Gotowe bibliografie tematyczne / 1893-1972

Gotowa bibliografia na temat „1893-1972”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "1893-1972"

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Starodubtseva, I. A., i V. V. Romanova. "Women in geology. Olga Alekseevna Denisova (1893—1972)". Proceedings of higher educational establishments. Geology and Exploration, nr 3 (28.02.2021): 82–91. http://dx.doi.org/10.32454/0016-7762-2020-63-3-82-91.

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The article presents the biography of O.A. Denisova (1893—1972), one of the first Russian female geologists involved in practical geology. In 1918, she graduated from the Natural Department of the Faculty of Physics and Mathematics of Moscow Higher Women’s Courses. During her studies, she participated in field research in the Moscow Region, on Volkhov and Vychegda rivers under the guidance of A.B. Missuna. In 1923, she graduated from Moscow State University with a degree in geology. Since 1918, O.A. Denisova had worked as a researcher in the Moscow branch of the Geological Committee, since 1920 as a geologist in the Geological Department of the Special Commission for the Study of the Kursk Magnetic Anomaly. Later she was engaged in the study of deposits of building materials and hydrogeological surveys. O.A. Denisova began her activity under the supervision of A.D. Arkhangelsky. The article contains her previously unpublished memories about this famous geologist. O.A. Denisova taught geology and hydrogeology at universities and technical schools in Moscow. In 1936 O.A. Denisova was awarded the degree of Candidate of Geological and Mineralogical Sciences without defending a thesis, and in 1946 the All-Union Certification Commission approved her with the academic rank of Associate Professor at the Department of Geology. O.A. Denisova was awarded the medal “For Valiant Labour during the Great Patriotic War of 1941— 1945” (1946) and “In memory of the 800th anniversary of Moscow” (1948). The collections of rocks and minerals collected by O.A. Denisova during field work in the Kursk and Belgorod regions, are stored in the State Geological Museum named after V.I. Vernadsky of RAS.
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Seckelmann, Margrit. "Ein deutscher Amerikaner. Der kosmopolitische Demokrat Hans Simons 1893–1972". Journal der Juristischen Zeitgeschichte 15, nr 1 (1.03.2021): 34–38. http://dx.doi.org/10.1515/jjzg-2021-0013.

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Bonneff, Marcel, i Pierre Labrousse. "Un danseur javanais en France : Raden Mas Jodjana (1893-1972)". Archipel 54, nr 1 (1997): 225–42. http://dx.doi.org/10.3406/arch.1997.3425.

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Cameron, J. S. "Arthur Arnold Osman (1893-1972): a forgotten pioneer of nephrology". Nephrology Dialysis Transplantation 12, nr 7 (1.07.1997): 1526–30. http://dx.doi.org/10.1093/ndt/12.7.1526.

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LELEJ, ARKADY S., i VALERY M. LOKTIONOV. "Review of the nominotypical subgenus of Arachnospila Kincaid (Hymenoptera: Pompilidae) of Russia and neighbouring countries with the lectotypification of enigmatic Pompilus sogdianus Morawitz and description of new species". Zootaxa 2882, nr 1 (18.05.2011): 1. http://dx.doi.org/10.11646/zootaxa.2882.1.1.

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Eleven species are reviewed. A lectotype of Pompilus sogdianus Morawitz 1893 is designated, illustrated and redescribed. The distribution of Arachnospila sogdiana (Morawitz) is limited to Tajikistan only. A new species from Tajikistan, A. gussakovskii sp. nov., is described and illustrated. A new synonymy is proposed for Pompilus clericalis Morawitz 1893 =Arachnospila mongolorufa Wolf & Móczár 1972, syn. nov. Psammochares subocellatus Haupt 1933 is synonymized with Psammochares effodiens f. quadrimaculata Haupt 1929, syn. nov., which is raised to specific status and removed to Arachnospila. The synonymy of Arachnospila sogdiana koenigsmanni Wolf 1970 with Pompilus sogdianus Morawitz 1893 is confirmed. Pompilus turcorum de Dalla Torre 1897 (=Pompilus vagans Radoszkowski 1877, nom. praeocc., nec Costa 1874) is resurrected and moved to Arachnospila. A key to the species for both sexes is given.
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HIRSCHFELD, MAREIKE, MICHAEL F. BAREJ, SIMON P. LOADER i MARK-OLIVER RÖDEL. "Description of two Werneria tadpoles from Cameroon (Amphibia: Anura: Bufonidae)". Zootaxa 3172, nr 1 (16.01.2012): 65. http://dx.doi.org/10.11646/zootaxa.3172.1.5.

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Detailed tadpole descriptions for toads of the genus Werneria Poche, 1903 have been only published for W. preussi (Matschie, 1893) (Mertens 1938) and W. tandyi (Amiet, 1972) (Rödel et al. 2004), the latter description assigned to this species with reservation. A few characters of W. bambutensis (Amiet, 1972) tadpoles were mentioned by Amiet (1972). So far the assignment of tadpoles to a particular Werneria species was based on geography (locality and altitude). Three Werneria species, W. mertensiana, W. tandyi and W. bambutensis (Fig. 1), co-occur on Mount Manengouba in south-western Cameroon. There they inhabit forests and river edges in different but slightly overlapping altitudes (Rödel et al. 2004). During recent field work (November / December 2010) on Mount Manengouba we collected Werneria tadpoles which are herein described.
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Lindstrom, Fred B., i Ronald A. Hardert. "Kimball Young on Social Psychology, Rural Sociology, and Anthropology at Wisconsin, 1926–1940". Sociological Perspectives 32, nr 3 (wrzesień 1989): 383–402. http://dx.doi.org/10.2307/1389124.

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In 1968, former president of the American Sociological Association Kimball Young (1893–1972) gave a seminar at Arizona State University that was attended by both editors. The sessions were taped, for it was Young's intention to organize the tapes into a book that would document his life as a sociologist/social psychologist, a book to be called Man in Transition. The present article is the fourth in a series emerging from Young's tapes and subsequent notes.
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Oliver, Peter, i Michael D. Whittingham. "Elitism, Localism, and the Emergence of Adult Probation Services in Ontario, 1893–1972". Canadian Historical Review 68, nr 2 (czerwiec 1987): 225–58. http://dx.doi.org/10.3138/chr-068-02-03.

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DORCHIN, ACHIK, i CHRISTOPHE J. PRAZ. "Taxonomic revision of the Western Palaearctic bees of the subgenus Pseudomegachile (Hymenoptera, Apiformes, Megachilidae, Megachile)". Zootaxa 4524, nr 3 (22.11.2018): 251. http://dx.doi.org/10.11646/zootaxa.4524.3.1.

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The subgenus Pseudomegachile Friese of the large genus Megachile Latreille is revised for the Western Palaearctic region, Iran, and the Arabian Peninsula. Twenty species are recognized, of which five are new: Megachile blepharis Dorchin & Praz from Israel, M. plumigera Dorchin & Praz from Oman and the United Arab Emirates, M. syriaca Dorchin & Praz from Syria and Turkey, M. yezidica Dorchin & Praz from Turkey and Iran, and M. maxschwarzi Dorchin & Praz from Iran and Central Asia. The following new synonymies are proposed: M. inermis Radoszkowski 1893 (as well as the replacement name M. mitis Cockerell 1899), M. albifasciata Rebmann 1970 and M. transgrediens Rebmann 1970 are placed in synonymy with M. saussurei Radoszkowski 1874; M. tuberculata Radoszkowski 1893 (as well as the replacement name M. tuberculosa Dalla Torre 1896) is placed in synonymy with M. seraxensis Radoszkowski 1893; M. rubripes Morawitz 1875 and M. persica Rebmann 1972 are placed in synonymy with M. flavipes Spinola 1838; M. stolzmanni Radoszkowski 1893 and M. flavidula Rebmann 1970 are placed in synonymy with M. tecta Radoszkowski 1888. Lectotypes are designated for M. cinnamomea Alfken 1926, M. nilotica Pérez 1897, M. inermis, M. seraxensis, M. tuberculata, M. farinosa Smith 1853, M. derasa Gerstäcker 1869, M. erythrocnemis Alfken 1930 and M. xanthocnemis Alfken 1938. An identification key is provided, a phylogenetic hypothesis including most species in the subgenus is presented, and the biology of the species is briefly summarized.
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Oliveira, Amurabi. "Afro-Brazilian Studies in the 1930s: Intellectual Networks between Brazil and the USA". Brasiliana: Journal for Brazilian Studies 8, nr 1-2 (19.12.2019): 32–49. http://dx.doi.org/10.25160/bjbs.v8i1-2.114694.

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In this article, I map some of the US-Brazil networks of intellectuals who helped to develop the field of Afro-Brazilian studies in the 1930s. While discussing the emergence and institutionalization of the field, I highlight the role of figures such as Rüdiger Bilden (1893-1980), Melville Herskovits (1895-1963), Donald Pierson (1900-1995), Gilberto Freyre (1900-1987), Arthur Ramos (1903-1949), Ruth Landes (1908-1991), and Edison Carneiro (1912-1972). Together, these scholars from the United States and Brazil were key to the development of Afro-Brazilian studies as an interdisciplinary field.
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Rozprawy doktorskie na temat "1893-1972"

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Milbach, Juliette. "Etre artiste en Union soviétique : le parcours d'Arkadii Plastov (1893-1972) : réalisme, socialisme, nationalité". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010653.

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Le parcours d’Arkadiï Plastov est un exemple original au sein du système artistique soviétique. Fils d’un peintre d’icône, il est élevé dans un village de la Volga. Avant de devenir le peintre de la campagne qui a fait sa notoriété en Union soviétique, il apprend l’art à Moscou dans les institutions d’ancien régime, se formant tout particulièrement à la sculpture et ignore parfaitement le langage des avant-gardes. Il se fait un nom en tant que peintre dans la capitale en 1935 au moment où s’élabore la méthode artistique du réalisme-socialiste et réalise des compositions monumentales pour les expositions de la seconde moitié des années 1930. Au sortir de la Seconde Guerre mondiale, il reçoit le Prix Staline parce qu’il représente l’identité russe dans ses toiles et est aussitôt après nommé académicien. Parallèlement à cet aspect officiel, un autre fil le conduit à peindre portrait après portrait les paysans de son village. Il s’élèvera dans les années 1960, au moment où perceront de nouveaux courants sur la scène artistique moscovite, pour défendre le réalisme parlant ainsi pour toute une génération d’artistes convaincus de leurs choix. Il est pourtant relativement mis à l’écart à plusieurs reprises par la critique, parfois aussi par ses confrères et qualifié de peintre-paysan
Arkadiï Plastov’s career is atypical for an artist in the Soviet system. Born son of icon painter, Arkadiï Plastov grew up in a small village on the Volga. Before becoming one of the most celebrated painters of the Russian rural life, Plastov studied fine arts on the pre-Revolution curriculum in Moscow focusing mainly on sculpture and fully unaware of the Avant-Garde’s esthetic language. He became a prominent painter in the capital in 1935 creating monumental pieces for exhibitions inthe second half of the 1930s, at a time when the socialist-realism style and theory were being developed. After the Second World War, he received the Stalin Prize for depicting the Russian identity in his painting and became a member of the fine art academy. In parallel to his art work for exhibitions and other official requests, he continued to document the life in his village through numerous portraitsof mujiks. In the 1960s when new styles and theories were appearing and questioning the socialistrealism, Plastov stood up to defend a doctrine he and many artists of his generation had embraced. Despite his fame and status, he was often targeted by critics and set aside as a painter of peasant life
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Fisher, Bruce Hubert. "The be-all and end-all of teaching, Nova Scotia's provincial examinations in history, 1893-1972". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0014/MQ56708.pdf.

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Joannides, Catherine. "Herméneutique et psychanalyse : traduction des rêves de Freud avec la méthode de Paul Diel". Paris 10, 1985. http://www.theses.fr/1985PA100164.

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Lesclous, René. "Genese et evolution des sites producteurs d'aluminium : essai d'interpretation des choix strategiques de pechiney et de leur mise en oeuvre, 1893-1972". Paris, EHESS, 1997. http://www.theses.fr/1997EHES0011.

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Pour un producteur d'aluminium, implanter une usine est un acte essentiel. Comment pechiney a-t-il choisi les sites de ses usines productrices de metal ? pour bien saisir le probleme pose au producteur, il faut d'abord connaitre les principaux rouages de la production d'aluminium ainsi que leur evolution depuis 1893, naissance de la premiere usine jusqu'en 1972, terme de ce travail. C'est l'objet de la premiere partie. Pour comprendre tout ce que le choix d'un site d'electrolyse implique et pour saisir l'evolution du type de site choisi, nous avons analyse quatre cas reels. Chacun represente une periode caracteristique dans le developpement de la production d'aluminium. Les cas etudies sont : la praz pour la periode 1893-1921, champagnier 1922-1939, edea 1945-1958, eastalco-p. N. L. 1959-1972. Ces etudes nous ont permis de determiner les criteres du choix des sites. Ce sont d'une part les : principaux composants du prix de revient de l'aluminium, electricite, position logistique, et d'autre part les risques courus : risques politiques, monnaie, droits de douane etc. Nous avons examine le bilan des sites etudies et dresse le palmares des durees de vie des sites edifies par pechiney. En conclusion nous brossons le cadre strategique de l'aluminium : l'aluminium et l'espace, l'aluminium et le temps, l'aluminium et les hommes. L'espace c'est la position logistique, le temps c'est le temps long. Pour les hommes nous avons dresse le profil de ceux qui ont compose les "sommets strategiques" successifs
Deciding on the location of a smelter project is a very critical point for any aluminium company. How did pechiney select its smelters locations ? to have a sound view of this strategic problem, one needs to know the main features of the aluminium smelting business as well as their evolution since 1893, the start-up date of the first smelter, up to 1972, the end of this survey. That is the first part of this thesis. In order to get a clear understandig of the many factors involved in the selection of an aluminium smelting site and of the evolution of the typical location over time, we have presented four examples illustrating the successive phases of development of the aluminium industry, i. E. La praz (1893-1921), champagnier (1922-1939), edea (1945-1958), and the couple eastalco- vlissingen (1959-1972). This study allowed us to determine the critical factors of site selection, which are on the one hand the main components of the smelting cost, i. E. Power and logistics, and on the other hand various potential risks such as politics, exchange rate and custom duties. We have made an evaluation of the performance and life time of these various sites. Eventually we broadly pictured the strategic constraints of the aluminium smelting industry : space as logistics, time as long run and people as an appropriate profile of salient managers
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Blain, Jenny. "Deconstructing Martin Boyd : homosocial desire and the transgressive aesthetic". Thesis, The University of Sydney, 1998. http://hdl.handle.net/2123/2760.

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Following on the proposition that the history of Western thought is importantly constituted by a discourse of male-male pedagogic or pederastic relations stretching in narrative form, according to Allan Bloom, from the Phaedrus to Death in Venice, the deconstructive project of reading 'against the visible grain' has been mobilised in the interests of interrogating and unsettling what can only be defined as homophobic misreadings of Martin Boyd. Critical discursive practice, by the near-uniform imposition of a tacit censorship, has refused by means of erasure, silence and repression to reflect on Boyd from the perspective of sexual definition or same-sex love and desire, presumably in the belief that there are no interpretive consequences. In the process, an hypothesis of Boyd as himself mounting an act of social criticism by surreptitiously contesting conventional and hierarchical typologies of masculinity in the margins of institutionalised and popular hegemonic culture, seems to have escaped inscription in the canonical records. Martin Boyd's 'dividedness', 'doubleness', ambivalences and dichotomies point to a complexity that is not ultimately or ontologically resolvable. The Derridean 'de-sedimentation' modus operandi used here makes no claim to a relevatory hermeneutics of Hegelian essence. It does, however, utilise the various tropes of ambivalence, uncertainty, anxiety and incoherence — aspects of Boyd which may be correlated, perhaps, with his sense of the unheimlich or not being at home with himself or his environment — to reposition him in terms of his psychosexual constitution. In the process, the advocacy of aestheticism and pleasure for which he is recognised is found to be tempered and/or subverted by an overt recourse to the transgressive and 'decadent', elements irretrievably linked to his fetishization of the beautiful male body and his obsessive redeployment of the Hellenic ideal of manly love. The interpretive frameworks applied in the reclamation of the 'different' sensibility Boyd articulates by means of an alternately subtilized and strenuous challenge to sex/gender identity and behavioural norms encompass a field ranging from late nineteenth century theoretical discourse on homosexuality through to the intertextual influences of cultural innovators like Pater and Wilde. It includes reference to the literary strategies devised by Sedgwick to uncover deviance and 'erotic pathways'; it surveys the psychoanalytic hypotheses of Freud and Adler as relevant; and it pays heed to an aesthetics of the religio-erotic.
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Blain, Jenny. "Deconstructing Martin Boyd : homosocial desire and the transgressive aesthetic". University of Sydney, 1998. http://hdl.handle.net/2123/2760.

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Doctor of Philosophy
Following on the proposition that the history of Western thought is importantly constituted by a discourse of male-male pedagogic or pederastic relations stretching in narrative form, according to Allan Bloom, from the Phaedrus to Death in Venice, the deconstructive project of reading 'against the visible grain' has been mobilised in the interests of interrogating and unsettling what can only be defined as homophobic misreadings of Martin Boyd. Critical discursive practice, by the near-uniform imposition of a tacit censorship, has refused by means of erasure, silence and repression to reflect on Boyd from the perspective of sexual definition or same-sex love and desire, presumably in the belief that there are no interpretive consequences. In the process, an hypothesis of Boyd as himself mounting an act of social criticism by surreptitiously contesting conventional and hierarchical typologies of masculinity in the margins of institutionalised and popular hegemonic culture, seems to have escaped inscription in the canonical records. Martin Boyd's 'dividedness', 'doubleness', ambivalences and dichotomies point to a complexity that is not ultimately or ontologically resolvable. The Derridean 'de-sedimentation' modus operandi used here makes no claim to a relevatory hermeneutics of Hegelian essence. It does, however, utilise the various tropes of ambivalence, uncertainty, anxiety and incoherence — aspects of Boyd which may be correlated, perhaps, with his sense of the unheimlich or not being at home with himself or his environment — to reposition him in terms of his psychosexual constitution. In the process, the advocacy of aestheticism and pleasure for which he is recognised is found to be tempered and/or subverted by an overt recourse to the transgressive and 'decadent', elements irretrievably linked to his fetishization of the beautiful male body and his obsessive redeployment of the Hellenic ideal of manly love. The interpretive frameworks applied in the reclamation of the 'different' sensibility Boyd articulates by means of an alternately subtilized and strenuous challenge to sex/gender identity and behavioural norms encompass a field ranging from late nineteenth century theoretical discourse on homosexuality through to the intertextual influences of cultural innovators like Pater and Wilde. It includes reference to the literary strategies devised by Sedgwick to uncover deviance and 'erotic pathways'; it surveys the psychoanalytic hypotheses of Freud and Adler as relevant; and it pays heed to an aesthetics of the religio-erotic.
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Viard, Bruno. "Mimesis et Agapè : etude sur le lien social à partir de René Girard, Paul Diel et Pierre Leroux". Aix-Marseille 1, 1990. http://www.theses.fr/1990AIX10018.

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Il s'agit, a partir des concepts girardiens de mimesis et de bouc emissaire, de construire un modele pertinent aussi bien du cote de la psychologie que de la sociologie. Parti de la litterature, comme girard, nous faisons travailler ses concepts dans les domaines psychologique et sociologique, mais aussi erotique, esthetique, religieux et politique. Concurremment avec le besoin sexuel central chez freud, et le besoin alimentaire et economique central chez marx, on peut, a partir de girard et diel (d'alfred adler aussi), montrer que le lien social est largement fonde sur le besoin d'estime. Ce besoin, sous sa forme saine (agape), et sous sa forme malsaine (mimesis), determine les modalites du lien social au plan sexuel comme au plan economique; il rend compte aussi de comportements comme la vanite, l'accusation injuste, la jalousie ou la violence, au niveau de la personne, comme l'esprit de caste, le totalitarisme, le manicheisme, l'integrisme, au niveau du groupe. A contrario, l'harmonie, l'amitie, l'amour, le socialisme, se trouvent definis comme un echange d'estime (un potlatch) libre et equilibre. Par un retour aux sources, nous trouvons chez son fondateur, pierre leroux, une definition du socialisme conforme a ces conditions d'equilibre : une forme de lien social base sur l'egalite, mais aussi sur la fraternite et la liberte.
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Gilbertson, Michael. "Injury to health : a forensic audit of the Great Lakes Water Quality Agreement (1972-2005) with special reference to congenital Minamata disease". Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/249.

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The objective of this research was to examine whether the United States and Canada have successfully implemented their Great Lakes Water Quality Agreement and to identify the factors determining the continuation of any injury to human health from pollution of the boundary waters. The Agreement was first negotiated in 1972 as part of the legitimation of the social unrest of the 1960s and gave special responsibilities to the International Joint Commission to advise the Parties of problems of water quality. It has been subject to periodic review and occasional renegotiation and amendment. Specifically, the Agreement was renegotiated in 1978 to address the health effects from the imperceptible exposures to persistent toxic substances. Though extensive scientific evidence of continuing injury to health from persistent toxic substances has been available, there has been a consistent pattern of deliberate failure by the authorities to report the injury and to implement many of the remedial provisions contained in the Agreement. The thesis claims that the failure of the International Joint Commission to advise the Parties of the new information about the injury to health and the failure of the Parties to act upon the information when it was obtained from other sources constituted dereliction of duty. While synthesis of the science linking the pollutant-induced injury to specific causal agents was necessary to provide an empirical measure of the failure to implement the Agreement, consideration of the social, economic and political aspects was needed to provide a sufficient explanation for the failure of the International Joint Commission to inform and of the authorities to act. There have been active attempts to use diversionary reframing of the Agreement, based on a multi-causal ecosystem theory proposed by fisheries ecologists, to attenuate the risk message and transform the Great Lakes Water Quality Agreement into a more inclusive and less focused agreement on restoring ecosystem integrity. This has been welcomed by industry and governments as a means to remove the focus from addressing the unresolved dangers of persistent toxic substances through costly remedial actions. The International Joint Commission undermined its credibility when it recommended ‘sunsetting’ the use of chlorine in chemical manufacturing. The Parties failed to use a precautionary approach to prevent the commercial introduction of new persistent toxic substances, such as the brominated flame retardants. Since the 1980s, the economic politics of the two nations have been profoundly influenced by neo-liberalism and one of the consequences has been the removal of environmental health as a priority from the respective political agenda. Advisory bodies seem to have been captured not only by the prevailing neo-liberalism but also by corporate interests and these factors seem to underlie the reluctance to report the injury to health from exposures to persistent toxic substances. Though there were many different health endpoints affected by exposures to water pollutants in the Great Lakes, the thesis concentrated on the evidence of neuro-teratogenic effects. The adequacy of the implementation of the Agreement during the past thirty-three years was tested by using Health Canada data on cerebral palsy hospitalisation to evaluate whether there were indications of previously undetected outbreaks of congenital Minamata disease in human populations in Canadian Great Lakes communities potentially exposed to methyl mercury from natural sources or from historic industrial uses of mercury. The uncertainties in the apparent association that was found were reduced by the application of Hill’s guidelines. While these findings indicated both the need for further multi-disciplinary research to locate and diagnose the victims and for a precautionary approach to the consumption of Great Lakes fish, they also indicated that, for more than three decades, health authorities have not diligently implemented the Agreement. The inclusion of the social, economic and political considerations in the forensic audit has revealed the dangers inherent in any renegotiation of the Great Lakes Water Quality Agreement.
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Fletcher, Martin John. "The view from The Waste Land : how Modernist poetry in England survived the Great War". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/149526.

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O poema icônico de T. S. Eliot The Waste Land, publicado em 1922, é indiscutivelmente o texto principal de poesia moderna em inglês. Eliot residia em Londres no momento da sua composição, e embora o poema contenha numerosas citações literárias e culturais, The Waste Land não é considerado como tendo sido influenciado por nenhum dos poetas ingleses que foram contemporâneos de Eliot. Pelo contrário, o poema é tido como um afastamento radical e uma reação contra, a poesia inglesa escrita antes e durante a Primeira Guerra Mundial (1914-1918). Neste artigo, eu argumento que The Waste Land contém ecos da obra dos poetas ingleses Harold Monro e Herbert Read, ambos os quais conheciam Eliot bem. Olhando retrospectivamente a partir de 1922, tendo The Waste Land como meu texto modernista base e ponto de partida crítico, eu conduzo uma reavaliação da cena poética inglesa do período 1910- 1922, a partir dos Georgian Poets do pré-guerra até o aparecimento, no pós-guerra, da obraprima de Eliot. Ambos Monro e Read foram influenciados pelo movimento radical 'Imagism' de Ezra Pound, que formou um elemento central na cena da poesia progressiva de Londres nos anos que antecederam a guerra. Portanto, utilizo ambos The Waste Land e os experimentos 'Imagist' de Pound como modelos de prática modernista através dos quais comparar e contrastar a obra dos Georgian Poets (especificamente Wilfrid Gibson), a poesia produzida durante a Primeira Guerra Mundial, e a obra de Monro e Read. Os princípios orientadores da minha abordagem analítica são dois: em termos de prática poética, eu avalio o trabalho de Eliot e seus contemporâneos, comparando as suas abordagens quanto à forma, a fim de demonstrar como a forma poética não apenas define o conteúdo, mas também revela mudanças nos valores culturais. Em segundo lugar, minha abordagem teórica é baseada nos conceitos mutantes da função estética da poesia, buscando demonstrar como valores estéticos estão historicamente relacionados a, e determinam, a produção e a recepção da poesia, expondo como os experimentos modernistas de Eliot e Pound estão historicamente relacionados com princípios estéticos românticos.
T. S. Eliot’s iconic poem The Waste Land, published in 1922, is indisputably the key Modernist poetry text in English. Eliot was living in London at the time of its composition, and although the poem contains numerous literary references, The Waste Land is not thought to have been influenced by the poetry of Eliot’s English contemporaries. On the contrary, the poem is regarded as a radical departure from, and reaction against, the English poetry being written before and throughout the Great War (1914-1918). In this paper, I argue that The Waste Land contains echoes of the work of English poets Harold Monro and Herbert Read, both of whom knew Eliot well. Looking back retrospectively from 1922, with The Waste Land as my exemplary Modernist text and critical starting point, I carry out a reassessment of the English poetry scene from 1910 to 1922, from the pre-war Georgians to the post-war appearance of Eliot’s masterpiece. Both Monro and Read were influenced by Ezra Pound’s radical ‘Imagism’ movement, which formed a central plank in the progressive London poetry scene in the years leading up to the war. I therefore employ both The Waste Land and Pound’s ‘Imagist’ experiments as models of Modernist practice by which to compare and contrast the work of the Georgians (particularly Wilfrid Gibson), the poetry produced during the Great War, and the work of Monro and Read. The guiding principles of my analytical approach are twofold: firstly, in terms of poetic practice, I evaluate the work of Eliot and his contemporaries by comparing their approaches to form, assessing how poetic technique both defines content and offers insight into shifts in cultural values; secondly, my theoretical approach is based on changing concepts of the aesthetic function of poetry, revealing how aesthetic values are historically relative to, and determine, the production and reception of poetry, ultimately exposing how Eliot and Pound’s Modernist experiments are historically related to Romantic aesthetic principles.
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Tsopotos, Alexandros. "Entre ironie critique et fascination : les États-Unis dans le regard de quelques cinéastes immigrés : Erich von Stroheim, Ernst Lubitsch, Josef von Sternberg, Michael Curtiz, William Dieterle". Paris 1, 2011. http://www.theses.fr/2011PA010618.

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Dans cette thèse de doctorat on étudie la carrière et les films «américains » de cinq cinéastes, d'origine germanique, qui ont immigré aux États-Unis et à Hollywood plus particulièrement pendant les années 20, et qui ont influencé significativement les formes cinématographiques américaines, en portant parallèlement un regard différent, parfois critique et même un-American, sur la société, sur les tabous et sur les codes moraux du pays d'accueil. L'émigration européenne vers les États-Unis est, historiquement, un fait constant. Depuis toujours l'Amérique et Hollywood, depuis sa naissance, ont exercé une grande fascination sur les Européens. Dans le cadre de son désir pour une forme (Kunstwollen), exprimé par une politique offensive de « recrutement » pendant les années 20-30, le cinéma américain a tenté d'attirer les meilleurs réalisateurs, scénaristes et techniciens du cinéma allemand, afin de s'imposer sur le marché européen et affaiblir les cinématographies antagonistes, mais aussi pour y introduire une qualité plus artistique. En examinant les raisons diverses de ce phénomène, ce permanent stream, comme les Américains eux-mêmes le caractérisent, on peut dire qu'il existe plusieurs cinémas de l'exil et de la migration; probablement un pour chaque cinéaste immigrant. Cependant, dans cette étude, on a décidé de limiter le champ d'étude aux œuvres hollywoodiennes de cinq cinéastes: celles d'Erich von Stroheim, d'Ernst Lubitsch, de Josef von Sternberg, de Michael Curtiz et de William Dieterle ; qui représentent cinq différents paradigmes des réalisateurs d'origine germanique, cinq différents cinémas de l'immigration. Autrement dit, on essaie d'examiner leurs visions d'Amérique, à travers l'étude de leurs films les plus personnels, leur imagerie et leurs systèmes de représentation, avant et après leur arrivée aux États-Unis. Il est donc utile d'adopter une perspective historique, sociologique et parallèlement esthétique, pour tenter d'approcher les formes et les thèmes de leurs œuvres.
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Książki na temat "1893-1972"

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Marcianò, Ada Francesca. Hans Scharoun, 1893-1972. Roma: Officina edizioni, 1992.

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Maxime Dumoulin: Compositeur français (1893-1972). Paris: L'Harmattan, 2006.

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C, Kirschenmann Jörg, red. Scharoun, 1893-1972: Outsider of modernism. Köln: Taschen, 2004.

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Syring, Eberhard. Hans Scharoun, 1893-1972: Outsider of modernism. Hong Kong: Taschen, 2007.

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Kirschenmann, Jörg C. Hans Scharoun, 1893-1972: Die Forderung des Unvollendeten. Stuttgart: Deutsche Verlags-Anstalt, 1993.

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Koselj, Stane. Jakob Soklič, 1893-1972: Zbornik ob 25. obletnici Sokličeve smrti. Slovenj Gradec: Župnijski urad svete Elizabete Slovenj Gradec, 1997.

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Suter, Ursula. Hans Schmidt, 1893-1972: Architekt in Basel, Moskau, Berlin-Ost. Zürich: GTA, 1993.

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Harwood, Lucy. Lucy Harwood 1893-1972, Christchurch Mansion, Ipswich, 7th November 1987-24th January 1988. Ipswich: Ipswich Borough Council, 1987.

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Hocking, Patricia. Twice a digger: Leonard Roberts Stillman, MC. ; OBE. barrister, solicitor, soldier, 1893-1972. Richmond, Vic: Spectrum, 1995.

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Thornton, Richard C. Odd man out: Truman, Stalin, Mao, and the origins of the Korean War. Washington, D.C: Brassey's, 2000.

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Części książek na temat "1893-1972"

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der Wissenschaft, Wegbereiter. "Hans Scharoun (1893–1972)". W “The shoulders on which we stand”-Wegbereiter der Wissenschaft, 150–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18916-6_38.

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Ewe, Herbert. "Hellmuth Heyden 1893–1972". W Bedeutende Persönlichkeiten Vorpommerns, 69–74. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-03290-4_10.

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Mukherji, Purabi. "Prasanta Chandra Mahalanobis (1893–1972)". W Notable Modern Indian Mathematicians and Statisticians, 61–72. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6132-8_6.

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Chakravarty, Sukhamoy. "Mahalanobis, Prasanta Chandra (1893–1972)". W The New Palgrave Dictionary of Economics, 1–3. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1215-1.

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Chakravarty, Sukhamoy. "Mahalanobis, Prasanta Chandra (1893–1972)". W The New Palgrave Dictionary of Economics, 1–3. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1215-2.

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Chakravarty, Sukhamoy. "Mahalanobis, Prasanta Chandra (1893–1972)". W The New Palgrave Dictionary of Economics, 8117–19. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1215.

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"Hans Scharoun (1893–1972)". W Key Modern Architects. Bloomsbury visual Arts, 2018. http://dx.doi.org/10.5040/9781474265072.ch-021.

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"SCHAROUN, HANS 1893–1972". W Encyclopedia of 20th-Century Architecture, 426–42. Routledge, 2004. http://dx.doi.org/10.4324/9780203483886-28.

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Johnson, David. "Lineages of Hope and Despair". W Dreaming of Freedom in South Africa, 8–40. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474430210.003.0002.

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Literary and political expressions of the liberal dream of freedom from the 1880s to the 1970s are analysed in the opening chapter. The liberal dream’s lineage in political discourse is analysed in Cecil John Rhodes’s dreams of unifying South Africa in the 1890s; Olive Schreiner’s political journalism from the 1880s to the 1910s; the ANC’s Bill of Rights of 1923; H. Selby Msimang’s pamphlet The Crisis (1936); R. F. A. Hoernlé’s lectures South African Native Policy and the Liberal Spirit (1939); the ANC’s African Claims in South Africa (1943); the ANC’s Freedom Charter (1955); and the Liberal Party’s Blueprint for South Africa (1958). In juxtaposition with these political texts, the following literary texts articulating the liberal dream of freedom are analysed: Olive Schreiner’s Dreams (1890); J. A. D. Smith’s The Great Southern Revolution (1893); Archibald Lamont’s South Africa in Mars (1923); George Heaton Nicholls’s Bayete! (1923); S. E. K. Mqhayi’s U-Don Jadu (1929); Arthur Keppel-Jones’s When Smuts Goes (1947); Alan Paton’s Cry, the Beloved Country (1948); Lewis Sowden’s Tomorrow’s Comet (1951); Garry Allighan’s Verwoerd —The End (1961); Anthony Delius’s The Day Natal Took Off (1963); Karel Schoeman’s The Promised Land (1972); and Jordan Ngubane’s Ushaba: The Hurtle to Blood River (1974).
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