Gotowa bibliografia na temat „1893-1983”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „1893-1983”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "1893-1983"
Süveges, Ildikó. "Aladár Kettesy (1893–1983)". Orvosi Hetilap 154, nr 52 (grudzień 2013): 2086–87. http://dx.doi.org/10.1556/oh.2013.ho2477.
Pełny tekst źródłaMichael, J. H. "Harold William Sanders 1893–1983". Journal of the Australian Mathematical Society. Series A. Pure Mathematics and Statistics 39, nr 2 (październik 1985): 143–45. http://dx.doi.org/10.1017/s1446788700022412.
Pełny tekst źródłaThomas, J. H., i J. M. Grayson. "Walter Seneff Hough 1893-1983". Bulletin of the Entomological Society of America 31, nr 2 (1.06.1985): 64. http://dx.doi.org/10.1093/besa/31.2.64a.
Pełny tekst źródłaCzubak, Jarosław, i Marzena Czubak. "Year of Professor Adam Gruca (1893-1983). On the 130th anniversary of his birth and the 40th anniversary of his death". Chirurgia Narządów Ruchu i Ortopedia Polska 88, nr 2 (16.06.2023): 55–60. http://dx.doi.org/10.31139/chnriop.2023.88.2.1.
Pełny tekst źródłaCatteeuw, Karl. "L. van Rompaey, Strijd voor waardering. Het COV van 1893 tot 1983". BMGN - Low Countries Historical Review 120, nr 4 (1.01.2005): 670. http://dx.doi.org/10.18352/bmgn-lchr.6317.
Pełny tekst źródłaThiel, Stephanie. "Erna Scheffler – erste Richterin des Bundesverfassungsgerichts und Pionierin bei der Durchsetzung der Gleichberechtigung der Geschlechter". Göttinger Rechtszeitschrift 3, nr 5 (17.12.2020): 149–57. http://dx.doi.org/10.55053/2020-3-5-1203.
Pełny tekst źródłaWEI, YU-MEI, Rui-Liang Zhu i S. ROBBERT GRADSTEIN. "Notes on Early Land Plants Today. 49. On Lejeunea huctumalcensis Lindenb. & Gottsche and the resurrection of Otigoniolejeunea (Spruce) Schiffn., an older name for Physantholejeunea R.M.Schust. (Marchantiophyta, Lejeuneaceae)". Phytotaxa 162, nr 4 (17.03.2014): 236. http://dx.doi.org/10.11646/phytotaxa.162.4.8.
Pełny tekst źródłaHuang, Yue, Ruiwen Ma, Jie Li i Shuyu Tu. "Sea Surface Temperature Changes Reflected by Diatoms in the P6-10 Core from 1893 to 2013 from Prydz Bay, Antarctica". Journal of Marine Science and Engineering 11, nr 7 (17.07.2023): 1428. http://dx.doi.org/10.3390/jmse11071428.
Pełny tekst źródłaEASH-LOUCKS, WENDY E., i DAPHNE G. FAUTIN. "Taxonomy and distribution of sea anemones (Cnidaria: Actiniaria and Corallimorpharia) from deep water of the northeastern Pacific". Zootaxa 3375, nr 1 (4.07.2012): 1. http://dx.doi.org/10.11646/zootaxa.3375.1.1.
Pełny tekst źródłaSekulić, Željko, i Saša Kunovac. "NEW OBSERVATIONS OF STOAT (Mustela erminea L.) IN BOSNIA AND HERZEGOVINA". Radovi Šumarskog fakulteta Univerziteta u Sarajevu 49, nr 1 (1.11.2021): 81–87. http://dx.doi.org/10.54652/rsf.2019.v49.i1.27.
Pełny tekst źródłaRozprawy doktorskie na temat "1893-1983"
Prates, Maria Luzia Fouto. "Maria Lamas ( 1893-1983). Uma participante na história da mentalidade feminina". Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2011. http://hdl.handle.net/10362/5576.
Pełny tekst źródłaNascida nos finais do século XIX, Maria Lamas viveu até à década de oitenta do século XX, onde se destacou como mulher de cultura e da cultura. Durante o seu percurso, teve participações ao nível da literatura, sendo considerada como uma das precursoras da literatura infantil portuguesa, mas percorreu também o caminho da poesia, do romance, da novela. Na área da escrita movimentou-se ainda pela área da reportagem, de que resultou o livro único no nosso país, As Mulheres do Meu País, pela área da pesquisa, cujas repercussões são verificáveis em outros dois livros: A Mulher no Mundo e Mitologia Geral. Ainda na escrita, não podemos esquecer a sua participação jornalística, tanto em revistas femininas, como em jornais nacionais, como por exemplo, o jornal O Século, e ainda a sua actuação na área da tradução. A sua intervenção na sociedade destacou-se pela presidência do Conselho Nacional das Mulheres Portuguesas, pela actividade na Associação Feminina Portuguesa para a Paz e pela sua conduta política de oposição ao regime salazarista, que a levou à prisão e posteriormente ao exílio. Maria Lamas foi uma mulher que se relacionou com todos os sectores da sociedade, o que provamos através da correspondência mantida ao longo da sua vida. Na área da cultura, Maria Lamas constitui um exemplo a seguir, tendo-se desdobrado em actividades como a organização de exposições, participando como conferencista ou assistindo a congressos internacionais onde travou conhecimentos com individualidades mundiais. A prova do reconhecimento da sua actividade é-nos dada através de várias homenagens de que foi alvo, ainda em vida. O que tentamos demonstrar com este trabalho é que quando uma mulher quer, pode contribuir para a alteração da mentalidade de um país, foi este o caso de Maria Lamas. As nossas expectativas serão atingidas se o presente estudo trouxer um contributo para a história cultural do nosso país
Charlon, Anne. "Condition féminine et roman féminin dans la Catalogne contemporaine, 1893-1983". Paris 4, 1987. http://www.theses.fr/1987PA040197.
Pełny tekst źródłaCharlon, Anne. "Condition féminine et roman féminin dans la Catalogne contemporaine, 1893-1983". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37603828p.
Pełny tekst źródłaFrumkin, Beverly Ann. "The influence of the art of Antonio Gaudí on the work of Joan Miró /". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63764.
Pełny tekst źródłaMeurer, Clio Elizabeth de Carvalho. "Joan MIRÓ, René MAGRITTE : écriture et création picturale". Paris 7, 2008. http://www.theses.fr/2008PA070003.
Pełny tekst źródłaThe present work has as its main objective to verify the role of writing in pictorial creation - to verify how written language may influence, interfere with and/or incorporate itself into the genesis of an artwork. It does so by carrying out a contrastive analysis of the interaction of text and image in the works of Joan Miró and René Magritte. The research rests upon four main axes of analysis, each one having its own methodology and its own theoretical approach. The first axis examines the founding principles of the artists' modus operandi, in an attempt to bring forth evidence of the important role played by poetry in the construction of such principles. The second axis places the two artists side by side in order to analyze a certain number of aesthetic instances where text and image interact with one another, first in their graphic and plastic work (titles, narrative, literary influences, illustration), and then in their literary work (their poetry and prose, as well as Magritte's aphorisms). The third and fourth axes of analysis explore the question of the role of writing in pictorial creation from the perspective of genetic criticism. The third axis tries to bring an understanding of Magritte's creative process through the traces that can be found in his correspondence. The fourth and last axis of analysis searches for the main operative functions of writing in the notebooks and the preliminary drawings of Miró, in order to see how writing can play a role in the creation of an image. It is thus through writing that this work aims to bring an understanding of the pictorial creation of Miró and Magritte
Dessus, de Cérou Marie-Agnès. "Le desir a l'oeil dans l'art pictural ou la question de "la femme" dans l'oeuvre de joan miro". Paris 7, 1998. http://www.theses.fr/1998PA070080.
Pełny tekst źródłaViewing the surrealist period leads to the centre of the artistic creation where changes, customs and liberating thought are part of an existential ideology in search of the real desire. In paris, miro is truly amazed discovering this world of art which methods he will practice. Everlasting rebel, he is always in struggle between two principles : pleasure and reality ; the artist lives on illusion in delusion of grandeur and constantly works in order not to collapse. Phallus is the stake of his works : avoiding at any price the castration's fear and the meeting with the thing which is revealing of the lack of object. By refusing castration, miro is obsessed by the search for + mother form ; purity. In his whole works, which is dedicated to + woman ;, regarded as an enigma, he asks the following question: + what's a woman? ;. Once his painting achieved, miro orders the other to see. This one is fascinated. The disturbing strangeness, met in miro's works where the eye is omnipresent, seems to replace the maternal thing and it goes so far as to put the glance in suffering, as it was already proved in an experiment made with students. Reactions to the works - support of fantasy- are different, depending on sex identity. How does the eyes react to the mirror experiment when two persons, respectively the artist and the spectator, have as a stake the a object which is the language of the so called phenomenology of visible and invisible? what would be the desire connection between the lost object and the a object, when it acts as a + glance trap ; (the principle elaborated by lacan, a french psycho analyst)? how does the vicious look impose the aesthetic pleasure of that over reality? at least, how are men and women determined by both phallic function and castration law to the question of feminine?
Greene, Charlotte Jordon. "Fantastic dreams : William Liu and the origins and influence of protest against the White Australia Policy in the 20th century". Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/4028.
Pełny tekst źródłaGreene, Charlotte Jordon. ""Fantastic dreams" William Liu and the origins and influence of protest against the White Australia Policy in the 20th century /". University of Sydney, 2005. http://hdl.handle.net/2123/4028.
Pełny tekst źródłaThe structure of this study of William Liu will closely reflect his ideas and the major historical influences in his life, and will span the period from 1893 through ninety years spent mainly in Sydney, ending in 1983, the year before the beginning of the attack on multiculturalism launched by the historian Geoffrey Blainey. The memorialisation of Liu in the post-Blainey “immigration debate” period will then be considered. The study will also reflect the changes in protest against racially discriminatory immigration policies in Australia, as Liu moved from a period in which his was an almost isolated critique to one in which he was able to embrace the ever-widening group of people opposed to the ‘White Australia Policy’. This process has not been fully examined, perhaps due to the fact that the protest often appeared to have little impact upon policy. But the way in which Liu and other protestors expressed their view of what Australia should be and how the ‘White Australia Policy’ affected this vision sheds a great deal of light on these periods in Australian history. The structure of this thesis around Liu’s life, beginning with a period in which the ‘White Australia Policy’ was widely accepted, and ending in a period in which multiculturalism was entrenched as official policy, emphasises the cultural shift which was brought about by decades of protest against the Anglo-conformist model of Australian identity
Carneiro, Junior Renato Augusto. "Amor em tempos de ressentimento". reponame:Repositório Institucional da UFPR, 2011. http://hdl.handle.net/1884/25891.
Pełny tekst źródłaAslangul, Claire. "Représentations de la guerre chez les peintres, graveurs et dessinateurs allemands au XXe siècle dans le contexte européen : traditions, évolutions et ruptures dans les codes iconographiques". Paris, EPHE, 2003. http://www.theses.fr/2003EPHE4066.
Pełny tekst źródłaThe aim of this Ph. D is to look into the traces left by 20th century conflicts in German art (painting, engraving, and graphic arts). With modern warfare, artists are faced with several challenges, among which changing methods of combat, new weapons causing new types of wounds, casualties reaching unprecedented figures, but also the increasing importance of other types of images (from photography, the cinema, etc), and the risk of war being "aestheticized" by being transfered into the field of art. What were the responses to these challenges ? The works of German artists are studied here in their context : the iconographic conventions that prevailed earlier on are introduced, to bring out the breaks and continuities in the representation of modern conflicts, the emergence of new motifs, the development of palimpsest works made from stock elements. Comparisons are made with works by other european artists. To refine the overall analysis, the individual paths of four artists are examined : those of Franz Radziwill (1895-1983), Otto Pankok (1893-1966), Heinrich Maria Davringhausen (1894-1970) and Andreas Paul Weber (1893-1980). All of them were twenty years old when World War I broke out, and also pictured the other conflicts of the century (from the Spanish to the Vietnam War). The key question in this research revolves around the relationship with tradition : in spite of the novelty of the conflicts, inherited processes of composition and themes are often resorted to, whether simply taken up again, or meant as a subversive play on conventions, aiming to clash with the viewer's expectations
Książki na temat "1893-1983"
1893-1983, Miró Joan, red. Joan Miró, 1893-1983. Köln: Taschen, 2000.
Znajdź pełny tekst źródłaA, Petrova E., Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), Museo d'arte moderna e contemporanea di Trento e Rovereto i Fondation Maeght, red. Joan Miró: 1893-1983. St. Petersberg: Palace Editions, 2004.
Znajdź pełny tekst źródłaMink, Janis. Joan Miró, 1893-1983. Köln: Benedikt Taschen, 1993.
Znajdź pełny tekst źródła1893-1983, Miró Joan, i Centre Georges Pompidou, red. Joan Miró (1893-1983). Paris]: Centre Pompidou, 2013.
Znajdź pełny tekst źródłaInstituto da Biblioteca Nacional e do Livro (Portugal), red. Maria Lamas, 1893-1983: [catálogo]. Lisboa: Presidência do Conselho de Ministros, Instituto da Biblioteca Nacional e do Livro, 1993.
Znajdź pełny tekst źródłaJadot, Maurice. Maurice Jadot (1893-1983): Sculpture, wallpieces, graphics. London: Business Design Centre, 1987.
Znajdź pełny tekst źródłaErben, Walter. Joan Miró, 1893-1983: Mensch und Werk. Köln: Benedikt Taschen Verlag, 1988.
Znajdź pełny tekst źródłaMiró, Joan. Joan Miró, 1893-1993. Barcelona: Fundació Joan Miró, 1993.
Znajdź pełny tekst źródłaFundació Joan Miró (Barcelona, Spain), red. Joan Miró, 1893-1993. Boston: Little, Brown, 1993.
Znajdź pełny tekst źródłaErben, Walter. Joan Miró, 1893-1983: The man and his work. Köln, Germany: Taschen, 2003.
Znajdź pełny tekst źródłaCzęści książek na temat "1893-1983"
Kappel, Elisabeth. "Pauline Alderman (1893–1983)". W Arnold Schönbergs Schülerinnen, 415–22. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05144-8_4.
Pełny tekst źródła"Miró (1893-1983)". W Línea y color, 190–98. Vervuert Verlagsgesellschaft, 1999. http://dx.doi.org/10.31819/9783964564764-029.
Pełny tekst źródłaMalberg, Nathalie Carré de. "Emmanuel Mönick (1893-1983)". W Dictionnaire historique des inspecteurs des Finances 1801-2009. Institut de la gestion publique et du développement économique, 2012. http://dx.doi.org/10.4000/books.igpde.3639.
Pełny tekst źródła"Aldridge, Albert Herman (1893–1983)". W Eponyms and Names in Obstetrics and Gynaecology, 2–3. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.004.
Pełny tekst źródłaSchulz-Nieswandt, Frank. "Einleitung". W Horst Wolfram Geißler (1893–1983), 23–38. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-23.
Pełny tekst źródłaSchulz-Nieswandt, Frank. "IV. Horst Wolfram Geißler". W Horst Wolfram Geißler (1893–1983), 93–156. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-93.
Pełny tekst źródłaSchulz-Nieswandt, Frank. "I. Erste Begegnungen mit Horst Wolfram Geißler: Verdrängte Numinosität und keimende Erinnerung". W Horst Wolfram Geißler (1893–1983), 39–46. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-39.
Pełny tekst źródłaSchulz-Nieswandt, Frank. "V. Rückblick und Ausblicke". W Horst Wolfram Geißler (1893–1983), 157–66. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-157.
Pełny tekst źródłaSchulz-Nieswandt, Frank. "Vorwort als einführender Vorort der Einleitung". W Horst Wolfram Geißler (1893–1983), 11–22. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-11.
Pełny tekst źródłaSchulz-Nieswandt, Frank. "Titelei/Inhaltsverzeichnis". W Horst Wolfram Geißler (1893–1983), 1–10. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-1.
Pełny tekst źródła