Gotowa bibliografia na temat „1840-1928 Criticism and interpretation”
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Artykuły w czasopismach na temat "1840-1928 Criticism and interpretation"
Hodgson, Peter C. "Hegel’s Interpretation of Determinate Religion". Owl of Minerva 52, nr 1 (2021): 5–9. http://dx.doi.org/10.5840/owl202152733.
Pełny tekst źródłaSopianna, Pian, Muhammad Noer Faturrachman i Mardani Mardani. "Peran Peter William Hofland dalam Mengelola Tanah Partikelir Pamanoekan en Tjiasem Landen Subang Tahun 1802-1874". Historia Madania: Jurnal Ilmu Sejarah 4, nr 1 (30.07.2020): 61–72. http://dx.doi.org/10.15575/hm.v4i1.9186.
Pełny tekst źródłaVasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)". Muzikologija, nr 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.
Pełny tekst źródłaAr Razy, Mohammad Refi Omar. "The Sekar Rukun Association: Struggle of the Sundanese Youth National Movement Era (1919-1931)". Historia: Jurnal Pendidik dan Peneliti Sejarah 4, nr 2 (7.06.2021): 159–72. http://dx.doi.org/10.17509/historia.v4i2.32045.
Pełny tekst źródłaAvram, Virtop Sorin. "Philosophy and education: The predicament of Ion Petrovici (1882–1972) work at Romania’s centennial (1918–2018)". New Trends and Issues Proceedings on Humanities and Social Sciences 6, nr 1 (10.05.2019): 286–95. http://dx.doi.org/10.18844/prosoc.v6i1.4180.
Pełny tekst źródłaBabak, Galina. "AHAPII SHAMRAI IN SEARCH OF SYNTHETIC THEORY OF LITERATURE: 1920s". Слово і Час, nr 3 (20.06.2022): 28–44. http://dx.doi.org/10.33608/0236-1477.2022.03.28-44.
Pełny tekst źródłaAvram, Virtop Sorin. "An educational perspective on the philosophy of Petre Paul Negulescu (1872–1951) at the Romania Centennial’s (1918–2018)". New Trends and Issues Proceedings on Humanities and Social Sciences 5, nr 1 (8.05.2018): 57–67. http://dx.doi.org/10.18844/prosoc.v5i1.3383.
Pełny tekst źródłaJodi, Jergian, i Badrun Badrun. "Eksistensi Kawasan Pecinan dalam Bentuk Pemenuhan Tata Ruang Kota Jember, 1930-1970". Local History & Heritage 2, nr 1 (23.05.2022): 38–44. http://dx.doi.org/10.57251/lhh.v2i1.330.
Pełny tekst źródłaPulkkinen, Veijo. "Muutokset Aaro Hellaakosken"Vieras"-runon ulkoasussa". AVAIN - Kirjallisuudentutkimuksen aikakauslehti, nr 2 (1.07.2016): 5–23. http://dx.doi.org/10.30665/av.66034.
Pełny tekst źródłaАксенова, А., i A. Aksenova. "TO THE ISSUE OF THE APPLICATIVITY OF UNDERSTANDING: THE CONTROVERSY BETWEEN E. BETTI AND H. G. GADAMER". Bulletin of Kemerovo State University. Series: Humanities and Social Sciences 2017, nr 2 (25.06.2017): 61–64. http://dx.doi.org/10.21603/2542-1840-2017-2-61-64.
Pełny tekst źródłaRozprawy doktorskie na temat "1840-1928 Criticism and interpretation"
Tiefer, Hillary Ann. "The natural and the cultivated in the novels of Thomas Hardy". Thesis, University of Wales Trinity Saint David, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683149.
Pełny tekst źródłaCanton, Licia 1963. "The fate of the fallen woman in George Eliot and Thomas Hardy /". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65544.
Pełny tekst źródłaHe, Donghui. "Reconstructions of the rural homeland in novels by Thomas Hardy, Shen Congwen and Mo Yan". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ48645.pdf.
Pełny tekst źródłaRobitaille, Hélène. "La figure du chansonnier : résurgence du sujet, et, Marie-la-putain". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0025/MQ50563.pdf.
Pełny tekst źródłaToledano, Dorith. "L'écriture et le silence chez Elie Wiesel". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69677.
Pełny tekst źródłaElie Wiesel is not the first to confront such a dilemma. Throughout Jewish history, tragedies and catastrophes have forced Jewish writers to face the issue. Many literary schools have emerged, particularly in the "modern period" (1850-1945), which have dealt with the question of how to best respond to the tragedy. It is therefore fitting to try and consider Elie Wiesel's works in light of these various literary currents.
However, the Holocaust is not just another tragedy, not even another catastrophe. The event has no precedent; it is unique; it represents the ultimate evil. How to come to terms with it? What is the way between the powerlessness of language and the impossibility of silence? Elie Wiesel must find the delicate art of making silence be heard beyond the noise of words. He will suggest rather than tell the event. He will maintain a distance to protect the secret of the victims in front of the horror. Survivors who share the secret, express themselves with a code, which is not transmissible. Language has been devalued and words have lost their meaning. But to remain silent might also be a form of treason.
From Night, his first book, and throughout all his works, Wiesel assiduously develops his way of bearing witness in the name of the victims. He rejects the silence which would be synonymous with passive acceptance. He identifies with Job and demands account from God for His absence and His silence, while evil was committed. He distrusts language but must find the way to translate the uniqueness of the Holocaust. He finds his inspiration in the tales and legends of the literature of the Bible, the Talmud and the Hassidism. He evokes, suggests and tells while trying to respect the blanks between the words. In language and in silence, Wiesel developed a certain art of suggesting for what cannot be told otherwise.
Marusza, Julie A. "The transforming art of Anne Sexton /". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69619.
Pełny tekst źródłaWaterkeyn, Linda Catherine. "Idolatry and the artist's role with special reference to the work and thought of Andy Warhol". Thesis, Rhodes University, 1997. http://hdl.handle.net/10962/d1002221.
Pełny tekst źródłaMoon, Geoffrey. "The inner musical workings of Robert Schumann, 1828-1840 : in two volumes". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm817.pdf.
Pełny tekst źródłaMatambo, Lotta Eleonoora. "The solo piano music of Einojuhani Rautavaara". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002311.
Pełny tekst źródłaMutafchieva, Rositsa. "Minoritarian discourse in Japan : Kobayashi Aya's account of Burakumin experience". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19715.
Pełny tekst źródłaKsiążki na temat "1840-1928 Criticism and interpretation"
Wotton, George. Thomas Hardy, towards a materialist criticism. [Goldenbridge, Dublin]: Gill and Macmillan, 1985.
Znajdź pełny tekst źródłaPinion, F. B. Hardy the writer: Surveys and assessments. Houndmills, Basingstoke, Hampshire: Macmillan, 1990.
Znajdź pełny tekst źródłaPinion, F. B. Hardy the writer. New York: St. Martin's Press, 1990.
Znajdź pełny tekst źródłaNeill, Edward. Trial by ordeal: Thomas Hardy and the critics. Columbia, SC: Camden House, 1999.
Znajdź pełny tekst źródła1948-, Clarke Graham, red. Thomas Hardy: Critical assessments. Mountfield, E. Sussex: Helm Information, 1993.
Znajdź pełny tekst źródłaIngham, Patricia. Thomas Hardy. Oxford: Oxford University Press, 2009.
Znajdź pełny tekst źródłaJoe, Fisher. The hidden Hardy. New York: St. Martin's Press, 1992.
Znajdź pełny tekst źródłaWolfreys, Julian. Thomas Hardy. New York: Palgrave Macmillan, 2009.
Znajdź pełny tekst źródłaAub, Max. Geografía: Prehistoria, 1928. Segorbe [Spain]: Archivo Biblioteca Max Aub, 1996.
Znajdź pełny tekst źródłaTrevor, Johnson. A critical introduction to the poems of Thomas Hardy. New York: St. Martin's Press, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "1840-1928 Criticism and interpretation"
Mozharova, Marina A. "Textual Criticism of L.N. Tolstoy’s Unfinished Works of 1860–1870s". W L.N. Tolstoy: Moral Search and Creative Laboratory, 184–208. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lt-978-5-9208-0664-2-184-208.
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