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Barei, Geoffrey. "Britain and Algeria, 1945-1965". Thesis, SOAS, University of London, 2003. http://eprints.soas.ac.uk/28773/.
Pełny tekst źródłaPape, Matthias. "Ungleiche Brüder : Österreich und Deutschland 1945-1965 /". Köln : Böhlau, 2000. http://catalogue.bnf.fr/ark:/12148/cb40954068n.
Pełny tekst źródłaBatistella, Alessandro. "O Partido Trabalhista Brasileiro no Paraná (1945-1965)". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/104867.
Pełny tekst źródłaArchitected to be a party for the workers, the Brazilian Labor Party (PTB in Portuguese) was a very heterogeneous party, welcoming in their hosts union leaders, liberal professionals, professional politicians, businessmen, landowners, communist and progressive liberal leaders. As a result, former PTB has become a complex party, with several parties’ subunits (or fractions): the "pragmatic-getulistas", the "doctrinal-labor", the ‘pragmatic-reformist” and the “radical reformers”. Constituting at the same time, into a physiological and reformist party, of progressives and conservatives, of trade unionists and plutocrats (businessmen and landowners), former PTB was a paradoxical party, which had a powerful arsenal of symbolic elements and mobilizes - the charisma of Vargas and labor, nationalist and reformist doctrine - which contributed to its significant electoral growth during the democratic period of 1945-1964. Summing to this the fact that the PTB always hovered over certain mystique, so that the three large extinct acronyms with the Institutional Act No. 2 in 1965, the PTB was the only rescued during the final years of the dictatorship Thus, this thesis aims to analyze the history and activities of former Brazilian Labor Party of Paraná, focusing on the two perspectives: internal and external. Regarding internal analysis, this research aims to answer the following question: what was the character of the PTB of Paraná? Was it a physiological or a reformist party? Was it a progressive or a conservative party? Who were the members who joined the party elite? What were the wings that existed within the party and how were processed the internal power struggles in PTB hosts? In this sense, it should be noted that the focus of analysis will be the Diretório Estadual do Partido Trabalhista Brasileiro do Paraná (State Board of Brazilian Labor Party of Paraná), based in Curitiba, and more specifically, its party elite, which means, the leaders and influential people within the guild. Externally, the objective is to verify the performance and the importance of PTB in Paraná state politics between the years of 1945-1965. And more, it is also intended to investigate what are the factors that explain the electoral growth of the party in Paraná in the period in focus.
Diener, Georges. "Résistance populaire et maquis en Roumanie (1945-1965)". Paris, INALCO, 2000. http://www.theses.fr/2000INAL0005.
Pełny tekst źródłaThe popular resistance to the collectivization in Romania is a distinct unknown phenomenon both in the West and in Central and Eastern Europe. In this country which has become known by the ferocity of its political police - redoubtable Securitate - and by the traditional passivity of the society versus soviet and communist enslavement inherited from a history of sequential occupations, a blustering popular opposition to the communist dominance emerged however. Indeed, from 1945 to 1965, several peasant riots burst out, joined by underground rebels, the partisans (maquis) spread out on the whole Carpathian arc. The presentation of this resistance - daily life of the partisans ; the typology of rebels ; rural riots etc - underlines the study of political forces and their evolution from soviet invasion to the unlimited domination, of the Romanian Communist Party and analyzes mechanisms of the collectivization in agriculture, main cause of the peasant discontent
Dorvidal, Jérôme. "Pacifisme et dissuasion nucléaire en Australie (1945-1965)". Montpellier 3, 2004. http://www.theses.fr/2004MON30041.
Pełny tekst źródłaHow has Australia's pacifism changed with the introduction of nuclear weapons? This thesis seeks to evaluate the threat to Australia posed by the atomic peril during the First Cold War (1945-1965). After Hiroshima, the Australian peace movement demonstrated the persistence of hostility to the nuclear deterrent: anti-nuclearism or “nuclear pacifism” was mainly directed against the arms race and atomic testing. . . But not only. Effectively, dissidence presented several visages from the beginning of the British Tests on the Fifth Continent (1952-1957) to the French decision to conduct several experimentations in Polynesia. Thence, distinctions have been made between the liberal pacifist tradition (Federal Pacifist Council, World Government Movement) and pro-soviet peace movements (Australian Peace Council, Peace Quest Forum, Australian assembly for Peace). But pacifists welcomed also assistance from others pressures groups: anti-militarists, feminists, radical non-violent activists, labour unions and religious circles. Therefore, calls for controls or elimination of such weapons of mass destruction became increasingly popular in Australia since the fifties. This is the history of the contemporary pacifism in Australia seen from an impartial viewpoint
Miladinović, Ana. "La arquitectura de los museos en Yugoslavia : 1945–1965". Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/316587.
Pełny tekst źródłaLa presente tesis analiza la arquitectura moderna yugoslava entre 1945 y 1965 tomando como eje vertebrador el estudio de los proyectos museísticos. La reconstrucción del país y el desarrollo urbano que tiene lugar en Yugoslavia tras la guerra, hacen posible planificar la construcción de un importante número de museos. Este período es también característico porque, además de los siete museos que se construyen, hay un significativo número de proyectos que no se llegan nunca a realizar. Todos ellos, los construidos y los únicamente proyectados, contribuyen en gran manera al desarrollo de la arquitectura de los museos. Es más, algunos de ellos destacan como la culminación de un período rico en construcciones arquitectónicas y son representativos de la mejor arquitectura yugoslava. El propósito es conocer en profundidad los criterios y las ideas que rigen el desarrollo del lenguaje arquitectónico de todos estos proyectos y en base a ello dilucidar si existen, o no, rasgos genuinos que definan la arquitectura museística de dicho período histórico en Yugoslavia. En concreto, no se trata de limitar nuestro análisis al estudio de un tipo determinado de edificio. ni al de aquellos museos que sean ejemplos históricos, sino más bien resaltar e insistir en las influencias y conexiones que se reflejan, en el tema que nos ocupa, dentro del ámbito yugoslavo. La identificación de estas complejas relaciones que acontecen en el marco de una contemporaneidad específica, se analiza a partir de cuatro enfoques. El primero consiste en el estudio de los museos contemplado bajo el prisma de la realidad político social del recién fundado Estado Socialista. El segundo describe el ambiente, la evolución y las consecuencias de los concursos arquitectónicos para museos. El tercero centra su atención en los edificios museísticos enmarcándolos dentro de un contexto general de intensas transformaciones urbanas. Finalmente el cuarto enfoque analiza las características de los aspectos funcionales y formales. Y así podemos concluir que son precisamente las interrelaciones que se dan entre estos diferentes enfoques, las que crean el discurso común y los rasgos específicos de la arquitectura museística. También influyen en que los principios y estrategias de la arquitectura internacional de aquel momento, que por entonces son ya bien conocidos, adquieran en Yugoslavia el acento personal que los distingue. La tesis con el propósito de encuadrar estas cuestiones específicas en su adecuado contexto ideológico, cultural y geográfico da voz a las opiniones de los protagonistas de aquellos hechos y época (arquitectos, comisarios, miembros de los jurados, políticos). Así, la tesis, manteniendo un espíritu critico sobre este conjunto de opiniones, construye un texto que funciona como reflexión "coral" sobre este periodo de la arquitectura yugoslava.
Kuchler, Christian. "Kirche und Kino katholische Filmarbeit in Bayern (1945 - 1965)". Paderborn München Wien Zürich Schöningh, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2650189&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaMétivier, Yves. "Les petits partis conservateurs en Allemagne occidentale (1945-1965)". Valenciennes, 2000. https://ged.uphf.fr/nuxeo/site/esupversions/905aea08-c101-437e-82ee-a74d7aa67bac.
Pełny tekst źródłaDuhamel, Éric. "L'Union démocratique et socialiste de la Résistance, 1945-1965". Paris 4, 1993. http://www.theses.fr/1993PA040054.
Pełny tekst źródłaThe subject of this doctoral theis is the only french political formation exclusively issued from the resistance mouvements. Initially a federation, it later took the form of a party, dedicated to the expression and promotion of the projects of many "resistants" : to reniew the french political life around a great "labour party" under c. De gaulle's leadership. Udsr was then the largest conglomerate ever called together, merging people of many different tendancies, except the communists. The story of its failure reflects the very nature of "la resistance". It sheds light of the period of the first pst war years. Rene pleven, who was the first president of the new party, tried out unsuccesfully to bring together de gaulle and the "third force". Doing so he contributed to the extension of this "third force" toward the right, all the more sso because it was a pivot group. From the analysis of several remarquable polls it appears obviously that, from 1947 to 1951, the role plyaed by udsr in the assembly was invesrsely proportional to its numerical strength. F. Mitterand took advantage of the large number of his clients in the "mouvement de prisonniers de guerre" to exert a leadership in the party. He attacks pleven's proeuropean positions on behalf of african priorities. He became preisdent in 1953. After the come back of de gaulle in 1958, the party was used by mitterrand as in instrument to group togother all non communists left wingers, under the framework of the 5th republic institutions. The study of the udsr demonstrates that it was no so much a "parti de cadre" than an original, specific and original formula. Finally, this thesis is more than a detailed monography of a party that played a central role. It reveals several facts and new points, enlighting this history with various unknow aspects
Hope, Claire. "Cold War Educational Propaganda and Instructional Films, 1945-1965". VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2416.
Pełny tekst źródłaThijsen, Mirelle Kempers Bram Martis Adi. "Het bedrijfsfotoboek 1945-1965 : professionalisering van fotografen in Nederland /". Rotterdam : uitg. 010, 2002. http://catalogue.bnf.fr/ark:/12148/cb38894565n.
Pełny tekst źródłaBibliogr. p. 273-278. Résumé en anglais.
Liao, Kesha. "Framing and International News Flows in Time Magazine's Coverage of the United Nations, 1945-1965, 1995-2015". Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1450487109.
Pełny tekst źródłaCampos, Arévalo María Antonia. "La voluntad moderna en la vivienda unifamiliar : Caracas 1945-1965". Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/383064.
Pełny tekst źródłaEl primer marco político de la historia urbana venezolana que constituye la Comisión Municipal de Urbanismo en 1937, la Dirección de Urbanismo, el Plan Monumental de Caracas de 1939 y la información planimétrica del plan regulador de Caracas 1952 y 1954 regularon el desarrollo la planificación urbana del país y señalaron un nuevo orden social e institucional. Con la vivienda unifamiliar unidad de estudio se estableció la primera densificación de la ciudad siguiendo un conjunto abierto de ordenanzas y planes urbanos, durante el periodo de 1945 a 1965. Por lo que es indudable su valor testimonial en el desarrollo morfológico de la ciudad. Desde el sencillo Castillete 1920 de Armando Reverán, las casas de la ciudad y del litoral central tales como: Caoma 1951-52 y Sotavento 1957-58 de Carlos Raúl Villanueva, el Hato Hamburgo 1956, de Dirk Bornhorts y la Quinta "H" 1960, de Klaus Heufer son ejemplos del empuje constructivo en el que se hace la ciudad con la vivienda unifamiliar. Demostraciones iniciales que componen el espíritu de la época y el punto de partida de este estudio. El análisis explora procesos específicamente arquitectónicos, considerando como hecho clave lo que pertenece al lugar o viene de otro país. Un método que comprobará, cuáles son las grandes "invariantes" que una cultura transmite y de qué manera se pueden utilizar como materiales de proyecto. La vivienda unifamiliar desarrollada por un grupo de profesionales foráneos concretan la noción de voluntad moderna. Algunos se radicaron en Venezuela, en los Estados Unidos; otros regresaron a Europa, pero todos hicieron múltiples contribuciones a partir de la experiencia que traían desde sus lugares de origen. El medio de interacción con el paisaje es la introducción de los primeros pasos de la actividad proyectual entre el hombre local, los forasteros y el paisaje. Sin embargo, solo a través de los proyectos de viviendas unifamiliares se destacan las siguientes personalidades: Jan Gorecki (1914) de origen ruso; Klaus Heufer (1923) y Dirk Bornhorst (1927) -ambos nacidos en Alemania; Richard Neutra (1892-1970), de origen austríaco; Arthur Kahn (1910) nacido en Estambul, Turquía; y finalmente, Gio Ponti (1897-1970), Domenico Fillipone (1903-1976), Athos Albertoni (1905-1977) y Guido Guazzo (1930), todos de procedencia italiana. La significación va más allá del surtido constructivo: existió una concentración de encargos a nivel nacional como una consecuencia impulsada por la actividad petrolera entre 1945 y 1965. Durante este periodo los arquitectos europeos, los arquitectos venezolanos y junto con los clientes, ostentaron un sólido liderazgo nacional. Constituyen la generación que impulsó la construcción de una nueva etapa de la arquitectura local. La tipología de la vivienda unifamiliar proyectada por estos profesionales fue impulsada de forma particular en el lapso señalado, alcanzó un importante grado de desarrollo y gran calidad conceptual y formal. Sus propias viviendas forman parte del repertorio de esta investigación y con ellas se logra definir la voluntad moderna en la vivienda unifamiliar. Sobre este planteamiento de ordenación se reconocen las costumbres que se trasmitieron de generación en generación -los resquisios y la mezcla-. El paso de la casa de hacienda colonial hacia la quinta y la casa unifamiliar moderna como modelo de expansión de la ciudad bajo un enfoque plástico en el que se reconoce el empleo de la planta libre como un principio organización espacial, las formas abiertas, como un concepto general. El patio, como elemento arquitectónico susceptible a nuevas posibilidades de interpretación. La voluntad moderna en la vivienda unifamiliar. La benevolencia del clima tropical constituye una invitación a llevar el espacio habitable del interior al exterior que son tan caraqueños como tropicales y que en efecto extendieron el espacio más allá de los propios límites del volumen
Weibel, Fernández Hugo Eduardo. "Vivienda moderna en chile 1945-1965, Bresciani, Valdes, Castillo, Huidobro". Doctoral thesis, Universitat Politècnica de Catalunya, 2008. http://hdl.handle.net/10803/6817.
Pełny tekst źródłaDentro del conjunto de su obra, dicha temática -que dio origen a sus encargos y cuyo diseño tuvo una regularidad prácticamente ininterrumpida durante toda su trayectoria- puede ser vista como un claro y representativo objeto de estudio y una pieza fundamental de su "laboratorio" de arquitectura, fundado a partir de una concepción vanguardista, basada en los postulados del movimiento moderno.
Una primera hipótesis planteada señala que tales diseños fueron desarrollados atendiendo a la ecuación de evolución y continuidad, ecuación sobre la cual se habrían sentado las bases de la construcción de su propia línea de acción. Pero dicha ecuación no hubiera sido completamente fructífera si es que la oficina no hubiese contado con la adecuada elección y utilización de aquellos recursos arquitectónicos modernos que les permitieran una interpretación local. Así, surge una segunda hipótesis, que señala que la vivienda unifamiliar moderna, diseñada atendiendo a la ecuación de evolución y continuidad, fue paralelamente dotada de los mecanismos y la flexibilidad necesaria para adecuarse a las condicionantes y particularidades locales.
Inicialmente, en el primer capítulo de introducción, se expresaron algunas interrogantes y se enunciaron los objetivos, a la vez que se dejaron sentadas las bases de la metodología de investigación utilizada y se plantearon las hipótesis.
En un segundo capítulo, se expuso un panorama general de la arquitectura de vivienda unifamiliar moderna, tanto latinoamericana como chilena, del período de estudio que va entre 1930 y 1965, el que incluyó tanto su estado de situación y particularidades como a los protagonistas y sus obras. Este capítulo permite situar el escenario en que se desarrolla la obra de la oficina estudiada.
Luego, en un tercer capítulo, se presentó una visión general acerca de la oficina estudiada: primeramente se presentó a sus integrantes, luego se estableció la naturaleza de los vínculos observados entre ellos, posteriormente se señaló las fuentes de los referentes de su labor, se enseñó su quehacer arquitectónico; su trayectoria y obra destacada, y, finalmente, se determinó el rol que tuvo la temática de vivienda dentro de ella.
Posteriormente, un cuarto capítulo enfocó en el tema de la vivienda unifamiliar diseñada por la oficina, estableciéndose el lugar que dicha temática ocupaba dentro de su obra y evidenciando su importancia relativa. Asimismo, aquí se hizo una revisión cronológica de ejemplos de viviendas unifamiliares de la oficina y se establecieron los períodos en los que tal producción se puede clasificar.
En el capítulo quinto se efectuaron los análisis a seis viviendas unifamiliares representativas del período estudiado. El asunto que enfocó el interés fue el de reconocer los criterios y valores que emanaban de las obras mismas, en orden a verificar las hipótesis planteadas.
En el capítulo seis, se concluyó la investigación y se dejó planteada la posibilidad de revisar con mayor profundidad esta y otras facetas significativas de la obra de la oficina estudiada. Finalmente, se expusieron los textos anexos y se hizo referencia a las fuentes de investigación.
Este trabajo debe ser visto como una contribución al esfuerzo mayor de profundizar en el conocimiento de la historia de la Arquitectura Moderna latinoamericana, emprendida a través del estudio de la particular experiencia de una oficina chilena, diseñando en Chile a mediados del siglo pasado, ayudando así a esclarecer y difundir algunas de las formas en las que este movimiento cristalizó en esta parte del planeta.
This thesis subject matter deals with the Chilean Firm Bresciani, Valdés, Castillo, Huidobro single -member house Project.
Within the spectrum of its work, such issue - which gave birth to its orders and whose design had a practically complete uniformity all the time - can be seen as a clear and representative subject matter and a crucial issue of its architecture "laboratory", grounded from a pioneering understanding, based on the principles of the modern movement.
The first proposed hypothesis points out that such designs were developed taking into account the evolution and continuity equation upon which the basis of the construction of its own line of action would be set. Nonetheless, such equation wouldn't have been completely succesful if the firm had not had the right choice and use of such modern architectonic resources which allow it a local interpretation. Thus, a second hypothesis appears, which points out that a modern single - member house, developed taking into account the evolution and continuity equation was concomitantly endowed with the mechanisms and flexibility necessary to fit the local constraints and peculiarities.
Initially, in the first introduction chapter, some questions were expressed and the objectives enunciated; at the same time, the basis of the investigation methodology used was set and the hypothesis was posed.
In the second chapter, a general view of the architecture of the modern Chilean as well as Latin - American simgle - member house of the study period, betwen 1930 and 1965 was exposed, this incluided its status report and peculiarities as well as the protagonists and their works. This chapter places the scenario in which the work of the studied firm is developed.
Then, in the third chapter, a general view of the studied firm was presented. The members were introduced in the first place, then, the nature of the relationship observed between them was established; subsequently, the sources of the referents of their work were pointed out, their architectonic chores were showed, its record of achievement and work underlined, and finally, the role that the housing theme had within it was determined.
Then, the fourth chapter focused on the single - member house theme designed by the firm, establishing the importance that such issue had within its work and showing its relative importance. Similarly, a chronological review of the examples of the firm's single - member house was carried out and the phases in which such production can be classified were established.
In the fifth chapter, the analysis to six representative single - member houses of the studied period was made. The issue intended to recognize the criteria and the values that derived from the works themselves so as to verify the hypothesis proposed.
The investigation concluded in the chapter six. Here, the possibility of a further checking of this and other major facets of the studied office's work were proposed. Finally, the adjunct texts were exposed and the sources of investigation were mentioned.
This work must be seen as a contribution to the major effort of going deeply into the knowledge of the history of Latin - American Modern Architecture, which was undertaken through the study of the particular experience of a Chilean firm which designed in Chile around the middle of the past century, helping in a way to clarify and spread some of the ways in which this movement crystallized in this corner of the planet.
Lum, Eric Kim. "Architecture as artform : drawing, painting, collage, and architecture, 1945-1965". Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/9492.
Pełny tekst źródłaIncludes bibliographical references (p. 319-329).
The development of an American architectural avant-garde after the Second World War is examined in relation to the formal properties and institutionalized cultural authority of modern art. Rather than looking to the artwork of their American artistic contemporaries, architects and critics appropriated the early European avant-garde as typological precedents, guided by a pedagogical approach steeped in Bauhaus teaching methods. Drawing became the common conduit between the abstract work of art and its transformation into modern architecture. Architecture was seen as a problem that could be studied diagrammatically, and consequently also thought of as a fundamentally conceptual, immaterial artifact. At the same time that architecture was moving towards a flattened artistic condition, however, abstract expressionist painting began to take on the material and dimensional properties of the architectural object, demarcating volume and structure. Modernist collage techniques were also introduced into postwar architectural design, but again the material aspects of the medium were suppressed in favor of its purely visual qualities.
by Eric K. Lum.
Ph.D.
Ljunggren, Mattias. "Den sista flickscouten? : Medborgarideal i den svenska flickscoutrörelsen 1945-1965". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-158672.
Pełny tekst źródłaDrugeon, Fanny. "Incarnation sans figures ? : l'abstraction et L'Église catholique en France, 1945-1965". Tours, 2007. http://www.theses.fr/2007TOUR2015.
Pełny tekst źródłaThe development of an abstract art within the religion of Incarnation has partly paradoxical consequences regarding the catholic dogma. The point is to understand the part played by the notion of abstract art within the Church, and vice versa, and how an incarnation without figures could be accepted. This dissertation firstly studies the reflexive relationship between the church and the arts, and the institutional and artistic issues linked. Then, it examines the creations partly born because of the will of a connection between the present and the research of a proper Church language. Moreover, through the independent creations appears the complexity of the relations between abstract art and Catholic Church in a non-liturgical environment. Finally, the debate is replaced in a larger context : the modern society, through sacred art exhibitions, shows or collections, where abstract art progressively gains a prime space
Ross, Corey David. "Constructing socialism at the grassroots : the transformation of East Germany, 1945-1965". Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286614.
Pełny tekst źródłaSmith, Jenny Leigh. "The Soviet Farm Complex : industrial agriculture in a Socialist context, 1945-1965". Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/40394.
Pełny tekst źródłaMIT Dewey Library copy issued in pages.
Includes bibliographical references (leaves 190-200).
"The Soviet Farm Complex" is a history of food, farming and the environment in the postwar Soviet Union. It tells the story of how different technical and institutional authorities created an industrial Soviet countryside in the generation after World War II. Beyond the leadership of the Soviet state, international trade relationships, new technologies, unusual scientific cultures, stubborn environmental realities and human shortcomings played important roles in shaping the progress of agricultural change. Four historical fields inform this project: the history of technology, agricultural history, Soviet history and environmental history. Each of the five chapters addresses a different time, place and theme in the history of the Soviet countryside, providing a close-up view of the most important aspects of postwar rural change. Soviet agricultural reform has often been interpreted as a failure: a textbook case of poor central planning and destructive, high-modernist logic on the part of the Soviet state. In fact, this study shows that the collective farming system as a whole was not particularly dysfunctional, nor was it doomed to failure simply by virtue of being centrally planned.
(cont.) Much like the capitalist farms with which it competed, Soviet farms struggled to overcome enormous environmental, economic and social barriers to success. Similarly to capitalist systems, the Soviet Union's farming complexes succeeded in some places, while failing spectacularly in others. The history of Soviet agricultural change is not a history of faceless state agents imposing change from a great distance. Rather, it is made up of many different kinds of people working at many different jobs. Agricultural scientists and bureaucrats performed research, wrote reports, created policies and issued orders, sometimes against their better judgment and sometimes with the full force of their beliefs behind them. On the ground, agricultural laborers tried to follow the orders that originated from these higher echelons although workers and their work often experienced periods of great transition. In the universities, teachers endeavored to instruct their students in modern and efficient methods of producing food, and in every city and village the powerful tool of Soviet propaganda strived to persuade citizens of the value and logic of all aspects of agricultural modernization.
(cont.) By examining the connections between state authority, agricultural modernization and environmental change, this dissertation shows that the industrialization of the Soviet countryside was a dynamic and convoluted process, affected far more by the seemingly trivial histories of genetic variation, animal nutrition and weather than by the machinations of powerful politicians or the mismanagement of inept bureaucrats.
by Jenny Leigh Smith.
Ph.D.in History, Anthropology, and Science, Technology and Society (HASTS
Ratcliffe, T. W. W. "Between Paris and New York : Abstract art in England from 1945-1965". Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527602.
Pełny tekst źródłaSilva, Marineide de Oliveira da. "Escola rural em Mato Grosso : de professor leigo a sábio (1945-1965) /". Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154026.
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A escola rural em Mato Grosso é um objeto de estudo que oferta ao pesquisador possibilidades de análise em diferentes momentos históricos. Para cada período, tendo por base a conjuntura social em que a mesma se encontra atrelada, marca mudanças e posturas educacionais que somente analisando “o não aparente” e o processo em que culminaram os acontecimentos podem-se formular hipóteses e buscar respostas paras as indagações que se apresentam durante o percurso da pesquisa. Entender esse fato foi crucial para a elaboração desta pesquisa. O presente trabalho tem como centralidade analisar a constituição do educador leigo/a e as mudanças de paisagem que inculcaram neles a necessidade de passarem por um processo de recuperação para estar qualificados a ser docentes nas escolas rurais de Mato Grosso. O cenário da pesquisa é o estado de Mato Grosso (uno) e abarca um período de mudanças que começaram a ser desenhadas na década de 1940, com o caminhar para a finalização do Estado Novo, momento ainda encabeçado pelo grupo getulista, e tendo como baliza final na década de 1960, período em que foram implementadas no país as reformas educacionais que visou recuperar um contingente significativos de professores sem formação para o magistério e que ministravam aulas nas escolas primárias de todo Brasil. Objetivando também demonstrar como a educação primária se configurou, bem como a maneira como a escola rural atravessou esse período. Para fundamentar essa tese, foram consultados autores como Adorno (1995), Mészáros (2008), Biesta (2013), Sá (2006), Paes (2011), entre outros, que propõem pensar a sociedade, a escola e a educação enquanto um conjunto de fatores que podem estar atrelados a questões econômicas, interferindo de maneira significativa na concepção de educação e na percepção dos sujeitos inseridos na sociedade. Para refletir sobre o fazer histórico e o trato com as fontes documentais e orais, buscou-se suporte nos escritos de Certeau (1982), Montenegro (2011), além de ter como mote de análise de dados o método cartográfico, apresentado por Guattari e Rolnik (1996), Passos, Kastrup e Escóssia (2015), ao conceberem que a realidade cartografada não se configura, para o investigador, como uma paisagem que delineia contornos estáticos, mas que estes mudam conforme as pistas encontradas no processo de pesquisa, tornando “o aparente” como objeto imbuído de significações. Por isso, a “Análise do Discurso” se torna importante no processo, pois contribui para desvelar o aparente ligado às conjunturas educacionais primárias mato-grossenses. Acredita-se que falar de escola rural e professor/a leigo/a é trazer à cena personagens fundamentais no processo educativo de Mato Grosso, cujas vozes são, muitas vezes, silenciadas para não denunciar as fragilidades e inconsistências dos discursos políticos de dominação.
The rural school in Mato Grosso is a study of object that offering the searcher possibilities of analysis at different historical moments. To each period, based on the social context that find in the same harness, trace changes and educational positions that only analyzing "no apparent" and the process that was the highest events you can formulate hyphotheses and get answers to the reasons that arise during the course of the search. To understanding this fact, it was crucial for the elaboration of this search. The present work have been to centrality to analyze the constitution of lay educator and changes representetion have mark them a necessity to pass for a recovery process to be qualified to be teachers in rural schools of Mato Grosso. The scene of the State of Mato Grosso (uno) covers a period of changes that started to be desingned in 1940, with the progress of the completion of the new state, in this moment formed by the getulista group, and having as end point the years of 1960, period that they were implemented in the country the educational reforms, which recovered a significant uncertain of teachers without training for the magisterium and that administer classes in primary schools from all over Brazil, evidencing how the primary education was configured, as well as the way the rural school cross this period. To ground this thesis, were consulted authors such as Adorno (1995), Mészáros (2008), Biesta (2013), Sá (2006) and Paes (2011) and others, which proposes to think about society, school and education while a conjuct of coefficient that may be harness the economic issues, interfering in a significant way in the conception of education and in the perception of the subjects inserted in the society. Thinking about doing the historical documentary and oral sources, it was support in the writings of Certeau (1982), Montenegro (2011), besides having how of data analysis the cartographic method presented by Guattari and Rolnik (1996), Passos, Kastrup and Escóssia (2015), when realizing that the reality was charted it's not configured, to the investigator, like a representetion that adumbrate static contours, but that these change according to the clues found in the process of search, making "the apparent" like an object impregnate with meanings. For this reason, the "Discourse Analysis" be the most important in the process, contributes to unveil the apparent educational primary in Mato Grosso. Come to believe saying about the rural school and teacher lay person to bring the scene fundamental characters in the educational process of Mato Grosso, whose voices are often silenced not to denounce the fragility and inconsistencies of political discourses of domination.
Call, Steven Charles. "A people's air force: Air power and American popular culture, 1945-1965 /". The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660929528.
Pełny tekst źródłaMalone, Cheryl Knott 1954. "LABOR WITHOUT PAY: WOMEN'S VOLUNTEER WORK IN AMERICAN HOSPITALS, 1945-1965 (ARIZONA)". Thesis, The University of Arizona, 1985. http://hdl.handle.net/10150/291190.
Pełny tekst źródłaWilson, Andrew George. "Between tradition and modernity : Patrick Heron and British abstract painting, 1945-1965". Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715968.
Pełny tekst źródłaMenfalout, Saliha. "La création contemporaine au Maroc : l'exemple d'Ahmed Cherkaoui". Paris 4, 1998. http://www.theses.fr/1997PA040099.
Pełny tekst źródłaThis thesis is a study about Cherkaoui's art. It includes a synopsis of the evolution of art in morocco from pre-historical times up to the 20th century when easel painting first appeared. It also traces the artist's childhood in Boujad and his adolescence in Casablanca, then his artistic beginnings at l'École des métiers d'art in Paris and at Aujame's workshop. Cherkaoui invented his personal and authentic style in the years 1961-1963 using just canvass and developing richly colored signs often inspired by Moroccan tattoo. In his 1964-65 paintings the sign becomes powerful and constitutes the central element in the composition. Related to this are some other graphic annotations, polychromic touches and also the use of white color. The last paintings by Cherkaoui affirm a great purification of the canvass through the majestic presence of the sign on naked white background revealing the influence of Arab and Muslim mysticism
Hoey, Rosemarie A. "Curriculum policy for the public elementary and secondary schools in Ontario 1945--1965". Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/21391.
Pełny tekst źródłaHirschfeld, Michael. "Katholisches Milieu und Vertriebene : eine Fallstudie am Beispiel des Oldenburger Landes ; 1945 - 1965 /". Köln [u.a.] : Böhlau, 2002. http://hsozkult.geschichte.hu-berlin.de/rezensionen/2003-2-137.
Pełny tekst źródłaStrübel, Lisa. "Continuity and change in city Protestantism : the Lutheran Church in Hamburg, 1945-1965". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248987.
Pełny tekst źródłaLewis, Harold. "The International Transport Workers' Federation (ITF) 1945-1965 : an organizational and political anatomy". Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/3700/.
Pełny tekst źródłaWood, H. Stanley. "Leadership profiles of church extension ministers in the Church of Scotland 1945-1965". Thesis, University of Aberdeen, 1996. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=201752.
Pełny tekst źródłaBryant, Michael S. "Confronting medical mass murder : the U.S. and West German euthanasia trials, 1945-1965". The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1259851826.
Pełny tekst źródłaRölli-Alkemper, Lukas. "Familie im Wiederaufbau : Katholizismus und bürgerliches Familienideal in der Bundesrepublik Deutschland, 1945-1965 /". Paderborn : F. Schöningh, 2000. http://catalogue.bnf.fr/ark:/12148/cb38814513r.
Pełny tekst źródłaMünch, Lea [Verfasser]. "Kinder und Kinderheilkunde in Berlin : Zwischen Fürsorge und Forschung (1945-1965) / Lea Münch". Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2020. http://d-nb.info/1218076003/34.
Pełny tekst źródłaGreenlees, Donald. "The Origins of Nonalignment: Great Power Competition and Indonesian Foreign Policy 1945-1965". Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/147895.
Pełny tekst źródłaBertaud, du Chazaud Vincent. "Les architectures de la croissance innovante : 1965-1975 : aujourd'hui, entre mutation et destruction". Paris 1, 2004. http://www.theses.fr/2004PA010673.
Pełny tekst źródłaPandi, Diamantina. "Approches systémiques dans le dessin c. 1965-1975". Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100014.
Pełny tekst źródłaThis thesis aims at exploring the artistic realizations as well as the critical and theoretical approaches of the complex and multidimensional concept of "system" in relation to the transformation of drawing between 1965 and 1975. The discourse around the notion of “system” prevails the post-war world, especially in the 1960s and 1970s. The aesthetics of systems, as theorized by art critic Jack Burnham in his article “Systems Aesthetics” published at the Artforum in 1968- which signals the radical transition from an object-oriented culture to a systems-oriented culture - is the starting point of this thesis. We examine the notion of the system by attempting to highlight the interconnections between information and systems theories, the cybernetic model, the “linguistic turn” and its implications for the development of conceptual artistic practices in the period 1965-1975. In this period, drawing became a privileged field for the development of systemic methodologies. Through the cases of eleven artists, Sol LeWitt, Mel Bochner, Hanne Darboven, Dorothea Rockburne, Robert Morris, Alighiero Boetti, John Latham, Bernar Venet, Lee Lozano, Stanley Brouwn and William Anastasi, this thesis examines the artistic experimentation on “systems of drawings”: linguistic and arithmetic systems of diagrammatic order, autopoietic systems, as well as systemic strategies that take place in the spatiotemporal context. By focusing on the heterogeneity, the diversification and the hybridization of these practices, the thesis analyzes the formal and conceptual translations of the drawing which demand the autonomisation and the reconceptualisation of this medium in the period that we examine
Christófoglou, Mártha-'Ellī. ""Avant-gardes" et politisation dans l'art néohellénique (1965-1975)". Paris 1, 1989. http://www.theses.fr/1989PA010508.
Pełny tekst źródłaMilin, Melita. "Tradicionalno i novo u srpskoj muzici posle Drugog svetskog rata 1945-1965 [The Traditional and the New in Serbian Music after the Second World War 1945-1965], Belgrad 1998, pp. 261 [Zusammenfassung]". Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A15653.
Pełny tekst źródłaMilin, Melita. "Tradicionalno i novo u srpskoj muzici posle Drugog svetskog rata 1945-1965 [The Traditional and· the New in Serbian Music after the Second World War 1945-1965], Belgrad 1998, pp. 261 [Zusammenfassung]". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-225164.
Pełny tekst źródłaBidnall, Amanda M. ""The Birth pangs of a new nation": West Indian artists in London, 1945-1965". Thesis, Boston College, 2010. http://hdl.handle.net/2345/bc-ir:104400.
Pełny tekst źródłaThis dissertation examines the careers and cultural productions of West Indian artists and entertainers working in London between 1945 and 1965, a period of large-scale West Indian migration to Britain. It argues that these artists espoused a collective cultural politics that was both ethnically aware and actively integrationist. Their work emphasized the historic cultural ties between the "mother country" and the Caribbean colonies, but did so in an effort to challenge prevailing media depictions of New Commonwealth migration as an unwanted foreign deluge. As a result, these migrant artists were among the first to express the potential of Commonwealth multiculturalism in Britain. Unlike many post-war histories of British race relations that emphasize the marginalization of black artists from mainstream culture, this study will show how the first wave of post-war West Indian artists, like Edric and Pearl Connor, Cy Grant, Ronald Moody, and Lloyd and Barry Reckord, sought to reach out to a wider British audience. Although their careers and artistic expressions were shaped - and at times stifled - by British cultural institutions that exercised their own assumptions and priorities, they posed alternatives to racism in a nation painfully coming to terms with its imperial legacy and multicultural future
Thesis (PhD) — Boston College, 2010
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: History
Anjos, Herbert Gler Mendes dos. "Socialismo e Liberdade : o PSB e a cultura socialista-democrática no Brasil (1945-1965)". reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16235.
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O Partido Socialista Brasileiro (PSB) é objeto de pesquisa desta dissertação de mestrado. Os enfoques deste trabalho estão situados na análise da formação do PSB, partido político surgido no processo de redemocratização brasileira de 1945, por meio da ação de variados atores com experiências e ideias políticas que, embora estivessem todas no campo ideológico da esquerda, eram substantivamente distintas do pensamento de esquerda, mais ortodoxo, em especial o marxismo stalinista do PCB. Este trabalho também consiste em analisar os elementos peculiares que caracterizaram o projeto socialista democrático do PSB, que combinava igualdade social com liberdades civis e políticas. Enfatiza-se na análise as modificações sofridas pelo projeto e pelo discurso do PSB, que são visíveis a partir da década de 1950. Por fim, analisa-se a história do partido no período entre 1945-1965. Debruçamo-nos sobre a experiência e sobre o percurso do socialismo democrático no Brasil por meio das ações do partido em todo esse período democrático. _______________________________________________________________________________________ ABSTRACT
The Brazilian Socialist Party (PSB) is the research object of this dissertation. The approaches that work are situated in analyzing formation of the PSB, political party, emerged in the 1945 Brazilian democratization process, through the action of actors with varying experiences and political views, even though they were all on the ideological left field, were substantively distinct from left thinking, more orthodox , especially the Stalinist Marxism of the PCB. This work also consists of analyzing the peculiar elements that characterized the democratic socialist project of the PSB, which combined social equality with civil and political liberties. We emphasize the analysis the changes undergone by the project and by the discourse of the PSB that are visible from the 1950s. Finally, we analyze the history of the party in the period 1945 to 1965. We focused on the experience and on the path of democratic socialism in Brazil through the actions of the party in all this democratic period.
Mulholland, Kate Ellen. "The experiences of class and gender relations and women workers at GEC, 1945-1965". Thesis, University of Warwick, 1990. http://wrap.warwick.ac.uk/106624/.
Pełny tekst źródłaLogan, Michael Farley. "Fighting sprawl and city hall: Resistance to urban growth in the southwest, 1945-1965". Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186742.
Pełny tekst źródłaMaciejczyk, Aleksander. "La réception du concile Vatican II dans la catéchèse paroissiale : étude comparée dans deux paroisses françaises et deux paroisses polonaises". Paris 4, 1995. http://www.theses.fr/1995PA040137.
Pełny tekst źródłaIn the first part of our thesis we analyze the documents of the second Vatican council about parish catechesis. We pay particular attention to the council's concept of the transmission of the good news in the parish context. In the second part we examine the reception of the council's decision in the documents of popes and synode, in the canon law, in theological studies and in practice. In the third pars we give a direct analysis of the catechesis in French and polish parishes: first we describe the historical, social, political and legal context of French and polish parishes where the council's decisions are being put into practice. Then we look through the results of the inquiry into catechesis in two French and polish parishes. This inquiry is a way to know and understand the catechetic situation in parishes. At the end we evaluate the reception of council's decisions in the life of French and polish parishes. In this evaluation we pay special attention to different factors (theological), historical, economic, social etc. ) influencing the process of reception
Andrade, Marques Inês Maria. "Arte e habitação em Lisboa 1945-1965. Cruzamentos entre desenho urbano, arquitetura e arte pública". Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/145901.
Pełny tekst źródłaThis PhD thesis aims to study the production of public art in the city of Lisbon, in major public promotion housing units that were planned and built in the period between 1945 and 1965: Alvalade, Olivais Norte and Olivais Sul. The work of public art is assumed as an urban fact, part of a plan of shaping the space. Each area is studied from its origin to its consolidated stage under three aspects: The urbanization plan, the process of building and the participation of artists in the production of works of public art The period chosen - the two decades following the end of the Second World Warallows us to appreciate the input and the fading ideals of modern movement ideals in the ways of thinking and building the city. The study of Alvalade, Olivais Norte and Olivais Sul, allows us to monitor the interference of the principles of the Athens Charter, initially limited to small urbanization units [Alvalade], later adopted to the extent of an experimental cell [Olivais Norte] and finally put in place in a large housing estate, but where tensions with other modern currents could already be felt giving way to the first breakthroughs with the document of 1933 [Olivais Sul]. In this process of dissolution of the traditional urban vocabulary and abandonment of the official models imposed by the regime since the early 1940s, the main objective of the thesis is to understand how the public art adapted itself to public buildings and spaces of absolutely new configurations, generated by the application of these new paradigms and aesthetic formulations. It is also to understand with what intent the work of the public art was being called to mark the city space. This thesis concerns an often overlooked artistic production: the public art that accompanies modern architecture and urbanism. In spite of being exclusively limited to the Lisbon examples it also rehearses an exploratory approach to the production of the public art to the universe of social housing, which had great relevance in the context of the post Second War and subsequent decades. Having in mind that to modern architects and urbanists housing had been the subject of election and doctrinal demarcation since the beginning of the twentieth century, it was also a field that captivated socially engaged artists from various aesthetic and political lines, who had a common intention of approaching the space of the ordinary citizen. This thesis moves between several subject areas. Besides appreciating public art in its architectural and urban context, because it fits conceptually the approach proposed by Cer Polis, the author adapts the methodology of oral history as a way to redeem part of the necessary information to write the thesis.
Aquesta tesi té com a objecte la producció d'art públic a la ciutat de Lisboa, a les grans unitats habitacionals de promoció pública que es varen planificar i edificar en el període comprès entre 1945 i 1965: Alvalade, Olivais Norte i Olivais Sud. L'obra d'art públic és assumida com un fet urbà, integrat en un procés de conformació de l'espai. Cadascuna de les àrees és estudiada des de la seva gènesi fins al seu estat de consolidació sota tres aspectes: el pla d'urbanització, el procés d’edificació i la participació d'artistes en la producció d'obres d'art públic. El període escollit - les dues dècades que van seguir al final de la Segona Guerra Mundial - permet apreciar l'entrada i l’esvaïment dels idearis moderns en les maneres de pensar i construir la ciutat. L'estudi d’Alvalade, Olivais Norte i Olivais Sul permet seguir la intromissió dels principis de la Carta d'Atenes, inicialment limitada a petites unitats d’urbanització [Alvalade], posteriorment assumida a l'escala d'una cèl•lula experimental [Olivais Norte] i finalment posada en pràctica sobre una gran malla de caràcter residencial, però on se senten ja les tensions amb altres corrents moderns, obrint el camí a les primeres ruptures amb el document de 1933 [Olivais Sul]. En aquest procés de dissolució del vocabulari urbà tradicional i d'abandonament dels models oficials imposats pel règim des de l’inici de la dècada de 1940, l'objectiu principal de la tesi és comprendre com l'art públic es va adequar als edificis i espais públics amb configuracions absolutament noves, generades per l'aplicació d'aquests nous paradigmes i formulacions estètiques. Ho és també entendre al servei de quines intencions l’obra d’art públic va ser cridada a marcar l'espai de la ciutat. La present tesi valoritza una producció artística generalment oblidada: l’art públic que acompanya l’arquitectura i l’urbanisme moderns. Malgrat estar exclusivament circumscrita als exemples lisboetes, intenta també una aproximació exploratòria a la producció d'art públic per l'univers de l'habitatge social, de gran rellevància en el context de post-segona guerra mundial i les dècades posteriors. Si per arquitectes i urbanistes moderns l’habitatge havia estat des d’inicis del segle XX un tema d’elecció i de demarcació doctrinària, fou també un camp que va captivar artistes socialment compromesos, provinents de diferents línies estètiques i polítiques, però que tenien en comú una intenció d'aproximació a l’espai del ciutadà comú. Aquesta tesi es mou entre diverses àrees disciplinàries. Més enllà de posar en perspectiva l’art públic en el seu context arquitectònic i urbà, pel fet d’enquadrar-se conceptualment en el plantejament proposat per Cer Polis, l'autora adapta la metodologia de la història oral com una forma de recuperar part de la informació necessària per l’escriptura de la tesi.
Berry, Michelle Kathleen. "Cow Talk: Ecology, Culture, and Power in the Intermountain West Range Cattle Industry, 1945-1965". Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1404%5F1%5Fm.pdf&type=application/pdf.
Pełny tekst źródłaMcLaren, Graham M. "The colleges and responses to industry : ceramic design education c.1945-1965 : perspectives and policies". Thesis, Royal College of Art, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440168.
Pełny tekst źródłaSilva, Filho Antonio Luiz Macêdo e. "Entre o fio e a rede: a energia elétrica no cotidiano de Fortaleza (1945-1965)". Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/13100.
Pełny tekst źródłaConselho Nacional de Desenvolvimento Científico e Tecnológico
This study aims to discuss the historical relationships between electric energy and some technical objects, in Fortaleza (capital of Ceara state) from 1945 to 1965. During this period the population experienced serious troubles with the supply of light and power, which made difficult the major integration of electricity in the daily life and had unfavorable impact on local economy. With the fast demographic growth and the spread of demand, the electrical system underwent successive rationings, breakdowns, overloads and campaigns for the reduction in private consumption levels. The solution, by means of the city connection with Paulo Afonso plant in 1965, accessed a more regular and cheaper energy supply, although it was far from assuring the poor a better reach to this benefit. This context of growing application of electric current and social inequality entailed the making of ambivalent meanings in household comfort, which in the postwar was more and more related to the acquisition and usage of electric appliances. Through the investigation of these objects it was possible to apprehend certain changes in the inhabitants perception, as well as the emergence of visual and sound elements which expressed their presence in urban daily life and their role in the dissolution of boundaries between public and private. In the course of the research it was also observed the importance of technological shifts for the production of practices and values related to the household modernization
Este trabalho pretende discutir as relações historicamente constituídas entre a energia elétrica e certos objetos técnicos, na cidade de Fortaleza entre 1945 e 1965. Nesse período a população experimentou graves problemas no fornecimento de força e luz, que dificultaram a maior integração da eletricidade na vida cotidiana e repercutiram desfavoravelmente no perfil da economia local. Com o crescimento demográfico acelerado e a expansão da demanda, o sistema elétrico passou por sucessivos racionamentos, panes, sobrecargas e campanhas destinadas à redução nos índices de consumo particular. A solução encontrada, por meio da ligação da cidade com a usina de Paulo Afonso em 1965, permitiu o acesso a um suprimento de energia mais regular e barato, mas esteve longe de propiciar o correspondente alargamento desse benefício às camadas pobres. Esse contexto marcado pela crescente aplicação da corrente elétrica e por fortes desigualdades sociais implicou a formação de significados ambíguos do conforto doméstico, que no pós-guerra se mostrou cada vez mais associado à aquisição e uso de aparelhos elétricos. A partir da investigação desses objetos foi possível apreender certas transformações na percepção dos habitantes, assim como a emergência de elementos visuais e sonoros que expressaram sua presença no cotidiano da cidade e seu papel na contínua diluição das fronteiras entre o público e o privado. No decorrer da pesquisa se pôde ainda observar a importância da mudança tecnológica na produção de práticas e valores relacionados à modernização do espaço doméstico
Charão, Egiselda Brum. "Mulheres italianas e trabalho em Porto Alegre/RS (1945-1965): história de uma imigração esquecida". Pontifícia Universidade Católica do Rio Grande do Sul, 2015. http://hdl.handle.net/10923/7656.
Pełny tekst źródłaQuesto testo presenta e analizza aspetti dell’immigrazione italiana a Porto Alegre nel período 1945-1965. Più specificamente si sofferma sulla questione dell’inserimento professionale di donne italiane. Utilizzando la metodologia della Storia Orale Ibrida si tracciano le traiettorie e si ripercorrono le memorie di queste immigrate. Si evidenziano, cosi, punti di vista relativi al contesto storico, politico e economico dell’Italia e del Brasile negli anni successivi alla Seconda Guerra mondiale. Il lavoro approfondisce l’analisi del vissuto quotidiano nella società urbana portoalegrense della seconda metà del Novecento, con una enfasi particolare sul mondo del lavoro. A partire dalle storie individuali delle immigrate italiane intervistate, si sono identificate le singolarità presenti in ogni narrazione, evidenziando allo stesso tempo i punti di convergenza. Grazie a tali memorie individuali siamo giunti a conclusioni generali su un tema ancora poco analizzato dalla storiografia. ita
Este texto apresenta e analisa aspectos da imigração italiana em Porto Alegre no período de 1945-1965, mais especificamente busca entender como ocorreu a inserção da mulher imigrante italiana no trabalho. Utilizando a metodologia da História Oral Híbrida expõem-se as histórias e memórias das mulheres imigrantes italianas. Evidenciam-se, desse modo, pontos de vista relativos ao contexto histórico político e econômico da Itália e do Brasil referentes ao período do pós-guerra. O trabalho enfoca o cotidiano da sociedade urbana porto-alegrense na segunda metade do século XX, com ênfase no mundo do trabalho. A partir das histórias individuais das entrevistadas, no caso, as mulheres italianas, identificou-se a singularidade existente e única de cada narração, ressaltando eixos que se cruzavam nas falas individuais. Desse modo, a partir das memórias individuais procurou-se produzir inferências gerais sobre um assunto ainda pouco abordado pela historiografia.
Smet, Catherine de. "Le livre comme synthèse des arts : édition et design graphique chez Le Corbusier, 1945-1965". Paris, EHESS, 2002. http://www.theses.fr/2002EHES0094.
Pełny tekst źródłaThe thirty-five books published by Le Corbusier between 1912 and 1960 were each conceived as autonomous projects : he himself saw to their design and closely supervised all stages of the publication process. The analysis of this singular activity at the junction of architecture, art, and communication uncovers a little known aspect of a career that evolved through the twentieth century, and the architect’s contribution to a history he is rarely associated with, the history of publishing. In concentrating on the books published after 1945, in which an autobiographical posture prevails, this study aims to bring to light the issues linked to the visual rhetoric of layout as well as the essential role of books in the dynamics of Le Corbusier’s work as a whole. In particular, it seeks to show how the architect exploited graphic design techniques to present the unity of his production, and thereby to accomplish, within the printed medium, his difficult project of a synthesis of the arts