Gotowe bibliografie tematyczne / 1903-1977

Gotowa bibliografia na temat „1903-1977”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "1903-1977"

Grzybowski, Andrzej, i Agnieszka Rabiza. "Konrad Dzięgielewski (1903-1977)". Archiwum Historii i Filozofii Medycyny 86 (8.04.2024): 97–100. http://dx.doi.org/10.12797/ahifm.86.2023.86.08.

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Celem pracy była analiza biografii oraz dorobku naukowego Konrada Dzięgielewskiego, poznańskiego okulisty i kierownika Kliniki Okulistycznej Akademii Medycznej w Poznaniu w latach 1951-1955. Konrad Dzięgielewski urodził się w 1903 r. w Malborku. Otrzymał tytuł doktora wszechnauk lekarskich na Wydziale Lekarskim Uniwersytetu Poznańskiego w 1931 r. Był członkiem Polskiego Towarzystwa Okulistycznego, kierownikiem poznańskiego oddziału towarzystwa w latach 1951-1956. Został odznaczony m.in. Krzyżem Kawalerskim Orderu Odrodzenia Polski, Medalem Zwycięstwa i Wolności. Napisał kilka prac naukowych.

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Delia, Giorgio. "Per Edith Farnsworth (1903–1977)". Forum Italicum: A Journal of Italian Studies 47, nr 3 (18.09.2013): 635–52. http://dx.doi.org/10.1177/0014585813498844.

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Boussion, Samuel. "Jean Pinaud : Parcours du Centaure (1903–1977)". Sauvegarde de l'Enfance 57, nr 2 (kwiecień 2002): 70–72. http://dx.doi.org/10.1016/s0036-5041(02)85010-6.

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Monfrin, Jacques. "Félix Lecoy (23 décembre 1903-23 novembre 1977)". Romania 116, nr 461 (1998): 1–2. http://dx.doi.org/10.3406/roma.1998.1452.

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Alessandria Camacho, Thais E. "Panamá, 1903-1977: institución militar, democracia y nación". Revista de Comunicación de la SEECI, nr 6 (15.11.2000): 148. http://dx.doi.org/10.15198/seeci.2000.6.148-164.

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Marc’hadour, Germain. "Sir Thomas More (1934) by Christopher Hollis (1903-1977)". Moreana 32 (Number 123-, nr 3-4 (grudzień 1995): 117–26. http://dx.doi.org/10.3366/more.1995.32.3-4.15.

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Prus, Robert. "Redefining the Sociological Paradigm: Emile Durkheim and the Scientific Study of Morality". Qualitative Sociology Review 15, nr 1 (23.05.2019): 6–34. http://dx.doi.org/10.18778/1733-8077.15.1.01.

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Whereas Emile Durkheim (1858-1917) has long been envisioned as a structuralist, quantitative, and positivist sociologist, some materials that Durkheim produced in the later stages of his career—namely, Moral Education (1961 [1902-1903]), The Evolution of Educational Thought (1977 [1904-1905]), The Elementary Forms of the Religious Life (1915 [1912]), and Pragmatism and Sociology (1983 [1913-1914]) attest to a very different conception of sociology—one with particular relevance to the study of human knowing, acting, and interchange. Although scarcely known in the social sciences, Emile Durkheim’s (1993 [1887]) “La Science Positive de la Morale en Allemagne” [“The Scientific Study of Morality in Germany”] is an exceptionally important statement for establishing the base of much of Durkheim’s subsequent social thought and for comprehending the field of sociology more generally. This includes the structuralist-pragmatist divide and the more distinctively humanist approach to the study of community life that Durkheim most visibly develops later (1961 [1902-1903]; 1977 [1904-1905]; 1915 [1912]; 1983 [1913-1914]) in his career.

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Fernández Soto, Concha. "MÁGICO RETABLO". RAUDEM. Revista de Estudios de las Mujeres 8 (27.12.2020): 308. http://dx.doi.org/10.25115/raudem.v8i0.4385.

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Mágico Retablo. Pieza dramática breve de Concha Fernández Soto.Personajes:MARÍA MOLINER (1900-1981). Bibliotecaria y lexicógrafa. Represaliada tras la guerra civil y la derrota republicana. Nunca abandonó su país.MARÍA ZAMBRANO (1904-1991). Escritora y filósofa. Exiliada tras la guerra civil y la derrota republicana. Regresó a España en 1984.MARÍA TERESA LEÓN (1903-1988). Escritora y activista política. Exiliada tras la guerra civil y la derrota republicana. Regresó a España en 1977.

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Khaustov, A. "New and Little Known Species of Mites of the Genus Caesarodispus (Acari, Heterostigmata, Microdispidae) Associated with Ants (Hymenoptera, Formicidae) from Ukraine". Vestnik Zoologii 43, nr 5 (1.01.2009): 387–93. http://dx.doi.org/10.2478/v10058-009-0017-7.

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New and Little Known Species of Mites of the GenusCaesarodispus(Acari, Heterostigmata, Microdispidae) Associated with Ants (Hymenoptera, Formicidae) from UkraineMites of the genusCaesarodispusMahunka, 1977 of Ukraine are reviewed.Caesarodispus pusillusKhaustov, sp. n. from nest of antsCrematogaster schmidtiMayr from the Cape Martyan Nature Reserve (Crimea) is described. Type material ofCaesarodispus minutus(Sevastianov, 1981) comb. n. is redescribed.Caesarodispus modestus(Berlese, 1903) collected from antsMessor rufitarsisFabricius is redescribed based on material from Crimea.

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Stagnaro, Juan Carlos. "Grandes psiquiatras argentinas". Vertex Revista Argentina de Psiquiatría 30, nr 148 (1.12.2019): 426–53. http://dx.doi.org/10.53680/vertex.v30i148.125.

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Dossier: Grandes psiquiatras argentinas: Arturo AMEGHINO (1869-1948), René ARDITI ROCHA (1904-1962), Gregorio BERMANN (1894-1972), José T. BORDA (1869-1936), Gonzalo BOSCH (1885-1965), Exequías BRINGAS NÚÑEZ (1904-2000),Domingo CABRED (1859-1929), Raúl CAMINO (1939-2018), Lanfranco CIAMPI (1885-1962), Juan DALMA (1895-1977), Francisco DE VEYGA (1866-1942), Noel FELDMAN (1928-2001), R. Horacio ETCHEGOYEN (1919-2016), Jorge GARCÍA BADARACCO (1924-2010), Mauricio GOLDENBERG (1916-2006), José INGENIEROS (1877-1925), Cristofredo JAKOB (1856-1966), Alejandro KORN (1860 -1936), Enrique Eduardo KRAPF (1901-1963), Osvaldo LOUDET (1889-1983), Lucio MELÉNDEZ (1844-1901), Braulio MOYANO (1906-1959), Juan M. OBARRIO (1878-1958), Elpidio R. OLIVERA (1924-2016), Carlos Rodolfo PEREYRA (1903-1965), Enrique PICHON RIVIÈRE (1907-1977), José María RAMOS MEJÍA (1852-1914), Telma RECA (1904-1979), Carolina TOBAR GARCIA (1898-1962), Guillermo VIDAL (1917-2000).

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Rozprawy doktorskie na temat "1903-1977"

Tumey, Scott Joseph. "A gas-injection negative ion source for accelerator mass spectrometry". College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1977.

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Thesis (Ph. D.)--University of Maryland, College Park, 2004.
Thesis research directed by: Chemistry. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Celerier, Patricia-Pia. "Anaïs Nin à Paris : les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire". Paris 4, 1987. http://www.theses.fr/1987PA040104.

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Etude de la croissance personnelle et artistique d'Anaïs Nin à Paris entre 1931 et 1939 à travers ses relations avec Joaquin Nin, son père, Henry Miller et ses deux psychanalystes parisiens, René Allendy et Otto Rank. Évaluation de l'influence de ces quatre hommes sur sa vie et sa production littéraire. La naissance d'une artiste dans un monde d'hommes
Study of Anais Nin's personal and creative growth in Paris between 1931 and 1939 through her relationships with her father, Joaquin Nin, Henry Miller and her two Parisian psychoanalysts, René Allendy and Otto Rank. Evaluation of the four men's influence on her life and literary production. The birth of an artist in a man-made world

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Bludsztejn, Chantal. "Vision du féminin dans "Les cités intérieures" d'Anaïs Nin". Toulouse 2, 1987. http://www.theses.fr/1987TOU20112.

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Ouvrage capital dans l'œuvre romanesque d'Anaïs Nin, le recueil des "Cités intérieures", composé de cinq livres (Les miroirs dans le jardin, Les enfants de l'albatros, Les chambres du cœur, Une espionne dans la maison de l'amour, Ma séduction du Minotaure) publiés en 1961, met en scène trois femmes représentatives de la pensée de cet écrivain : Djuna, Lillian et Sabina. L'étude de "La vision du féminin" dans cette œuvre s'est organisée à la manière d'un triptyque : la première partie, "L'essence du féminin", dévoile les silhouettes kaléidoscopiques de ces héroïnes que répercutent indéfiniment miroirs et regards, dans un émiettement bariolé de détails physiques et un tournoiement d'objets ; constate les affinités que ces femmes, en quête de leur être substantiel instaurent avec les éléments naturels (eau, air, feu, terre) ; révèle la plasticité d'un espace conquis et adapté à leur féminité. Dans la seconde partie, "La femme, être sociable", est analysé l'aspect social de femmes attachées au monde des arts et elles-mêmes artistes (Lillian se consacre au piano, Djuna à la danse, Sabina au théâtre) : notamment, les rapports d'identification et de rivalité que les femmes établissent entre elles, et les liens qui unissent hommes et femmes, confrontés, par leur éducation, à une certaine codification des comportements. Enfin, la troisième partie, "Une écriture féminine", éclaire les interférences unissant le journal, monde de l'intériorité, aux romans, lieux de l'extériorité; présente les procédés stylistiques utilisés par Anaïs Nin pour traduire la complexité d'une conscience - figures métaphoriques, références esthétiques, principe ludique de la mémoire et de l'onirisme -; et souligne l'état conflictuel ressenti par des héroïnes, projections autobiographiques d'un auteur, dans leur souhait d'abandonner un rôle représentatif de personnage pour acquérir un statut de personne
A major work in the fiction of Anais Nin, the collection of "The cities of the interior3, composed of five books (Ladders to fire, Children of the albatross, The four-chambered heart, A spy in the house of love, Seduction of the Minotaur) was published in 1961 and introduces three women who represent the ideas of this writer: Djuna, Lillian and Sabina. The study of "The perception of womanhood" in this work is arranged like a triptych: the first part, "The quintessence of womanhood", unveils the kaleidoscopic silhouettes of these characters which are reflected indefinitely by mirrors and glances in a motley patchwork of physical details and in whirl of objects. It shows the affinities which grow between these women, searching for their essential being, and the natural elements (water, air, fire, earth) and reveals the plasticity of a conquered space adapted to their femininity. In the second part, "woman, a social being", the social side of women attached to the world of the arts and themselves artists (Lillian a pianist, Djuna a dancer and Sabina an actress) is analyzed: especially the relationships of identification and rivalry which the women create between themselves and the ties which unite men and women who, through their education, are faced with a certain code of behaviour. The third part, "A feminine writing" highlights the interferences linking the diary, the interior world, with the novels, the outside world. It shows the stylistic procedure used by Anais Nin to translate the complexity of a consciousness - metaphors, aesthetic references, the playful working of the memory and dreams -. It also underlines the state of conflict felt by the characters, the autobiographical projections of an author, in their desire to abandon a role of a character in order to acquire the status of a person

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Paula, Damiana Pereira de. "O processo criativo e a personalidade criadora : um estudo da poética de Anaïs Nin no poema em prosa A Casa do Incesto". reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/20943.

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Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Programa de Pós-Graduação em Literatura, 2016.
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O universo ficcional da escritora Anaïs Nin se destaca no cenário literário pela sua poeticidade e lirismo bem como pela sua preocupação em desvendar o mundo da subjetividade humana por meio da criação de imagens e símbolos. Em sua vasta obra, a autora se dedicou à escrita de diários, romances experimentais, poema em prosa, contos, contos eróticos, cartas, crítica literária e ensaios. O objetivo da presente tese é analisar o tema da criação artística e da personalidade criadora no poema em prosa A casa do incesto. A abordagem estética do poema está centrada em dois aspectos: primeiramente realiza um estudo de suas influências - fortemente marcadas pelo movimento Surrealista, pelas ideias psicanalíticas, pela poesia Simbolista, sobretudo Rimbaud – e, em um segundo momento, explora a relação que o poema mantém com a escrita dos diários. _______________________________________________________________________________________________ ABSTRACT
The fictional universe created by Anaïs Nin is celebrated for its highly poetical and lyrical form, abounding with images and symbols through which the world of human subjectivity is revealed. Nin was a prolific writer and throughout her life published diaries, experimental novels, a prose poem, short-stories, erotica, letters, literary criticism and essays. The present thesis aims at analyzing the theme of artistic creation and the creative personality in the prose poem House of Incest. The aesthetic approach of the poem is focused on two different aspects: Firstly, it explores the influences of the Surrealist movement, psychoanalysis and Symbolism - especially Rimbaud. Secondly, it investigates the connections between the poem and the diaries.

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Dunbar, Erin. "The Sacred and the Profane: Nin, Barnes, and the Aesthetics of Amorality". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11047/.

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Barnes's Vagaries Malicieux, and Nin's Delta of Venus, are examples the developing vision of female sex, and both authors use their literary techniques to accomplish their aesthetic vision of amorality. Nin's visions are based on her and her friends' extreme experiences. Her primary concern was expressing her erotic and amorally aesthetic gaze, and the results of her efforts are found in her aesthetic vision of Paris and the amoral lifestyle. Barnes uses metaphor and linguistics to fashion her aesthetic vision. Her technique in "Run, Girls, Run!" both subverts any sense of morality, and offers an interesting and challenging read for its audience. In "Vagaries Malicieux" Barnes's Paris is dark while bright, and creates a sense of nothingness, indicated only by Barnes's aesthetic appreciation.

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Hsieh, Shih-Yun. "Neoclassic violin sonatas, 1922-1977". College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3176.

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Oliveira, Arthur Rovida de. "Monografias sobre as timbila e a construção do Imperio Portugues em Moçambique". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279149.

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Orientador: Osmar Ribeiro Thomaz
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A nação e a nacionalidade cultural, tendo-se como destaque o Estado de Moçambique, são temas complexos, porque reúnem uma série de aspectos políticos, históricos e culturais do país e de sua população. Para desenvolver esta pesquisa, escolheu-se como objeto de análise a categoria de canto e dança enunciada por estudiosos dos nativos de Moçambique, presente em monografias antropológicas do período colonial. Canto e dança são unidos numa categoria ocidental de pesquisa, não nativa. Assim, a princípio, questiona-se: como os autores retiram certos aspectos da vida social para escrever sobre canto e dança? Quais temáticas são criadas e delimitadas? Como, numa vida social ampla, definem-se certas categorias de canto e dança? Com isso, procura-se destacar quais representações são constituídas pelos autores da antropologia sobre o contexto da vida no império e sobre qual base material os autores constroem o conhecimento sobre seus pesquisados, fundamentando suas próprias relações de alteridade
Abstract: The nation and cultural nationality, specially in the state of Mozambique, are complex themes, because they take together a series of political, historical and cultural aspects of the country and its population. For this research, the analitical object chosen was the category of chant and dance made by researchers of the natives of Mozambique, present in anthropological monographs made at the colonial period. Chant and dance are taken together in an ocidental category of research, non-native. So, first of all, we may question: how the authors extract some social life aspects to write about chant and dance? Which thematics are created and delimited? How, in a wide social life, are set certain categories of chant and dance? Taking this point, we hope to know more about which representations are constituted by these anthropology authors in the context of imperial life, and what constitutes their own alterity relationships
Mestrado
Mestre em Antropologia Social

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Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.

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Cammareri, Corinne. "Altérité , maternité création chez les écrivains du 20ème siécle à nos jours". Paris 7, 2010. http://www.theses.fr/2010PA070090.

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Les femmes ont pour particularité de transmettre la vie, de la continuer en en gardant l'empreinte dans le creux de ce corps. Qu'en est-il de l'écriture des femmes lorsqu'elle vient se heurter à ce corps à corps qu'est la maternité qui devra composer avec la passion maternelle ? J'ai voulu, par ma recherche, mettre en évidence la difficulté qu'a notre civilisation à construire un discours autour de ce creux maternel, à partir des textes d'écrivaines du début du XXe siècle à nos jours (Colette, Anaïs Nin, Duras, Huston, Kristeva, Angot, Darrieussecq. . . ). La littérature propose un espace où chaque texte est transformé par l'autre et vice versa. Ces écrivaines parviennent alors à utiliser leur art afin de dépassionner en transmettant le langage, la capacité de penser et de créer, à cet autre qu'est l'enfant. Elles tentent de tisser une toile sur le clivage de la passion maternelle entre emprise et sublimation. Dans la traversée de cette expérience intérieure, l'amour de ces mères et la sublimation des femmes s'entremêlent dans leurs écrits et proposent à l'enfant de sortir de ce creux féminin
Women have that particular characteristic of being able to bringing forth life, of living it, and, all the while, of keeping a trace of it within their bodies. What happens to women's writing when it collides with the physical demands of motherhood and makes it so necessary for them to come to terms with their maternal passion? I decided to study the works of women writers such as Colette, Anais Nin, Marguerite Duras, Nancy Huston, Julia Kristeva, Christine Angot, Marie Darrieussecq and others, from the beginning of the 20th century to the present in order to follow as closely as possible the construction of a maternal discourse within their writing. These writers manage to use their art to go beyond the passion while passing on the language, the ability to think and to create to that other being, their child. They try to bridge the cleavage of maternal passion to avoid choosing between submission or sublimation. Traversing their inner experience, we are able to discover the love of these mothers as well as the sublimation of women

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Dubois, Boucheraud Simon. "Écritures du moi, genèse et créativité : les mises en scène d'Anaïs Nin (1931-1942)". Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30034/document.

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Pour camoufler son passé, dissimuler ses relations adultères, un inceste consenti avec son père et des mensonges peu avouables, les « morceaux choisis » qu’Anaïs Nin livre au lecteur comme son Journal, à partir de 1966, s’affranchissent de toute fidélité aux manuscrits. Le journal posthume, dit « non expurgé » et basé sur les transcriptions dactylographiées que la diariste réalisait de ses journaux, n’est pas non plus exempt de réécritures et d’amendements conséquents. Parmi les quelque cent dix volumes d’un journal manuscrit protéiforme, cette étude tente de mettre au jour ce qui reste, mais surtout ce qui s’ajoute et remet en cause l’appellation de « journal ». Tentant de saisir un moi sans cesse en fuite, la diariste compose sa vie dont l’imaginaire, même dans les manuscrits, fait pleinement partie. Au sein d’un corpus imposant consulté à UCLA et à l’université de Northwestern, cette étude se concentre sur la période du début du Journal (par opposition au Journal de Jeunesse) jusqu’à la publication par Nin de The Winter of Artifice (1939 et 1942), fictionnalisation de sa vie à une époque où publier le journal est inenvisageable. Ce recueil est aussi une tentative de maîtrise d’une œuvre achevée afin de vaincre l’éternel conflit du journal avec le temps et celui de la femme avec son père. Comparer les manuscrits de ces fictions, lues et corrigées par Henry Miller, les journaux manuscrits, les journaux publiés de façon anthume et posthume permet de saisir l’enjeu des réécritures, de l’autocensure ainsi que la démarche créative de Nin qui relève de mises en scène que la diariste légitime plus tard en s’appropriant les principes psychanalytiques d’Otto Rank
To camouflage her past, dissemble about her adulterous affairs, and conceal consensual incest with her father and a lifetime of brazen lies, the « selected pieces » that Anaïs Nin offers to readers as her Diary, as of 1966, bear only a tangential relationship to the manuscripts. Even the so-called unexpurgated diary, published posthumously and based on the typescripts that Nin made of her diaries, contains significant revisions and emendations. Among the hundred and ten-odd volumes of a protean, handwritten diary, this study brings to the fore what remains, but also what was added, leading us to question whether the resulting document can truly be called a « diary ». In attempting to capture her ever-elusive self, Nin composed her life, and even in the manuscripts, the imaginary played a great part in that process. From a vast corpus examined at UCLA and Northwestern university, this study focuses on the period from the beginning of The Diary (as distinct from The Early Diary), till Nin publishes The Winter of Artifice (1939, and 1942), a fictionalization of her life at a time when publishing the diary was impossible. This piece is also an attempt to deal with—and, Nin hoped, vanquish—the lingering conflict of the diary with time and that of the woman with her father. Comparing the drafts of this work, revised by Henry Miller, with the handwritten diaries and the anthumously and posthumously published versions enables us to fully seize the extent of Nin’s rewriting and self-censorship, as well as the scope of a creative approach which amounts to many stagings of the self that the diarist would later legitimatize by making Otto Rank’s psychoanalytical principles her own

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Książki na temat "1903-1977"

Lê, Thị Đức Hạnh. Nguyẽ̂n Công Hoan, 1903-1977. Hà Nội: Khoa học xã hội, 1990.

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Kardela, Piotr. Stanisław Gierat, 1903-1977: Działalność społeczno-polityczna. Szczecin: Wydawn. Promocyjne "Albatros", 2000.

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Bair, Deirdre. Anais Nin: A biography. London: Bloomsbury, 1996.

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Vergara, David. Acuerdos militares entre Panama y Estados Unidos, 1903-1977. [Chitré, Rep. de Panamá: s.n., 1995.

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Nin, Anaïs. The early diary of Anaïs Nin, 1927-1931. London: Penguin, 1995.

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Grétry, Michel. Jean François, peintre et architecte, 1903-1977: Intégriste du paysage. Sprimont: Mardaga, 2004.

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Leitner, Klaus Peter. Hans Grischkat (1903-1977): Ein Bachinterpret der Jugendmusikbewegung in Württemberg. Hamburg: Kovač, 2000.

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Giddins, Gary. Bing Crosby. New York: Little, Brown and Company, 2009.

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Nin, Anaïs. Conversations with Anaïs Nin. Jackson: University Press of Mississippi, 1994.

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Osterholm, J. Roger. Bing Crosby: A bio-bibliography. Westport, Conn: Greenwoood Press, 1994.

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Części książek na temat "1903-1977"

Seybert, Gislinde. "Anaïs Nin (1903–1977)". W Frauenliebe Männerliebe, 316–21. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_70.

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Reid, M. "Brady, Dorothy Stahl (1903–1977)". W The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_138-1.

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Reid, M. "Brady, Dorothy Stahl (1903–1977)". W The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_138-2.

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Reid, M. "Brady, Dorothy Stahl (1903–1977)". W The New Palgrave Dictionary of Economics, 1047–48. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_138.

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"CROSBY, BING (3 MAY 1903–14 OCT 1977)". W Encyclopedia of Recorded Sound, 524–26. Routledge, 2004. http://dx.doi.org/10.4324/9780203484272-199.

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Zipes, Jack. "A Curious Legacy: Ernst Bloch’s Enlightened View of the Fairy Tale and Utopian Longing, or Why the Grimms’ Tales Will Always Be Relevant". W Grimm Legacies. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691160580.003.0008.

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This concluding chapter examines the explorations of Ernst Bloch (1885–1977), the great philosopher of hope, and Theodor Adorno (1903–69), the foremost critical thinker of the Frankfurt School, concerning the profound ramifications of the fairy tale. In doing so they made a significant contribution to the Grimms' cultural legacy. The chapter reveals that, not long after Bloch escaped the dystopian realm of East Germany in 1961, he held a radio discussion with Adorno about the contradictions of utopian longing. Both displayed an unusual interest in fairy tales and were very familiar with the Grimms' tales, which they considered to be utopian.

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John-Steiner, Vera. "From Life to Diary to Art in the Work of Ana:is Nin". W Creative People At Work, 209–26. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195077186.003.0011.

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Abstract Anais Nin’s life work, her writing, was the means by which she transmuted the given patterns governing her existence and created for herself a more authentically realized, fulfilled identity. While Nin is greatly admired for a group of short novels which form a flowing, interconnected, symbolist exploration of human relationships, her greatest achievement is her Diary. Nin was born in 1903, and by the time of her death in 1977 had produced 35,000 handwritten pages of journals. The published materials from her diaries consist at present of 10 volumes, covering the years 1914-74, from age 11 to age 71.

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"Manfred J. Holler: John von Neumann (1903–1957) und Oskar Morgenstern (1902–1977)". W Klassiker des ökonomischen Denkens Band 2, redaktor Heinz D. Kurz, 250–67. C.H.Beck, 2009. http://dx.doi.org/10.17104/9783406615429-250.

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Streszczenia konferencji na temat "1903-1977"

Tonelotto, Marco Aurélio, JOÃO CARLOS MAICROVICZ, MARCOS VINICIUS PUPO, ROBERTO LAURIDONDO LUI, HELENO BRANDÃO i DANIEL RODRIGUES BLANCO. "CARACTERIZAÇÃO CROMOSSÔMICA DE HOPLIAS MALABARICUS (CHARACIFORMES, ERYTHRINIDAE) DA REGIÃO DE INFLUÊNCIA DO LAGO DE ITAIPU, PARANÁ, BRASIL". W II Congresso Brasileiro de Biodiversidade Virtual. Revista Multidisciplinar de Educação e meio ambiente, 2022. http://dx.doi.org/10.51189/ii-conbiv/7214.

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Introdução: Dentre os peixes neotropicais, a família Erythrinidae destaca-se por apresentar uma ampla distribuição geográfica na América do Sul, sendo encontrada em diversas bacias hidrográficas brasileiras. Esta família é composta por três gêneros, Erythrinus Scopoli (1977), Hoplerythrinus Gill (1895) e Hoplias Gill (1903)[DRB1] , sendo Hoplias o gênero mais abundante e subdividido em dois grandes grupos: Hoplias lacerdae Miranda, 1908 (popularmente conhecidos como trairões) e Hoplias malabaricus Bloch, 1794 (popularmente conhecidos como traíras). Por apresentar hábito sedentário que contribui para o estabelecimento de isolados populacionais, até o presente momento 7 cariomorfos (A – G) são descritos para H. malabaricus. Objetivo: Considerando o cenário supracitado, o intuito do estudo foi identificar os possíveis cariomorfos presentes na bacia do Alto Paraná, no município de Santa Helena, Paraná. Material e Métodos: Foram coletados 3 exemplares (2 machos e 1 fêmea) de H. malabaricus provenientes de um braço do lago de Itaipu, bacia do Alto Paraná, no município de Santa Helena, Paraná (GPS: 24° 51\' 41.90\" S; 54° 19\' 30.43\" O) (Licença permanente SISBio 38532) e submetidos a técnicas de citogenética clássica (Bandamento C e Ag-NORs). Resultados: Os espécimes analisados no presente trabalho apresentaram número diplóide de 42 cromossomos (22m + 20sm, NF = 84) em ambos os sexos, ou seja, sem a presença de um sistema de cromossomos sexuais heteromórficos. O bandamento C evidenciou um padrão de distribuição heterocromático com bandas pálidas preferencialmente alocadas na região pericentromérica de vários cromossomos do complemento. A impregnação com nitrato de prata evidenciou Regiões Organizadoras de Nucléolo ativas (Ag-NORs) múltiplas em um único cromossomo dos pares 10 e 14. Conclusão: Por fim, os dados cromossomos obtidos pelo presente trabalho possibilitam afirmar que os exemplares analisados pertencem ao cariomorfo A. Os dados obtidos pelas análises do presente trabalho irão auxiliar em um melhor entendimento da evolução cromossômica de H. malabaricus, além de ampliar o conhecimento sobre a distribuição geográfico deste complexo grupo de peixes.

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