Bibliografie tematiche / Wrestlers – Fiction

Letteratura scientifica selezionata sul tema "Wrestlers – Fiction"

Autore: Grafiati
Pubblicato: 26 luglio 2024

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Articoli di riviste sul tema "Wrestlers – Fiction"

1

Debruyne, Nina. "From Being Deprived to Bestowing Privileges – Artistic Reflections of the Wrestlers /Mutri/ Subculture in The Novels by Georgi Stoev". Balkanistic Forum 32, n. 2 (1 giugno 2023): 216–29. http://dx.doi.org/10.37708/bf.swu.v32i2.12.

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One of the most characteristic phenomena of the Transition in Bulgaria in the 1990s were the socalled Wrestlers’ brigades. Their emergence and rise left a lasting imprint on the social fabric and provided the initial impetus for the formation of the so-called ‘Wrestlers/ Mutri’ subculture. In a situation of rapidly changing public, economic and social environments in Bulgaria after the fall of the totalitarian regime in 1989, the Wrestlers’ brigades gave young men with modest family backgrounds the opportunity to become part of a set enjoying a progressively privileged economic and social circumstance. In the aftermath of the state's abdication of its regulatory and adjudicative functions, these groups and their individual members gained access to various power levers and transformed from privileged to privileging — granting privileges — both to in-group members (family, friends, etc.) and outsiders such as politicians, business people, artists, etc. This process of transformation from disadvantaged to privileged in this context has not yet been fully explored. The available documentary and archival information is currently limited and difficult to access. Fiction as a parallel source allows us to consider these processes from a different angle. The purpose of the proposed paper is to analyse the novels of Georgi Stoev – admittedly a former member of a Wrestler’s group, as a source of information about the process of transformation from disadvantage to privilege and of specific subcultural traits. By comparing the information in the eight books in the ‘Witnesses of the Times’ and ‘BG Godfather’ series with publicly available documents, studies and publications, a deeper understanding is obtained of the values and dynamics of the Wrestlers/ Mutri subculture in Bulgaria at the end of the 20th and the beginning of the 21st century.
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2

Saunders, Robert A. "Reimagining the colonial wilderness: ‘Africa’, imperialism and the geographical legerdemain of the Vorrh". cultural geographies 26, n. 2 (11 novembre 2018): 177–94. http://dx.doi.org/10.1177/1474474018811669.

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Novelists and other cultural producers have long employed the African continent as a palimpsest to construct fantastical tales. From Sir John Mandeville to Joseph Conrad, Africa’s blank spaces on the map have been filled with monstrous creatures that fuel the western imagination. As a consequence, this constant othering of the so-called ‘Dark Continent’ has had a deleterious impact for African states and their citizenries, as spectacularly evidenced in U.S. President Donald Trump’s now-infamous labelling of the entire continent as a host of ‘shithole countries’. This article wrestles with the continuation of this trend in popular culture via an empirical examination of the speculative fiction of the British novelist and performance artist, B. Catling. Publishing in 2015, The Vorrh is the first of the three novels set in a parallel Africa, specifically a former German colony that is home to remnants of the Garden of Eden. Focusing on the enchanted forest known as the Vorrh and the colony’s (fictional) capital, Essenwald, this article employs methods drawn from geocriticism and popular geopolitics to interrogate Catling’s built-world. This is done with the aim of connecting structures of iteration in the representation of fictional ‘Africas’ to the West’s imperially inflected geopolitical codes towards the actual physical and human geographies that constitute the world’s second largest and most populous continent.
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3

Rushall, Brent S. "Covert Modeling as a Procedure for Altering an Elite Athlete’s Psychological State". Sport Psychologist 2, n. 2 (giugno 1988): 131–40. http://dx.doi.org/10.1123/tsp.2.2.131.

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This paper describes the steps taken to use covert modeling as a procedure to alter a problematic loss of confidence in an elite wrestler. The traditional steps of the procedure were modified to suit the client and situation. The then world champion was determined to be a phobic stimulus, as the client could not imagine himself performing successfully with the champion. The covert model at first incorporated the champion and a fictional model. After the determination of detailed appropriate behaviors for a high level of wrestling performance, the athlete modeled their occurrence. After familiarity with the procedure had been established, the wrestler was gradually substituted for the fictional character. He reported practicing modeling outside of consultation sessions and deemed the imagery successful after he had substituted himself as the model. Both the wrestler and his coach considered the procedure to be successful. Performances were markedly improved after the intervention. Covert modeling was proposed as being a viable method for eliminating fear, a loss of confidence, and negative self-appraisals in athletes.
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4

Wood, Ralph C. "A Case for P. D. James as a Christian Novelist". Theology Today 59, n. 4 (gennaio 2003): 583–95. http://dx.doi.org/10.1177/004057360305900405.

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P. D. James is the successor to Agatha Christie as the queen of contemporary crime fiction. She is also a writer whose work is imbued with deep Christian convictions. Her novels are concerned to declare not merely who “done” it, but also why. She probes human motives with an unusually keen eye for the mystery of iniquity, especially the desire to murder in the name of good. James's novels also wrestle with the very largest moral and social questions, and her fiction suggests answers that are deeply incarnational.
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Karambir, Mr. "Celebration of Liberal Values in Gurcharan Das’ Works of Drama and Fiction". Think India 22, n. 3 (16 ottobre 2019): 2032–42. http://dx.doi.org/10.26643/think-india.v22i3.8632.

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Gurcharan Das is a regular columnist for The Times of India and other national and international Newspapers and magazines. He is a versatile personality which has shown his remarkable talents in different genres of literature. Along with his maiden novel A Fine Family (1990), he has published three plays Larins Sahib (1968), Mira (1970) and 9 Jakhoo Hill (1996) and many non-fictional works such as India Unbound: From Independence to the Global Information Age (2000), The Elephant Paradigm: India Wrestles with Change (2002), The Difficulty of Being Good: On the Subtle Art of Dharma (2009) and India Grows at Night: A liberal case for a Strong State (2012).
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6

Russell, Gordon W., Veronica E. Horn e Mary J. Huddle. "MALE RESPONSES TO FEMALE AGGRESSION". Social Behavior and Personality: an international journal 16, n. 1 (1 gennaio 1988): 51–58. http://dx.doi.org/10.2224/sbp.1988.16.1.51.

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The effects on males (N= 60) of observing fictional aggression were assessed in a between-subjects design. Subjects were randomly assigned to view either a film clip of professional lady wrestlers, a mud wrestling segment or, to a no-film control condition. Both films produced negative changes in mood states, principally an increase in aggression and a decrease in social affection. Exposure to the films failed to produce changes in men's acceptance of interpersonal violence against women, rape myth beliefs or sexual callousness.
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Hawthorne, Susan. "Reflections on Writing and Disability". Axon: Creative Explorations 13, n. 2 (21 febbraio 2024): 71–75. http://dx.doi.org/10.54375/001/dybmnwbzx7.

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Much of my fiction and poetry has been a long wrestle with the Pythia, the prophetic snake at Delphi. A figure who slides in and out of consciousness. The mythic imagery associated with her includes Eurydice who is unable to leave the underworld. She represents the dislocation of the postseizure state and her return to status epilepticus. The poems and text in this essay are an attempt to write what is barely writable.
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8

Kennon, Raquel. "“In de Affica Soil”: Slavery, Ethnography, and Recovery in Zora Neale Hurston’sBarracoon: The Story of the “Last Black Cargo”". MELUS 46, n. 1 (1 marzo 2021): 75–104. http://dx.doi.org/10.1093/melus/mlab003.

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AbstractI explore the relationship between Hurston as ethnographer and Kossola as subject in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo,” posthumously published in 2018 but extant since 1931. Barracoon reveals how Hurston wrestles with her dual identity as fiction writer and cultural anthropologist as it crafts a narrative of slavery and liberation around conjured memory and the ethnographic relationship. The essay considers how Hurston harnesses her rhetorical powers to convince Kossola to share recollections of his life “in Affica soil,” and examines how the themes of loss and recovery emerge in Hurston’s recording of Kossola’s narrative of capture, enslavement, and free life in Africatown, the construction of an archive of transatlantic slavery, and the extraliterary narrative of Alice Walker’s reclamation of Hurston’s own voice into the canon.
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9

Zedalis, Jennifer. "The Time-traveling Lawyer: Using Time Travel Stories and Science Fiction in Legal Education". British Journal of American Legal Studies 11, n. 2 (1 novembre 2022): 355–78. http://dx.doi.org/10.2478/bjals-2022-0008.

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Abstract Science fiction and time travel can be used to inform and enhance the education of law students in profound ways. Within the broader field of law and literature, the relationship between law and science fiction, especially time travel stories, is rich and useful. Themes and concepts in time travel can be applied in the exploration of existing legal philosophies as well as a more expansive and engaging study of power, authority, freedom, and a number of global issues. As governments and people worldwide wrestle with climate change, armed conflict, pandemics, and the increasing significance of artificial intelligence and other advances in technology, time travel stories give students unique contexts in which to consider what law is and the degree to which it defines human experience. For generations, brilliant science fiction writers have offered thought-provoking stories and worlds that law professors and their students can use to reimagine legal thought and practice. Like its close relatives, mythology and fantasy, the science fiction genre is untethered to current social or political experience or projections necessarily corrupted by narrowly conceived historical perspectives. Science fiction writers are interested in illuminating possibilities by considering identifiable problems in unidentifiable environments. It is no accident that gender identity, racism, reproductive rights, extremist ideologies, global health crises, and various recognizable forms of labor exploitation are addressed in provocative and insightful ways by a number of the best science fiction writers. Law has a strong presence in their work. Judges, law givers, ruling groups, and other less familiar forms of power and control appear in these stories and help to move and shape the experience of the time traveler. Law students can draw on the work of these writers to consider old questions in new and refreshingly broad ways. The importance of communication and access to information are also strong themes common to law and science fiction. How are concepts of truth and propaganda significant to power? Is truth necessary for legitimacy? Information technologies introduced in the science fiction world now exist in real time in forms and with speed and volume unimagined even a few decades ago. As artificial intelligence becomes dominant in many aspects of our daily lives, law students must consider how it may change law making, court procedures, entire legal systems, and perhaps even concepts of justice. As a project, law students might develop a case and conduct a trial using an AI judge or try a case to an AI jury. How human is the law? The role of emotional intelligence and concepts like mercy, restorative justice, forgiveness, or retribution are also things they might explore in seminars or other classes using science fiction literature and other time travel media as a framework.
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10

Hicks, Patrick. "Sleight-of-Hand: Writing, History, and Magic in Brian Moore’s The Magician’s Wife". Commonwealth Essays and Studies 27, n. 2 (2005): 87–97. http://dx.doi.org/10.4000/120tw.

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Brian Moore’s latest novel, The Magician’s Wife (1997), is set in nineteenth-century France and Algeria. In this work about magic, Moore manipulates history, rewrites it, and the nature of faith is investigated from the diametrically opposed agendas of colonizer and colonized. As readers, we are caught in a fictional reconstruction of precise historical events and, like the protagonist, Emmeline Lambert, we are compelled to wrestle with disturbing questions of faith and empire.
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Più fonti

Libri sul tema "Wrestlers – Fiction"

1

Morgan, Allen. Matthew and the midnight wrestlers. Toronto: Stoddart Kids, 2000.

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2

Frank, Morry. A little-known saga of the Lost Dauphin and Yukon Kid: A novel. Chicago, Ill: Silverback Books, 2007.

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3

Inṣāfʹpūr, Ghulām Riz̤ā. Pūriyā-yi Valī: Dāstānʹhā-yi az pahlavānān-i qadīm az qarn-i haftum tā qarn-i sizdahum-i Hijrī. [Tehran]: Dunyā-yi Kitāb, 1996.

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4

Nėrgu̇ĭ, Lkhaavaĭn. Mongol bȯkhiĭn duulal. Ulaanbaatar Khot: Impress KhKhK, 2005.

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5

Mei, Ludvig. Tagaaetav: Tõsielusugemetega jutustus. Tallinn: Eesti Raamat, 1986.

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Cody, Liza. Monkey wrench. London: Arrow, 1995.

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7

Torres, Fernando Cavazos. Historias fantásticas de lucha libre. Monterrey, N.L., México: Oficio Ediciones, 2018.

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8

Chapman, Mike. Gotch: An American hero. Newton, IA: Culture House Books, 1999.

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9

Chiappetta, Michael. Journey into darkness. New York: Pocket, 2005.

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10

Johnson, Cindy Chambers. Russell wrestles the relatives. New York, NY: Aladdin, 2018.

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Capitoli di libri sul tema "Wrestlers – Fiction"

1

Koenigs, Thomas. "Introduction". In Founded in Fiction, 1–24. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691188942.003.0001.

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This introductory chapter provides an overview of the array of theories and varieties of fictionality that early US writers developed as they wrestled with the most pressing social and political questions of their moment. The story of fictionality in the republic is not one of isolated authors struggling with literary theory, but one of the individuals and movements that used different modalities of fiction for community building and social reform. Thus, the chapter explains that the book charts how early US writers used diverse varieties of fictionality as tools for deliberation, education, and persuasion. These writers sought to harness the mental processes elicited by different fictional logics—evaluations of possibility, considerations of counterfactual scenarios, speculations on different potential futures, or identification with suppositional persons—for a range of social projects. They developed new fictionalities for intervening in political debates, training engaged citizens, shaping conduct, constructing a national past, and advancing social criticism.
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Cushman, Keith. "The Idea of the Novel". In The Edinburgh Companion to D. H. Lawrence and the Arts, 191–203. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456623.003.0014.

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This chapter relates Lawrence's ideas about novel writing to his own novels. Early in his career he wrestled with and rejected the Flaubertian ideal of careful 'construction' and 'form', precisely chosen words, and authorial impersonality. The ideas expressed in the six essays he wrote about the novel, five of them in 1925, inform his own fiction. The distinctive qualities of his best fiction include incomplete, open form - forcefulness, struggle and even danger - energy and quickness. While the chapter focuses mainly on Sons and Lovers, The Rainbow and Women in Love, it discusses all the novels except The Lost Girl. The chapter also considers the relationship of Lawrence's criticism of other writers, including Dostoevsky, Tolstoy and Whitman, to his own novel writing.
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Hammond, Brean S. "Defoe and London". In The Oxford Handbook of Daniel Defoe, 471–87. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198827177.013.30.

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Abstract Daniel Defoe was a Londoner born and bred, and across his writings he explores the significance of the capital at a time when London underwent rapid growth and modernization. Defoe chronicles, celebrates, and wrestles with the implication of that growth, recognizing it as a sign of national prosperity but contemplating it in the wake of the South Sea Bubble as a potential sign of corruption. The chapter analyses Defoe’s representations of London in tracts about economics, in periodicals, and in A Tour thro’ the whole Island of Great Britain (1724–6). It also examines representations of London in Defoe’s fiction, both the historical novel A Journal of the Plague Year (1722), which depicts a city in peril during the 1665 Great Plague, and criminal narratives such as Moll Flanders and Colonel Jack (both 1722), in which Defoe’s conception of personal identity and agency is bound up with urban experience.
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4

"PN: It reminds me that in the story called ‘Madame Realism’, the narrator decides that ‘Anything can be a transitional object. No one spoke of limits, they spoke of boundaries. And my boundaries shift, she thought, like ones do after a war when countries lose or gain depending on having won or lost’ (MR, 39). The reference to Winnicott’s concept of ‘transitional objects’ seems to have a relevance to your sense of how fiction operates—perhaps as (to use another concept from Winnicott) a ‘potential space’ somewhere between psyche and world where a certain ‘play’ can take place? LT: In criticism you always have to make one argument, and you have to support that argument against other arguments. In writing a novel or a short story there are arguments going on too, but there you have the possibility of different voices and different characters. You don’t have to argue as if there’s one truth, or one way to see something, you can allow for a lot of ambivalence. In some way writing fiction for me is about anxiety and being extremely insecure, and having between me—and maybe this is Winnicottian—between me and the world a space where I say, this is not me, and it is me, ambivalently, but this is also not Truth. PN: Motion Sickness suggests that national identity is like armour; in Haunted Houses are we meant to conclude that gender is similarly a kind of defence and constraint? LT: Yes, I think I very much felt that when I wrote Haunted Houses. All my books are in a way about limits, and about fighting those limits. Haunted Houses definitely was about the limits of gender and of being a girl, how you took it on, how you wrestled with it; then with Motion Sickness it was national identity and nationalism. But you never want to celebrate your limits, you don’t want to celebrate being an American, to celebrate being a woman. That’s making a virtue out of something that’s neither a vice nor a virtue. It’s a given. You’re born into something and it’s a matter of what you do with that. PN: Relations between self and other seem to be played out visually a lot of the time—in Haunted Houses, for example: ‘there was a chance of being looked at, which was better than being spoken to: it was as if she were being taken, unaware and involuntarily, and not taken’ (H, 62). LT: Being looked at—again this would be an interesting argument that pornography is not rape—looking at something and having a fantasy is different from being thrown into the bushes and raped. This could also lead into a discussion about aspects of female desire and whether a woman’s desire to be looked at is passive or active. I tend to feel those terms, ‘passive’ and ‘active’, are—well",. In Textual Practice, 56. Routledge, 2005. http://dx.doi.org/10.4324/9780203986219-22.

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