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Morris, Kathryn 1970. "Geometrical physics : mathematics in the natural philosophy of Thomas Hobbes". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37789.
Pełny tekst źródłaBillinge, Richard. "Nature, grace and religious liberty in Restoration England". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:18c8815b-4e57-45f5-b2c1-e31314a09d4f.
Pełny tekst źródłaOliver, Ryan. "Aliens and atheists: The Plurality of Worlds and Natural Theology in Seventeenth-Century England". Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5134/.
Pełny tekst źródłaShillito, Alex Benjamin. "How the Heart Became Muscle: From René Descartes to Nicholas Steno". Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7939.
Pełny tekst źródłaWalmsley, Jonathan Craig. "John Locke's natural philosophy (1632-1671)". Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1998. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.286485.
Pełny tekst źródłaChipman, Gary V. "Robert Boyle and the Significance of Skill and Experience in Seventeenth-Century Natural Philosophy". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2652/.
Pełny tekst źródłaLAWRENZ, JURGEN. "LEIBNIZ: DOUBLE-ASPECT ONTOLOGY AND THE LABYRINTH OF THE CONTINUUM". University of Sydney, 2008. http://hdl.handle.net/2123/2475.
Pełny tekst źródłaThe main issue to be articulated in this thesis is the proposition that Leibniz’s mature philosophy is best, or preferably, presented as a double-aspect ontology. All the arguments to be furnished herein support this case; however, their intrinsic weight and extent far exceeds that of the principal contention, so that the whole of Leibniz’s natural philosophy and metaphysics will be seen to be involved and to undergo some measure of re-orientation away from more traditional interpretive concerns. Part I follows Leibniz in his emendation of Aristotelian-Scholastic notions as a result of his need for a “higher, metaphysical principle” to remedy the defects of the ‘modern’ account of motion. From this flowed his new conception of substance. The fundamental premise of Leibniz’s metaphysics is that spirit and body lie in series. The cosmos presents itself as aspects of an unbroken continuum. Ineluctably our conclusions as to the ‘whole’ is therefore an intellectual reconstruction of the perspectives delivered to us by these aspects. This emerges most clearly from the phenomenotaxis which has been collated in this part of the thesis – apparently the first such exercise in the scholarly literature. All this involves a separation of domains which require appropriate levels of description to explain their autonomous features. A double-aspect theory seems indispensable to account for the one world to which these levels nonetheless refer. In Part II we engage with Leibniz’s conception of substance as a unit of force. From this protean idea (aka monad) the whole material and spiritual cosmos is derived. The basis of this theory is that to act is to be. Accordingly we arrive at an ontology of agency. The nature of a monad is to exert Daseinstreben, the equivalent of individuation. Included in its definition is an absolute freedom to act. God’s “concession” of existence therefore refers to the autonomous collectivisation of monads into universes eligible for actualisation. Accordingly Leibniz arrives at a theory of a self-constructing universe. Post-Arnauld, Leibniz discarded the complete concept, having realised that contingency breaks open the system of determinism. Accordingly Leibniz replaced the ‘sum of predicates’ doctrine with the law of the series. In this conception monads collect the asymmetrical and irreversible information relevant to their internal states; for it transpires that freely executed choices guarantee avoidance of indiscernibles. The section therefore presents a schema of the ten main issues entangled in the conception of agency as well as an analytical chart of the structure of monads. In Part III, the “Labyrinth of the Continuum” resolves the perspectives on the world. Leibniz declares his colours unambiguously – realism concerns the world of facts, idealism the realm of foun-dations. The Principle of Continuity covers a vast range of indeterminate parts which serve as the foundations of real parts. We investigate some case studies, e.g. petites perceptions and especially the Pacidius, in which the conception of an agent-in-motion is studied in depth to reveal Leibniz’s extraordinary conclusions on change. We also consider Shapes, Limits and Boundaries which are relevant to the theory of the self-constructing universe (infolding and unfolding order); and finally his models of self-similarity and scale invariance. PART IV is concerned with grounding existents from the principle of sufficient reason. The virtue claimed here for the double-aspect theory is the possibility of penetrating into the thought of an exceptionally complex thinker through more than one portal. It yields a greater variety of facets, an inner coherence and a much richer texture of thought than the traditional insistence on just one primary aspect reveals.
LAWRENZ, JURGEN. "LEIBNIZ: DOUBLE-ASPECT ONTOLOGY AND THE LABYRINTH OF THE CONTINUUM". Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/2475.
Pełny tekst źródłaOliveira, Maercio Antonio de. "A relação entre o entendimento e a vontade na Etica de Espinosa". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279319.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A relação entre o entendimento e a vontade na Ética de Espinosa é um dos pontos de entrada importante para a inteligibilidade do sistema espinosano. Esta relação permite compreender, diretamente, não só a sua doutrina da vontade, como também a aplicação prática das concepções de tal doutrina. Neste sentido, o objetivo dessa dissertação é expor e examinar esta relação, visando principalmente à delimitação do universo ontológico que a sustenta e o estabelecimento de que o entendimento e a vontade são uma e a mesma coisa, como deduz as proposições 48 e 49 da Segunda Parte da Ética
Abstract: The relation between the understanding and the will in Spinoza¿s Ethics is one of the important entrance points for the intelligibility of the Spinozan system. This relation allows people to understand, directly, not only his doctrine of the wil, but also the practical application of the conceptions of such doctrine. In this sense, the objective of this dissertation is to demonstrate and examine this relation, seeking primarily the delimitation of the ontological universe that sustains it and the establishment that the understanding and the will are one and the same thing, as was traced by the propositions 48 and 49 of the Second Part of Ethics
Mestrado
Mestre em Filosofia
Guidi, Anastasia. "Astronomia nova : a historia da guerra contra Marte como exposição do metodo astronomico de Kepler". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280329.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Apresentamos aqui um estudo da Astronomia nova, trabalho publicado pelo astrônomo alemão Johannes Kepler em 1609. O livro é composto na forma de uma narrativa histórica daquela que o astrônomo chamou sua guerra contra Marte, trabalho exaustivo de análise e interpretação dos dados previamente coletados pelo grande observador Tycho Brahe que teve como resultado a descoberta das duas primeiras leis dos movimentos planetários que levam o nome de Kepler. Mostramos que, à luz da Defesa de Tycho contra Ursus, tratado póstumo escrito por Kepler cerca de uma década antes da publicação da Astronomia nova, a estrutura narrativa desta última revela-se como a exposição de um método de pesquisa, segundo o qual o astrônomo percorreu o caminho que leva dos movimentos observados do planeta à determinação de seu percurso real em torno do Sol. Procuramos destacar os principais elementos constituintes deste método, reconstruindo o caminho que leva à descoberta da forma elíptica da órbita do planeta
Abstract: We present an exposition on the New astronomy, published by the german astronomer Johannes Kepler in 1609. The book is composed in the form of a historical narrative of Kepler's war on Mars, exhaustive work of analysis and interpretation of data relative to the planet previously collected by the great obderver Tycho Brahe, which resulted on the discovery of the two first laws of planetary motion that bear Kepler¿s name. We have shown here that in light of Tycho¿s defence against Ursus, posthumous work written by Kepler about a decade before the publication of the New astronomy, the historical narrative presented in the latter is the blueprint of a method, by means of which the astronomer derived the true orbit of Mars around the Sun from the observed motions of the planet. We have attempted to provide an account of the main elements of this method, reconstructing the path that leads to the discovery of the elliptical shape of the planet's orbit
Doutorado
Doutor em Filosofia
Read, Nicole Elizabeth. "The Adolescence of France: Teaching for Historical Empathy". Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1241050971.
Pełny tekst źródłaSribnai, Judith. "Figurations et relations : le sujet dans les romans à la première personne et les textes philosophiques du XVIIe siècle". Thèse, Paris 4, 2011. http://hdl.handle.net/1866/6924.
Pełny tekst źródłaThe objective of this thesis is to set out several aspects of the figuration of the subject in the 17th Century, through a joint reading of first person novels and philosophical texts from this period. Beginning with similar questions, these two discursive genres construct a figure of a knowing and itinerant subject, a subject animated by the desire to know and thus guided to rethink the conditions that articulate his particular experience. For the authors of these works, the truth is discovered through a series of singular experiences and experiments; the world more clearly announces itself in the first person, rendering a principally singular perception. This poses the problem of the legitimation of personal pronouncement, legitimation which allows for the articulation of the first person with an alterity, while conserving the singularity of the subject. This singularity always doubles as a dispersion of the identities and referents of the first person. Still, narration, fiction and corporal practice show this identity as constellation. The first two expose the diverse faces of the ‘I’, their agreements and disagreements, their being at the same time past and present, real persons and imaginary characters, narrator and author. From the practices tied to the pain and pleasure of the body is drawn another form of possible encounter between the particularity of a subject and an other: the one he desires, with whom he suffers and plays, the one who lives in him. Through all these aspects, enunciative, narrative, fictional, physical, the subjectivity that is inscribed in and described by these texts is always primarily relational: an account recounted to encounter the other.
Barr, Kara Elizabeth. "“In Search of Truth Alone”: John Locke’s Exile in Holland". Walsh University Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=walshhonors1240525958.
Pełny tekst źródłaNolasco, Fábio Mascarenhas. "Apresentação da "Universidade do Pensamento" no séc. XVII = intuicionismo cartesiano e formalismo leibniziano". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281917.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Tentou-se nesta dissertação apresentar um ponto de vista - fragmentário e inacabado como necessariamente deve ser - acerca do percurso histórico do imbricamento entre matemática e filosofia que marcou intensamente o séc. XVII, imbricamento este assinalado pelos termos more geometrico, mathesis universalis, algebra, dentre outros. Isto com o intuito distante de abordar, posteriormente, a questão mais genérica de situar tal imbricamento específico do séc. XVII perante outras conformações da relação entre filosofia e matemática, notadamente, as que presentemente mais nos interessam, a do idealismo alemão do início do séc. XIX e a dos princípios do que veio a se chamar de filosofia analítica, do início do séc. XX. Para tanto, desta forma, buscamos apresentar dois momentos desse imbricamento especificamente seiscentista entre matemática e filosofia que, em nossa opinião, abrangem uma vastíssima gama de temas sintomáticos do período: (i) a conformação cartesiana entre matemática e filosofia, dita inauguradora da modernidade, tipificada pelo conceito de intuicionismo, e (ii) a conformação leibniziana, tipificada pelo conceito de formalismo. Julgamos que a apresentação do percurso apenas tocando estes dois pólos do movimento, mesmo que incompleta por não tratar de temas da filosofia de Hobbes, Pascal, Spinoza, Locke, dentre outros, apresenta, todavia, os contornos gerais do desenvolvimento buscado: como se o momento da crítica de Leibniz a Descartes, e a re-formulação leibniziana do dito imbricamento, pudesse ser tomado como uma caracterização exemplar do percurso do imbricamento de matemática e filosofia do séc. XVII
Abstract: Our effort in this dissertation was to present a point of view - fragmentary and unachieved as it ought to be - concerning the historical development of the conjunction between Mathematics and Philosophy which has so characteristically marked the XVIIth century; a conjunction denoted by the terms more geometrico, mathesis universalis, algebra, to name but a few. And this, due to the further goal of approaching, afterwards, the more generic question of situating such a conjunction, specific of the XVIIth century, in regards to other conformations of the relation between Philosophy and Mathematics, namely the ones which are of our present interest, that of the German Idealism of the early XIXth century, and that of the first moments of what came to be called as Analytic Philosophy, of the first years of the XXth century. So as to approach the more basic part of this goal, we have thus tried to present two moments of this specifical XVIIth century conjunction between Mathematics and Philosophy which, in our opinion, touch a very large array of symptomatic questions of the period: (i) the cartesian conformation between mathematics and philosophy, said to be the inauguration of modernity, typified by the concept of intuitionism, and (ii) the leibnizian conformation, typified by the concept of formalism. We claim that such an exposition, which only touches the two poles of the movement, even if incomplete for not treating themes from Hobbes, Pascal, Spinoza and Locke's Philosophy, in among others, nevertheless presents the general outlines of the development we are trying to enlighten: as if the moment of Leibniz' criticism to Descartes, and the leibnizian re-conformation of the said conjunction, could be taken as an exemplary characterization of the development of the relation between mathematics and philosophy of the XVIIth century
Mestrado
Historia da Filosofia Moderna
Mestre em Filosofia
Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes". Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.
Pełny tekst źródłaDoctorat en Histoire, art et archéologie
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Philippon, de Meyer Anne-Laure. "Sir Kenelm Digby (1603-1665), un penseur à l'âge du baroque". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA051.
Pełny tekst źródłaIn the wake of the intellectual revolutions of the early modern period, Sir Kenelm Digby, an English Catholic, endeavoured to increase the knowledge of the world, both physical and spiritual, against a backdrop of political turmoil. From London as from Paris, where he was in exile, the well-travelled Sir Kenelm sent books, communicated, and discussesd ideas tirelessly with the main thinkers of the time such as Descartes, Hobbes and Mersenne. His prominent place within the dense network of the incipient Republic of Letters allowed him to produce a seminal synthesis of the ideas then in circulation.Digby partook in the baroque sensitivity that we can define as the expression of a crisis linked to instability and contradiction, as well as the attempt to overcome it. Delving into alchemy, atomism, logic, and metaphysics, he strove to account for the secret workings of the world and of man in order to enable their mastery and government. In Two Treatises, he adopted and adapted the atomist hypothesis that allowed him to depict a deeply chaotic world, ridden with permanent change and fraught with innumerable and invisible clashes that explained all physical phenomena such as gravity, magnetism, generation, and sympathy. He aimed to proceed in a demonstrative manner so as to stave off the rampant crisis of scepticism, and he hammered through the idea that certainty was achievable by mere human means. In a proselyte effort, he tackled burning issues in the wake of the Reformation, promoting the oral quality of the Catholic tradition and the resurrection of bodies, while bringing forward the thinking individual and his perceptions, as well as the concept of metamorphosis, as key explanatory principles
Scheu, Julia. "Ut pictura philosophia". Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2017. http://dx.doi.org/10.18452/17801.
Pełny tekst źródłaThe study deals with the pictorial examination of self-implicating topics relating to the genesis, the fundamentals and the aims of painting by Italian printmaking of the late 16th and 17th century. For the first time, a research is focussed on the pictorial examination of abstract contents of art theory as shown in the selected and compared examples which are extraordinary regarding their iconographical concentration – the Lamento della pittura by Federico Zuccari, the Liceo della pittura by Pierto Testa, the Genio di Salvator Rosa by Salvator Rosa and the Scuola del Disegno by Carlo Maratta. Besides the reconstruction of the history of origins the research is dealing with the relationship of image and text, problems of iconography, the coeval publishing situation as well as the target audience of these prints and finally the motivation for those very complex visual reflections on painting. As essential similarity of those arttheoretical prints, which all araised within the context of the Roman Art Accademy, has been determined the ambition to specify painting as a kind of Meta-science, which is somehow superior to all other modern age sciences. By means of an extensive reevaluation of the unique iconography of every single sheet it became feasible to illustrate that the comparison between painting and philosophy as the origin of the entire spectrum of sciences has attained a completely new dimension within the pictorial art theory of the 17th century. The novel comparison has opened a wider range and diversity for the visual definition of the artists` self-conception compared to the traditional comparison between painting and poetry, as it emerged from the dictum „Ut pictura poesis“ by Horaz. Accordingly the study deals with the question of the particular reflexive capability of images, their medial autonomy and their potential primacy over language.
Vileno, Anna Maria. "A l'ombre de la kabbale: philologie et ésotérisme au XVIIe siècle dans l'oeuvre de Christian Knorr de Rosenroth". Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209259.
Pełny tekst źródłaMa thèse de doctorat porte sur la kabbale chrétienne et sur ses rapports avec son homologue juive au 17e siècle. Je travaille en particulier sur un kabbaliste chrétien de la fin du 17e siècle, Christian Knorr von Rosenroth et son anthologie de kabbale chrétienne intitulée la "Kabbala denudata". L’œuvre reflète les débats philosophiques et religieux du 17e siècle (avec notamment des collaborations d’Henry More et de l’alchimiste belge François Mercure van Helmont), comporte de nombreuses traductions d’ouvrages de kabbale lourianique ainsi qu’une édition bilingue (araméen - latin) du Zohar. D’une part, l’étude de la "Kabbala denudata" permet de mieux comprendre la manière dont la kabbale lourianique a été reçue en Europe au 17e siècle. D’autre part, l’anthologie atteste d’une pratique de la "philosophia perennis" qui s’inscrit dans le prolongement de la Renaissance. À travers la pratique du symbolisme, l’auteur construit une nouvelle forme de rapports avec l’orthodoxie religieuse de son temps et ouvre la voie à une compréhension approfondie de l’altérité religieuse. Mes recherches s’inscrivent tant dans le domaine de l’étude des relations judéo-chrétiennes que de l’étude de l’ésotérisme.
Doctorat en Philosophie
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Roche, Denis. "Éclats et empire du moi dans la littérature française au XVIIe siècle". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA128.
Pełny tekst źródłaThis thesis brings to light the traces of a battle in which the human self struggles to exist throughout the 17th century in French literature. In the middle of the century, Pascal captured a strange image made up of presence and absence of the self. It was not a collection of characteristics but primarily a universal being or a being that reaches towards totality. Meanwhile, a certain momentum was working towards its emergence, which would sometimes make it join with grandeur and dignity - behind which it would disappear- or which would sometimes claim for itself that grandeur and dignity- in front of which it would appear. An initial impulsion shapes it around a nucleus of extra-worldliness present in modern man. This nucleus generates conflict with the world. The self grows through centripetal forces that make it cling to that nucleus of extra-worldliness. Melancholy, belligerence, hermeneutics and finally the discreet brilliance of the honnête homme are four paths followed by the self in its quest for grandeur. While these strands consolidate themselves, a powerful centrifugal motion develops in the realm of thought, passion and self-love. Nevertheless, even if these forces forge unity, division and fragility are part of their nature
Berget, Claire. "Les représentations et l'imaginaire de la viole de gambe en Angleterre aux dix-septième et dix-huitième siècles". Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2031.
Pełny tekst źródłaIn England, the viola da gamba has a singular destiny, from an incontestable popularity with the aristocracy in the seventeenth century to a rejection of increasing intensity over the eighteenth century. The representations of the instrument in documents peripheral to the musical sphere, such as letters, poems or paintings, reveal the complexity of the imaginaire surrounding the instrument. Although, in prosperous times, the viol conjures up lewd images of a sensual body, it is simultaneously associated with ideals of nobility through the supposed melancholy of its tone. At that period, it is also felt to be closely connected to the English national identity, whose specificity it appears to crystallise. However, its dwindling popularity with the elite leads to the proliferation of negative images. Senescence and sterility are increasingly associated with the viol, while ideologically, the instrument is spurned as non- English. The brief resurgence of the viol in the second half of the eighteenth century is brought on by the development of the cult of sensibility. Individual emotions are voiced through its perceived archaism and unique tone. The viola da gamba, both in the circular paradigm of the Renaissance, and in the linear and discursive paradigm of the Enlightenment, successfully embodies contrasting aesthetic and ideological imaginaires
Barrera, Juan David. "La musique pour orgue en France à l'âge classique : une représentation du sacré". Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC003/document.
Pełny tekst źródłaThis study of French organ music during the “Classical period” focuses on its signifying dimension, and particularly on its representative function in the liturgy. Our interest springs from an observation: the most important works devoted to this repertoire neglect the question, whereas the genesis of this organ school coincides with one of the most remarkable historical moments of Catholic spirituality. From this point of view, and assuming that sacred music can be understood as an aesthetic-theological product shaped according to the symbolic and expressive topics of the liturgy (in the same way as other manifestations of sacred art), our research seeks to demonstrate the way in which the music of French organists can communicate the fundamental notions of Christian doctrine through a set of aesthetic categories and musical topics directed by rhetorical principles. In this way, our work is divided into four parts, successively highlighting the cultural and spiritual contexts of the seventeenth century in France, the elements of the signifying universe of these music, the stylistic organization of the repertoire, and finally, from a hermeneutic point of view, the analysis of three major composers of this musical tradition: Nicolas de Grigny, Jean-Adam Guilain and François Couperin
Peterson, Heather Rose. "Heavenly influences : the cosmic and social order of New Spain at the turn of the seventeenth century". Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-12-613.
Pełny tekst źródłatext
Streeter, Michael T. "Romantic Science: Science and Romance as Literary Modes in Sir Kenelm Digby's Loose Fantasies and Two Treatises". 2009. http://hdl.handle.net/1969.1/ETD-TAMU-2009-05-757.
Pełny tekst źródłaJoseph, Jacques. "Vývoj pojetí světové duše u Henryho Mora". Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-374153.
Pełny tekst źródłaFlorianová, Eliška. "Filosofie výchovy v díle Jana Amose Komenského". Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-351725.
Pełny tekst źródłaMuller, Stephanus. "An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano". Diss., 1997. http://hdl.handle.net/10500/17540.
Pełny tekst źródłaDepartment of Musicology
M.Mus.
Prokopová, Markéta. "S libertiny napříč stoletími". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-321334.
Pełny tekst źródła