Libri sul tema "Wood Studio (Firm)"

Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.

Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.

The conservation of Earth's forest ecosystems is one of the great environmental challenges facing humanity in the 21st century. All of Earth's ecosystems now face the spectre of the accelerated greenhouse effect and rates of change in climatic regimes that have hitherto been unknown. In addition, multiple use forestry – where forests are managed to provide for both a supply of wood and the conservation of biodiversity – can change the floristic composition and vegetation structure of forests with significant implications for wildlife habitat. Wildlife, fire and future climate: a forest ecosystem analysis explores these themes through a landscape-wide study of refugia and future climate in the tall, wet forests of the Central Highlands of Victoria. It represents a model case study for the kind of integrated investigation needed throughout the world in order to deal with the potential response of terrestrial ecological systems to global change. The analyses presented in this book represent one of the few ecosystem studies ever undertaken that has attempted such a complex synthesis of fire, wildlife, vegetation, and climate. Wildlife, fire and future climate: a forest ecosystem analysis is written by an experienced team of leading world experts in fire ecology, modelling, terrain and climate analysis, vegetation and wildlife habitat. Their collaboration on this book represents a unique and exemplary, multi-disciplinary venture.

The handbook presents significant theoretical and practical solutions in design, construction and management of sustainable wooden public buildings, based on experiences in five countries – Lithuania, Denmark, UK, Finland and Latvia, as well as in the international context. Understanding of sustainable development and the importance of wooden construction discussed, properties of wood as a construction material analysed, design solutions, including moisture, fire safety and acoustical considerations provided, wooden construction project and process management addressed, use and maintenance, including planning and inspections described, most common reasons of failures identified. The handbook is primary intended for undergraduate students who study design and construction of sustainable buildings. The presented materials are relevant not only in the academic context, but may be significant to all stakeholders in construction and real estate markets who are committed to sustainable construction in wood.

The Last Word argues that the Hollywood novel opened up space for cultural critique of the film industry at a time when the industry lacked the capacity to critique itself. While the young studio system worked tirelessly to burnish its public image in the wake of celebrity scandal, several industry insiders wrote fiction to fill in what newspapers and fan magazines left out. Throughout the 1920s and 1930s, these novels aimed to expose the invisible machinery of classical Hollywood cinema, including not only the evolving artifice of the screen but also the promotional discourse that complemented it. As likeminded filmmakers in the 1940s and 1950s gradually brought the dark side of the industry to the screen, however, the Hollywood novel found itself struggling to live up to its original promise of delivering the unfilmable. By the 1960s, desperate to remain relevant, the genre had devolved into little more than erotic fantasy of movie stars behind closed doors, perhaps the only thing the public couldn’t already find elsewhere. Still, given their unique ability to speak beyond the institutional restraints of their time, these earlier works offer a window into the industry’s dynamic creation and re-creation of itself in the public imagination.

Considering the current climate of the treatment of women in Hollywood following the Harvey Weinstein case, many male celebrities have been brought forward on charges of sexual harassment, including Woody Allen, who has once again appeared in the press in relation to historic charges of molestation. Within the context of the #MeToo era, this edited volume brings together researchers to consider how women are represented in the broader sphere of Hollywood cinema, to consider the notion of the male perspective on writing women, and to explore the various approaches to relationships with and between women on screen – all through the lens of the work of Woody Allen. While acknowledging the problematic consideration of the autobiographical nature of filmmaking, this book explores the role and representation of women throughout Allen’s films, plays, stand-up comedy, and other writings. With more recent industrial attention towards the production of his work (notably Amazon Studios refusing to distribute a completed film), the work of Woody Allen remains markedly problematic and demands interrogation, demonstrating the timeliness of this current volume.

Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.

David Lynch's Dune (1984) is the film that science fiction — and the director's most ardent fans — can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending “spice.” After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch's film was “steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it,” as Village Voice critic J. Hoberman put it — only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him.

This chapter analyzes the film career of D. A. Pennebaker. Pennebaker's key word is “interesting.” In numerous interviews, he has referred to events, subjects, and topics that have a certain “attractive” quality, in the sense that they demand attention, as interesting. In this way, he has insisted that a filmmaker “must shoot only what interests you.” His diversity of interesting films encompasses hybrid forms in which components of “documentary” mix with heightened dramatic elements associated with fiction film. These films include Daybreak Express (1953–57), an avant-gardist look at New York City; Jane (1962), a study of the actress Jane Fonda; Depeche Mode 101 (1989), and Only the Strong Survive (2002).

The aim of the study was to determine the influence of different disturbances (both natural and anthropogenic) on species composition and stand structure of old-growth mixed mountain forests in the Western Carpathians. These stands are usually dominated by beech, fir and spruce, mixed in different proportions. The tree main species represent different growth strategies, and they compete against each other. The longevity of trees makes the factors influencing the stand structure difficult to identify, even during longitudinal studies conducted on permanent research plots. That is why dendroecological techniques, based upon the annual variability of tree rings, are commonly used to analyze the disturbance histories of old-growth stands. Dendroecological methods make it possible to reconstruct the stand history over several centuries in the past by analyzing the frequency, intensity, duration and spatial scale of disturbances causing the death of trees. Combining the dendroecological techniques with the detailed measurements of stand structure, snag volume, CWD volume, and the analyses of regeneration species composition and structure allows us to identify the factors responsible for the changes in dynamics of mixed mountain forests. Various disturbance agents affect some species selectively, while some disturbances promote the establishment of tree seedlings of specific species by modifying environmental conditions. Describing the disturbance regime requires a broad scope of data on stand structure, on dead wood and tree regeneration, while various factors affecting all the stages of tree growth should be taken into consideration. On the basis of the already published data from permanent sample plots, combined with the available disturbance history analyses from the Western Carpathians, three research hypotheses were formulated. 1. The species composition of mixed mountain forests has been changing for at least several decades. These directional changes are the consequence of simultaneous conifer species decline and expansion of beech. 2. The observed changes in species composition of mixed mountain forests are the effect of indirect anthropogenic influences, significantly changing tree growth conditions also in the forests that are usually considered natural or near-natural. Cumulative impact of these indirect influences leads to the decrease of fir share in the tree layer (spruce decline has also been observed recently),and it limits the representation of this species among seedlings and saplings. The final effect is the decrease of fir and spruce share in the forest stands. 3. Small disturbances, killing single trees or small groups of trees, and infrequent disturbances of medium size and intensity dominate the disturbance regime in mixed mountain forests. The present structure of beech-fir-spruce forests is shaped both by complex disturbance regime and indirect anthropogenic influences. The data were gathered in permanent sample plots in strictly protected areas of Babia Góra, Gorce, and Tatra National Parks, situated in the Western Carpathians. All plots were located in the old-growth forest stands representing Carpathian beech forest community. The results of the measurements of trees, snags, coarse woody debris (CWD) and tree regeneration were used for detailed description of changes in the species composition and structure of tree stands. Tree ring widths derived from increment cores were used to reconstruct the historical changes in tree growth trends of all main tree species, as well as the stand disturbance history within the past two to three hundred years. The analyses revealed complex disturbance history in all of the three forest stands. Intermediate disturbances of variable intensity occurred, frequently separated by the periods of low tree mortality lasting from several decades up to over one hundred years. The intervals between the disturbances were significantly shorter than the expected length of forest developmental cycle, in commonly used theories describing the dynamics of old-growth stands. During intermediate disturbances up to several dozen percent of canopy trees were killed. There were no signs of stand-replacing disturbances, killing all or nearly all of canopy trees. The periods of intense tree mortality were followed by subsequent periods of increased sapling recruitment. Variability in disturbance intensity is one of the mechanisms promoting the coexistence of beech and conifer species in mixed forests. The recruitment of conifer saplings depended on the presence of larger gaps, resulting from intermediate disturbances, while beech was more successful in the periods of low mortality. However, in the last few decades, beech seems to benefit from the period of intense fir mortality. This change results from the influence of long-term anthropogenic disturbances, affecting natural mechanisms that maintain the coexistence of different tree species and change natural disturbance regimes. Indirect anthropogenic influence on tree growth was clearly visible in the gradual decrease of fir increments in the twentieth century, resulting from the high level of air pollution in Europe. Synchronous decreases of fir tree rings’ widths were observed in all three of the sample plots, but the final outcomes depended on the fir age. In most cases, the damage to the foliage limited the competitive abilities of fir, but it did not cause a widespread increase in tree mortality, except for the oldest firs in the BGNP (Babia Góra National Park) plot. BGNP is located in the proximity of industrial agglomeration of Upper Silesia, and it could be exposed to higher level of air pollution than the other two plots. High level of fir regeneration browsing due to the deer overabundance and insufficient number of predators is the second clear indication of the indirect anthropogenic influence on mixed mountain forests. Game impact on fir regeneration is the most pronounced in Babia Góra forests, where fir was almost completely eliminated from the saplings. Deer browsing seems to be the main factor responsible for limiting the number of fir saplings and young fir trees, while the representation of fir among seedlings is high. The experiments conducted in fenced plots located in the mixed forests in BGNP proved that fir and sycamore were the most preferred by deer species among seedlings and saplings. In GNP (Gorce National Park) and TNP (Tatra National Park), the changes in species composition of tree regeneration are similar, but single firs or even small groups of firs are present among saplings. It seems that all of the analysed mixed beech-fir-spruce forests undergo directional changes, causing a systematic decrease in fir representation, and the expansion of beech. This tendency results from the indirect anthropogenic impact, past and present. Fir regeneration decline, alongside with the high level of spruce trees’ mortality in recent years, may lead to a significant decrease in conifers representation in the near future, and to the expansion of beech forests at the cost of mixed ones.

The Two cines con niño is the first genre study of Spanish-language child-starred cinemas. It illuminates continuities in the political use of the child protagonist in over fifty years of cinema from Spain and how the child-starred genres use the concept of childhood to define the nation’s past, present, and future. From Francoist popular to oppositional auteur films, and including Latin American cinema, this monograph examines dialogism in aesthetics, narratives, and genre functions. It demonstrates the impact of these narratives within Spanish film history and Francoist biopolitics, as well as providing a broader transatlantic perspective on the genre in select productions from Chile and Argentina. In-depth inquiry within its pages examines films by Pedro Almodóvar, Antonio del Amo, Montxo Armendáriz, Benjamín Ávila, Juan Antonio Bayona, José Luis Cuerda, Guillermo del Toro, Víctor Erice, Manuel Gutiérrez Aragón, Arantxa Lazkano, Luis Lucía, Paula Markovtich, Javier Ruiz Caldera, Carlos Saura, Imanol Uribe, Ladislao Vajda, Agustí Villaronga, and Andrés Wood.

The Marx Brothers are universally considered to be classic Hollywood’s preeminent comedy team and Duck Soup is generally regarded as their quintessential film. A topical satire of dictatorship and government in general, the movie was a critical failure and box-office let-down on its initial release in 1933. J. Hoberman's study of the film traces its reputation history, from the initial disappointment of its release, to its rise to cult status in the 1960s when the Marx’s anarchic, anti-establishment humor seemed again timely. Hoberman places Duck Soup, alongside analogous comedies—Dr. Strangelove (1964), the Beatles films, Morgan! (1966), The President’s Analyst (1967) and The Producers (1968). It attained canonical stature as a touchstone for Woody Allen and would be recognized by the Library of Congress in the 1990s. Hoberman's analysis provides a historical and political context as well as an in-depth production history, drawing on primary sources and emphasizing director McCarey’s prior work along with the Marx Brothers as well as the situation at Paramount, a substantial synopsis, and an account of the movie’s initial reception, concluding with its subsequent elevation to comic masterpiece.

Classic American Filmsexplores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters—the original artists—have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise forSingin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems inNorth by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script forJawswhile shooting was already underway; and Sylvester Stallone's account of how he received final approval to star inRockyfrom studio executives who thought he was just another actor.

The challenges to which contemporary building design needs to respond grow steadily. They originate from the influence of changing environmental conditions on buildings, as well as from the need to reduce the impact of buildings on the environment. The increasing complexity requires the continual revision of design principles and their harmonisation with current scientific findings, technological development, and environmental, social, and economic factors. It is precisely these issues that form the backbone of the thematic book, Sustainable and Resilient Building Design: Approaches, Methods, and Tools. The purpose of this book is to present ongoing research from the universities involved in the project Creating the Network of Knowledge Labs for Sustainable and Resilient Environments (KLABS). The book starts with the exploration of the origin, development, and the state-of-the-art notions of environmental design and resource efficiency. Subsequently, climate change complexity and dynamics are studied, and the design strategy for climate-proof buildings is articulated. The investigation into the resilience of buildings is further deepened by examining a case study of fire protection. The book then investigates interrelations between sustainable and resilient building design, compares their key postulates and objectives, and searches for the possibilities of their integration into an outreaching approach. The fifth article in the book deals with potentials and constraints in relation to the assessment of the sustainability (and resilience) of buildings. It critically analyses different existing building certification models, their development paths, systems, and processes, and compares them with the general objectives of building ratings. The subsequent paper outlines the basis and the meaning of the risk and its management system, and provides an overview of different visual, auxiliary, and statistical risk assessment methods and tools. Following the studies of the meanings of sustainable and resilient buildings, the book focuses on the aspects of building components and materials. Here, the life cycle assessment (LCA) method for quantifying the environmental impact of building products is introduced and analysed in detail, followed by a comprehensive comparative overview of the LCA-based software and databases that enable both individual assessment and the comparison of different design alternatives. The impact of climate and pollution on the resilience of building materials is analysed using the examples of stone, wood, concrete, and ceramic materials. Accordingly, the contribution of traditional and alternative building materials to the reduction of negative environmental impact is discussed and depicted through different examples. The book subsequently addresses existing building stock, in which environmental, social, and economic benefits of building refurbishment are outlined by different case studies. Further on, a method for the upgrade of existing buildings, described as ‘integrated rehabilitation’, is deliberated and supported by best practice examples of exoskeleton architectural prosthesis. The final paper reflects on the principles of regenerative design, reveals the significance of biological entities, and recognises the need to assign to buildings and their elements a more advanced role towards natural systems in human environments.

Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts against and is organized around a topos of both print and non-print media. These themes and motifs involve not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, either during the Victorian age or sometime during the twentieth century, such as photography, film, video, and digital screens. The awareness in Techno-Magism of this proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. In a word, both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media in the eight essays collected here. The essays in Techno-Magism think that relationship through the non-dialectical, catachrestic practice of a techno-magism, and further organize themselves around two other ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Bearing the historical moment of their writing, the second decade of this millennium, where so much of thought and planetary existence labors under the latest phase of late capitalism, oligarchic capital, the essays also explore the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.