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Tesi sul tema "Yoshihisa"

Autore: Grafiati
Pubblicato: 26 luglio 2024
Ultima modifica: 27 luglio 2024

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1

Chen, Hui-Mei. "Les sources d’inspiration et les influences dans la musique de Yoshihisa Taïra." Paris 4, 2007. http://www.theses.fr/2007PA040085.

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Abstract (sommario):
Le style personnel et original du compositeur japonais Yoshihisa Taira (Tokyo 1937 - Paris 2005) montre un exemple parfait d’une fusion de deux cultures, orientale et occidentale. Après une présentation de l’histoire du développement de la composition musicale occidentale au Japon, du parcours personnel du compositeur et de quelques aspects caractéristiques de sa musique, nous étudierons plus profondément cette musique, verrons en quoi elle se différencie et en quoi elle est comparable à la musique d’autres compositeurs. C’est autour des sources d’inspirations et des influences observées dans
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2

Tao, Yu. "La poétique de l'océan en musique contemporaine : de Debussy à nos jours." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080015.

Testo completo
Abstract (sommario):
Dans la création contemporaine, les musiciens s'inspirent parfois de l’océan dans leur pratique de la composition. Cette thèse a pour but d'observer leur façon de faire à travers l’analyse d'oeuvres dont le titre ou le sujet évoquent l'environnement océanique. Elle part de l’hypothèse que la poétique, c’est-À-Dire l’inspiration à partir de la mer, sert la poïétique, donc sert les manières de faire la musique, de l'écrire, sans pour autant servir nécessairement le rendu esthésique. Dans le chapitre I, l’analyse est basée sur des oeuvres de Claude Debussy, André Boucourechliev, Kaija Saahario et
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3

Tao, Yu. "La poétique de l'océan en musique contemporaine : de Debussy à nos jours." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080015.

Testo completo
Abstract (sommario):
Dans la création contemporaine, les musiciens s'inspirent parfois de l’océan dans leur pratique de la composition. Cette thèse a pour but d'observer leur façon de faire à travers l’analyse d'oeuvres dont le titre ou le sujet évoquent l'environnement océanique. Elle part de l’hypothèse que la poétique, c’est-À-Dire l’inspiration à partir de la mer, sert la poïétique, donc sert les manières de faire la musique, de l'écrire, sans pour autant servir nécessairement le rendu esthésique. Dans le chapitre I, l’analyse est basée sur des oeuvres de Claude Debussy, André Boucourechliev, Kaija Saahario et
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4

Watanabe, Yukina. "Queer som doujinshi : En fallstudie av Yonezawa Yoshihiro Memorial Library." Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323868.

Testo completo
Abstract (sommario):
This thesis investigates how libraries can build a collection of doujinshi – Japanese fanzines – with a focus on the problematic connection between doujinshi, queer sexualities and pornography. Yonezawa Yoshihiro Memorial Library is one of the few libraries collecting and providing access to doujinshi, including those with extreme pornographic imagery. I conducted qualitative interviews with four library employees to study their views and attitudes towards collection, age regulations, shelving and classification of doujinshi. In addition, I apply queer theory to elucidate how sexual norms are
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5

Russell, Ginger Suzanne. ""Writing a Picture": Adolph Gottlieb's Rolling and Yoshihara Jiro's Red Circle on Black." VCU Scholars Compass, 1995. http://scholarscompass.vcu.edu/etd/3673.

Testo completo
Abstract (sommario):
Calligraphy and calligraphic elements in abstract art demonstrate the differences between Japanese and American approaches to abstraction. An examination of the use of calligraphy in Japanese art can reveal how its historic tradition in Japan lends depth and meaning to an image, which is not effectively possible for American artists using the same forms. These differences descend from a Japanese writing system that developed as abstracted images in themselves. Though the Western tradition of Abstract Expressionism art sought to make the experience of painting purely visual without the aid of n
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6

Biserni, Diego <1989&gt. "Esplicitazione intersemiotica nella sottotitolazione interlinguistica del lungometraggio "Jāji no futari" di Nakamura Yoshihiro." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14248.

Testo completo
Abstract (sommario):
Per ogni tipo di traduzione esistono dei vincoli con le quali il traduttore dovrà necessariamente confrontarsi nel suo lavoro di trasposizione del testo originale in lingua target. La sottotitolazione non fa eccezione, ma anzi, proprio in virtù della sua natura diasemiotica, questa modalità si rivela ricca di insidie per chiunque decida di adottarla come forma di traduzione. Tra le varie possibilità per il sottotitolatore di produrre una traduzione facilmente fruibile nel metatesto, si è scelto di andare ad analizzare la strategia della ‘esplicitazione’ nella sottotitolazione, ovvero quel proc
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7

Nierhoff, Thomas [Verfasser], Sandra [Akademischer Betreuer] Hirche, and Yoshihiko [Akademischer Betreuer] Nakamura. "Real-time Robotic Motion Control and Adaptation in Constrained Environments / Thomas Nierhoff. Betreuer: Sandra Hirche. Gutachter: Yoshihiko Nakamura ; Sandra Hirche." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1091562202/34.

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8

Nesensohn, Manuel [Verfasser], Matthias [Akademischer Betreuer] Geißert, Jürgen [Akademischer Betreuer] Saal, and Yoshihiro [Akademischer Betreuer] Shibata. "Lp-theory for a class of viscoelastic fluids with and without a free surface / Manuel Nesensohn. Betreuer: Matthias Geißert ; Jürgen Saal ; Yoshihiro Shibata." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2012. http://d-nb.info/1106117247/34.

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9

Below, Lorenz von [Verfasser], Matthias [Akademischer Betreuer] Geißert, Matthias [Akademischer Betreuer] Hieber, and Yoshihiro [Akademischer Betreuer] Shibata. "The Stokes and Navier-Stokes equations in layer domains with and without a free surface / Lorenz von Below. Betreuer: Matthias Geißert ; Matthias Hieber ; Yoshihiro Shibata." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2014. http://d-nb.info/1110979495/34.

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10

Wilke, Mathias [Verfasser], Jan [Akademischer Betreuer] Prüß, Matthias [Akademischer Betreuer] Hieber, and Yoshihiro [Akademischer Betreuer] Shibata. "Rayleigh-Taylor instability for the two-phase Navier-Stokes equations with surface tension in cylindrical domains / Mathias Wilke. Betreuer: Jan Prüß ; Matthias Hieber ; Yoshihiro Shibata." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2013. http://d-nb.info/1046563467/34.

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11

Yokoyama, Yoshihiro [Verfasser], and Kurt [Akademischer Betreuer] Gärtner. "Studien zum Reimgebrauch und Stil Hartmanns von Aue im Etablierungsprozess der Literatursprache um 1200 am Beispiel der präteritalen Formen von komen / Yoshihiro Yokoyama ; Betreuer: Kurt Gärtner." Trier : Universität Trier, 2014. http://d-nb.info/1197700811/34.

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12

Nakayama, Yoshihiro [Verfasser], Hartmut [Akademischer Betreuer] Hellmer, Peter [Akademischer Betreuer] Lemke, and Torsten [Akademischer Betreuer] Kanzow. "Analysis and modeling of the distribution of tracers of glacial melt in the Southern Ocean with focus on the Southeast Pacific sector / Yoshihiro Nakayama. Gutachter: Peter Lemke ; Torsten Kanzow. Betreuer: Hartmut Hellmer." Bremen : Staats- und Universitätsbibliothek Bremen, 2015. http://d-nb.info/1072303574/34.

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13

Hoye, Nathaniel. "Transitive and Intransitive Verbs in Ki Idioms." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157620/.

Testo completo
Abstract (sommario):
The purpose of this thesis is to examine idiomatic structures with ki in the ki-wo [transitive verb] and ki-ga [intransitive verb] constructions. It is argued that for Japanese language learners, it is crucial to be able to understand and produce ki idioms, because they are frequently used in everyday speech. There are often misconceptions regarding ki in the West for those who are fans of Japanese culture due to the influence of martial arts and anime, which paint ki as a spiritual energy that can be controlled and developed. However, upon examining the above mentioned idiomatic structures
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14

Fries, Katherine. "Ariadne’s Thread - memory, interconnection and the poetic in contemporary art." University of Sydney, 2008. http://hdl.handle.net/2123/5709.

Testo completo
Abstract (sommario):
Master of Visual Arts<br>This Dissertation explores the metaphor of Ariadne’s thread in terms of interconnection, when an element from the everyday is used as a locus linking broader concepts of time and space. Such experiences and associations are reflected in the work of Louise Bourgeois, Eva Hesse, Doris Salcedo, Lucio Fontana, Richard Tuttle, Mona Hatoum, Simone Mangos, Anya Gallaccio and Yoshihiro Suda. In relation to my own work, the metaphor of interconnecting thread allows a sense of freedom and journey of discovery. My studio and related research are closely aligned in developing my u
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15

CHEN, TZU-PING, and 陳子平. "The Study of “Monodrame I” by Taïra Yoshihisa." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/3269s3.

Testo completo
Abstract (sommario):
碩士<br>國立高雄師範大學<br>音樂學系<br>104<br>Since the twentieth century, multiple percussion's solo pieces are too numerous to mention individually. One denomination of them works with “spatial notation” and “graphic notation”, which give the performers considerable space on interpretation and also adding more "improvisation" and "serendipity". Taïra Yoshihisa's（1937-2005）《 Monodrame I》 is one of these kinds of works. The purpose of this research is to identify that: how to interpret different elements on the basic of spatial notation and the author also hopes to have further information about Taïra
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16

Chang, Kowei, and 張可薇. "The Analysis and Interpretation of Yoshihisa Taïra《ConvergenceⅠ》and Akira Miyoshi《Ripple》for Solo Marimba." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/kem5wx.

Testo completo
Abstract (sommario):
碩士<br>國立臺灣藝術大學<br>音樂學系<br>101<br>The purpose of this thesis is study the compositions and performances of two Marimba pieces by, Convergence I composed by Yoshihisa Taïra, and Ripple by Akira Miyoshi, from different aspects. Convergence Iwas finished in 1975. In terms of compositional format, this piece is way beyond tradition techniques. For examples, Yoshihisa Taïra employed continuants to build the spatial atmosphere. Traditional rests were replaced by distinct fermatas as well. Furthermore, human voices were also applied as special sound effects. In contrast, Akira Miyoshi finished Ripple
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17

Ke, Rough-Ing, and 柯若櫻. "Rough-Ing Ke Percussion Recital（with a Supporting Paper: Eastern Zen and Bushido in《Convergence I 》by Yoshihisa Ta?ra）." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/40275720504150082348.

Testo completo
Abstract (sommario):
碩士<br>國立交通大學<br>音樂研究所<br>94<br>Interpretations conveyed in this thesis are based on the musical work “Convergence I”, of which the composer is Yoshihisa Ta?ra. Through the musician’s life story and rational analysis, this thesis tries to explore the overtones of this piece from the concept of Eastern Zen and Bushido.“Convergence I” has active images, its alive silence reflects the composer’s comprehension of eastern aesthetics “nil ego”. The actual interpretation reveals the universe that came to image upon the mutual movements of her interior sensations, together with the enlightenment and ex
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