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Artykuły w czasopismach na temat "(1930-2024)"
Deitz, Luc. "Charles E. Fantazzi (1930–2024)". Catholic Historical Review 110, nr 2 (marzec 2024): 450–51. http://dx.doi.org/10.1353/cat.2024.a928036.
Pełny tekst źródłaGajdos, Vincent. "In Memoriam : Annie Barois (1930–2024)". Perfectionnement en Pédiatrie 7, nr 1 (marzec 2024): 1. http://dx.doi.org/10.1016/j.perped.2024.02.001.
Pełny tekst źródłaCree, M., M. Lalji, B. Jiang, KC Carriere, J. Beach i A. Kamruzzaman. "Explaining Alberta’s rising mesothelioma rates". Chronic Diseases in Canada 29, nr 4 (październik 2009): 144–52. http://dx.doi.org/10.24095/hpcdp.29.4.01.
Pełny tekst źródłaCree, M., M. Lalji, B. Jiang, KC Carriere, J. Beach i A. Kamruzzaman. "Expliquer l’augmentation des taux de mésothéliome en Alberta". Maladies chroniques au Canada 29, nr 4 (grudzień 2010): 160–69. http://dx.doi.org/10.24095/hpcdp.29.4.01f.
Pełny tekst źródłaAlhabeeb, Jamayel Abdulaziz. "The use of silver diamine fluoride in dentistry: A literature review". International Journal of Applied Dental Sciences 10, nr 2 (1.01.2024): 99–104. http://dx.doi.org/10.22271/oral.2024.v10.i2b.1930.
Pełny tekst źródłaAleksandrova-Chukova, L. K. "His Holiness Patriarch Sergius, Metropolitan Gregory and the Theological Schools of the Moscow Patriarchy from 1944 to 2024". Orthodoxia, nr 2 (14.05.2024): 174–205. http://dx.doi.org/10.53822/2712-9276-2024-2-174-205.
Pełny tekst źródłaBruzgielewicz, Antoni, Kazimierz Niemczyk, Robert Bartoszewicz, Dariusz Kaczmarczyk i Valentina Krupoves. "The 60th anniversary of the establishment of the Prof. Jan Miodonski scientific award". Polski Przegląd Otorynolaryngologiczny 13, nr 1 (30.04.2024): 1–5. http://dx.doi.org/10.5604/01.3001.0054.3933.
Pełny tekst źródłaSantos, Alba, Patricia Plaza, Marta Jimenez, David Gómez-Sánchez, Luis Paz-Ares i Irene Ferrer. "Abstract 1930: Combination of KRASG12C and FGFR1 inhibitors as a resistance-overcoming therapeutic strategy for maximizing therapeutic impact of KRASG12C inhibitors". Cancer Research 84, nr 6_Supplement (22.03.2024): 1930. http://dx.doi.org/10.1158/1538-7445.am2024-1930.
Pełny tekst źródłaMagomedov, A. M. "Depreciation of Fixed Assets: New Standards – Old Problems". Herald of Dagestan State University 39, nr 1 (28.03.2024): 36–46. http://dx.doi.org/10.21779/2500-1930-2024-39-1-36-46.
Pełny tekst źródłaArslanbekova, A. Z., i A. R. Tolboeva. "The Formation of the Budget Control System in Russia". Herald of Dagestan State University 39, nr 1 (28.03.2024): 79–86. http://dx.doi.org/10.21779/2500-1930-2024-39-1-79-86.
Pełny tekst źródłaRozprawy doktorskie na temat "(1930-2024)"
Sirbu-Ghiram, Dolores Carmencita. "Le jeu des masques dans les romans de John Barth et de Kurt Vonnegut". Angers, 1999. http://www.theses.fr/1999ANGE0002.
Pełny tekst źródłaA paradox in contemporary american fiction is that writers, in trying to outline an identity for their characters, limit the possible developement of their behaviour. On the other hand, the way out of this enclosure means fluidity and thus, a loss of identity. This is true for the works of john barth and kurt vonnegut, analysed here through two of their novels. The decentered postmodern structure that characterizes them implies the acceptance of the fragmentation and dissolution of the frontiers of the self and requires a permanent effort from the protagonists to find a solution to defend themselves from potential aggressions. The power of masks enables them to control the others and to manipulate them as they like. This study deals with masks and role playing in the novels the floating opera and the end of the road by john barth and mother night and deadeye dick by kurt vonnegut. It also analyzes their consequences on the protagonists who wear them and on their relationships with those around them. When they abandon their masks, their vulnerable selves hinder them from a complete envolvement. Their destinies puzzle the reader in his efforts to understand the roles of the self and of the mask in action. Thus, the relationship between the characters becomes a game between the author and the reader, which mirrors itself at the level of the narration through a multitude of narrative masks
Mazaki, Fatima Zahra. "Étude narrative de The Floating opera, Lost in the funhouse et Chimera de John Barth". Paris 4, 1995. http://www.theses.fr/1995PA040077.
Pełny tekst źródłaThis thesis studies the narrative form in John Barth's The Floating opera, Lost in the funhouse and Chimera. The first chapter examines the problem of communication and the role played by the narratee, addressed as "you", in the organization of the past of Todd Andrews: first person narrator of The Floating opera. The second chapter discusses Barth's use of labyrinths in Lost in the funhouse. Blanks and lacunae are the most two important verbal labyrinths. The other narrative devices to create structural labyrinths are point of view, punctuation and allusion. The third chapter studies the three novellas of Chimera. In each novella, Barth, speaking as first person narrator, parodies point of view, characterization, plot and setting, and tries to discover new forms of narrative
Barbié, Olivier. "Convergences entre économie et sociologie autour du concept de réseau social". Phd thesis, Paris 1, 2010. http://www.theses.fr/2010PA010050.
Pełny tekst źródłaFathy, Safaa. "Le nouveau théâtre épique en Grande-Bretagne : de Brecht à John Arden et Edward Bond". Paris 4, 1993. http://www.theses.fr/1993PA040316.
Pełny tekst źródłaThe new epic theatre in Great Britain: from Brecht to John Arden and Edward Bond considers, in three distinct parts, theoretical questions associated with a precise definition of the dramaturgy, the aesthetics and the origins of epic theatre. Previously defined categories are then applied to the analysis of the plays of Arden and d'Arcy and to those of bond. The first part thus deals with theory, while the second and third parts are studies of the theatrical conceptions of the authors and their work. The goal of the study is to show the relation between Brecht and the authors concerned, as well as the continuation of the current of epic theatre as a major current in contemporary theatre
Streszczenia konferencji na temat "(1930-2024)"
Burns, Kevin R., i Cecilia D. Burns. "Aviation in the American Legion — 1930-1946". W AIAA SCITECH 2024 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2024. http://dx.doi.org/10.2514/6.2024-2004.
Pełny tekst źródłaWeisberger, Joshua M., Brett F. Bathel i Gregory Herring. "Characterization Progress of an Absorption Laser Differential Interferometer". W AIAA SCITECH 2024 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2024. http://dx.doi.org/10.2514/6.2024-1930.
Pełny tekst źródłaИгнатькова, А. Д., i Н. Н. Мутья. "ARTISTIC AND STYLISTIC FEATURES OF SUBJECT TEXTILE DRAWINGS IN DOMESTIC PRINTED FABRICS OF THE 1920s — 1930s". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.37.
Pełny tekst źródłaКоптев, А. С., i М. М. Кузнецова. "ARCHITECTURE OF VYBORG AS A PANORAMA OF THE STYLISTIC EVOLUTION OF THE EARLY XX CENTURY". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.38.
Pełny tekst źródłaЮрасовская, Н. М. "RUSSIAN TRACE IN THE FINE ART OF ART DECO". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.27.
Pełny tekst źródłaShukrey, Sarthak, Srinivasa Yenugu, Srishty Shah i Roman Bernardi. "Corrosion Prediction Model for Electrical Components in Automobiles". W Symposium on International Automotive Technology. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2024. http://dx.doi.org/10.4271/2024-26-0307.
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