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Artykuły w czasopismach na temat "1865-1936 – Criticism and interpretation"
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Gherasim, Gabriel C. "American Art Criticism between the Cultural and the Ideological (II)". American, British and Canadian Studies Journal 25, nr 1 (1.12.2015): 20–36. http://dx.doi.org/10.1515/abcsj-2015-0006.
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Abstract For the past 150 years, American art and art criticism have undergone important cultural and ideological transformations that are explanatory both of their historical evolution and of the possibility of being divided into several stages. In my interpretation, art criticism cuts across the historical evolution of art in the United States, according to the following cultural and ideological paradigms: two predominant cultural ideologies of art between 1865-1900 and 1960-1980, respectively; two other aesthetic and formalist ideological shifts in the periods between 1900- 1940 and 1940-1960, respectively, and one last pluralist approach to the arts after 1980. Even if this conceptualisation of art criticism in America might seem risky and oversimplifying, there are conspicuous and undeniable arguments supporting it. In a previous study published by American, British and Canadian Studies, I provided conceptual justifications both for the criteria dividing the cultural and the ideological within the overall assessment of American art by art critics and for the analysis and interpretation of the first two important temporal periods in the field of art criticism, 1865-1900 and 1908-1940. The present study continues by analyzing the cultural and ideological stances of American art criticism after 1940 and argues for certain paradigmatic shifts from one period to another.
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Nizhnikov, Sergei Anatol'evich, i Argen Ishenbekovich Kadyrov. "SIGNIFICANCE OF METAPHYSICS’ CRITICISM IN M. HEIDEGGER'S CREATIVITY". Metafizika, nr 1 (15.12.2020): 38–46. http://dx.doi.org/10.22363/2224-7580-2020-1-38-46.
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Despite various interpretations of Heidegger's philosophy, he is undeniably a deep critic of the metaphysical tradition in European philosophy. His task of overcoming metaphysics once again aroused interest in the fundamental issues of life in the era of the total dominance of private sciences. In the article, the authors explore the concept of metaphysics and its criticism in the work of M. Heidegger, as well as subsequent interpretations, in particular by O. Peggeler (“New Ways with Heidegger”, 1992). Criticism of metaphysics was a necessary condition for overcoming it to build a fundamental ontology. Having experienced the influence of Nietzsche, Heidegger does not remain a Nietzschean, because he considers him the last metaphysician to be overcome. In this regard, Peggeler recognizes Heidegger's main work not as “Being and Time”, but as “Reports to Philosophy” (1936), where he sought to reveal the primary sources of the concept of metaphysics. Heidegger's views regarding the interpretation of the development of metaphysics in different historical eras are specially considered.
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Mumovic, Ana M. "DAM ON THE GREAT RUSSIAN SEA (Contribution to the interpretation of the Review of the History of Serbian Literature by A. N. Pipin)". Folia linguistica et litteraria XII, nr 35 (2021): 117–36. http://dx.doi.org/10.31902/fll.35.2021.6.
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The paper aims is to present and evaluate the Review the History of Serbian Literature A. N. Pipin's as a classical history of Serbian literature that became part of the national culture. The development of the history of literature among Serbs, as an independent discipline and its modest beginnings, can be found in the first decades of the 19th century, in the time of Dositej and Vuk. In its beginnings, the history of literature was a "story" about the literary past of a nation and at its core was - criticism. This main idea as an axiom is a signpost that leads from the history of literature, which has long performed the function of criticism, to the genesis of literary criticism as the youngest branch of literary science and the way it formulated and exercised its functions in conditions when literary history was in a certain measures and history of the people. The Serbs received the first History of Serbian Literature (1865) from the pen of Pavel Jozef Šafarik (1795–1861), a Protestant and German student who served in Novi Sad. The next history of Serbian literature was also written by a foreigner, the Russian Alexander Nikolaevich Pipina (1833–1904). His Review the History of Serbian Literature (1865) has not been fully translated into Serbian. When marking questions from the new Serbian literature, Pipin's approach leads to a synthesis of ideas about cultural and political and national development. Slavery replaced the idea of revival "among Orthodox Serbs who fled to Austria". From that perspective, he views the development of national literature as an important part of culture and identity. Pipin also deals with the issue of national identity and the awakening of the national consciousness of the Slavs in his extensive study "Panslavism in the Past and Present" (1878), in which "the Serbian national question is incorporated into the general critique of Russian official policy and Slavophile orientation in the Balkans during Eastern Europe crisis". In this paper, we value his competence, cultural mission, the gift of the comparator, without which there is no great literary historian, and his practical contribution to classifying Serbian literature and culture in the European context.
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Baits, Abdul. "Respon Masyarakat Muslim Terhadap Keberadaan Umat Kristen di Cikawungading Cipatujah Tasikmalaya Tahun 1996-2019". Historia Madania: Jurnal Ilmu Sejarah 3, nr 1 (27.08.2020): 69–92. http://dx.doi.org/10.15575/hm.v3i1.9396.
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This study aims to explain how the Muslim community responded to the presence of Christians in Cipatujah, as it is known that Christians came to Cipatujah around 1936, namely Javanese people from Salatiga who were brought by the leadership of a Dutch missionary named Tuan A. Van Emmerik. The method used in this research is the historical method by carrying out the stages starting from data collection (heuristics), levers (criticism), interpretation (interpretation) and writing (historiography). Data collection techniques used in this research are text study, observation. and interviews. The results of this study show that there have been ups and downs of relations between Muslims and Christians in Cipatujah. This can be seen from several conflicts that have occurred from the riots in 1996 to the burning of churches and Christian settlements in 2001. Keywords: Response, Muslims, Christians, Cipatujah.
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Futljaev, Nikita S., i Dmitry N. Zhatkin. "Russian Fate of the Poem by Robert Burns «Who is that at my bower-door?..»". Nauchnyi dialog, nr 7 (30.07.2020): 284–98. http://dx.doi.org/10.24224/2227-1295-2020-7-284-298.
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The Russian translation reception of Robert Burns's poem “Who is that at my bower-door?..” (1783) is for the first time considered in the article. It is emphasized that the comic work did not attract the attention of Russian translators until 1862, when the unsatisfactory interpretation of V. D. Kostomarov, deprived of the emotionality of the English original, came out. The results of the analysis of translations of the poem created by M. N. Shelgunov (1879), T. L. Shchepkina-Kupernik (publ. 1936), S. Ya. Marshak (1939), S. Sapozhnikov (publ. 2014), E. D. Feldman (2017), A. V. Krotkov (publ. 2018) are presented. The perception of Burns’ work in Russian literary criticism and literary criticism is comprehended. In particular, numerous reviews and studies are analyzed (A. T. Twardowski, K. I. Chukovsky, E. G. Etkind, T. B. Liokumovich, R. Ya. Wright-Kovaleva, A. Bobyleva), caused by S. Ya. Marshak translation, who, despite all his liberties, preserved the atmosphere of a lively conversation between two people, and emphasized their intonational, emotional and gender differences. It is noted that, having entered into a polemic with S. Ya. Marshak, who made Burns unnecessarily classic and stylistically “smooth”, modern translators created interpretations in the spirit of courteous poetry, largely devoid of the aesthetics of the original, its unique melody.
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Lyubinin, Alexander. "From the history of the soviet political economy of socialism: «the Stalin trap»". Russian Economic Journal, nr 2 (8.06.2021): 91–123. http://dx.doi.org/10.33983/0130-9757-2021-2-91-123.
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The article is devoted to the influence on the evolution of the Soviet political economy of the statement of I.V. Stalin, which appeared in 1936, about the implementation in the USSR of «basically the first phase of communism-socialism». This formulation became canonical and was not questioned throughout the Soviet period. Reacting to the apparent inconsistencies of socio-economic practice with classical Marxist ideas about socialism, some political economists went out of criticism of Marxism, leaning towards essentially non-Marxist interpretations of socialism in general and Soviet socialism in particular. Other scholars have sought ways to reconcile Soviet reality with the Marxist classics by improving the former, while remaining convinced that the USSR is a completely socialist country.
Why did this Stalinist formula appear and was sincerely accepted, including for theoretical reasons, by the scientific community? In what historical and methodological plane could the problem of a completely Marxist interpretation of Soviet socialism be adequately resolved? The answers to these questions are offered by the author of the article.
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Bobiec, Andrzej. "What is the use of the research carried out on the permanent plots in the Białowieża National Park?" Forest Research Papers 77, nr 4 (1.12.2016): 296–301. http://dx.doi.org/10.1515/frp-2016-0031.
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Abstract The purpose of the strictly protected area of the Białowieża National Park (BNP) established in early 1900s, was to protect a compact block of the Białowieża forest from any direct human influence and activity. Its founders considered it a ‘laboratory of nature’ In 1936, five rectangular plots with a total area of 15.5 ha (ca. 0.3% of the BNP) were set up for regular monitoring of stand development with regards to the initial state and variability of soil conditions. During the first 76 years of the project, a steady increase in the proportion of hornbeam and lime tree at the expense of shade-intolerant species was observed. This trend has been interpreted by the researchers involved in the monitoring of the permanent BNP plots to constitute a biodiversitythreatening development caused by preservation efforts. Such an interpretation has been widely incorporated in the public debate by political authorities and the forestry sector. In this critical article I challenge the major arguments presented by the key expert in silviculture, Prof. B. Brzeziecki. My criticism is directed at the methodological approach as well as at the data interpretation.
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Vasic, Aleksandar. "Literature on music in the Southslavic Choral Union Herald (1935-1938)". Muzikologija, nr 21 (2016): 185–200. http://dx.doi.org/10.2298/muz1621185v.
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During 1935, 1936. and 1938, in Belgrade was published a monthly magazine The Southslavic Choral Union Herald [Vesnik Juznoslovenskog pevackog saveza]. Three years represent 16 issues or 119 articles, or 216 pages. The first editor was Milenko Zivkovic (1901-1964), a Serbian composer of the younger generation, the chief secretary of the Southslavic Choral Union. The magazine was conceived as a newsletter. Choral societies, members of the South Slavic Choral Association, were given the opportunity to stay informed about the work of the Union and the activities of choral societies throughout the Kingdom of Yugoslavia. Therefore, Herald published numerous news, informative articles, speeches and obituaries. However, the Herald got physiognomy of a music magazine thanks to essays on the significant figures of Serbian music (Davorin Jenko, Stevan Mokranjac), texts about the problems of choral technique and interpretation, critical reviews of sheet music, and musical criticism. These texts were written by the leading Serbian musicians of the time: Milenko Zivkovic, Branko Dragutinovic, Petar Krstic, Mihailo Vukdragovic, Miloje Milojevic and Richard Schwartz. The Herald represented the ideology of integral Yugoslavism. The assassination of Yugoslav king Alexander Karadjordjevic during his visit to Marseilles in 1934 strongly affected the Kingdom of Yugoslavia, which has long been in the political crisis. However, the Herald and the Southslavic Choral Union have remained faithful to the ideology of Yugoslavism and to King Alexander as its symbol.
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Hellmers, Ryan. "Heidegger’s Encounter with Schelling". Heidegger Circle Proceedings 42 (2008): 23–34. http://dx.doi.org/10.5840/heideggercircle2008423.
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I provide a close analysis of truth and freedom in Heidegger’s work of the Contributions to Philosophy (Beiträge zur Philosophie). The work of Friedrich Wilhelm Joseph von Schelling is shown to play a decisive role in this key text of Heidegger’s, leading him to an understanding of the self in terms of freedom, community, culture, and history that carries important implications for political philosophy In attempting to uncover a thoughtful and elucidating interpretation of the Beiträge zur Philosophie, one of the most promising portions of Heidegger’s canon to which one can turn for assistance in developing a reading is to the lecture courses of the surrounding period as they provide strong indications of Heidegger’s textual sources of the time, and one of the most often overlooked sources for studying the Beiträge is Heidegger’s 1936 lecture, Schelling’s Treatise on the Essence of Human Freedom..2 William J. Richardson’s work has familiarly encouraged us to think of Heidegger’s thought in two markedly differing periods separated by a turn, a helpful and insightful approach to which Heidegger studies remains indebted, though this story will not entirely be my own preferred take on Heidegger’s work in the present project. These investigations are nonetheless indebted to Richardson in arguing that one can arrive at a better understanding of the relationship between the early and the late material such as to elucidate the Beiträge by drawing on his finding of a Kantian thematic in the early work, an interpretive move which is also well backed by Reiner Schürmann’s work.3 My proposal in this project is that bearing this in mind, the late Heideggerian corpus, particularly the Beiträge, can be understood through the lens of German Idealism and its relationship to a criticism of Kantian thought. By problematizing certain key elements of Heidegger’s late thought that are drawn from F. W. J. Schelling and establishing a hermeneutic between these concepts and Schelling’s writings, I will use a reading of Schelling to help us begin to understand the Beiträge as a somewhat fractured continuation and completion of the study of being that was earlier carried out primarily through an analytic of Dasein. Heidegger imports crucial concepts from Idealism and applies his method of destructive philosophical appropriation to develop his own notions of the history of being, the event of appropriation, and community, revolving around what I argue is a very original appropriation of Schellingian concepts of freedom, ground, and jointure in the Beiträge.
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MUELLER, IAN. "PHYSICS AND ASTRONOMY: ARISTOTLE'S PHYSICS II.2.193b22–194a12". Arabic Sciences and Philosophy 16, nr 2 (10.08.2006): 175–206. http://dx.doi.org/10.1017/s0957423906000300.
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In the first part of chapter 2 of book II of the Physics Aristotle addresses the issue of the difference between mathematics and physics. In the course of his discussion he says some things about astronomy and the ‘ ‘ more physical branches of mathematics”. In this paper I discuss historical issues concerning the text, translation, and interpretation of the passage, focusing on two cruxes, ( I ) the first reference to astronomy at 193b25–26 and ( II ) the reference to the more physical branches at 194a7–8. In section I, I criticize Ross’s interpretation of the passage and point out that his alteration of ( I ) has no warrant in the Greek manuscripts. In the next three sections I treat three other interpretations, all of which depart from Ross's: in section II that of Simplicius, which I commend; in section III that of Thomas Aquinas, which is importantly influenced by a mistranslation of ( II ), and in section IV that of Ibn Rushd, which is based on an Arabic text corresponding to that printed by Ross. In the concluding section of the paper I describe the modern history of the Greek text of our passage and translations of it from the early twelfth century until the appearance of Ross's text in 1936.
Rozprawy doktorskie na temat "1865-1936 – Criticism and interpretation"
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Estus, Steven Clark. "Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle"". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2343.
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These stories are representative of an idea that is repeatedly expressed both in the concrete details of Kipling's stories and in the way he uses language. It is possible to see that Kipling, the archetypical man of the empire, may not always have been the empire's man in his work; and causes for that may be found in the alluring, very non-English place he lived in for several years of his youth: India.
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Millard, Michèle. "An analysis of the critical discourse on the work of Eva Hesse /". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61138.
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This thesis is an analytical study of the various critical approaches taken to the work of Eva Hesse and their underlying methodologies and theoretical assumptions. Its purpose is to determine in a general way how and why the nature of criticism has changed from positions strongly influenced by Modernism as defined by Clement Greenberg to those that involved a separation of criticism from consideration of artworks as individual phenomena.For the most part, Chapter One concerns critics' Modernist analyses of Hesse's relationship to Minimalism and their progression towards a criticism based on non-formalist, non-hierarchical theories of style. There is also a short discussion on the linkage created between Hesse's art and specific psychological traumas in her life. Included as well is an explanation of the changing conception of originality and the critic's dilemma in confronting private content through the strictures of public dialogue.
Chapter Two investigates critical discussions of experience, how art was apprehended and how meaning was transmitted.
Chapter III involves a feminist debate on the issues of gender. The content of Hesse's work was analyzed in psycho-biographical terms and within the framework of her identity as a female artist in western culture.
And finally, the thesis concludes by pointing out the evolution of criticism into a distinct, independent discipline whereby the critic articulates the theoretical contexts in which the artwork exists, but then extends in into a broader cultural setting where the critic analyzes the significance of such positions taken, its relationship to the past and future implications.
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Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman". Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.
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This thesis is a study of rebellious child protagonists in Victorian bildungsroman. It discusses five novels ??? Jane Eyre, The Mill on the Floss, What Maisie Knew, Vanity Fair and Kim ??? that feature ???radical child??? protagonists who use indirect methods of narrative control to resist conservative models of character development. It argues that these novels form a subset of subversive English bildungsromane, which threaten the genre???s traditionally liberal values. Theories of narrative desire, reader seduction and discursive manipulation are used to reveal how the radical child in the Victorian bildungsroman takes command of the reader???s sympathy and gains power over the realist text, despite its physical and social powerlessness. Especially important is the presence of a fantasy counterplot, which coexists with, and ultimately undermines, the bildungsroman???s realistic surface narrative of successful socialisation. The counterplot allows radical child protagonists to develop in a non-linear manner that contradicts bourgeois ideals of stable progress. Focusing instead on sites of rupture between the individual and society, subversive bildungsromane resist both the dialectical model of character, which aims to harmoniously unite the protagonist with the realist world, and the dialogic model of interaction, which requires the restriction of personal liberty for the common good. This rebellious child in the Victorian bildungsroman thus represents an assault on the genre???s democratic ideals. Rejecting compromise, the radical child replaces the bildungsroman???s central ethic of interpersonal responsibility with an individualistic ethic of domination. Indeed, the thesis argues that the appeal of such child protagonistslies in their rejection of the obligatory, but anticlimactic, exchange of freedom for security that underpins the realist bildungsroman???s social contract, a rejection attractive to the reader precisely because it is unrealisable in reality. Finally, the thesis compares this radical child with the Gothic monster. While the monster is punished for its subversion, the radical child???s counterplot enables it to enact most of its subversive desires unpunished. The conservative English bildungsroman thus becomes a more effective way of representing asocial energies than the more obviously radical Gothic genre, which openly displays its anti-democratic sentiments.
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Remington, Rachel. "Personal identity in the novels of Max Frisch and Luigi Pirandello". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30208.
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This MA thesis is a comparative study of the novels of Luigi Pirandello (Agrigento 1867--Rome 1936) and Max Frisch (Zurich 1911--1991). Six texts are discussed: Pirandello's Il fu Mattia Pascal (1904), Quaderni di Serafino Gubbio operatore (1915), and Uno, nessuno e centomila (1925--6); and Frisch's Stiller (1954), Homo faber (1957), and Mein Name sei Gantenbein (1964). The comparison highlights the great similarities between Pirandello's and Frisch's treatment of the theme of identity as well as some important (and mainly structural) differences in their novelistic works. The analysis of the three pairs of novels shows the developments in narrative structure and the characteristic change of attitude towards the question of identity construction that took place from early-modernism to postmodernism.
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Stratford, Madeleine. "Entre les mots et les silences : la crise créative (et existentielle) dans la dernière phase de la poésie de Ingeborg Bachmann et de Alejandra Pizarnik". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19611.
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This master's thesis seeks to establish a comparison between the lyrical work of the Austrian Ingeborg Bachmann (1926-1973) and the Argentinean Alejandra Pizarnik (1936-1972). First, we draw from the similarities in the lives of both authors. Then, the survey of secondary literature shows that the two writers were the «black sheep» of their literary generation. Finally, our analysis focuses on the last phase of their lyrical production (1963-1966 for Bachmann; 1970-1972 for Pizarnik), most especially on two poems which are considered by the critics to be their «farewell» to poetry : «Keine Delikatessen» [No delicacies] by Bachmann (1963) and «En esta noche, en este mundo» [In this night, in this world] by Pizarnik (1971). We demonstrate that both poets show the same distrust of their medium, language, accompanied by a particular concern for silence, which appears in their respective poems both thematically and formally.
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Eve, Vivian Jeanette. "An "unobtrusive art" : Elizabeth Gaskell's use of place in Ruth, North and South, and Wives and Daughters". Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1001824.
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The purpose of this study is to show how Elizabeth Gaskell creates a sense of place and why place is important in her novels. Gaskell's life and works indicate an interest in place and an ability to recreate it, but, although most critics mention her descriptive powers, few examine how a sense of place is achieved. Indeed, setting as a tool of analysis has received critical attention only fairly recently. Here the term 'place' has been chosen because it embraces the social, physical, and personal aspects of setting as well as the objects with which spaces are furnished, and for the purpose of discussing its significance a model of the novel has been devised which shows the interrelationships of character, action, setting, language, and ideas, as well as the influence of context (Introduction). Gaskell creates a sense of place in many unobtrusive ways, but particularly important are point of view, windows as vantage points, the connection of place with memory, and similarities in perception between scenes in the novels and fashions in painting (Chapter One). An analysis of Ruth illustrates the interrelationship of character and place. Ruth's journey mirrors her spiritual development, and character is often revealed through response to environment or the displacement of emotions onto it, while place is also used to signify innocence and to emphasize the plea for understanding of the unmarried mother and her child (Chapter Two). Places in North and South represent important aspects of newly industrialized Britain, and are significant to the novel's vision of a coherent society; an examination of how apparently irreconcilable communities are shown to be mutually dependent underlines the importance of place to the novel's ideas (Chapter Three). Wives and Daughters has a complicated plot based on a number of parallel, interlocking stories each centred on a home in the neighbourhood of Hollingford. How event, story, and plot are connected to these places shows their relationship with action (Chapter Four). Thus is an appreciation of Gaskell's literary achievement enhanced, and place shown to be a significant element in her novels.
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Zhang, Zhaoyi. "Lu Xun : the Chinese "Gentle" Nietzsche = Lu Xun : Zhongguo "wen he" de Nicai". Frankfurt ; New York : Peter Lang, 2001. http://www.loc.gov/catdir/toc/fy02/2001038644.html.
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Findlay, Isobel. "Reading for reform : history, theology, and interpretation and the work of Elizabeth Gaskell and Charles Kingsley". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29935.pdf.
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Quarrie, Cynthia. "Laminations : nostalgia and the undifferentiated narrator in three novels by A.S.Byatt". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79805.
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This study focuses on the first three historiographic novels in a projected quartet---The Virgin in the Garden, Still Life, and Babel Tower---which historicises what we now refer to as the "crises in representation" that occurred over the late 50s and into the 60s. I trace the figure of the Undifferentiated Narrator, both as it is referred to and read by the characters in the world of the novels, and as it is invoked or broken up by the forms of the narratives themselves.My methodology is outlined in the first section, wherein I place a reading of Byatt's work within the context of contemporary debate regarding the ethics of representation. Then I treat each novel separately, since each is a self-contained novelistic experiment with a different form of literary realism.
In the end I conclude that Byatt's use of polyvocality and multiple histories help us to come to terms with nostalgia for the self-present self, by showing us that it haunts every narrative (and anti-narrative) and is a coercive figure in every life.
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Pearce, Margaret. "A.S. Byatt : writing feminist issues". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26302.
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A. S. Byatt attempts to recover lost voices in Possession and Angels and Insects (a collection of two novellas) by examining the limiting roles of women in literature and society. Chapter one examines Possession in which the characters search for their connections to the literary past, ultimately locating them through a lesser-known, female, Victorian poet. In chapter two I consider "Morpho Eugenia," the first novella in Angels and Insects. Byatt illustrates how the male gaze names women and defines their roles. In the second novella, "The Conjugial Angel," analyzed in chapter three, Byatt (re)tells Emily Jesse's story, one formerly appropriated by Alfred Tennyson in In Memoriam. I conclude that Byatt attempts to relocate her heroines from the margins to the center by deconstructing hierarchical patterns of storytelling. Rather than replacing male-monopolized narratives with female ones, Byatt undermines the dominating viewpoint by demonstrating the way in which it obscures all other perspectives.
Książki na temat "1865-1936 – Criticism and interpretation"
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Guerri, Pietro. Pietro Guerri: 1865-1936. Montevarchi [Italy]: Comune di Montevarchi, Biblioteca comunale, 1991.
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Mishchenko, Mikhail. Prinoshenie Glazunovu: K 140-letii︠u︡ so dni︠a︡ rozhdenii︠a︡ Aleksandra Konstantinovicha Glazunova (1865-1936) : ocherki. Sankt-Peterburg: Kulʹt-inform-press, 2006.
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Gustave Kahn, 1859-1936. Paris: Classiques Garnier, 2009.
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Gresset, Michel. Fascination: Faulkner's fiction, 1919-1936. Durham [N.C.]: Duke University Press, 1989.
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Alekseĭ I︠A︡vlenskiĭ: 1865-1941. Moskva: Iskusstvo--XXI vek, 2012.
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Über Anton Bruckner: Gesammelte Aufsätze, 1936-1984. Wien: Musikwissenschaftlicher Verlag, 1985.
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North, Percy. Bernhard Gutmann: An American impressionist, 1869-1936. New York: Abbeville Press, 1995.
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José Bergamín: A critical introduction, 1920-1936. Toronto: University of Toronto Press, 1986.
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Loureiro, Romeu de Mello. Redescobrindo Rosalvo Ribeiro (1865-1915). [Maceió, Brazil]: SECULT-AL, 1998.
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Musée des beaux-arts de Montréal., red. James Wilson Morrice, 1865-1924. [Montreal, Quebec, Canada]: Montreal Museum of Fine Arts, 1985.
Znajdź pełny tekst źródłaCzęści książek na temat "1865-1936 – Criticism and interpretation"
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Epstein, Katherine C. "A Useful Category of Analysis?" W Rethinking American Grand Strategy, 123–42. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190695668.003.0007.
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This chapter examines the transformation of US foreign relations in the period from 1865 to 1918. Some historians have explicitly analyzed this transformation in terms of “grand strategy.” Others who have not used the concept as an analytical tool have nevertheless offered interpretations that can be easily assimilated by the concept's enthusiasts and, if so desired, given a different ideological edge. Whether the emergence of the United States as a great power is to be welcomed or lamented, both celebrants and critics can agree that it happened, and that it happened largely as a result of the deliberate peacetime melding of industrial and naval power. Although the concept of grand strategy cannot be blamed for creating the problems with the existing literature on US foreign relations from the Civil War through World War I, it tends to worsen them, in two related ways. First, the concept of grand strategy privileges the nation-state as the unit of analysis, when no less important units in this case are the sub-national and the global. Second, the “grandness” of grand strategy encourages scholars to neglect critically important details of US economic and naval power. These details are more than isolated anomalies: taken together, they compel a new explanatory paradigm.