Gotowa bibliografia na temat „Œuvre fragile”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Œuvre fragile”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Œuvre fragile"
Samson, Dominique. "L’accompagnement à l'écriture en formation : entre aide et prescription". Diversité 197, nr 1 (2020): 38–42. http://dx.doi.org/10.3406/diver.2020.8317.
Pełny tekst źródłaBatard, Anouk. "Les arts de faire bureaucratique(s) de Nollywood". Emulations - Revue de sciences sociales, nr 37 (19.03.2021): 93–117. http://dx.doi.org/10.14428/emulations.037.06.
Pełny tekst źródłaVatteville, Éric. "Le lien social à l’épreuve de la GRH". Management & Sciences Sociales N° 12, nr 1 (1.01.2012): 45–58. http://dx.doi.org/10.3917/mss.012.0045.
Pełny tekst źródłaMalinvaud, Edmond. "Econométrie de l'investissement : Conférence inaugurale". Recherches économiques de Louvain 54, nr 2 (1988): 141–49. http://dx.doi.org/10.1017/s0770451800083238.
Pełny tekst źródłaJardon, V. "Rester en recontact pour prévenir la récidive suicidaire". European Psychiatry 30, S2 (listopad 2015): S11—S12. http://dx.doi.org/10.1016/j.eurpsy.2015.09.040.
Pełny tekst źródłaAieze, Ala. "L'image de l'oiseau dans le poème de Baudelaire " L'Albatros " et la nouvelle d’Abed Aoun Al-Roudhan '' L'Oiseau" : Une étude comparative". Kufa Journal of Arts 1, nr 2 (25.09.2008): 80–61. http://dx.doi.org/10.36317/kaj/2009/v1.i2.6251.
Pełny tekst źródłaBrioude, Mireille. "L’Invitée de Simone de Beauvoir et Ravages de Violette Leduc". Simone de Beauvoir Studies 33, nr 1 (14.08.2023): 98–118. http://dx.doi.org/10.1163/25897616-bja10061.
Pełny tekst źródłaHoward P. Nelson i Eleanor S. Devenish-Nelson. "The future of Caribbean endemic bird conservation in the Anthropocene". Journal of Caribbean Ornithology 35 (16.11.2022): 96–107. http://dx.doi.org/10.55431/jco.2022.35.96-107.
Pełny tekst źródłaDumas, Bertrand. "Thomasset, Alain, s.j. – Mautort, Oranne de, Familles, belles et fragiles ! Mettre en œuvre l’exhortation Amoris Laetitia dans l’". Revue des sciences religieuses, nr 95/1-2 (30.12.2021): 190–91. http://dx.doi.org/10.4000/rsr.10664.
Pełny tekst źródłaCorbin, Stéphane. "Les promesses d’une transformation". Vie sociale 43, nr 3 (30.11.2023): 101–10. http://dx.doi.org/10.3917/vsoc.227.0101.
Pełny tekst źródłaRozprawy doktorskie na temat "Œuvre fragile"
Asalia, Nour. "La fragilité dans la sculpture contemporaine : réflexions théoriques et expérimentations artistiques à partir de Marcel Duchamp et Pablo Picasso". Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080076.
Pełny tekst źródłaFragility is an important notion in contemporary sculpture. This thesis examines its aspects in two of the most influential artists in the history of art in the 20th century: Pablo Picasso and Marcel Duchamp. In this sense, we question the factors that have favored the advent of fragility in their practices: historical context, popular traditions revisited by modernity, changes in the way we look at materials, innovative artistic practices, constraints and conservation techniques. Our research of course addresses the question of the fragility/vanity of the human being that we deal with in the historical and philosophical fields - through its aesthetic, philosophical and spiritual dimensions - but in the fields of the sacred and of science from of body and memory as we observe them manifesting themselves in the artistic field. To show the significance of what seems to us to fall under the concept of fragility, as we have previously defined it with Duchamp and Picasso and the forms it takes, we rely on their works in glass and paper. Our study analyzes these works both through the concept of fragility that unfolds there and in terms of their materiality. Furthermore, the use of fragile materials leads artists to favor certain techniques whose objective is to protect and ensure the conservation of their work: such a process results in the tight, even sometimes inextricable knotting of their artistic approach and their practice. The modes of conservation of the fragile work therefore also constitute one of the axes of our thesis. ___Finally, we present our own artistic practice, nourished by our approach to fragility and, of course, by all the works and references that we will have studied throughout our research
Périot-Bled, Gaëlle. "Des œuvres éphémères devenues mémorables : modalités et enjeux d’une transmission fragile". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080107.
Pełny tekst źródłaThis research work starts from the description of contemporary artistic events, reexposingor replaying ephemeral mankind's past achievements, in order to analyse the modalitiesof their transmission. In a first moment, it is intended to show that the ephemeral carries out atime-based reduction that puts in crisis a conception of the work of art that the tradition of thevisual arts has founded on object and trace conservation. However, when ephemeral worksreach us a posteriori, in the frame of the vestige or archive material, the question is to know iftheir recognition by the institution does not coincide with the inexorable loss of their speech.In its second moment, this work seeks to highlight a key modality for transmission thatephemeral works have contributed to graft onto established practices : a type of theatricalpresence the obvious signs of which being the requalification of the museum as a stage and ofthe curator as a set designer and stage manager. At a deeper level, this modality reveals a newethos arising out of the fragile relationship between the work and spectators having becomewitnesses. For, the destiny of ephemeral works is based on the conversion of an unforgettableemotion into a duty of transmission. It is with the updating of this operation that this doctoralwork is ultimately devoted to, to show how the memorable becoming always engages a sense of thehuman community
Raporty organizacyjne na temat "Œuvre fragile"
Jacques, Olivier, Joanis Marcelin i Jérôme Turcotte. Soutenabilité budgétaire du Québec et vieillissement de la population : implications pour la révision de la Loi sur la réduction de la dette. CIRANO, marzec 2023. http://dx.doi.org/10.54932/yqca4755.
Pełny tekst źródła