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Rozprawy doktorskie na temat "1689-1761 Criticism and interpretation History"
Rain, David Christopher. "The death of Clarissa : Richardson's Clarissa and the critics". Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phr154.pdf.
Pełny tekst źródłaWood, Laura Thomason. "Change of Condition: Women's Rhetorical Strategies on Marriage, 1710-1756". Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4921/.
Pełny tekst źródłaMaia, Ludmila de Souza 1984. "Os descaminhos de Clarissa entre o campo e a cidade = o romance de Samuel Richardson e a Sociedade inglesa do século XVIII". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279017.
Pełny tekst źródłaMade available in DSpace on 2018-08-17T12:05:41Z (GMT). No. of bitstreams: 1 Maia_LudmiladeSouza_M.pdf: 993926 bytes, checksum: 64b05d09592660e1a62b9845a8551faa (MD5) Previous issue date: 2011
Resumo: Este trabalho se dedica ao estudo do romance epistolar 'Clarissa, or the history of a young lady', de autoria do inglês Samuel Richardson, publicado entre os de anos 1747-48. O propósito é realizar uma pesquisa historiográfica através da interpretação da narrativa literária. A obra, objeto deste estudo, recria muitas das tensões sociais, políticas e religiosas latentes na sociedade inglesa do século XVIII. Os percalços vividos pela heroína da trama, entre o campo e a cidade, permitem analisar as relações sociais e de gênero da Inglaterra das Luzes. A trama conta a história de Clarissa, donzela d aristocracia rural inglesa que recebe a herança do avô, motivando disputas familiares. O primogênito preterido convence a família a casá-la com um homem odioso, para evitar sua independência e lucrar com o negócio. Clarissa se recusa ao matrimônio e passa a ser perseguida dentro de casa. Para escapar da tirania, ela foge para Londres com Lovelace, libertino que lhe faz a corte contra a vontade de sua família. Seu desejo de autonomia é interrompido quando seu raptor a aprisiona num bordel e a violenta. Para preservar sua vontade de virtude e a independência de seu espírito, Clarissa escolhe a morte como única saída moral possível. Com efeito, meu objetivo foi entender aquela sociedade a partir das páginas do romance, cuja análise, também, derivou de questões e referências exteriores à trama
Abstract: This work is dedicated to the novel 'Clarissa, or the history of a Young lady', written by Samuel Richardson, and published in 1747-48. My purpose was to make a historiographic research by using a literary narrative. This novel creates, in a literary way, many of the most important social, political, and religious conflicts of the Eighteenth Century English society. The mishaps of the life of the novel's protagonist, between the country and the city, allowed me to analyze the social and gender relations in the Enlightenment England. The plot tells us the story of Clarissa, an aristocratic maiden in rural England. She inherits an estate from her grandfather, which provokes a familiar disturbance. The deprecated old brother convinces the family to marry her to an odious man, to avoid her independence and to profit from the business. She refuses the marriage and her persecution begins at home. In order to escape from tyranny, she fled to London with the libertine Lovelace, who courts her against her family's will. Her wish for autonomy is interrupted when his abductor imprisons and rapes in a brothel. She wishes virtue and an independent soul, and that's why she chooses death, as the only possible way to maintain her moral intact. Indeed, my goal with this research was to understand the mentioned society from the pages of the novel,whose analysis also comes from questions and references external to the plot
Mestrado
Politica, Memoria e Cidade
Mestre em História
Bowen, Michael John. "Uncertain affections : representations of trust in the British sentimental novel of the eighteenth century". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38158.
Pełny tekst źródłaMy work explores this dual shift in three sentimental novels. It first analyzes Samuel Richardson's Pamela (1740) and contends that Richardson denies the concept of honor its epistemological role in practical deliberations. The denial of the epistemology of honor uncouples the mechanism of personal trust from assessments of role and role performance and thus makes the trust in persons in the intimate sphere less dependent on institutional forms of trust. To replace honor's role in the formation of trust, Richardson proposes that the sentiments can provide reliable grounds for trust in the intimate sphere. However, he denies the sentiments a role in the formation of an encompassing social trust among strangers and mere acquaintances. The thesis proceeds to read Henry Fielding's Amelia (1751). In order to argue that Fielding envisioned divergent grounds for trust relations, it maintains that Fielding considers trust relations in the intimate sphere and trust relations in public life as based on the sentiments and fair distribution respectively. To conclude, the thesis investigates Oliver Goldsmith's The Vicar of Wakefield (1766) to uncover the manner in which Goldsmith distinguishes personal trust in the intimate sphere from general system trust, which Goldsmith ultimately envisions as an ontological trust in providence.
Rain, David Christopher. "The death of Clarissa : Richardson's Clarissa and the critics / by David Christopher Rain". Thesis, 1988. http://hdl.handle.net/2440/18573.
Pełny tekst źródłaStamoulis, Derek Clarence. "In pursuit of virtue : the moral education of readers in eighteenth-century fiction". Thesis, 1991. http://hdl.handle.net/2440/110493.
Pełny tekst źródłaKsiążki na temat "1689-1761 Criticism and interpretation History"
1953-, Rivero Albert J., red. New essays on Samuel Richardson. New York: St. Martin's Press, 1996.
Znajdź pełny tekst źródłaMaking gender, culture, and the self in the fiction of Samuel Richardson: The novel individual. Burlington, VT: Ashgate, 2012.
Znajdź pełny tekst źródłaSamuel Richardson. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
Znajdź pełny tekst źródłaRé órga na nGael: Joseph Cooper Walker (1761-1810). Indreabhán, Conamara: An Clóchomhar, Cló Iar-Chonnacht, 2013.
Znajdź pełny tekst źródłaBonfait, Olivier, writer of preface, red. Charles Errard, ca. 1601-1689: La noblesse du décor. Paris: Arthena, Association pour la diffusion de l'histoire de l'art, 2013.
Znajdź pełny tekst źródłaSamuel Richardson, dress, and discourse. New York: Palgrave Macmillan, 2008.
Znajdź pełny tekst źródłaMontesquieu and England: Enlightened exchanges, 1689-1755. London: Pickering & Chatto, 2010.
Znajdź pełny tekst źródłaRoyalist women writers, 1650-1689. Oxford: Clarendon Press, 2004.
Znajdź pełny tekst źródłaKlein, Agnes. Hochmeister Clemens August (1700-1761) und die Muschelkapelle der Maria Aegyptiaca in Brühl. Mannheim: Verlag Sokrates, 1987.
Znajdź pełny tekst źródłaO'Donnell, Mary Ann. Aphra Behn (1640-1689): Le modèle européen : actes du colloque tenu en Sorbonne, 7-9 juillet 2003. Entrevaux, France: Bilingua GA, 2005.
Znajdź pełny tekst źródła