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Artykuły w czasopismach na temat "1819-1880"
عباس هلال فرهود. "رؤية جورج إليوت الأخلاقية في سيلاس مارنر". Journal of the College of Basic Education 15, nr 60 (13.12.2022): 1–8. http://dx.doi.org/10.35950/cbej.v13i60.6975.
Pełny tekst źródłaŽigon, Tanja. "Matej Cigale (1819–1889) als Übersetzer von Schulbüchern". Acta Neophilologica 53, nr 1-2 (26.11.2020): 167–82. http://dx.doi.org/10.4312/an.53.1-2.167-182.
Pełny tekst źródłaHunting, Penelope. "George Eliot née Mary Anne Evans (1819–1880): In sickness and in health". Journal of Medical Biography 27, nr 4 (16.04.2019): 242–43. http://dx.doi.org/10.1177/0967772019842435.
Pełny tekst źródłaZapata Villegas, Víctor Vladimir, i Arley Fabio Ossa Montoya. "Nociones y conceptos de "escuela" en Colombia, en la sociedad republicana (1819-1880)". Revista Iberoamericana de Educación 45 (1.09.2007): 177–90. http://dx.doi.org/10.35362/rie450733.
Pełny tekst źródłaKorasaki, Vanesca, Fernando Z. Vaz-de-Mello, Rodrigo F. Braga, Ronald Zanetti i Julio Louzada. "Taxocenose de Scarabaeinae (Coleoptera: Scarabaeidae) em Benjamin Constant, AM". Acta Amazonica 42, nr 3 (wrzesień 2012): 423–32. http://dx.doi.org/10.1590/s0044-59672012000300015.
Pełny tekst źródłaRATCLIFFE, BRETT C. "Lectotype designations in the New World Gymnetini (Coleoptera: Scarabaeidae: Cetoniinae)". Zootaxa 729, nr 1 (18.11.2004): 1. http://dx.doi.org/10.11646/zootaxa.729.1.1.
Pełny tekst źródłaSoofastaei, Elaheh, i Sayyed Ali Mirenayat. "Character Analysis of Maggie in George Eliot’s The Mill on the Floss". International Letters of Social and Humanistic Sciences 54 (czerwiec 2015): 72–76. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.72.
Pełny tekst źródłaPereira, Paulo Henrique Rodrigues, i Caio Henrique Dias Duarte. "A BIBLIOTECA PESSOAL DO VISCONDE DO RIO BRANCO". PontodeAcesso 16, nr 3 (29.12.2022): 467–82. http://dx.doi.org/10.9771/rpa.v16i3.52320.
Pełny tekst źródłaSHAVRIN, ALEXEY V. "Two new species and faunistic records of the genus Mannerheimia Mäklin, 1880 from India, Nepal and China, and additional notes on some eastern Palaearctic species of Omaliinae Macleay, 1825 (Coleoptera: Staphylinidae)". Zootaxa 5319, nr 4 (27.07.2023): 524–36. http://dx.doi.org/10.11646/zootaxa.5319.4.3.
Pełny tekst źródłaÖğünç, Ömer. "BETTING, SELF-TRANSFORMATION AND SINFUL RESPECTABILITY: PARADOXICAL RELIGIOUSNESS IN SILAS MARNER". Karadeniz Uluslararası Bilimsel Dergi, nr 62 (25.05.2024): 1–14. http://dx.doi.org/10.17498/kdeniz.1472790.
Pełny tekst źródłaRozprawy doktorskie na temat "1819-1880"
Law-Viljoen, Bronwyn. "A hermeneutical study of the Midrashic influences of biblical literature on the narrative modes, aesthetics, and ethical concerns in the novels of George Eliot". Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1002279.
Pełny tekst źródłaFontes, Janaina Gomes. "George Eliot : a maternidade ressignificada". reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/15531.
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O presente trabalho objetiva analisar o tema da maternidade nos romances da escritora inglesa do século XIX Mary Ann Evans, que publicou sua obra sob o pseudônimo de George Eliot. Embora a maternidade seja um tema constante em sua produção ficcional, ela não tem sido suficientemente explorada nos inúmeros estudos críticos que identifiquei sobre a obra da escritora. O foco desses estudos quase nunca se volta para suas personagens femininas, para suas experiências, apesar de os romances de Eliot nos apresentarem uma rica variedade de mulheres de diversas classes sociais da sociedade vitoriana, com diferentes e complexas experiências, inclusive a da maternidade. Eliot, que optou por não ter filhos, retrata mães em diversas situações, apresentando desde aquelas mulheres que exercem o papel de mães tradicionais, até mulheres que se tornam transgressoras dos valores da época e desafiam esse papel. Objetivo analisar a representação da maternidade em seus sete romances – Adam Bede (1859), Silas Marner (1860), The Mill on the Floss (1861), Romola (1863), Felix Holt, The Radical (1866), Middlemarch (1874) e Daniel Deronda (1876) – desenvolvendo novas leituras de sua produção ficcional, a partir da perspectiva dos estudos feministas e de gênero. Com esse estudo, espero contribuir para novas perspectivas sobre esse tema e para a problematização e desconstrução de valores e mitos patriarcais. ______________________________________________________________________________ ABSTRACT
The present work aims to analyze the theme of motherhood in the novels of the 19th century English writer Mary Ann Evans, who published her writings under the pseudonym George Eliot. Although motherhood is a recurrent theme in her fictional production, it has not been sufficiently explored in the innumerable critical studies I identified about her work. The focus almost never is on her female characters, on their experiences, though Eliot’s novels present a rich variety of women of diverse social classes of Victorian society, with different and complex experiences, including motherhood. Eliot, who opted against having children, portrays mothers in different situations, presenting those women who perform the role of traditional mothers and women who become transgressors of the values of the epoch and defy this role. I intend to analyze the representation of motherhood in her seven novels – Adam Bede (1859), Silas Marner (1860), The Mill on the Floss (1861), Romola (1863), Felix Holt, The Radical (1866), Middlemarch (1874) e Daniel Deronda (1876) – developing new readings of her fictional production, from the perspective of the feminist and gender studies. With this study I hope to contribute to new perspectives of this theme and to the problematization and deconstruction of patriarchal values and myths.
Koo, Seung-Pon. "The Politics of Sympathy: Secularity, Alterity, and Subjectivity in George Eliot's Novels". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12145/.
Pełny tekst źródłaHenri-Lepage, Savoyane. "Traduire les voix dans The mill on the Floss de George Eliot". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81495.
Pełny tekst źródłaD'Albert-Durade's translation evacuates the linguistic diversity in order to shape the novel to the requirements of the target literary polysystem. Molitor, by homogenising the eliotian prose, turns the canonised English novel into a French popular novel. Jumeau, for his part, by rehabilitating the peasant sociolect in his translation, marks the beginning of a rehabilitation movement of George Eliot in France. This study, through the analysis of the voice of a few key characters, attempts to follow the French "translative journey" of The Mill on the Floss.
Tang, Maria. "Les fils du texte : trame et dechirure dans les romans de george eliot". Paris 3, 1996. http://www.theses.fr/1997PA030004.
Pełny tekst źródłaIn a recurrent metaphor, george eliot associates the symbolic activity of the writer with that of the weaver. Yet her novels are informed not only by the traditional analogy between writing and weaving, but also by the transformation and problematisation, the "entanglement", of this received metaphor of artistic creation. The etymological bond between the textile and the textual, and the underlying cultural assumptions common to the structure and construction of both, invite an exploration of the motif of the thread as a paradigm of narrativity. Part one studies the heuristic function of the thread as an instrument of narrative investigation in the fiction of george eliot. Part two focuses on some of the structural variants of the thread in eliot's novels, such as the river, the crowd and the eliotian notion of sympathy. The analysis of "sympathy" discerns a preference for affiliation over filiation in the novels, and this undermining of filiation and of genealogical structures in general is the subject of part three. Finally, part four examines the recurrent imagery of the body lacerated, divided and cut asunder as the expression of the negativity which is constitutive of the act of writing and representation
Routier, Hélène. "D’une esthétique métakitsch sur la scène contemporaine : évolution de la notion de kitsch et son usage au second degré dans des mises en scène d’opérettes de Jacques Offenbach au XXIe siècle". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA005.
Pełny tekst źródłaModern live shows tend to be light and fun affairs which integrate with bad taste and popular culture. Some stagings, which possess an undeniable artistic value, have emerged with a tone that one could call kitsch. According to Hermann Broch, kitsch is the "anti-art". This contradiction arises because, as Susan Sontag and Guy Scarpetta have demonstrated, when kitsch is considered at a distance, with irony, it can be considered art. To call a show kitsch in a non-pejorative manner, and in order to understand the manner of this reversal, one must first define kitsch. Based on the definitions of this notion by thinkers like Walter Benjamin and Clement Greenberg and the descriptions of the properties of kitsch by Abraham Moles and Christophe Genin, this dissertation will notably end with the role of the self-reflexive process of metatheatre. This allows kitsch, in identifying it as such, to become a tool for the stage that produces an aesthetic that we call metakitsch. In terms of concretely defining the stakes, the effects and the limits of this aesthetic, the operetta has proved to be the most suitable theatrical genre. The second part of this study is centered, on the one hand, on four works by Jacques Offenbach presented by the same director, Laurent Pelly, and on the other, on a comparative analysis of four representations of La Belle Helene by Offenbach, presented by different directors. It will emerge that the use of kitsch, which offers a great deal of freedom to directors, produces spectacles that are often ironic, even caustic, hybrid, eclectic and playful. The use of kitsch, of anti-art in art, seems to meet the public's need for something new
Boulerial, Leila. "Mise en scène de l'acte et morale de la personne dans les romans de George Eliot". Paris 3, 2001. http://www.theses.fr/2001PA030087.
Pełny tekst źródłaIn order to reveal the mechanisms directing thoughts and acts, George Eliot presents characters in her novel which seem at first sight to be sheltered from the misfortunes of chance and the unexpected. Owing to numerous unpredictable causes of change, the peacefulness of the caracters'lives is disturbed. Whether they like it or not, they are forced to act. It is only at this cost that they are able to mark themselves out from the society they belong to. Their acts are shaped by chance, heredity, their social milieu and also their free will. Then comes the questioning of their responsibility with regard to what they have undertaken, deliberately or not. It is precisely the consequences of their acts which confirm t eir responsibility. .
Henchey, Karen. "The keen, settled mind : the language of the citizens in George Eliot's fiction". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66141.
Pełny tekst źródłaVitaglione, Daniel. "George Eliot and George Sand : a comparative study". Thesis, University of St Andrews, 1990. http://hdl.handle.net/10023/15069.
Pełny tekst źródłaGoninet, Philippe. "La collaboration Meilhac - Halevy - Offenbach". Tours, 1994. http://www.theses.fr/1994TOUR2042.
Pełny tekst źródłaKsiążki na temat "1819-1880"
Vargas, Karim León. La república, 1819-1880. Bogotá, Colombia: Editorial Universidad del Rosario, 2019.
Znajdź pełny tekst źródłaLuez, Philippe. Jacques Offenbach (1819-1880): Musicien européen. Anglet: Séguier, 2001.
Znajdź pełny tekst źródłaRayhrer, Annemarie. Karl Christian Planck, 1819-1880: Bibliographie. Stuttgart: Württembergische Landesbibliothek, 1987.
Znajdź pełny tekst źródłaNeale, Catherine. George Eliot, Middlemarch. London, England: Penguin Books, 1989.
Znajdź pełny tekst źródła1947-, Peck John, red. Middlemarch, George Eliot. New York: St. Martin's Press, 1992.
Znajdź pełny tekst źródłaRodríguez Jiménez, Pablo. La República, 1819-1880. Universidad del Rosario, 2019. http://dx.doi.org/10.12804/ll9789587843248.
Pełny tekst źródłaElliott, George. Middlemarch. Creative Media Partners, LLC, 2012.
Znajdź pełny tekst źródłaElliott, George. Middlemarch. Creative Media Partners, LLC, 2012.
Znajdź pełny tekst źródłaHardy, Barbara. George Eliot: A Critic's Biography. Bloomsbury Publishing Plc, 2006.
Znajdź pełny tekst źródłaStevenson, Juliet, i George Elliott. Middlemarch. Howes Limited, W. F., 2013.
Znajdź pełny tekst źródłaCzęści książek na temat "1819-1880"
Cantwell, Nancy Marck. "“A Woman Whom Men Could More Than Love”: Transfiguring the Unlovely in George Eliot (1819–1880)". W Biographical Misrepresentations of British Women Writers, 249–64. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56750-1_14.
Pełny tekst źródła"George Eliot (1819–1880)". W London, 402. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.92.
Pełny tekst źródła"Front Matter". W La República, 1819-1880, 1–7. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.1.
Pełny tekst źródłaGarnica, Armando Martínez. "ESTADO Y FUNCIÓN PÚBLICA EN LA REPÚBLICA". W La República, 1819-1880, 69–80. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.10.
Pełny tekst źródłaPolo, Marco Manuel Forero. "LA ECONOMÍA DEL SIGLO XIX". W La República, 1819-1880, 83–90. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.11.
Pełny tekst źródłaMesa, Gloria Patricia Lopera. "LOS RESGUARDOS INDÍGENAS Y LA CUESTIÓN AGRARIA EN EL SIGLO XIX". W La República, 1819-1880, 91–100. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.12.
Pełny tekst źródłaEspinosa, Iván. "LA ABOLICIÓN DE LA ESCLAVITUD". W La República, 1819-1880, 101–10. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.13.
Pełny tekst źródłaGuerrero, José David Cortés. "ESTADO-IGLESIA EN COLOMBIA EN EL SIGLO XIX". W La República, 1819-1880, 111–20. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.14.
Pełny tekst źródłaCarvajal, Beatriz Castro. "LA ASISTENCIA SOCIAL A LOS POBRES Y DESVALIDOS EN LAS PRIMERAS DÉCADAS DE LA COLOMBIA REPUBLICANA". W La República, 1819-1880, 121–30. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.15.
Pełny tekst źródłaArdila, Daniel Gutiérrez. "UN SIGLO DE PARTIDOS". W La República, 1819-1880, 133–44. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.16.
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