Gotowa bibliografia na temat „1934-2024”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „1934-2024”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "1934-2024"
Fischhoff, Baruch. "Daniel Kahneman (1934–2024)". Science 384, nr 6695 (3.05.2024): 515. http://dx.doi.org/10.1126/science.adp6405.
Pełny tekst źródłaChamyal, L. S. "Rajendra Kumar Pant (1934-2024)". Journal Of The Geological Society Of India 100, nr 7 (1.07.2024): 1068. http://dx.doi.org/10.17491/jgsi/2024/173951.
Pełny tekst źródłaDavidson, Scott. "Niklaus Wirth (1934–2024)—An Appreciation". IEEE Design & Test 41, nr 3 (czerwiec 2024): 65. http://dx.doi.org/10.1109/mdat.2024.3371372.
Pełny tekst źródłaBeebe, Nelson. "Bibliography of Niklaus Wirth (1934–2024)". TUGboat 45, nr 1 (2024): 6. http://dx.doi.org/10.47397/tb/45-1/tb139beebe-wirth.
Pełny tekst źródłaLarbre, Françoise, Florence Legros i Valérie Mignon. "Hommage à Gilbert Abraham-Frois (1934-2024)". Revue d'économie politique Vol. 134, nr 3 (21.06.2024): 367–69. http://dx.doi.org/10.3917/redp.343.0367.
Pełny tekst źródłaBellorin-Font, Ezequiel, Marcos Rothstein i Kevin J. Martin. "In memoriam: Eduardo Slatopolsky, MD, 1934–2024". Kidney International 106, nr 2 (sierpień 2024): 168–70. http://dx.doi.org/10.1016/j.kint.2024.06.001.
Pełny tekst źródłaKłys, Tomasz. "Wspomnienie o Ewie Nagurskiej". Kwartalnik Filmowy, nr 126 (2.07.2024): 242–43. http://dx.doi.org/10.36744/kf.2631.
Pełny tekst źródłaVölker, Klaus. "Spezialist für Weltbeschreibung". Theater heute 65, nr 5 (2024): 50–51. http://dx.doi.org/10.5771/0040-5507-2024-5-050.
Pełny tekst źródłaKumar, Saurav, Mritunjoy Kumar i Ashwani Tandon. "Padma Shree Dr. Narendra Prasad, MS, FRCS (1934–2024)". NMO Journal 18, nr 1 (styczeń 2024): 59–60. http://dx.doi.org/10.4103/jnmo.jnmo_27_24.
Pełny tekst źródłaSavyasaachi. "The Poetics of Studentship: A Tribute to Professor JPS Uberoi (1934-2024)". Social Change 54, nr 1 (marzec 2024): 150–54. http://dx.doi.org/10.1177/00490857241231475.
Pełny tekst źródłaRozprawy doktorskie na temat "1934-2024"
Cheng, Lai Hing. "L'épique et le didactique dans l'oeuvre théâtrale d'Edward Bond". Paris 3, 2000. http://www.theses.fr/2000PA030055.
Pełny tekst źródłaSahakian, Emily. "French Carribbean Women's Theatre : Trauma, Slavery, and Transcultural". Paris, EHESS, 2011. http://www.theses.fr/2011EHES0136.
Pełny tekst źródłaThis dissertation examines the cultural work done by French Caribbean women's theatre of the 1980s and 1990s. Through a focus on traumatic memories of slavery, l study three French Caribbean women dramatists, investigating three noteworthy plays and the staging and reception of those plays at Ubu Repertory Theater of New York. The study begins with a theoretical introduction, followed by a second chapter on slavery and its remembrance in metropolitan France and the overseas departments. The three central chapters investigate the theatres of Ina Césaire, Maryse Condé, and Gerty Dambury, as well as the production and reception of their plays at Ubu. In a first section of each chapter, l deploy textual analysis to illuminate how the plays portray links between the past and the present in order to establish and transform French Caribbean women's memory of slavery, which was largely unconscious and secret at the end of the twentieth century. In a second part of each chapter, l investigate the translation of trauma realized by Ubu artists and spectators and the conflicts generated by transcultural performances of French Caribbean women's trauma
Fathy, Safaa. "Le nouveau théâtre épique en Grande-Bretagne : de Brecht à John Arden et Edward Bond". Paris 4, 1993. http://www.theses.fr/1993PA040316.
Pełny tekst źródłaThe new epic theatre in Great Britain: from Brecht to John Arden and Edward Bond considers, in three distinct parts, theoretical questions associated with a precise definition of the dramaturgy, the aesthetics and the origins of epic theatre. Previously defined categories are then applied to the analysis of the plays of Arden and d'Arcy and to those of bond. The first part thus deals with theory, while the second and third parts are studies of the theatrical conceptions of the authors and their work. The goal of the study is to show the relation between Brecht and the authors concerned, as well as the continuation of the current of epic theatre as a major current in contemporary theatre
Streszczenia konferencji na temat "1934-2024"
Van Dam, Case P., Seyedeh Sheida Hosseini i Shishir Pandya. "Scoping of an Air Supply System for Active Flow Control on a Commercial Transport Airplane". W AIAA SCITECH 2024 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2024. http://dx.doi.org/10.2514/6.2024-1934.
Pełny tekst źródłaDuvall, Michael, i Andrew Hodgkinson. "River Lea Crossing Refurbishment & Strengthening: A case study for refurbishment of an historic bridge". W IABSE Symposium, Manchester 2024: Construction’s Role for a World in Emergency. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2024. http://dx.doi.org/10.2749/manchester.2024.0500.
Pełny tekst źródłaSchumann, William. "BLACK MOUNTAIN COLLEGE SEMESTER: (RE) LEARNING EXPERIMENTATION IN ARTS AND CULTURE EDUCATION". W 2024 SoRes Paris –International Conference on Interdisciplinary Research in Social Sciences, 11-12 January. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.0102.
Pełny tekst źródła