photo-essays published in Life during the early 1950s, when the magazine reached its golden age, so as to revisit this overrated area
Galland, Jean-Michel. "L'édition illustrée de l'entre-deux-guerres à travers l'œuvre de trois de ses acteurs, Clément Serveau, Jean-Gabriel Daragnès et Daniel Henry Kahnweiler : une approche socio-esthétique". Thesis, Université Paris sciences et lettres, 2021. http://www.theses.fr/2021UPSLN001.
Pełny tekst źródłaThe purpose of this thesis is to understand and explain the literary illustration, a major artistic practice in France between the world wars. The careers and the publications of three actors of the illustrated edition in that period, Daniel Henry Kahnweiler, Jean-Gabriel Daragnès and Clément Serveau, are first closely examined in order to offer a first level of explanation of these bodies of works, viewed at this stage through the lenses of personality and context. A socio-aesthetic analysis of this activity as a whole is then developed, based on the theories of Pierre Bourdieu. The structures, during the period between the wars, of the fields of illustration, art and literature are described. A model, both conceptual and experimental, of the literary illustration is proposed. This tool, able to explain the characteristics of the works and the careers of the illustrators, is used to revisit the interpretation of the three studied corpora
Książki na temat "1950s Illustration"
Then & now: 1960s quotations & illustrations. Inverness: for the Right Reasons Charity, 2014.
Znajdź pełny tekst źródłaLu Xun xin tian di: Qiu Sha, Wang Weijun de yi shu qiu suo li cheng : 1950-2011 ping lun xuan ji. Beijing Shi: Xue yuan chu ban she, 2013.
Znajdź pełny tekst źródłaFashion illustration, 1920-1950: Techniques and examples. Mineola, N.Y: Dover Publications, 2009.
Znajdź pełny tekst źródłaFoster, Walter T. Fashion illustration, 1920-1950: Techniques and examples. Mineola, N.Y: Dover Publications, 2009.
Znajdź pełny tekst źródłaFoster, Walter T. Fashion illustration, 1920-1950: Techniques and examples. Mineola, N.Y: Dover Publications, 2009.
Znajdź pełny tekst źródłaGracia, Ruiz Llamas Ma. Ilustración gráfica en periódicos y revistas de Murcia, 1920-1950. [Murcia: Universidad de Murcia, Secretariado de Publicaciones, 1992.
Znajdź pełny tekst źródłaBodt, Saskia de. Prentenboeken: Ideologie en illustratie, 1890-1950. Amsterdam: Ludion, 2003.
Znajdź pełny tekst źródłaLjubljani, Narodna galerija v., red. Risba na Slovenskem I: 1870-1950. Ljubljana: Narodna galerija, 2009.
Znajdź pełny tekst źródłaMuseum, Brandywine River, i New Britain Museum of American Art, red. Double lives: American painters as illustrators, 1850-1950. New Britain, Conn: New Britain Museum of American Art, 2008.
Znajdź pełny tekst źródłaSylvie, Ballester-Radet, Garret Virginie i Musée municipal de Sens, red. Jean-Gabriel Daragnès, 1886-1950: Un artiste du livre à Montmartre. [Sens]: Musée de Sens, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "1950s Illustration"
Wincencjusz-Patyna, Anita. "Chapter 5. From Halley’s Comet to the Scout Kwapiszon". W Children’s Literature, Culture, and Cognition, 123–43. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.05win.
Pełny tekst źródłaBeck Pristed, Birgitte. "Russian Illustration in German Children's Books of the 1980s–1990s". W Ost-westlicher Kulturtransfer in der deutschsprachigen Kinder- und Jugendliteratur, 277–94. Göttingen: V&R unipress, 2023. http://dx.doi.org/10.14220/9783737014687.277.
Pełny tekst źródłaJefferson, Ann. "The Return of Genius". W Genius in France. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691160658.003.0018.
Pełny tekst źródła"Illustrations". W Literature of the 1950s, viii—ix. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748631667-002.
Pełny tekst źródłaHai-Jew, Shalin. "Children's Book Visualizations From an Artmaking Generative AI". W Advances in Media, Entertainment, and the Arts, 86–114. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-1950-5.ch005.
Pełny tekst źródła"[Illustration]". W Journal (1950-1956), [viii]. Presses de l'Université Laval, 2020. http://dx.doi.org/10.2307/j.ctv1h0p1hg.3.
Pełny tekst źródła"[Illustrations]". W Superstorm 1950. Purdue University Press, 2023. http://dx.doi.org/10.2307/j.ctv2ckjq30.10.
Pełny tekst źródłaJankowski, Gene F., i David C. Fuchs. "A Brief History of Broadcasting". W Television Today and Tomorrow, 9–26. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195074871.003.0002.
Pełny tekst źródłaBlewett, Kelly, i Alisa Clapp-Itnyre. "Visualizing Velveteen: Original Illustrations and Subsequent Adaptations". W The Velveteen Rabbit at 100, 38–61. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496845993.003.0003.
Pełny tekst źródłaSchatz, Ronald W. "On Top of the World, 1946–56". W The Labor Board Crew, 50–74. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043628.003.0003.
Pełny tekst źródłaStreszczenia konferencji na temat "1950s Illustration"
Hogben, Paul. "The Making of a Newcastle Modernist: The Early House Designs of Sydney C. Morton". W The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3982p26oy.
Pełny tekst źródłaLebedev, Dmitry. "British Book Illustration of the 1900–1910s: Sources of Inspiration". W 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.040.
Pełny tekst źródłaTomassoni, Rosella, Valentina Coccarelli i Francesco Spilabotte. "THE CRISIS OF THE EGO IN THE PAINTINGS AND DRAWINGS OF GIAN CARLO RICCARDI: BRIEF PSYCHOLOGICAL REFLECTIONS". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.10.
Pełny tekst źródłaRocaciuc, Victoria. "Book graphics in the creation of the fine artist Stefan Sadovnikov". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.10.
Pełny tekst źródłaAnderson, Ted L., i Gregory W. Brown. "Advanced Assessment of Crack-Like Flaws in Pipelines". W ASME 2011 Pressure Vessels and Piping Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/pvp2011-57623.
Pełny tekst źródłaSpasskova, O. P., i T. V. Horanska. "ILLUSTRATIONS BY E. UDIN AND V. YEFYMENKO FOR THE BOOK “FOLK SONGS IN THE RECORDS OF IVAN FRANKO” IN THE CONTEXT OF UKRAINIAN BOOK GRAPHICS OF THE 1960S". W DEVELOPMENT OF CULTURE AND ART IN THE WAR AND POST-WAR PERIODS. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-341-5-19.
Pełny tekst źródłaMarushiakova, Elena, i Vesselin Popov. "Images and Symbols of the Gypsies (Roma) in the Early USSR". W GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.6-2.
Pełny tekst źródłaIngs, Welby. "Beyond the Ivory Tower: Practice-led inquiry and post-disciplinary research". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.171.
Pełny tekst źródłaSreedharan, Priya, Alan H. Sanstad i Joe Bryson. "Informing Climate Change Policy Through Economics and Engineering Perspectives on Energy Efficiency". W ASME 2009 3rd International Conference on Energy Sustainability collocated with the Heat Transfer and InterPACK09 Conferences. ASMEDC, 2009. http://dx.doi.org/10.1115/es2009-90435.
Pełny tekst źródłaLu, Xiaoguang. "Knowledge Management Best Practices and Application in Field Development, IORs and Life-Cycle Reservoir Management". W SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/205723-ms.
Pełny tekst źródłaRaporty organizacyjne na temat "1950s Illustration"
Tweet, Justin S., Vincent L. Santucci, Kenneth Convery, Jonathan Hoffman i Laura Kirn. Channel Islands National Park: Paleontological resource inventory (public version). National Park Service, wrzesień 2020. http://dx.doi.org/10.36967/nrr-2278664.
Pełny tekst źródłaKleber, Emily J., Greg M. McDonald, W. Adolph Yonkee i Elizabegth Balgord Balgord. Interim Geologic Map of the Plain City Southwest 7.5' Quadrangle, Weber and Box Elder Counties, Utah. Utah Geological Survey, lipiec 2024. http://dx.doi.org/10.34191/ofr-765.
Pełny tekst źródłaKleber, Emily J., Greg M. McDonald, W. Adolph Yonkee i Elizabegth Balgord. Interim Geologic Map of the Ogden Bay 7.5' Quadrangle, Weber and Davis Counties, Utah. Utah Geological Survey, lipiec 2024. http://dx.doi.org/10.34191/ofr-766.
Pełny tekst źródłaHenderson, Tim, Vincent Santucci, Tim Connors i Justin Tweet. National Park Service geologic type section inventory: Southern Plains Inventory & Monitoring Network. National Park Service, czerwiec 2022. http://dx.doi.org/10.36967/nrr-2293756.
Pełny tekst źródłaHenderson, Tim, Vincent Santucci, Tim Connors i Justin Tweet. National Park Service geologic type section inventory: Sonoran Desert Inventory & Monitoring Network. National Park Service, wrzesień 2022. http://dx.doi.org/10.36967/2294374.
Pełny tekst źródłaHenderson, Tim, Vincent Santucci, Tim Connors i Justin Tweet. National Park Service geologic type section inventory: National Capital Region Inventory & Monitoring Network. National Park Service, lipiec 2022. http://dx.doi.org/10.36967/2293865.
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