Gotowa bibliografia na temat „1943-2005”
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Artykuły w czasopismach na temat "1943-2005"
Carpenter, Andrew, i Ian Campbell Ross. "Alan Harrison (1943-2005)". Eighteenth-Century Ireland: Volume 20, Issue 1 20, nr 1 (1.01.2005): 9–10. http://dx.doi.org/10.3828/eci.2005.4.
Pełny tekst źródłaNo authorship indicated. "Thomas O. Nelson (1943-2005)." Journal of Experimental Psychology: Learning, Memory, and Cognition 31, nr 2 (2005): 350. http://dx.doi.org/10.1037/0278-7393.31.2.350.
Pełny tekst źródłaGUBER, ROSANA. "Eduardo P. Archetti (1943--2005)". American Anthropologist 108, nr 3 (wrzesień 2006): 631–35. http://dx.doi.org/10.1525/aa.2006.108.3.631.
Pełny tekst źródłaBAUM, RUDY M. "Richard E. Smalley, 1943-2005". Chemical & Engineering News 83, nr 45 (7.11.2005): 3. http://dx.doi.org/10.1021/cen-v083n045.p003.
Pełny tekst źródłaFjellström, Christina, i Maria Magnusson. "Per-Olow Sjödén (1943–2005)". Appetite 45, nr 3 (grudzień 2005): 203–4. http://dx.doi.org/10.1016/j.appet.2005.10.001.
Pełny tekst źródłaCurl, Robert F. "Richard E. Smalley (1943–2005)". Nature 438, nr 7071 (grudzień 2005): 1094. http://dx.doi.org/10.1038/4381094a.
Pełny tekst źródłaEriksen, Thomas Hylland, i Marit Melhuus. "Eduardo P. Archetti (1943-2005)". Anthropology Today 21, nr 6 (grudzień 2005): 23. http://dx.doi.org/10.1111/j.1467-8322.2005.00402.x.
Pełny tekst źródłaKhosrowshahi, Farzad. "Professor Rodney Howes, 1943–2005". Construction Management and Economics 24, nr 3 (marzec 2006): 227–28. http://dx.doi.org/10.1080/01446190500466601.
Pełny tekst źródłaStrom, S. H. "Susan Porter Benson, 1943-2005". Radical History Review 2006, nr 95 (1.04.2006): 272–75. http://dx.doi.org/10.1215/01636545-2006-95-272.
Pełny tekst źródłaHargittai, István. "Richard E. Smalley (1943–2005)". Structural Chemistry 17, nr 1 (luty 2006): 155–56. http://dx.doi.org/10.1007/s11224-006-9041-1.
Pełny tekst źródłaRozprawy doktorskie na temat "1943-2005"
Ivkova, Rossitza. "Rettung und Mord in genozidalen Entscheidungsprozessen Bulgarien 1941-1943 /". PDF, 2005. http://bieson.ub.uni-bielefeld.de/volltexte/2005/702/index.html.
Pełny tekst źródłaMachover, Jacobo. "La memoire face au pouvoir. Ecrivains cubains en exil / guillermo cabrera infante, severo, sarduy, reinaldo arenas". Paris 3, 2000. http://www.theses.fr/2000PA030182.
Pełny tekst źródłaPy, Jean-François. "L'expérience de l'histoire et la vérité en peinture : avec Claude Simon, François Rouan, Gerhard Richter, Sigmar Polke et Martin Kippenberger". Saint-Etienne, 2000. http://www.theses.fr/2000STET2067.
Pełny tekst źródłaChin, Keli da Silva. "Uma abordagem analítica da Chacona, recitativo e fuga (2005) de Almeida Prado e sua relação com três outras obras". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/15620.
Pełny tekst źródłaO presente trabalho apresenta uma análise de Chacona, Recitativo e Fuga (2005) para piano de Almeida Prado. Buscou-se encontrar elementos que dão coerência à obra como um todo, analisando a estrutura da obra, seus aspectos melódico, rítmico e harmônico, verificando a existência de padrões ou elementos recorrentes. A Cartilha Rítmica para piano (2005) de Almeida Prado, e Twentieth Century Fugue (1962) de Graves Jr., foram utilizados como referenciais teóricos. Foi verificada também, a relação da Chacona, Recitativo e Fuga com o Prelude, Choral and Fugue (1884) de César Franck, na qual foi inspirada, assim como com duas outras obras do mesmo compositor (Recitativo e Fuga, de 1968, e Haendelphonia, de 1991). Através desta análise foi possível concluir que a linguagem musical de Almeida Prado enfatiza a manipulação rítmica e contrapontística, além do uso de elementos recorrentes na construção de um discurso coerente.
Chabrier, Isabelle. "La carnavalisation dans le roman cubain contemporain". Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030183.
Pełny tekst źródłaThis study sets out the Bakhtine “carnival dimension” in the Cuban contemporary novel (El arpa y la sombra by Alejo Carpentier, Paradiso by José Lezama Lima, De donde son los cantantes by Severo Sarduy, Tres tristes tigres by Guillermo Cabrera Infante, El color del verano o Nuevo “Jardín de las Delicias” by Reinaldo Arenas, La piel y la máscara by Jesús Díaz). Our main concern is to demonstrate that “upside down world characteristics” that fixe the “carnavalesque vision” proposed by the Russian theorist is part of the writing in the integration of the carnival’s codes both as literary themes as narrative techniques. In a reading exceeding the baroque concept associated up to now with the Cuban novels of our corpus, we envisage the resurgence of the carnival’s former popular traditions, the mixture between tribute and irreverence, sacralization and deconsecration, as the symptom of the Cuban subject’s crisis, the postmodern expression of the rejection of the idols at the same time as the demonstration of a deep desire to recover a temporary freedom in the carnivalized literary representation and to plunge into a golden age celebrated by the carnival
Anusooya, Y. "Properties Of The Correlated Electronic States In Conjugated Organic Molecules, Polymers And Metal-Halogen Chains". Thesis, 1996. https://etd.iisc.ac.in/handle/2005/1943.
Pełny tekst źródłaAnusooya, Y. "Properties Of The Correlated Electronic States In Conjugated Organic Molecules, Polymers And Metal-Halogen Chains". Thesis, 1996. http://etd.iisc.ernet.in/handle/2005/1943.
Pełny tekst źródłaDias, Fernando Paulo Rosa 1964. "A nova-figuração nas artes plásticas em Portugal : 1958-1975". Doctoral thesis, 2008. http://hdl.handle.net/10451/1975.
Pełny tekst źródłaA Nova-Figuração emergiu com sentido histórico por oposição ao domínio da arte abstracta no segundo pós-Guerra. Pertencendo a um tempo cultural pós-metafísico e sem a mesma consistência da percepção do real e da verdade, ela redefiniu a questão da figuração fora da autoridade e exclusividade do sistema tradicional de representação. A figura já não apresentava a mesma estabilidade ontológica, para passar a operar experimentalmente, em pluralidade e abertura. Enquanto na arte ocidental ela enquadrou movimentos como Pop Art, Nouveau Réalisme ou Figuration Narrative, no caso português verifica-se uma síntese destas orientações, localizadas particularmente em cada percurso artístico. Foi paralelamente à superação da querela neo-realista entre forma e conteúdo, como depois da querela entre figuração e abstracção necessária à afirmação da abstracção nos anos 50, que emergiu a nova-figuração ao longo da década seguinte. Perante novos projectos figurativos a crítica de arte participou na construção da noção de «nova-figuração», definindo um espaço cultural próprio na arte portuguesa. Numa primeira fase entendemos a génese criativa da nova-figuração como processo ainda assente numa superação de experiências abstractas (na primeira metade dos anos 60), com destaque para os projectos de Joaquim Rodrigo, René Bertholo, Lourdes Castro, Costa Pinheiro ou António Areal. Activando o esforço de reinvenção de tradições figurativas, sobretudo herdadas do surrealismo e do neo-realismo, desenvolveram-se as obras de Eduardo Luiz, Carlos Calvet, Cruz-Filipe, Júlio Pomar, Nikias Skapinakis ou Sá Nogueira. Outros nomes surgiram na segunda metade da década ou seguinte, já sem necessidade de superar a recente tradição abstracta, casos de Henrique Ruivo, Álvaro Lapa, Palolo, Jorge Martins, Batarda, José de Guimarães, Noronha da Costa, entre outros. Na dinâmica portuguesa a nova-figuração permitiu reequacionar as vanguardas numa exploração experimental que, ao contrário da abstracção, era dirigida ao mundo e o abarcava. Abstracção; Arte Portuguesa; Figura; Nova-Figuração; Representação.
In the aftermath of World War II, New-Figuration emerged as an historically significant trend in opposition to Abstract Art. As a style belonging to a post-metaphysical cultural period (without the same solid perception of “realness” and of “truth”), it redefined issues of figuration outside the authority and exclusivity that characterized the traditional system of representation. In these new settings, figuration ceased to present the same ontological stability and started to function at the experimental level with plurality and openness. While in western art it framed movements such as Pop Art, Nouveau Realism or Narrative Figuration, in the Portuguese fine art scene we find a kind of synthesis of all these artistic tendencies, marking idiosyncratically each artist’s production. Neo-Figuration emerged in the 60s as a result of the double quarrel that opposed form and content (neo-realism quarrel) on the one hand, and figuration and abstraction (crucial for the establishment of abstraction in the 50s) on the other. Facing emergent figurative works of art, Portuguese art criticism was involved in the construction of neo-figuration as a concept that resulted in the definition of a cultural space of its own in the Portuguese fine arts field. In this dissertation we depict firstly the creative genesis of New-Figuration as a process that was constructed in the aftermath of the abstract experiences of the first half of the 60s, as it can be emphasized in the work of artists such as Joaquim Rodrigo, René Bertholo, Lourdes Castro, Costa Pinheiro or António Areal. However, stimulated by the idea of reinvention of figurative traditions (mostly inherited from Surrealism and Neo-Realism), artists such as Eduardo Luis, Carlos Calvet, Cruz-Filipe, Júlio Pomar, Nikias Skapinakis or Sá Nogueira, developed their work. Some other names emerged in the second half of the 60s and throughout the 70s that did not demonstrate the need to move beyond the abstractionist tradition. This is the case of Henrique Ruivo, Álvaro Lapa, Palolo, Jorge Martins, Batarda, José de Guimarães, Noronha da Costa, among others. In the Portuguese fine arts scene, New-Figuration allowed rethinking the avant-garde, and contrary to abstractionism, it was directed to the world, while embracing it at the same time. Abstraction; Portuguese fine arts; Figure; New-Figuration; Representation.
Książki na temat "1943-2005"
Pivano, Fernanda. Pagine americane: [narrativa e poesia 1943-2005]. Milano: Frassinelli, 2005.
Znajdź pełny tekst źródłaKireev, Aleksandr. Eparkhii i arkhierei Russkoĭ pravoslavnoĭ t︠s︡erkvi v 1943-2005 godakh. Wyd. 2. Moskva: [s.n.], 2005.
Znajdź pełny tekst źródłaKogan, Leonid Efimovich, i Denis Nosnitsin. Varia Aethiopica: In memory of Sevir B. Chernetsov (1943-2005). Piscataway, NJ: Gorgias Press, 2009.
Znajdź pełny tekst źródłaAydin, Cemal, i Ahmet Karataş. Ankara Üniversitesi Fen Fakültesi tarihi: Tarihsel ve bilimsel bakış (1943-2005). Beşevler, Ankara: Ankara Üniversitesi Basımevi, 2007.
Znajdź pełny tekst źródłaRobinson, Docia. Depot South Dos Palos: Reunion book 2005, classes 1941, 1942, 1943. Fresno, CA (1133 'S' St., Fresno 93721): D. Robinson, 2005.
Znajdź pełny tekst źródłaHarte, Jack. Unravelling the spiral: The life and work of Fred Conlon (1943-2005). Dublin]: Scotus Press, 2010.
Znajdź pełny tekst źródłaCangshan Xian ren min yi yuan. Cangshan Xian ren min yi yuan yuan zhi (1943-2005): Cang shan county people's hospital. [Cangshan Xian: Cangshan Xian ren min yi yuan, 2005.
Znajdź pełny tekst źródłaVespa, Bruno. Storia d'Italia da Mussolini a Berlusconi: 1943, l'arresto del Duce, 2005, la sfida di Prodi. Roma: Rai-ERI, 2004.
Znajdź pełny tekst źródłaClaudio, Toscani, i Università di Milano. Sezione musica., red. Musica e architettura nell'età di Giuseppe Terragni, 1904-1943: Giornata di studi, Milano, 18 gennaio 2005. Milano: Cisalpino, 2005.
Znajdź pełny tekst źródłaAssociation française Buchenwald-Dora et Kommandos., red. Résister à Buchenwald: Journée d'étude, 3 juin 2005 - les français et la résistance à Buchenwald 1943-1945. Paris: Tirésias, 2006.
Znajdź pełny tekst źródłaCzęści książek na temat "1943-2005"
"Bella Ulanovskaya (1943–2005)". W An Anthology of Jewish-Russian Literature: Two Centuries of Dual Identity in Prose and Poetry, 947–66. Routledge, 2015. http://dx.doi.org/10.4324/9781315706474-115.
Pełny tekst źródła"Bella Ulanovskaya (1943–2005)". W Voices of Jewish-Russian Literature, 700–722. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618117939-080.
Pełny tekst źródłaGlasscock, Robin. "Maurice Warwick Beresford 1920–2005". W Proceedings of the British Academy, Volume 161, Biographical Memoirs of Fellows, VIII. British Academy, 2009. http://dx.doi.org/10.5871/bacad/9780197264577.003.0002.
Pełny tekst źródłaHarding, Dennis. "Social and ritual violence and death". W Death and Burial in Iron Age Britain. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780199687565.003.0012.
Pełny tekst źródłaStreszczenia konferencji na temat "1943-2005"
Edwards, Tim. "Advancements in Gas Turbine Fuels From 1943 to 2005". W ASME Turbo Expo 2005: Power for Land, Sea, and Air. ASMEDC, 2005. http://dx.doi.org/10.1115/gt2005-68171.
Pełny tekst źródłaFroling, Tom, i Tadge Juechter. "2006 Chevrolet Corvette C6 Z06 Aerodynamic Development". W SAE 2005 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2005. http://dx.doi.org/10.4271/2005-01-1943.
Pełny tekst źródłaRaporty organizacyjne na temat "1943-2005"
Rincón-Castro, Hernán. ¿Cuánto tributan efectivamente el consumo, el trabajo y el capital en Colombia? Cálculos con las Cuentas Nacionales base 2015. Banco de la República, maj 2021. http://dx.doi.org/10.32468/be.1161.
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