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1
Lynch, Patrice M. "One woman's journey : a collection of creative nonfiction". Honors in the Major Thesis, University of Central Florida, 1999. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/73.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Sciences
English; Creative Writing
2
Beaman, Michael. "LIKE A WOMAN: PLAYING THE HOMOSEXUAL AS TRUTH IN KISS OF THE SPIDER WOMANA". Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3369.
Testo completoAbstract (sommario):
Identity, who we are, is at the core of every human being, thus at the core of every character from every play. How the character identifies his self through gender and sexual identity will shape both physical and emotional choices that an actor will make through the rehearsal process. As an actor, it is absolutely imperative to resist the urge to pass judgment on the characters we portray. As more characters in modern drama are openly gay, there is an increasing urge for an actor to fall into campy stereotypes. Through a performance of the role of Molina in Manuel Puig's Kiss of the Spider Woman, this thesis will examine the blurring line of gender identity of the leading man in contemporary drama and explore the challenges of portraying a feminine man in a non-stereotypical way, remaining true to the identification of the character. A thorough historical analysis presents a look at the evolution of the homosexual throughout modern drama, from self-loathing party boys of the seventies to ordinary fathers, husbands, and sons in modern households. A structural analysis of Puig's text will aid in the choices made by the actor. Lastly, a complete character analysis will examine the psychological motivations behind Molina's actions as well as the changes in his gender and sexual identity throughout the piece. This thesis will culminate in a comprehensive development, rehearsal and performance journal, which will document and address challenges, discoveries, failures and victories during the production process.M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
3
Seed, Davis Lenora. "Domestic violence from an African American woman's perspective". Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/301.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Health and Public Affairs
Social Work
4
Grantham, Brianna Jene. "The collection : integrating attachment theory and theories of intergenerational development to write a woman's life". Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7423/.
Testo completoAbstract (sommario):
The Collection tells the story of Barbara, a fifty-something, Christian, teacher, wife, and mother, as she is forced to return home after her estranged father's death. Named executrix of his estate, Barbara navigates family secrets, repressed childhood trauma, and her mentally ill father's legacy. Using Attachment Theory and Intergenerational Theories of Personal Development, this research discusses the development and relationships of the characters in The Collection to demonstrate the connections between their child and adult selves—specifically, the role of Barbara's parents and childhood in her suppressed anger. Framed within the context of Carolyn G. Heilbrun's feminist critique of women writers and women characters, this paper connects socio-psychological theories to investigate how the patriarchal gender norms Barbara's mother instilled in her daughter result in Barbara's suppressed anger, strained interpersonal relationships and adult religiosity. The relationship between adult Barbara and her aging mother is discussed in context of these theories and compared against women characters in Siri Hustvedt's The Blazing World and Elizabeth Strout's Olive Kitteridge. Finally, the paper calls for further research into and understanding of the causes and effects of women's anger, as well as an essential shift in how both men and women are permitted to express emotions.
5
Harwell, Raena Jamila. "This Woman's Work: The Sociopolitical Activism of Bebe Moore Campbell". Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/138885.
Testo completoAbstract (sommario):
African American StudiesPh.D.
In November 2006, award-winning novelist, Bebe Moore Campbell died at the age of 56 after a short battle with brain cancer. Although the author was widely-known and acclaimed for her first novel, Your Blues Ain't Like Mine (1992) there had been no serious study of her life, nor her literary and activist work. This dissertation examines Campbell's activism in two periods: as a student at the University of Pittsburgh during the 1960s Black Student Movement, and later as a mental health advocate near the end of her life in 2006. It also analyzes Campbell's first and final novels, Your Blues Ain't Like Mine and 72 Hour Hold (2005) and the direct relationship between her novels and her activist work. Oral history interview, primary source document analysis, and textual analysis of the two novels, were employed to examine and reconstruct Campbell's activist activities, approaches, intentions and impact in both her work as a student activist at the University of Pittsburgh and her work as a mental health advocate and spokesperson for the National Alliance for Mental Illness. A key idea considered is the impact of her early activism and consciousness on her later activism, writing, and advocacy. I describe the subject's activism within the Black Action Society from 1967-1971 and her negotiation of the black nationalist ideologies espoused during the 1960s. Campbell's first novel Your Blues Ain't Like Mine and is correlated to her emerging political consciousness (specific to race and gender) and the concern for racial violence during the Black Liberation period. The examination of recurrent themes in Your Blues reveals a direct relationship to Campbell's activism at the University of Pittsburgh. I also document Campbell's later involvement in the National Alliance on Mental Illness (NAMI), her role as a national spokesperson, and the local activism that sparked the birth of the NAMI Urban-Los Angeles chapter, serving black and Latino communities (1999-2006). Campbell's final novel, 72 Hour Hold, is examined closely for its socio-political commentary and emphasis on mental health disparities, coping with mental illness, and advocacy in black communities. Campbell utilized recurring signature themes within each novel to theorize and connect popular audiences with African American historical memory and current sociopolitical issues. Drawing from social movement theories, I contend that Campbell's activism, writing, and intellectual development reflect the process of frame alignment. That is, through writing and other activist practices she effectively amplifies, extends, and transforms sociopolitical concerns specific to African American communities, effectively engaging a broad range of readers and constituents. By elucidating Campbell's formal and informal leadership roles within two social movement organizations and her deliberate use of writing as an activist tool, I conclude that in both activist periods Campbell's effective use of resources, personal charisma, and mobilizing strategies aided in grassroots/local and institutional change. This biographical and critical study of the sociopolitical activism of Bebe Moore Campbell establishes the necessity for scholarly examination of African American women writers marketed to popular audiences and expands the study of African American women's contemporary activism, health activism, and black student activism.
Temple University--Theses
6
Shearn, Jodi Growitz. "CHIVALRY THROUGH A WOMAN'S PEN: BEATRIZ BERNAL AND HER CRISTALIÁN DE ESPAÑA: A TRANSCRIPTION AND STUDY". Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/189839.
Testo completoAbstract (sommario):
SpanishPh.D.
This doctoral dissertation is a paleographic transcription of a Spanish chivalric romance written by Beatriz Bernal in 1545. Cristalián de España, as the text is referred to, was printed twice in its full book form, four parts and 304 folios. It was also well-received outside of the Iberian Peninsula, and published twice in its Italian translation. This incunabulum is quite a contribution to the chivalric genre for many reasons. It is not only well-written and highly entertaining, but it is the only known Castilian romance of its kind written by a woman. This detail cannot be over-emphasized. Chivalric tales have been enjoyed for centuries and throughout many different mediums. Readers and listeners alike had been enjoying these romances years before the libros de caballerías reached the height of their popularity in Spain. Hundreds of contributions to the genre are still in print today and available in numerous translations. Given this reality, it seems highly suspect that this romance, penned by a woman, and of excellent quality, is not found on the shelves next to other texts of the genre. Cristalián, despite what scholars of the genre have erroneously posited, was not an obscure text in sixteenth-century Spain. Bookstore and print-shop inventories of its time list numerous copies of Bernal's romance in bound book form, which confirm that Cristalián was circulating for at least sixty years. The purpose of this dissertation is two-fold. In order for Cristalián to be included in conversations of any nature, it must be made available. This transcription of Book I and II seeks to accomplish that. Secondly, current scholarship must re-imagine erroneous constructions of sixteenth-century reader's preferences. These prevalent constructions have often excluded noteworthy contributions to literature, especially those written by women. My aim is to redress this imbalance by analyzing Beatriz Bernal's written text and her writing strategies. The first three sections of the accompanying study more thoroughly address the challenges facing women writers in sixteenth-century Spain while also considering issues of literacy, reader preferences, and text distribution of the period. The last sections of the study are devoted specifically to the chivalric genre, and to Bernal's exemplary romance, Cristalián de España. Also included in the appendix are woodcuts from both Castilian editions, the proemio from the second edition, the chapter rubrics from Book I and II, and an index of characters from the narration.
Temple University--Theses
7
McCaffrey, Molly Ann. "Heaven and Earth a collection of short stories /". Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?ucin1116245589.
Testo completoAbstract (sommario):
Thesis (Ph. D.)--University of Cincinnati, 2005.Committee/Advisors: Brock Clarke, James Schiff, Michael Griffith. Title from electronic thesis title page (viewed May 20, 2008). Keywords: Short stories; Fiction; American; Women authors; Class; Race; Interpersonal relations; Man-woman relationships. Includes abstract. Includes bibliographical references.
8
Orr, Lois C. "Elizabeth Parke Firestone: Her Couture Collection and Her Role as a Woman of Influence". University of Akron / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=akron1153503027.
Testo completo
9
Reeser, Lindsay E. "The relationship between a woman's personal birth preference and her perceptions of new mothers with different birthing methods : a test of cognitive dissonance theory". Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1132.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Sciences
Psychology
10
Utz, Laura Lee. "Museum Educator as Advocate for the Visitor: Organizing the Texas Fashion Collection's 25th Anniversary Exhibition Suiting the Modern Woman". Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277589/.
Testo completoAbstract (sommario):
Suiting the Modern Woman documented the evolution of women's power dressing in the 20th century by featuring four major components: thirteen period suit silhouettes, the power suits of twenty-eight influential and successful high profile Texas women, a look at the career and creations of Dallas designer, Richard Brooks, who created the professional wardrobe for former Texas Governor Ann Richards, and a media room which showcased images of working women in television and movie clips, advertisements, cartoons, and fashion guidebooks. The exhibition served as an application for contemporary museum education theory. Acting as both the exhibition coordinator and educator provided an opportunity to develop interpretative strategies and create a meaningful visitor experience.
11
Schlosser, Danielle M. "Woman Tagged : a poetry collection deploying a Fourth Wave materialist feminist approach to corporeal image transposition". Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/4176/.
Testo completoAbstract (sommario):
This thesis is a creative and critical examination of transposing corporeal imagery from quotidian sources such as women’s beauty and fashion magazines into poetic form and engaging with the Fourth Wave of Feminism and the material conditions of women. As such, it contains a creative element, which is a collection of poetry entitled Woman, Tagged. The creative element is accompanied by a reflective critical commentary examining the methodology and creative process of writing Woman, Tagged, research and observations into corporeal imagery as it is presented in women’s poetry and the waves of feminism with emphasis on the Fourth Wave and materialist feminism. Moreover, as the poetry collection is the original contribution to knowledge, the critical aspect exists not to critique the Fourth Wave, but to contextualise Woman, Tagged as a poetic response to the Fourth Wave. This thesis deploys a methodology of close reading and critical engagement with women’s poetry, women’s magazines, and the online strategies and campaigns of the Fourth Wave of feminism.
12
Kain, Donna J. "Sexual poetics : erotica and representation of the woman". Honors in the Major Thesis, University of Central Florida, 1992. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/99.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Sciences
English
13
Davis, Karen Maria. "Evolution of a self : one black woman's relationship with her hair as related through the literature and art of Toni Morrison, Carrie Mae Weems, and Lorna Simpson". Honors in the Major Thesis, University of Central Florida, 1996. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/151.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Sciences
Liberal Studies
14
Gualtieri, Marie. "I'm every woman college women's perceptions of "real women" in print advertisements". Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/560.
Testo completoAbstract (sommario):
In the American capitalist society, the media is often an agent used to perpetuate ideals and to inform consumers of products that they can purchase by using multiple advertising techniques. In an attempt to counter the thin body ideal for women, some companies have begun advertising their products by using plus size models, such as the Dove Campaign for Real Beauty. The purpose of this research is to examine college women's perceptions of the Dove Campaign for Real Beauty, an advertising campaign whose goal is to reverse the stereotypical body ideal for women and broaden the definition of beauty. Some sociologists have criticized Dove for sending conflicting messages. This study is the first that focuses on women's perceptions about this potential conflict. Through the use of both quantitative and qualitative methods, this study examined if, how, and when women changed their initial perceptions toward the Dove Campaign for Real Beauty based on two separate scenarios brought to their attention. This is important because the findings suggest how consumers can change their perceptions regarding a company, in this case one that is a part of a multi-million dollar parent company, based on how a company advertises its products.B.S.
Bachelors
Sciences
Sociology
15
Crosswhite, Frank S., e Carol D. Crosswhite. "The Plant Collecting Brandegees, with Empasis on Katharine Brandegree as a Liberated Woman Scientist of Early California". University of Arizona (Tucson, AZ), 1985. http://hdl.handle.net/10150/554219.
Testo completo
16
Bakley, Annette McMenamin. "Laura Carnell: The Woman Behind the Founder's Myth at Temple University". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/255535.
Testo completoAbstract (sommario):
Educational AdministrationEd.D.
Using archival materials from the early years of Temple University's history at the Special Collections Research Center, Templana Collection, at Samuel Paley Library of Temple University as well as historical periodicals, this project established a biographical sketch of Associate President Laura Carnell and examined her influence on the advancement and expansion of Temple University at the turn of the 20th century, as well as her broader impact on women's leadership roles in higher education, and to a lesser extent, her contribution to various civic causes in Philadelphia. Laura Carnell held various leadership positions at Temple University during her 43 year career at a time when few women even attended college. In addition to her important role at Temple and in the public education movement, Laura Carnell was also involved in several other social causes in Philadelphia including healthcare, human services, and several civic groups. This study examined how her role changed over time, and utilized the Kouzes and Posner (2006) Leadership Practice Inventory to analyze how her leadership of Temple University was demonstrated in her writings. Carnell used traditional gender roles, including masking her gender when necessary, to move the university agenda forward.
Temple University--Theses
17
Morales-Williams, Erin Maurisa. "Tough Love: Young Urban Woman of Color as Public Pedagogues and Their Lessons on Race, Gender, and Sexuality". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/271903.
Testo completoAbstract (sommario):
Urban EducationPh.D.
Feminist scholars define rape culture as an environment that is conducive to the occurrence of rape, due to an acceptance of sexual objectification, double standards, strict adherence to traditional gender norms, and victim blaming. They argue rape culture as a definitive feature of US society. The structural forces of racism and classism, negatively impact urban areas, increasing the likelihood of violence. This includes the spectrum of sexual violence. While community centers are regarded as key social resources that help urban youth navigate the social landscape of violence, little has been said about how they respond to rape culture in particular. Employing ethnographic methods, this dissertation investigated a summer camp within a community center in the Bronx, and the everyday ways that five women of color (18-26) taught a public pedagogy of gender and sexuality. Nine weeks were spent observing women in the field; in a one year-follow up, additional interviews and observations were made outside the camp setting. Supplemental data were collected from women of color in various community centers in urban areas. This study found that given the othermother/othersister relationships that the women developed with their teen campers, they were able to detect sexual activity and trauma. In turn, they employed a public pedagogy, which offered lessons of `passive protection' and `active preparation.' This study offers implications for training and programming regarding the resistance of rape culture, and policy and legislation to regulate it within community centers.
Temple University--Theses
18
Maguire, Jessica P. "Sky woman was pushed : how the European influence on Iroquoian spirituality changed the social structure of the Iroquois confederacy of nations". Honors in the Major Thesis, University of Central Florida, 1994. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/130.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Sciences
Liberal Arts
19
Musgrove, Caroline Joanne. "Oribasius' woman : medicine, Christianity and society in Late Antiquity". Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/270083.
Testo completoAbstract (sommario):
As a writer of medical summaries and compendia, Oribasius has often been dismissed as a harbinger of late antique medical decline. This dissertation challenges this long-lived assumption by revaluating the compiler and his writings, and the place of medicine in the cultural and social landscape of late antiquity. Chapter one examines the scholarly biases that surround Oribasius’ career, positing that his Medical Collections were produced in response to the intellectual priorities of the Emperor Julian’s scholarly circle. Moreover, both the medical art and the physician were highly regarded in the fourth century, as chapter two demonstrates. Not only do the Collections reflect the priorities and order of empire, but the idea of the medical encounter granted both emperor and bishop a symbolic language with which to pose and articulate social questions in this period. Chapters three and four outline the ways Oribasius engaged with the medical realities of his day, by retaining in his compilation a sense of personal experience and patient interaction. In his borrowed case histories, female subservience in the face of medical authority is expected; whilst the hierarchy of the elite household is shown to dictate his approach to the patients within it. A messier reality of female agency in their own physical and spiritual care is better captured by Christian writers in the miracle account and sermon, in part because Christians like the Cappadocians and John Chrysostom imbued female choice with new theological meaning. Chapter five sets Oribasius’ approach to the female patient in the broader context of late antique social shifts. The compiler’s careful delineation of responsibility and blame in dealings with vulnerable pubertal and pregnant women reflect an attempt to reaffirm an unwritten social contract with the elite and the paterfamilias; a social priority which is also apparent in the legal compendia of the period. Christian writers, meanwhile, drew metaphorically upon medical discourses of generativity and patrimony to distinguish Christian society from the classical past, as chapter six demonstrates. In the final analysis, Oribasius’ Collections are shown to be intimately and variously in dialogue with the society that produced them, reflecting both the high standing of the art in late antiquity, and its symbolic role in defence of the social world, patriarchy and empire. Christian interactions with medicine are shown to reflect many of these same priorities, and to engage with medical norms in more pervasive ways than has often been noted. But it is only in the Christian text that the medical writers’ woman transcends the determinisms of her traditional generativity and physical inferiority, so central to the writings of Oribasius and his classical predecessors.
20
Page, Leah. "REFLECTIONS: A THEATRICAL JOURNEY INTO THE LIVES OF ADOLESCENT GIRLS". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4312.
Testo completoAbstract (sommario):
Adolescence is a difficult time for young women. Their bodies are changing and they are being asked to conform to a new set of feminine standards if they are to be accepted (Pipher 39). Studies have found that girls experience a decrease in self-esteem during this time. They are less likely to speak their minds openly and honestly, which can lead to depression and a feeling of falseness. As young women attempt to comprehend this turbulent time in their lives, they often find strength through positive relationships with others as well as from their own knowledge and self-awareness. Reflections is a one-woman show that investigates the current challenges associated with adolescence. The play uses short monologues as well as songs from musical theatre repertoire to tell the story of three separate and unique women. The protagonist of Reflections is an eleven-year-old girl whose personality and sense of self changes drastically during the course of the show. At the beginning of the show, she speaks her mind freely and openly and is unafraid to express her true feelings. When she discovers there are consequences to acting this way, she immediately alters her behavior to ensure her peers accept her. When she witnesses her sister's strength and becomes aware of her mother's intelligence, she realizes she no longer wants to act in ways that do not reflect her true feelings. Her sixteen-year-old sister wants so badly to be accepted that she has begun altering her appearance in dangerous ways in order to fit in. Their mother is struggling to comprehend how to raise two daughters in a culture that does little to support and nurture adolescent girls. Reflections: A Theatrical Look at the Lives of Adolescent Girls outlines each characters distinct journey, using research and analysis to support their stories. In the end it offers advice on how to prevent young women from losing their sense of self during adolescence. This part of the document will present a companion piece to the production in the form of a theatre workshop. This workshop will give young women the opportunity to explore important issues in a safe space. Participants will be able to express their thoughts and feelings without fear of retribution and can begin to investigate ways to challenge social forces that oppress them.M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
21
Wayne, Heather. "But This is What I See; This is What I See": Re-Imagining Gendered Subjectivity Through the Woman Artist in Phelps, Johnstone, and Woolf". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2064.
Testo completoAbstract (sommario):
Since the publication of Laura Mulvey's influential article 'Visual Pleasure and Narrative Cinema,' in which she identifies the pervasive presence of the male gaze in Hollywood cinema, scholars have sought to account for the female spectator in her paradigm of gendered vision. This thesis suggests that women writers have long debated the problem of the female spectator through literary depictions of the female artist. Women writers of the nineteenth and twentieth centuries'including Elizabeth Stuart Phelps, Edith Johnstone, and Virginia Woolf'recognized the power of the woman artist to undermine the trope of the male gazing subject and a passive female object. Examining Phelps's The Story of Avis (1877), Johnstone's A Sunless Heart (1894), and Woolf's To the Lighthouse (1927) illustrates how the woman artist's active vision disrupts Mulvey's 'active/male and passive/female' binary of vision. Phelps's painter-heroine Avis destabilizes the power of the male gaze not only by exerting her own vision, but also by acting as an active object to manipulate the way she is seen. Johnstone uses artist Gasparine to demonstrate the dangers of vision shaped by either aesthetic or political conventions, suggesting that even feminist idealism can promote the objectification of its heroines. Finally, Woolf redefines the terms of objectification through painter Lily Briscoe, whose vision imbues material objects with subjectivity, thereby going beyond the boundaries between male and female to blur the distinction between subject and object. Through their novels, Phelps, Johnstone, and Woolf suggest that depictions of human experience need to be radically re-thought in order to adequately represent the complexity of subjectivity.M.A.
Department of English
Arts and Humanities
English MA
22
Benin, Jamal. "PAN-AFRICAN STUDIES COMMUNITY EDUCATION PROGRAM: THE INSTITUTIONALIZATION OF A COMMUNITY EDUCATION PROGRAM". Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216537.
Testo completoAbstract (sommario):
Urban EducationPh.D.
ABSTRACT This is a case study of how a community education program became institutionalized at Temple University. The Pan-African Studies Community Education Program (PASCEP) has been located at Temple since 1979. The research illuminates the events that led to PASCEP coming onto Temple University's campus. The main research question was: "Why and how did Pan-African Studies Community Education Program develop from a Community Education Program in North Central Philadelphia to a Temple University campus-based program, and what were the important factors contributing to its development and institutionalization within Temple University?" The research used a qualitative case study method. Data were collected from archival repositories at Temple University and the City of Philadelphia as well as from original documents provided by the Community Education Program and participants in the study. Documents included newspaper articles, letters, reports, and organizational histories as well as transcripts from thirty semi-structured participant interviews. Semi-structured interviews were held with 30 participants who were involved or familiar with the movement and the university between 1975 and 1979. The research indicates that the Community Education Program acted as a local movement center connected with the Civil rights movement. I employed Social Movement theories and Aldon Morris's Indigenous perspective to examine the trajectory of the Community Education Program from the neighborhood to the University. Much of the organizing, mobilizing, and planning done by the members in the Community Education Program/local movement center was managed by Black women. Therefore, the research employed Belinda Robnett's perspective on Bridge Leaders and Toni King and Alease Ferguson's standpoint on Black Womanist Professional Leadership Development to illuminate the leadership styles of the Black women in the local movement center, and their relationships with Temple University faculty and administrators, as well. Results from the inquiry demonstrate that community activism constituted social movement collective action behavior as the Community Education Program and its supporters became an effective local movement center. The study indicates that leadership, political opportunity, resource mobilization, and participation during the tenure in the Program in the community as well as after the introduction of the Community Education Program to the University were indispensable factors in the institutionalization of the Community Education Program.
Temple University--Theses
23
Aboderin, Olutoyosi Abigail. "More Than a Hashtag: An Examination of the #BlackGirlMagic Phenomenon". Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/592065.
Testo completoAbstract (sommario):
African American StudiesM.L.A.
Cashawn Thompson, who is credited for coining the phrase “Black girls are magic” which was later shortened to Black Girl Magic, says in an interview with the Los Angeles Times that “at its core, the purpose of this movement is to create a platform where women of color can stand together against “the stereotyping, colorism, misogynoir and racism that is often their lived experience.” Julee Wilson, Fashion Senior Editor at Essence Magazine, reflects Thompson in her article written for HuffPost saying, “Black Girl Magic is a term used to illustrate the universal awesomeness of black women. It’s about celebrating anything we deem particularly dope, inspiring, or mind-blowing about ourselves.” (Wilson, 2016) Nielsen Media Research similarly defines #BlackGirlMagic as “a cross-platform gathering of empowered Black women who uplift each other and shine a light on the impressive accomplishments of Black women throughout the world, a hashtag which uncovers and addresses the daily racism that so
Temple University--Theses
24
Prezioso, Debra Nicole. "Love and Repair". Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/424.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucfBachelors
English
Arts and Sciences
Creative Writing
25
Raskin, Janet Sue. "The Belle of Amherst: Developing a Solo Performance". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3621.
Testo completoAbstract (sommario):
This thesis will document the process of rehearsing and performing a one-woman show based on the life of the poet Emily Dickinson. The script is a cutting of the full-length play, The Belle of Amherst, written in 1976 by William Luce. This self-directed project will document the process that all actors use when developing a role. The first part of developing a role includes historical research, character analysis, and script analysis. The second phase is the rehearsal process. This includes developing the physical and vocal qualities of the character and staging the action of the play. Because this performance is self-directed and self-produced, this thesis will also discuss production aspects that a director or producer usually addresses: set design, lighting, sound design, costuming, publicity, and dramaturgy. A portion of the thesis is also devoted to analyzing the cuts made to the script, a task normally reserved for a playwright. A one-person show has some unique challenges for a performer. These challenges involve making choices about how to interact with the audience, how to transition from scene to scene, and how to incorporate imaginary characters into a one-sided conversation. The question of how to portray an historical figure in an accurate and entertaining way will also be discussed.M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
26
Godbey, Margaret J. "Vying for Authority: Realism, Myth, and the Painter in British Literature, 1800-1855". Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/81444.
Testo completoAbstract (sommario):
EnglishPh.D.
Over the last forty years, nineteenth-century British art has undergone a process of recovery and reevaluation. For nineteenth-century women painters, significant reevaluation dates from the early 1980s. Concurrently, the growing field of interart studies demonstrates that developments in art history have significant repercussions for literary studies. However, interdisciplinary research in nineteenth-century painting and literature often focuses on the rich selection of works from the second half of the century. This study explores how transitions in English painting during the first half of the century influenced the work of British writers. The cultural authority of the writer was unstable during the early decades. The influence of realism and the social mobility of the painter led some authors to resist developments in English art by constructing the painter as a threat to social order or by feminizing the painter. For women writers, this strategy was valuable for it allowed them to displace perceptions about emotional or erotic aspects of artistic identity onto the painter. Connotations of youth, artistic high spirits, and unconventional morality are part of the literature of the nineteenth-century painter, but the history of English painting reveals that this image was a figure of difference upon which ideological issues of national identity, gender, and artistic hierarchy were constructed. Beginning with David Wilkie, and continuing with Margaret Carpenter, Richard Redgrave and Dante Gabriel Rossetti, I trace the emergence of social commitment and social realism in English painting. Considering art and artists from the early decades in relation to depictions of the painter in texts by Maria Edgeworth, Edward Bulwer Lytton, Mary Shelley, Joseph Le Fanu, Felicia Hemans, Lady Sydney Morgan, and William Makepeace Thackeray, reveals patterns of representation that marginalized British artists. However, writers such as Letitia Elizabeth Landon and Robert Browning supported contemporary painting and rejected literary myths of the painter. Articulating disparities between the lived experience of painters and their representation calls for modern literary critics to reassess how nineteenth-century writers wrote the painter, and why. Texts that portray the painter as a figure of myth elide gradations of hierarchy in British culture and the important differentiations that exist within the category of artist.
Temple University--Theses
27
Perez, Jeannina. "Matrilineal memories : revisionist histories in three contemporary Afro-American women's novels". Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1127.
Testo completoAbstract (sommario):
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Humanities
English
28
Byrd, Gayle. "The Presence and Use of the Native American and African American Oral Trickster Traditions in Zitkala-Sa's Old Indian Legends and American Indian Stories and Charles Chesnutt's The Conjure Woman". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/258606.
Testo completoAbstract (sommario):
EnglishPh.D.
The Presence and Use of the Native American and African American Oral Trickster Traditions in Zitkala-Sa's Old Indian Legends and American Indian Stories and Charles Chesnutt's The Conjure Woman My dissertation examines early Native American and African American oral trickster tales and shows how the pioneering authors Zitkala-Sa (Lakota) and Charles W. Chesnutt (African American) drew on them to provide the basis for a written literature that critiqued the political and social oppression their peoples were experiencing. The dissertation comprises 5 chapters. Chapter 1 defines the meaning and role of the oral trickster figure in Native American and African American folklore. It also explains how my participation in the Native American and African American communities as a long-time storyteller and as a trained academic combine to allow me to discern the hidden messages contained in Native American and African American oral and written trickster literature. Chapter 2 pinpoints what is distinctive about the Native American oral tradition, provides examples of trickster tales, explains their meaning, purpose, and cultural grounding, and discusses the challenges of translating the oral tradition into print. The chapter also includes an analysis of Jane Schoolcraft's short story "Mishosha" (1827). Chapter 3 focuses on Zitkala-Sa's Old Indian Legends (1901) and American Indian Stories (1921). In the legends and stories, Zitkala-Sa is able to preserve much of the mystical, magical, supernatural, and mythical quality of the original oral trickster tradition. She also uses the oral trickster tradition to describe and critique her particular nineteenth-century situation, the larger historical, cultural, and political context of the Sioux Nation, and Native American oppression under the United States government. Chapter 4 examines the African American oral tradition, provides examples of African and African American trickster tales, and explains their meaning, purpose, and cultural grounding. The chapter ends with close readings of the trickster tale elements embedded in William Wells Brown's Clotel; or, The President's Daughter (1853), Harriett Jacobs's Incidents in the Life of a Slave Girl (1861), and Martin R. Delany's Blake, or the Huts of America (serialized 1859 - 1862). Chapter 5 shows how Charles Chesnutt's The Conjure Woman rests upon African-derived oral trickster myths, legends, and folklore preserved in enslavement culture. Throughout the Conjure tales, Chesnutt uses the supernatural as a metaphor for enslaved people's resistance, survival skills and methods, and for leveling the ground upon which Blacks and Whites struggled within the confines of the enslavement and post-Reconstruction South. Native American and African American oral and written trickster tales give voice to their authors' concerns about the social and political quality of life for themselves and for members of their communities. My dissertation allows these voices a forum from which to "speak."
Temple University--Theses
29
Anthore-Baptiste, Soline. "La Esselentissima Casa Donada deve dare..." Les pratiques vestimentaires féminines à Venise au XVIIIe siècle, au travers des textes, de l'iconographie et des collections conservées : l'exemple des Donà di Riva di Biaisio". Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAH023.
Testo completoAbstract (sommario):
Le costume est un vecteur d’identité, et les choix que firent les Vénitiennes ont sûrement été dictés par la représentation qu’elles cherchaient à donner d’elles-mêmes. Mais le costume oriente également l’image que l’étranger pouvait se faire des habitants de Venise. Il apparaît comme un moyen d’expression, au travers duquel une société montre ce qui la représente, voire ce qu’elle aimerait être, ses goûts, son rapport au pouvoir, etc. La présente recherche vise à décrire le contexte dans lequel des vêtements ont été créés, choisis et portés, et l’identité culturelle et sociale qu’ils ont pu véhiculer. Ce travail interroge l’image de la Cité-Etat qu’est Venise au XVIIIe s. à travers l’habillement et les accessoires vestimentaires choisis et portés par les Vénitiennes, afin de déterminer s’ils correspondent à l’expression ou à l’affirmation d’une identité forte, dans le contexte politique, social et économique de la Sérénissime. Nous étudions pour cela à la fois les métiers de la mode et les usages des consommatrices autour de la mode afin de comprendre comment les vêtements peuvent matérialiser l’expression de besoins sociaux et culturels, mais également représenter une réponse "économique" face à ces besoins. Nous choisissons de centrer notre travail sur le costume féminin d’une part en raison de la diversité des sources, de leur richesse, et d’autre part en raison du rôle moteur joué par les femmes dans le domaine de la mode. Nous nous attachons à confronter une ample palette de sources disponibles, c'est-à-dire les sources d’archives, les sources imprimées, l'iconographie et les pièces de collection conservées dans les musées. En choisissant d’étudier plus particulièrement la famille Donà di Riva di Biaisio au travers de leurs dépenses vestimentaires, et en nous appuyant sur une double échelle de valeurs, avec d’une part la culture matérielle (conditions de production, de circulation des objets, etc.), et d’autre part l’imaginaire et la culture intellectuelle (évolution des mentalités, image de soi, etc.), nous avons cherché à évaluer la manière dont, dans la Venise du XVIIIe s., le vêtement a pu être un véritable lieu de stratégies féminines, apte à nous renseigner sur la vie sociale des femmes de cette période et son évolutionThe costume is a vector of identity, and the representation that they sought to give of themselves surely dictated the choices that Venetian made. But the costume also directs the image the foreigner could have of the inhabitants of Venice. It appears as a means of expression, through which a society shows what represents it, what the society would like to be, its tastes, its relationship to power, etc. The present research aims to describe the context in which clothes were created, chosen and worn, and the cultural and social identity they conveyed. This work questions the image of the city-state as was Venice in the 18th century, through the clothing and accessories chosen and worn by the Venetian women, to determine whether they correspond to the expression or affirmation of a strong identity, in the political, social and economic context of the Serenissima. To do this, we study both the fashion professions and fashion consumer habits in order to understand how clothes can express the expression of social and cultural needs, but also represent an "economic" response to these needs. We choose to focus our work on the female costume firstly because of the diversity of sources, and secondly because of the leading role played by women in the field of fashion. Focusing on the Donà di Riva di Biasio family, we worked confronting a wide range of available sources, that is, archival sources, printed sources, iconography and collectors' items held in museums. By relying on a double scale of values, on the one hand material culture (conditions of production, circulation of objects, etc.), and on the other hand the imaginary and the intellectual culture (evolution of mentalities, image of ourselves, etc.), we sought to evaluate the way in which, in Venice of the eighteenth century, the garment could be a real place of feminine strategies, able to inform us about the social life of the women of this period and his evolution
30
Shuqair, Noura Abdulhameed H. "Living Between Two Worlds: Conflict, Investigation And The Change". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5702.
Testo completoAbstract (sommario):
Beginning with my exploration of art as an aesthetic object, this paper shows the growth of my work and concept. Through my practice, I have been able to understand the contradictions in my traditional society and western modernity. It has helped me grapple with my own beliefs, and begin to confront those I don't agree with.M.F.A.
Masters
Visual Arts and Design
Arts and Humanities
Emerging Media; Studio Art and the Computer
31
Taylor, Emily Joan. "Women's dresses from eighteenth-century Scotland : fashion objects and identities". Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4772/.
Testo completoAbstract (sommario):
Identity and its different constructions - national, social and personal, for example - are increasingly recognised as fundamental to understanding current and historic cultures. The reflexive relationship of identity issues with sartorial expression is a key concept within dress, fashion and textile studies. This thesis contributes to that growing body of knowledge by developing an understanding of how specific eighteenth century Scotswomen and their families related to their garments, thus bringing together contemporary study methods and understandings of identity with historic manifestations. This study of identity is embedded within an object-study methodology, following investigative practice and cataloguing methods currently used within the international museums community. This assists the secondary purpose of the thesis, which is to highlight a breadth of largely unpublished main garment objects within Scottish public and private collections. The intimate study of these objects has revealed stories of how daily life interacted with personal taste and style, purchase methods, garment use and international markets for individuals connected to Scotland. This has contributed material understanding to wider academic research areas, most importantly the everyday lives of eighteenth century Scotswomen, issues of identity within Scotland, and how European fashion trends were adopted or adapted by individuals outside of the major fashion centres of London and Paris. Study of the garments has involved stylistic analysis of their textiles and of their construction, connecting them to other extant and depicted garments from British and international collections. Thus providing material evidence of international styles in the eighteenth century, and matching two items in a rare example of extant main garments evidencing duplication in the eighteenth century handmade clothing industry.
32
Nam, Camilla Jiyun. "Tiger bride: a collection of short stories". Thesis, 2018. https://hdl.handle.net/2144/27566.
Testo completoAbstract (sommario):
Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form.A collection of short stories.
2031-01-01T00:00:00Z
33
Webb, Margaret. "The dream is woman : a collection of poetry". Thesis, 1994. http://spectrum.library.concordia.ca/6129/1/MM90904.pdf.
Testo completo
34
Casey, Emily Clare. "A fully-developed womanhood the collecting of fine art and a woman's education at Smith College 1875-1910 /". 2009. http://hdl.handle.net/10090/8413.
Testo completo
35
Schultz, Lacey. "Woman of Dust: An Exodus". Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6172.
Testo completoAbstract (sommario):
Woman of Dust: An Exodus is a collection of themed non-fiction experiences and stories with themes, characters, and ideas that coincide deliberately and verge on the cohesiveness of memoir. The overarching themes of this collection are womanhood and coming of age. The stories examine the ways in which childhood crushes, current relationships, parenting, religion, and pets influence the growth of a child into an adult, in this case, a girl into a woman. They take individual moments, conversations, conventions, and thoughts and explore how they shaped the woman who now writes them.
Stories range in content from how the standards of a southern Baptist church raised a girl who was afraid to date, drink, or kiss, about the role of God in the narrator's private life, to stories that explore how cartoon Disney prince crushes turn into crushing on neighbor boys and classmates, discovering the narrator's current conceptions of love as different from her early conceptions and questioning the ways in which those conceptions came into existence in the first place. These stories look at the domestic implications of religious life that dictate specific roles for women in a marriage relationship, and how the narrator interprets these implications in terms of her own love and pending marriage. Still other essays investigate how a mother's overbearing fear of sex, men, and drugs drove one daughter to be a small town porn star and drove the other to complete abstinence, how gender conventions shape a girl's mind, and how family life sometimes contradicts the same conventions.
While the subject of each story is deeply feminine, revolving around a woman narrator and woman experiences, the content of these stories creates a very human experience, one outside the confines of gender. They are about one girl turned woman, from one perspective, and about one life, but they are mostly about being human, about growing, and about the ways in which humans grow.M.F.A.
Masters
English
Arts and Humanities
Creative Writing
36
Nyete, L. T. "The depiction of female experiences in selected post-2000 South African narratives written by women". Diss., 2016. http://hdl.handle.net/11602/825.
Testo completo