Bibliografie tematiche / Young women – Poetry

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Letteratura scientifica selezionata sul tema "Young women – Poetry"

Autore: Grafiati

Pubblicato: 25 luglio 2024

Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Young women – Poetry"

Ahmad Gul Momand and Shamsurahman Adel. "Political Stability As A Major Concern in Pashtun Women's Poetry." Creative Saplings 2, no. 06 (2023): 1–22. http://dx.doi.org/10.56062/gtrs.2023.2.06.378.

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Much of human emotions are expressed via poetry and other literary genres, but when it comes to women in Pashtun society, we lose their voices. Afzal Raza believes Pashtun women cannot speak about their pain, misery, or other feelings (Raza). As women could be persecuted for writing poetry in Pashtun society, much of the folklore poetry was anonymized by female speakers. Recently, the New York Times reported about several young girls set themselves on fire after they were caught reciting poetry to an FM radio from home (Griswold). Reading about women casualties in their poetry, Raza shall be a

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Ahmad Gul Momand & Fahim Rahimi. "Introduction to Pashtun Women’s Poetry." Creative Saplings 1, no. 12 (2023): 46–75. http://dx.doi.org/10.56062/gtrs.2023.1.12.231.

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Much of human emotions are expressed via poetry and other literary genres but when it comes to women in Pashtun society we lose their voices. Afzal Raza believes it is impossible for Pashtun women to speak about their pain and misery or any other feelings (Raza). As women could be persecuted for writing poetry in Pashtun society thus much of the folklore poetry came to existence by female speakers anonymously. Recently, New York Times reported about several young girls set themselves on fire after they were caught reciting poetry to an FM radio from home (Griswold). Reading about women casualt

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Choi, Jung Ja. "Female Intersubjectivity: Violence, Women, and Elegy in Lee Chang-dong’s Poetry." Journal of Korean Studies 25, no. 1 (2020): 237–61. http://dx.doi.org/10.1215/07311613-7932324.

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Abstract This article explores the configuration of female intersubjectivity demonstrated in the film Poetry (Si, 2010) by Lee Chang-dong (Yi Ch’angdong), as well as the power of poetry to conjure the dead and provide space and voice for marginalized and silenced women. The focus of the film is Mija, a woman in her mid-sixties who works as a caregiver to a disabled man while raising a grandson on her own. Just as Mija discovers that her grandson has been implicated in a sex crime that led to a girl’s death, she learns that she herself is in the first stage of Alzheimer’s disease. It is through

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ZAFER, Zeynep. "REVIVED FROM THE ASHES (THE POETRY OF MEFKURE MOLLOVA)." Ezikov Svyat volume 20 issue 3, ezs.swu.v20i3 (October 20, 2022): 427–36. http://dx.doi.org/10.37708/ezs.swu.bg.v20i3.14.

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Mefkure Mollova, known as a scholar in Turkology, was the first poetess to publish poems in the periodic print in Turkish language in Bulgaria and the only woman who was fortunate to issue a solo poetic collection (1964). She emerges as the most sensitive of the time, whose work boldly touches on the intimate corners of the Turk's mentality and emotionality, to questions and problems close to all women. The sophistication of her work excites young women and crumbles the walls of the traditional taboo. Her contemporaries are delighted with the talent of the beautiful poetess and the "freedom" o

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Bojö, Anna-Klara. "Kropparnas poesi." Tidskrift för litteraturvetenskap 51, no. 1-2 (2021): 5–14. http://dx.doi.org/10.54797/tfl.v51i1-2.1705.

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The Bodies’ Poetry: Eva Runefelt, Eva Ström and Swedish Poetry in the Late 1970’s In the mid 1970’s a new type of poetry, associated with the body, emerged in Sweden. Especially young women writers appeared to take Swedish poetry in new aesthetic directions, exploring questions regarding experience and language. This article focuses on two prominent writers, Eva Runefelt and Eva Ström, and discusses how their different types of poetry can be said to be a bodies’ poetry, and how it was discussed in contemporary literary critique. It also reflects on why this strand of poetry has been gran

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Muftee, Mehek. "Poetiska homeplaces: Reflektioner och samtal om muslimsk subjektivitet inom spoken word och poesi." Tidskrift för genusvetenskap 43, no. 1 (2023): 27–48. http://dx.doi.org/10.55870/tgv.v43i1.10348.

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The last decade saw a renaissance of the artform called spoken word poetry through several spoken word projects in the suburbs of Swedish cities. A group of women who have been prominent in using these platforms as a way to highlight their voices and stories are young Muslim women from primarily from socioeconomically disadvantaged suburbs. This article focuses on a few of these voices. Based on a multimodal methodology including interviews with poets and readings of their work, this article sets out to understand how the young women use their poetry to formulate their subjectivity and issues

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Kovalova, Daryna. "FEMINIST DISCOURSE OF WOMEN’S POETRY OF YOUNG POLAND." Polish Studies of Kyiv, no. 37 (2021): 186–95. http://dx.doi.org/10.17721/psk.2021.37.186-195.

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In the XIX-XX centuries. the emancipation of women had a strong influence on the established order of society. It was most evident in the works of contemporary writers. The article explores a little-known topic of women’s poetry of the literary period of Young Poland. The article analyzes the thematic range, issues and corporeality of poetry of Bronislava Ostrovska, Maryla Volska, Marcelina Kulikovska, Maria Komornitska and others. The essay examines the work of these women writers in the projection of the active development of feminist discourse through the prism of socio-political, cultural

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Paden, William D., and Frances Freeman Paden. "Swollen Woman, Shifting Canon: A Midwife's Charm and the Birth of Secular Romance Lyric." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 306–21. http://dx.doi.org/10.1632/pmla.2010.125.2.306.

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In “Tomida femina” (“A swollen woman”), a tenth-century charm written in Occitan, the vernacular of the south of France, a birthing woman and her helpers intone magical language during the most intense moments of childbirth. The poem permits us, with brief but uncommon intimacy, to imagine the lives of women long ago. It takes its place in a European tradition of birthing charms, including others written in Latin, German, and English. These charms, and in particular “Tomida femina,” provide an image of vigorous medieval women in childbirth that precedes the images of women in other secular Rom

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Günör, Tuğba. "The Place of Special Women in the Art of Poetry for Russian Poet Nekrasov." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 320–31. https://doi.org/10.47777/cankujhss.1490274.

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Nikolay Alexeyevich Nekrasov, who had a very important place in the 19th century Russian literature, existed as a poet in the literary scene of his period, apart from his identity as a literary authority and publisher. Despite being an aristocrat, the artist, who grew up with slave peasant children, is closely acquainted with the problems and understanding of slave peasants, who were considered the lowest class of the Russian people. He integrated these experiences with realism, one of the widespread movements of his time, and tried to be the voice of these people who were ignored in their cou

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Mortensen, Emilie Lund. "Poetic Imagination." Anthropology of the Middle East 16, no. 2 (2021): 75–90. http://dx.doi.org/10.3167/ame.2021.160204.

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Abstract In this article, I attend to poetic expressions of passionate longing for a beloved among displaced single Syrian men in the Jordanian capital of Amman. With a point of departure in the story and poetry of Qays, a 28-year-old Syrian man from Damascus, the article engages in an exploration of the poetic space engendered in the process of writing and reading poetry in exile. It demonstrates how longing found expression and relief in love poetry, as it enabled the young Syrian men to, momentarily, displace themselves to a different time and place, closer to the women they longed for. The

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Tesi sul tema "Young women – Poetry"

BASTOS, ROMULO COELHO LISBOA. "IRONY AND CITY STREETS: TWO YOUNG CONTEMPORARY WOMEN POETS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30155@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>Partindo da discussão sobre o que se entende por poesia contemporânea, passando pelos possíveis recortes geracionais da segunda metade do século passado até a atualidade, esta dissertação analisa a obra de duas jovens poetas contemporâneas, Angélica Freitas e Alice Sant Anna, cujos livros de estreia foram publicados no século XXI.<br>On the basis of the discussion concerning what is meant by contemporary poetry and what counts as a generation in the period from the mid twentieth cen

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Griffith, Asheley Randolph. "Four approaches to Marvell's "Upon Appleton House": Poetic patterns, estate lands, retirement of a hero, and education of a young woman." 1996. https://scholarworks.umass.edu/dissertations/AAI9709600.

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Today Andrew Marvell's poetry is thought to offer a window onto mid-seventeenth-century English literature and culture, yet scholars find the poet's richly allusive early works puzzling: we often do not know what prompted these compositions, or how to interpret them. Marvell probably wrote much of his early verse in 1651-1652 while working as a tutor at the Fairfax family's Yorkshire estate, Nun Appleton. Four approaches to Marvell's major early work, the estate poem Upon Appleton House, help to clarify the poet's methodology, the Yorkshire cultural and landscape milieus of his 1651-1652 poems

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Libri sul tema "Young women – Poetry"

Ann, Duffy Carol, and Rafferty Trisha ill, eds. I wouldn't thank you for a valentine: Poems for young feminists. H. Holt, 1993.

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WriteGirl. Untangled: Stories & poetry from the women and girls of WriteGirl. WriteGirl, 2006.

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Engle, Margarita. The firefly letters: A suffragette's journey to Cuba. Henry Holt and Co., 2010.

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Engle, Margarita. The firefly letters: A suffragette's journey to Cuba. Henry Holt and Co., 2010.

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Engle, Margarita. The firefly letters: A suffragette's journey to Cuba. Henry Holt and Co., 2010.

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Tobin, Belzer, and Pelc Julie, eds. Joining the sisterhood: Young Jewish women write their lives. State University of New York Press, 2003.

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(Organization), WriteGirl, ed. Silhouette: Bold lines & voices from Writegirl. WriteGirl Publications, 2009.

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Lukas, Betty. Delirium: A little story about love. Fithian Press, 2003.

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Garrison, Deborah. A working girl can't win and other poems. 2nd ed. Modern Library, 2000.

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Scofield, Gregory A. I knew two Métis women: The lives of Dorothy Scofield and Georgina Houle Young. Gabriel Dumont Institute of Native Studies and Applied Research, 2009.

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Capitoli di libri sul tema "Young women – Poetry"

Auspos, Patricia. "2. A “Two Person Career”." In Breaking Conventions. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0318.02.

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The marital ideal that made it difficult for Grace Chisholm Young (1868-1944) to maintain an independent professional life was that of the "helpmate wife” who advanced her husband’s career. A graduate of Girton College and the first woman to defend a thesis and earn a doctorate in mathematics in Germany, Grace Chisholm was a mathematician in her own right when she married her former college tutor, William Henry Young (1863-1942), in 1896. After they moved to Europe with their infant son, Will encouraged Grace to fulfill her longstanding desire to study medicine, instead of continuing to work w

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Richards, Joan L. "Robert Leslie Ellis: An Almost Perfect Moral Nature." In Studies in History and Philosophy of Science. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-85258-0_7.

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AbstractSophia De Morgan met Robert Ellis when he was a student at Cambridge, and ever-after remembered him to possess an “almost perfect moral nature.” Her response to the sickly young man was typical of the ways Victorians responded to invalids like John Keats or Elizabeth Barrett Browning. But Ellis was neither a poet nor a woman. In the case of Ellis, the evidence of his moral character lay in the facility with which he practiced mathematics. Throughout the eighteenth century, the success of Newtonian cosmology served the English as a guarantee that in mathematics they could align their th

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Kopley, Emily. "A Room of One’s Own, Woolf’s “little book on poetry”." In Virginia Woolf and Poetry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198850861.003.0004.

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In several essays concurrent with her major experimental works of the 1920s, Woolf proclaims that the novel will usurp the tools and the place of poetry. Most important among these essays is the book-length A Room of One’s Own (1929). Here Woolf identifies the lack of poet foremothers available as models to women writers. She urges young women to fill this gap by writing not poetry per se, but rather prose whose greatness qualifies it as “poetry.” Woolf wants to gain for prose, and by extension women writers, the prestige historically accorded to verse. This chapter sketches the historic link

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Yılmaz, Okan. "The Song of Immigrants." In Digital Narratives of Trauma Among Immigrant and Refugee Women. IGI Global, 2025. https://doi.org/10.4018/979-8-3693-9979-8.ch008.

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This article will reveal how the issue of femininity and immigration is handled in a Middle Eastern society through the texts of two of the young generation poets of contemporary Turkish poetry published in digital media.The first of the poets in the article, Yaprak Damla Yıldırım -an immigrant- writes about her own experiences. Yaprak Damla Yıldırım turns her feminist activism into a literary action by publishing her poems in a Turkish digital magazine called Cin Ayşe. The other poet, Mihrap Aydın, reveals the connection between herself and the upper generation women in her family with immigr

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Graham, Maryemma. "As Low Down as the Blues Will Let You Be." In The House Where My Soul Lives. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780195341232.003.0012.

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Abstract This chapter examines how, despite what Margaret Walker thought about herself in 1939 after she returned to Chicago, the literary world had opened its doors to her. “For My People” continued to attract major attention. She was no longer a struggling young poet, but one with a growing reputation, which no one could question after Poetry published two more of her poems, “The Struggle Staggers Us,” and “We Have Been Believers.” Their successful placement affirmed her poetic talent, making the fiction she thought she needed to write much less important. Despite her interest in women’s wri

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Rasool, Zanib. "Using poetry to engage the voices of women and girls in research." In Re-Imagining Contested Communities. Policy Press, 2018. http://dx.doi.org/10.1332/policypress/9781447333302.003.0019.

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This chapter considers poetry as a creative or arts-based method within social research. It argues that poetry as a research methodology can elicit thoughts, feelings, and emotions, and can give a platform for marginalised voices, such as women and girls, as it enables those silenced voices to be heard — and heard loudly. Poetry offers one way to capture the knowledge held in communities, particularly among those whose voices have been traditionally marginalised, like young people and women. Poetry provides us with a different lens for making sense of everyday interactions, contradictions, and

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Calame, Claude. "Choruses of Young Women and (Homo)erotic Ritual Poetry: Sappho Again." In LUX: Studies in Greek and Latin Literature. De Gruyter, 2024. http://dx.doi.org/10.1515/9783111448282-004.

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Marchesi, Ilaria. "Women as Signs." In Women in Martial. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198920335.003.0002.

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Abstract The chapter provides several examples of normative treatments of what women are or are supposed to be, extracted from Martial’s poetry and chronologically neighboring cultural contexts. A compact front emerges, in which woman is treated as signifier of male identity. The role is, however, highly problematic: since a woman’s social task is the representation of the father and reproduction of the husband, she is at once valued for her stability and for her mutability. Pliny’s letter about the virtues of his wife Calpurnia is juxtaposed with an epigram Martial dedicates to his patron Reg

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Orr, Leah. "Women in Translation." In Publishing the Woman Writer in England, 1670-1750. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886293.003.0005.

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Abstract Through a survey of women writers published in translation, this chapter begins by showing that some of the most popular and prominent women writers in England in this period were French women published in translation. There were legal and commercial advantages to publishing translations over original new works in English in genres like fiction and poetry. Some women writers, such as Haywood and Behn, also translated texts by other writers, and they tended to select works in genres similar to their own published works. This chapter concludes with a case study of the marketing of Marie

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"Mary Robinson (1758-1800)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0023.

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Abstract Mary Robinson’s sonnet sequence, Sappho and Phaon, composed of forty four strictly Petrarchan sonnets, details the passionate but destructive love of a woman poet for a man who abandons her. Combined with its prose preface, the sequence makes a bold claim for the mental preeminence of literary women and identifies Robinson with a woman’s poetic tradition represented by Sappho. As an actress, under the tutelage of David Garrick, Robinson attracted the attention of the young Prince of Wales, later George IV; their affair brought her notoriety and made her the subject of national gossip

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Atti di convegni sul tema "Young women – Poetry"

Li, Qiainyin. "Dreams of a Solo Traveller." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.222.

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Dreams of a Solo Traveller constitutes a positive rethinking of the Chinese derogatory concept of 剩女(the Leftover Woman). Leftover Women is used to define unmarried, urban, professional single women over the age of 27. In this study, the term is used to describe women who, forsaking conventional expectations of marriage, consciously make alternative choices about their future. The research draws on personal experience and existing literature relating to familial and cultural expectations that many young, contemporary Chinese women must navigate. The discursive relationship between poetry and p

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Li, Qiainyin, and Marcos Mortensen Steagall. "Dreams of a Solo Traveller: Exploring Cultural Identity and Gender Roles Through Silk and Poetic Visual Communication." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2023.v5i1.249.

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Dreams of a Solo Traveller offers a reimagined perspective on the Chinese term 剩女 (Shèngnǚ or "Leftover Woman"), a label often applied to unmarried, urban professional women over the age of 27. In this research, the term is reframed to represent women who, rather than adhering to traditional marital expectations, deliberately pursue alternative paths for their future. The study is informed by personal experiences as well as literature on the familial and societal pressures faced by many young Chinese women today. A central concept in the research is the discursive interplay between poetry and

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Ouellet, Chantal, Amal Boultif, and Pierre Jonas Romain. "OUTCOMES OF SLAM WRITING WORKSHOPS FOR HAITIAN STUDENTS AT THE END OF ELEMENTARY SCHOOL." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v2end052.

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"In Haiti, the success rate in elementary school remains very low and the majority of teachers do not have sufficient knowledge of effective pedagogical approaches to writing which leads to demotivation and a low sense of effectiveness as scriptwriters among students. We chose slam as a genre of contemporary and urban poetry (Vorger, 2011) and the workshop device to work on slam poetic writing (Troia, Lin, Cohen and Monroe, 2011), ideal to improve students' writing skills, motivation and sense of effectiveness. The research took place in two primary schools in Port-au-Prince against the backdr

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