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Artykuły w czasopismach na temat "1879-1940"
Koepsell, Thomas D. "Paul Klee (1879-1940)". Archives of Pediatrics & Adolescent Medicine 162, nr 10 (1.10.2008): 911. http://dx.doi.org/10.1001/archpedi.162.10.911.
Pełny tekst źródłaSzczygielski, Krzysztof. "Franciszek Bossowski (1879–1940). Szkic do biografii". Miscellanea Historico-Iuridica 7 (2009): 71–83. http://dx.doi.org/10.15290/mhi.2009.07.04.
Pełny tekst źródłaTHIERY M. "Raymond Pearl (1879-1940) en de Pearl-index". Tijdschrift voor Geneeskunde 55, nr 6 (1.01.1999): 460–63. http://dx.doi.org/10.2143/tvg.55.6.5000396.
Pełny tekst źródłaLAM, TRUONG XUAN, WANZHI CAI, MASAAKI TOMOKUNI i TADASHI ISHIKAWA. "The assassin bug subfamily Harpactorinae (Hemiptera: Reduviidae) from Vietnam: an annotated checklist of species". Zootaxa 3931, nr 1 (11.03.2015): 101. http://dx.doi.org/10.11646/zootaxa.3931.1.7.
Pełny tekst źródłaBakis, Henry. "Le développement du réseau téléphonique dans l’espace français : 1879-1940". Bulletin d'histoire de l'électricité 7, nr 1 (1986): 67–80. http://dx.doi.org/10.3406/helec.1986.973.
Pełny tekst źródłaSuter, Hans. "Case Report on the Illness of Paul Klee (1879-1940)". Case Reports in Dermatology 6, nr 1 (18.04.2014): 108–13. http://dx.doi.org/10.1159/000360963.
Pełny tekst źródłaSilver, Richard M. "Paul Klee's illness – a series of historical and clinical vignettes". Journal of Scleroderma and Related Disorders 2, nr 3 (7.05.2017): 135–36. http://dx.doi.org/10.5301/jsrd.5000248.
Pełny tekst źródłaBroersma, Marcel. "Journalistiek van de herensociëteit. De Leeuwarder Couranten de stad, 1879-1940". TMG Journal for Media History 4, nr 2 (1.12.2001): 67. http://dx.doi.org/10.18146/tmg.510.
Pełny tekst źródłaBouchard, Chantal. "De la "langue du grand siècle" à la "langue humiliée": les Canadiens français et la langue populaire, 1879-1970". Recherche 29, nr 1 (12.04.2005): 7–21. http://dx.doi.org/10.7202/056335ar.
Pełny tekst źródłaBAI, XING-LONG, i GUO-DONG REN. "Revision of the genus Bioramix Bates, 1879 (Coleoptera: Tenebrionidae: Platyscelidini) from China". Zootaxa 4815, nr 1 (14.07.2020): 1–102. http://dx.doi.org/10.11646/zootaxa.4815.1.1.
Pełny tekst źródłaRozprawy doktorskie na temat "1879-1940"
Chiti, Elena. "Écrire à Alexandrie (1879-1940) : Capital social, appartenances, mémoire". Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3098.
Pełny tekst źródłaThis dissertation is a cultural-history study of the building up of categories of belonging. The spatio-temporal context is the city of Alexandria between the late 19th century and the first third of the 20th. Being a field of confrontation between several cultural and political horizons (ottoman, Arab, European), Alexandria is a privileged field to study the notions of foreigner, Egyptian, ottoman, local, national, cosmopolitan as shifting categories, built-up by actors. In the aim of treating imagery as a historical object, these categories are investigated through a set of literary texts (in Arabic, French, Italian, English) produced by the actors of Alexandrian cultural life. By studying their trajectories, the sociability that emerges (or not) in Alexandrian literary milieus and the criteria on which literary reputations are built up, we can link the individual scale to a societal dimension. In conclusion, to extend the perspective, this dissertation proposes a socio-historical analysis of the survival or disappearance of these literary reputations beyond the space and time firstly considered. Analyzing the milieus in which an author reputation built up in the age of empires survives, or not, through the age of Nation-states, or from the colonial epoch to the age of decolonization, is offering an approach to the field of memory which is not based on nostalgic or ideological positions
Chiti, Elena <1979>. "Écrire à Alexandrie (1879-1940) : capital social, appartenances, mémoire". Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/4650.
Pełny tekst źródłaThis dissertation is a cultural-history study of the building up of categories of belonging. The spatio-temporal context is the city of Alexandria between the late 19th century and the first third of the 20th. Being a field of confrontation between several cultural and political horizons (ottoman, Arab, European), Alexandria is a privileged domain to study the notions of foreigner, Egyptian, ottoman, local, national, cosmopolitan as shifting categories, built-up by actors. In the aim of treating imagery as a historical object, these categories are investigated through a set of literary texts (in Arabic, French, Italian, English) produced by the actors of Alexandrian cultural life. By studying their trajectories, the sociability that emerges (or not) in Alexandrian literary milieus and the criteria on which literary reputations are built up, we can link the individual scale to a societal dimension. In conclusion, to extend the perspective, we propose a socio-historical analysis of the survival or disappearance of these literary reputations beyond the space and time firstly considered. Analyzing the milieus in which an author reputation built up in the age of empires survives, or not, through the age of Nation-states, or from the colonial epoch to the age of decolonization, is offering an approach to the field of memory which is not based on nostalgic or ideological positions.
ANCELET, JOCELYNE. "Un essai psychothanatologique : les dernieres annees de paul klee (1879-1940)". Aix-Marseille 2, 1994. http://www.theses.fr/1994AIX20070.
Pełny tekst źródłaLees, Carol Anne. "Klee and Worringer : elective affinities in an aesthetic partnership". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22365.
Pełny tekst źródłaKouprovskaia-Bruggeman, Ekaterina. "Paul Klee et son influence sur la création musicale contemporaine". Paris 4, 2003. http://www.theses.fr/2002PA040009.
Pełny tekst źródłaPaul Klee was very influenced by music. He has also exerced a strong ascendancy over the composers. Klee's aesthetic and painting are studied from a musicilogical point of view; it allows to detect the categories and elements of the musical views, which contributes to a creation of painting compositions. Klee used the principal of modelling the rules of musical thought, on several levels, like models of theme, motive, quotation; of musical time; of musical forms and models of notation. The convergence Klee/Webern is defined like a parallel experience of two artists who lived at the same time, who never known each other, but which presents a number of aesthetical and technical conformities. The link Klee/Boulez demonstrates the lessons Boulez has drawn through his study of the painting and theoretical views of Klee. Several opus of Edison Denissov translate the direct influence of Klee's work over the composers
Ben-Porat, Orit. "L'abstraction picturale chez Paul Klee : entre formalisme et symbolisme". Paris 8, 2005. http://www.theses.fr/2005PA083670.
Pełny tekst źródłaThe purpose of this research is to clarify the abstract language, white evolving around the work of Paul Paul Klee. This study will also deal with various themes and symbols reappearing in his work whose rich variety is due among other things to his personality and his choice of expressing the unity behind several artistic movements. Another reason for his multiple pictorial expressions lies in his intention to exercise all the components of painting and the diversity of their associations. In doing so, his personal synthesis is fully illustrated by his practice and theory. A true disciple of the modernist spirit of creation, his main idea was to employ while exploring it a new type of pictorial space focusing on the psychological and philosophical levels. By choosing specifically 18 paintings, out aim is to throw light on his approach towards colour, line and symbol (and from in general), and their interaction. This will enable us to show the functioning of the artistic language, playing its role between verbal and visual language. Our purpose is finally, to keep in sight a unique view point white referring to content and innovation, and all the same to obtain a wider scope and new keys for the comprehension of creation as a whole
Rougerie, Florence. "Ecriture et peinture dans l'oeuvre de Paul Klee : aux frontières du visible et du lisible, de la lettre à la trace". Paris, EPHE, 2012. http://www.theses.fr/2012EPHE4002.
Pełny tekst źródłaThe work of Paul Klee (1879-1940), is characterized by its intermediality : together with his artworks, he also wrote autobiographical and poetical pieces of literature, whilst adopting a reflexive approach in both these creative activities. Often regarded as a poet-painter, eventually it’s rather the writer-painter who stands out thanks to his practice of relentlessly inscribing signs on the canvas and turning the picture into a text held to the reader. Indeed, Klee places the letter and the written sign at the very heart of his work, as a graphical and a pictorial means, but also as an element of his theory: in his mind’s eyes, the artwork is synonymous with movement and the trace of a gesture, naturally completed in the reception act. That’s why the indecision between the scriptotial and the pictorial line, between the visible and legible, figuration and abstraction, proves fruitful, as ambivalence of forms is conductive to analysis in a productive and reciprocal determination through the interplay between full and blank figures, the figurative and the grounding, or content and form. The methodical study of this corpus and its evolution in his work aims at defining its theoretical implications in the light of the intermediality between the avant-guarde artists of the time with a view to assigning to both word and image the task of « making visible the invisible », Klee introduces a temporal dimension into the picture, in opposition to Lessing’s hierarchy between arts and their respective realms. Instead of asserting the prevalence of language, Klee supposedly tends to confirm Adorno’s insight according to which art works might be such stuff as they are writings
Barbosa, Severino Antonio M. (Severino Antonio Moreira) 1951. "Utopia da palavra, utopia das linguagens : variações em torno do tema na arte moderna, em Paul Klee e na teoria poetica". [s.n.], 1995. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251728.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-07-20T16:36:07Z (GMT). No. of bitstreams: 1 Barbosa_SeverinoAntonioM.(SeverinoAntonioMoreira)_D.pdf: 12732924 bytes, checksum: 7e9b10b1cd4f94c63de72ff0a40f9c5b (MD5) Previous issue date: 1995
Doutorado
Kang, Young-Jou. "La problématique du signe dans les oeuvres de Paul Klee". Paris 1, 1995. http://www.theses.fr/1995PA010556.
Pełny tekst źródłaPaul Klee did every effort to integrate the conventional signs into the pictorial field and transfom plastic elements into forms-signs throughout all his artistic life. These procedures of integration and transform cause the problems of theory and praxis. In his works, natural objects are raised up to the level of culture, and inversely, cultural signs, absorbed into nature, made up of as un endless circuit. Taking advantage of all signs in every domain and every level and having a careful looking into their possibility of circulation, Klee obtain a great fecundity in his formal and thematic expression. The circulation of signs is equally to be the method of self-limiting against the false infinite freedom of pictorial language. The boundary of pictures and all kinds of appendices (title, signature, date, etc. ) Are respected with a maximal rigorousness and further moved into the impertinence and inversion covertly. In this wxay his works accuse all concepts and elements rooted in the traditional art : illusive space, hierarchy of parts of a field, artists as a creator. Furthemore, Klee make vanished some boundaries inherent to the painting itself and the boundaries between arts
Long-Tarasco, Véronique. "Mécènes des deux mondes : les collectionneurs-donateurs du musée du Louvre et de l'Art Institute Chicago, 1879-1940". Paris 1, 2003. http://www.theses.fr/2003PA010585.
Pełny tekst źródłaKsiążki na temat "1879-1940"
Pirani, Federica. Klee: 1879-1940. Firenze - Italia: Giunti, 2018.
Znajdź pełny tekst źródłaKlee, Paul. Paul Klee, 1879-1940. Saint-Etienne: Musée d'art Moderne, 1988.
Znajdź pełny tekst źródłaPartsch, Susanna. Paul Klee, 1879-1940. Köln: Benedikt Taschen, 1993.
Znajdź pełny tekst źródłaPartsch, Susanna. Paul Klee: 1879-1940. Ko ln: Benedikt Taschen, 1993.
Znajdź pełny tekst źródłaKlee, Paul. Paul Klee 1879-1940. London: Artemis Fine Arts, 1989.
Znajdź pełny tekst źródłaPartsch, Susanna. Paul Klee, 1879-1940. Köln: B. Taschen, 1990.
Znajdź pełny tekst źródłaWigal, Donald. Paul Klee (1879-1940). New York: Parkstone Press International, 2011.
Znajdź pełny tekst źródła1879-1940, Klee Paul, red. Paul Klee, 1879-1940. Köln: Taschen, 2003.
Znajdź pełny tekst źródłaKlee, Paul. Paul Klee 1879-1940. London: Artemis Fine Arts Limited, 1989.
Znajdź pełny tekst źródłaPartsch, Susanna. Paul Klee 1879-1940. Köln: Benedikt Taschen, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "1879-1940"
Day, Richard B. "Trotsky, Lev Davidovitch (1879–1940)". W The New Palgrave Dictionary of Economics, 1–4. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1849-1.
Pełny tekst źródłaDay, Richard B. "Trotsky, Lev Davidovitch (1879–1940)". W The New Palgrave Dictionary of Economics, 1–4. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1849-2.
Pełny tekst źródłaDay, Richard B. "Trotsky, Lev Davidovitch (1879–1940)". W The New Palgrave Dictionary of Economics, 13874–77. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1849.
Pełny tekst źródła"Pearl, Raymond (1879–1940)". W Eponyms and Names in Obstetrics and Gynaecology, 314. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.255.
Pełny tekst źródłaBatou, Jean. "Trotski, Léon (1879-1940)". W Histoire globale des socialismes, 1022–30. Presses Universitaires de France, 2021. http://dx.doi.org/10.3917/puf.keuch.2021.01.1022.
Pełny tekst źródłaLe Blanc, Paul. "Leon Trotsky (1879–1940)". W Routledge Handbook of Marxism and Post-Marxism, 119–26. Routledge, 2020. http://dx.doi.org/10.4324/9781315149608-13.
Pełny tekst źródła"ANDRÉ BRETON (1896–1966) and LEON TROTSKY (1879–1940)". W On Violence, 498–99. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822390169-062.
Pełny tekst źródła"Vladimir Ilyich Lenin (1870–1924) and Lev Davidovich Trotsky (1879–1940)". W Revolutionary Pairs, 49–97. The University Press of Kentucky, 2020. http://dx.doi.org/10.2307/j.ctv10h9dnf.5.
Pełny tekst źródłaBen-Amos, Avner. "The Third Republic: The State Funeral as Civic Festival 1879–1940". W Funerals, Politics, and Memory in Modern France, 1789–1996, 136–62. Oxford University Press, 2000. http://dx.doi.org/10.1093/acprof:oso/9780198203285.003.0006.
Pełny tekst źródłaCeplair, Larry. "Vladimir Ilyich Lenin (1870–1924) and Lev Davidovich Trotsky (1879–1940)". W Revolutionary Pairs, 49–97. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179193.003.0003.
Pełny tekst źródłaStreszczenia konferencji na temat "1879-1940"
Dunaeva, Tamara. "Section of rare and valuable publications of the library named after M. V. Lomonosov, branch of the municipal library “B. P. Hasdeu”". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.12.
Pełny tekst źródłaCeravolo, R. "Condition Assessment, Monitoring and Preservation of Some Iconic Concrete Structures of the 20th Century". W IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0054.
Pełny tekst źródłaVlada, Marin, i Adrian Adascalitei. "ROMANIAN EXPERIENCE IN COURSES DEVELOPMENT. SOCIETY DEVELOPMENT: VISION ON LEARNING - GRIGORE C. MOISIL, 110 YEARS AFTER BIRTH". W eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-264.
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