Bibliografie tematiche / William

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Letteratura scientifica selezionata sul tema "William"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "William"

1

Davies, E. M. "William Hughes Williams". British Dental Journal 199, n. 4 (agosto 2005): 241. http://dx.doi.org/10.1038/sj.bdj.4812677.

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Evans, Elizabeth A., e Dilip V. Jeste. "William Carlos Williams". American Journal of Geriatric Psychiatry 12, n. 2 (marzo 2004): 129–33. http://dx.doi.org/10.1097/00019442-200403000-00003.

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3

Jones, H. "William Gilbert Williams". BMJ 325, n. 7354 (6 luglio 2002): 47i—47. http://dx.doi.org/10.1136/bmj.325.7354.47/i.

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4

Lewis, R. "William Owen Williams". BMJ 325, n. 7355 (13 luglio 2002): 106g—106. http://dx.doi.org/10.1136/bmj.325.7355.106/g.

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5

Lewis, Robert R., Arthur Rich, T. Michael Sanders e Jens C. Zorn. "William L. Williams". Physics Today 40, n. 7 (luglio 1987): 90–92. http://dx.doi.org/10.1063/1.2820130.

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6

Ye, Jinze. "Flow to Unfold: The Fluidness in William Carlos Williamss Poetry". Communications in Humanities Research 20, n. 1 (7 dicembre 2023): 178–83. http://dx.doi.org/10.54254/2753-7064/20/20231344.

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Abstract (sommario):
Regarded as one of the greatest American poets in the twentieth century and the prominent poet of the Imagist, William Carlos Williams approaches his poetic world by the special use of images and syntax. In his poems, he invites the common and small things in everyday life as images. By the irregular arrangement of line and stanza breaks, these things are endowed with richer and deeper meanings which is far more than what is shown, open to readers to interpret. The syntax itself in Williams poems is poetic, and the integration of images and syntax in William Carlos Williams poems frames the poets poetic world. This article will review the fluidness of Williams poems approached by flowing images and flowing syntax in William Carlos Williams poems. It attempts to prove that although the images may be seen as accumulative rather than surmounted and the lines and stanzas are broken, the sense is flowing. Concisely but accurately, William Carlos Williams applies the images featuring fluidness to reveal the essence of objects. Through the accumulation of images, the lines and stanzas starts to jump down from one to another, activating the whole scene of the poem to flow. And the flowing syntax which includes the irregular line ends and broken stanzas, the omission of capitalization in each line uplifts the limbs of the poem and make it flow.
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7

Jin-Ho Shim. "William Carlos Williams and Cubism". New Korean Journal of English Lnaguage & Literature 49, n. 3 (agosto 2007): 23–43. http://dx.doi.org/10.25151/nkje.2007.49.3.002.

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8

Crawford. "Walking with William Carlos Williams". William Carlos Williams Review 34, n. 2 (2017): 93. http://dx.doi.org/10.5325/willcarlwillrevi.34.2.0093.

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9

Trüb. "William Carlos Williams Bibliography 2017". William Carlos Williams Review 35, n. 2 (2018): 196. http://dx.doi.org/10.5325/willcarlwillrevi.35.2.0196.

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Trüb. "William Carlos Williams Bibliography 2018". William Carlos Williams Review 36, n. 2 (2019): 139. http://dx.doi.org/10.5325/willcarlwillrevi.36.2.0139.

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Tesi sul tema "William"

1

Tucker, R. L. G. "William Carlos Williams in the 1930s". Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1427685/.

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The subject of this thesis is William Carlos Williams and the circle of writers around him in the 1930s. During this decade Williams was a key figure in the formation of an alternative left-wing American canon, and active in a group that included Nathanael West, Louis Zukofsky and Kenneth Burke. This thesis explores the political and aesthetic grounds on which that canon was constructed. The assumption that Williams was already a successful writer after Spring and All (1923) has often led to a disproportionate emphasis on his poetry and the ‘modernist’ aspects of his aesthetics. This thesis makes the case for the significance of Williams’ 1930s prose writings in the growth of the Proletarian Literature movement, and challenges the assumption that ‘Marxist’ literature of the 1930s was at odds with ‘modernist’ literature of the 1920s. I investigate the key concepts of Williams’ own aesthetic philosophy, ‘Objectivism,’ ‘Pragmatism,’ ‘Contact,’ and ‘Localism,’ and show how these concepts became politicized during the 1930s. By exploring the relationship between art and politics, and the ways in which Williams was radicalized by the Great Depression, this thesis attempts to expand critical notions of ‘radicalism’ to include a broader New Deal alliance between traditional democratic liberalism and Marxist economic determinism. Focusing on concepts of ‘Nativism’ and ‘Americanism,’ this thesis also charts America’s burgeoning cultural nationalism during the 1930s, and demonstrates how America’s founding values were challenged by political, economic and social upheaval in the wake of the Depression. By locating Williams’ desire for radical economic change within the context of the Jeffersonian movement, I demonstrate how a historical assessment of America’s past led Williams and the writers mentioned above to question America’s attitudes towards individualism, the redistribution of wealth, the forces of corruption and plutocracy, and the effectiveness of democracy to bring about social justice.
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2

Good, James Alexander. "William Carlos Williams and the pastoral tradition". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ27785.pdf.

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3

Mahfoud, H. I. "William Carlos Williams : Towards a democratic art". Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235125.

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4

Hindle, Maurice. "William Godwin's Caleb Williams : a critical edition". Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329841.

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5

Aji, Hélène. "Ezra pound et william carlos williams : correspondances". Amiens, 1997. http://www.theses.fr/1997AMIE0002.

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A la lumiere de la correspondance entre ezra pound et williams carlos williams, il apparait qu'une comparaison entre leurs oeuvres permet de presenter une synthese sur le developpement de la poesie americaine au xxe siecle. Il s'agit de rechercher, dans certaines de leurs demarches, les points communs et les differences entre les deux poetes qui sont a l'origine des grands mouvements de la poesie americaine contemporaine. Tant ces points communs entre les deux poetes que leurs divergences et leurs desaccords indiquent les enjeux d'un travail poetique fondateur d'une nouvelle tradition americaine. La notion de tradition, d'acceptation et de rejet de l'heritage litteraire, semble a la source de ce que l'on pourrait appeler leur conservatisme revolutionnaire. Leur geste poetique est marque a la fois par une volonte d'innovation et par une volonte d'enracinement dans le passe historique, le present esthetique et un avenir place sous le signe du poetique et du politique. L'heritage que pound et williams ont legue est marque par l'ambiguite d'une critique litteraire qui les place dans une seule tradition cosmopolite, le modernisme, ou encore dans une seule tradition americaine, celle du long poeme, perdant de vue le caractere eminemment social de leur vision poetique. L'incompletude des cantos et de paterson empeche toute vision unitaire : ni oeuvre close, ni oeuvre ouverte, le long poeme serait peut-etre la metaphore par excellence de l'amerique, pris dans l'ecart entre elan et stase, entre creation et conservation, entre action et reaction
In ezra pound and william carlos williams's correspondence one can find the foundation for a broader comparison of their respective works leading to a synthesis on the development of american poetry in the twentieth century. The aim is to investigate their various strategies so as to distinguish their points in common as well as their differences, and thus to outline the great tendencies of contemporary american poetry. These common points between the two poets, along with their many disagreements and all that may separate them, show what is at stake in a poetic work aimed at founding a new american tradition. This very notion of tradition. Of acceptance and rejection of their literary inheritance, underlies what can be called their revolutionary conservatism. Their poetic action is marked both by the will to innovate and by the desire to root oneself in the historical past, in the aesthetic present and in a future seen as poetic and political. The pound and williams heritage is deeply affected by the ambivalence of the literary critics who too often place them either in a monolithic cosmopolitan tradition they call modernism, or in the american tradition of the long poem, overlooking the social nature of their poetic vision. Any unifying appraisal of their works is prevented by the fact that both the cantos and paterson are unfinished poems : pound and williams's long poems are neither closed nor open works, but perhaps the metaphor par excellence for america, a form caught in the gap between impulse and stasis, creation and conservation, action and reaction
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6

Beck, John. "William Carlos Williams, John Dewey, and American cultural politics". Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/271998.

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7

Aublet, Anna. "L'oracle en son jardin : William Carlos Williams et Allen Ginsberg". Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100083/document.

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La tension analysée par Leo Marx dans son essai The Machine in the Garden: Technology and the Pastoral ideal in America (1964), entre l’Arcadie américaine comme terre de pureté naturelle et le trope de la menace mécanique, sous-tend les œuvres des deux poètes du XXe siècle que nous nous proposons ici d’étudier, William Carlos Williams (1883-1963) et Allen Ginsberg (1926-1997). Leur abondante correspondance est la trace d’une relation poétique mais aussi filiale : Pater-Son, pour jouer sur le titre du long poème de Williams. Cet échange épistolaire vient également remettre en question la périodisation des mouvements littéraires trop souvent conçue comme une série de ruptures. L’état du New Jersey, Garden State, dont ils sont tous deux originaires, jardin dévasté par la révolution industrielle, apparaît comme un terrain fertile au surgissement d’une langue unique et autochtone. Cet espace commun et métamorphique offrira également une échappatoire à l’impasse de la classification des œuvres : du modernisme à la Beat Generation. Il faudra donc revenir sur les délinéaments des tracés cartographiques pour mieux dessiner à notre tour la carte poétique de leur relation littéraire et personnelle. Au gré des passions humaines, extases et tribulations, les poètes arpentent les sillons du vers qu’ils creusent à même le sol de leur New Jersey natal, pour faire sourdre le flot autochtone d’une poésie résolument américaine
The tensions analyzed by Leo Marx in his 1964 essay The Machine in the Garden: Technology and the pastoral ideal in America, between the American Arcadia as a land of original purity and the trope of industrial threat is ghostly present throughout the works of both poets at stake in this dissertation: William Carlos Williams (1883-1963) and Allen Ginsberg (1926-1997). In this research I intend to analyze the processes by which the poets manage to claim ownership of their land in spite of the lurking mechanic apocalypse. Writing, each in his own time, both poets endeavor to reclaim the original historical and spatial meaning of their continent, by devising an autochthonous language that would provide a new “point of view” and a new “point of voice”, as means to prophesy a collective future for the nation from their personal “local” anchorage in their natal New Jersey. Striving to “make a start out of particulars” they intend to escape the vastness of the continent by focusing on the minute details surrounding them in their own garden state. The correspondence between the two poets also questions the periodization of literary movements, too often conceived as a series of breaks and schisms. The Garden State, metamorphic space covered with the remnants of industrialization provides us with a way to break free from the shackles of such categorization : from modernism to the Beat Generation
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8

Figgis, Sean Edward. "Toward spring and all : the gestation of William Carlos Williams' poetic". Thesis, University of Hull, 1988. http://hydra.hull.ac.uk/resources/hull:15163.

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This thesis argues that Williams struggled against the spectres of nationaI and personal influence in order to make his poetry both original and relevant to the modern American condition. He worked in a context of great cultural upheaval during the first wave of Modernist experimentation, toward self-definition in a state of existential anxiety. It was the defensive strategy he adopted to combat both the threat of insignificance, and imposed European cultural value, which shaped his mature poetic. Section One introduces Williams' quest for identity, working against what he called "the traditionalists of plagiarism". There is also a brief discussion of other texts which have examined this phase of Williams' development. Section Two investigates the cultural milieux, including movements such as Imagism and Dada which had a profound effect on Williams. It examines such figures as Pound, Eliot and Stein whose influence he was unable to avoid. The availability of a native tradition in the work of Whitman and Dickinson is encountered in Section Three, which also provides the opportunity to develop further the argument that WilIiams' need to disguise evidence of influence in his work actually shaped his art. Section Four introduces the surfacing of American Modernism in the pages of such little magazines as Camera Work, Poetry, Others and The Little Review. It presents Williams' growing confidence in the company of such innovative contemporaries as Mina Loy, Marianne Moore and Alfred Kreymborg (editor of Others). Williams' maturity is linked, in Section Five, with the publication of Spring and All in 1923. The collection is examined as a culmination, a confident and conscious exhibition of the poetic as having come of age.
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9

Di, Blasio Mariadele <1983&gt. "L'altro eccezionalismo: William Appleman Williams tra storia, storiografia e impegno civile". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/4791/1/Di_Blasio_Mariadele_tesi.pdf.

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La storiografia statunitense, a partire dagli anni Cinquanta, vide l’affermarsi di una nuova interpretazione della politica estera americana. Archiviata la storia diplomatica come storia dei trattati o storia delle interazioni delle élites dominanti, abbandonata una visione incentrata sull’equilibrio di potenza, il dibattito storiografico si arricchì della cosiddetta interpretazione «revisionista», antitetica rispetto a quella che, fino a quel momento, aveva predominato. Soggetto di analisi storica restava sempre lo Stato ma l’enfasi maggiore era posta sui fattori economici che ne influenzavano l’azione: si metteva in rilievo l’interazione tra l’interesse privato e il soggetto statale. Capofila di questa nuova scuola fu William Appleman Williams. Questa ricerca si pone l’obiettivo di delineare il contesto storiografico dal quale emersero gli studi di Williams e di cui egli ne roviesciò alcuni assunti fondamentali. Si intende tracciare il suo percorso intellettuale – storiografico e pubblico – al fine di restituire la complessità di un personaggio che divenne un vero e proprio «intellettuale pubblico». I quesiti, a cui questa ricerca vuole dar risposta riguardano l’evoluzione del percorso intellettuale di Williams tanto in ambito storiografico quanto, più in generale, in quello pubblico; il contributo alla ridefinizione dell’identità statunitense e del suo ruolo internazionale; il lascito della sua riflessione nella storiografia. Prendendo le mosse dall’idea di frontiera proposta da Turner, Williams sostenne che la fine dell’espansione territoriale «interna» aveva obbligato gli Stati Uniti a cercare nuovi mercati per il proprio surplus. Era stata tale necessità a catalizzare la Open Door Diplomacy, guidata da ragioni economiche, che presto identificarono l’interesse nazionale per trasformarsi in una vera e propria ideologia nel XX secolo.L’esito di tale politica estera fu la creazione di un impero non più territoriale ma frutto dell’espansione economica. E proprio questa riflessione sull’impero influenzò, negli anni Sessanta, la protesta studentesca che chiese un ripensamento del ruolo internazionale degli Stati Uniti.
The early Fifties saw the emergence of a new synthesis of the American diplomatic history, advanced by a young historian, William Appleman Williams. In the midst of what was called “consensus history” he proposed a different interpretation of American foreign policy, focusing on economic factors. Archiving a diplomatic history conceived as history of treaties or as the interactions between leading élites, abandoning a vision conceiving of the balance of power as the inspiring principle of States’ actions, Williams placed major emphasis on the interplay between the private interest and the State in explaining Us foreign relations. The aim of this dissertation is threefold: - To analyze the evolution of Williams’ intellectual career both in the historiographical field and in the public one, where he could be considered a “public intellectual”; - To evaluate Williams’ contributions to the redefinition of Us identity and of its international role during the Sixties; - To delineate the legacies of Williams’ ideas and interpretations within the historiographical field. The evolution of Williams’ intellectual career is interpreted in terms of an analysis of his major books: The Tragedy of American Diplomacy, Contours of American History and Empire As a Way of Life. In all those volumes, it is possible to delineate the main ideas of Williams’ interpretation of US foreign policy, that is, the maintenance of domestic democracy and prosperity was assured by and imperial drive. Nonetheless, I will also analyze his writings both on journals and on newspapers. Part of the thesis is dedicated to the connection between Williams and the student movement of the Sixties. He could be considered an inspiratory of the young dissenters who claim, as Williams did, a new definition of United States’ identity.
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10

Di, Blasio Mariadele <1983&gt. "L'altro eccezionalismo: William Appleman Williams tra storia, storiografia e impegno civile". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/4791/.

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Abstract (sommario):
La storiografia statunitense, a partire dagli anni Cinquanta, vide l’affermarsi di una nuova interpretazione della politica estera americana. Archiviata la storia diplomatica come storia dei trattati o storia delle interazioni delle élites dominanti, abbandonata una visione incentrata sull’equilibrio di potenza, il dibattito storiografico si arricchì della cosiddetta interpretazione «revisionista», antitetica rispetto a quella che, fino a quel momento, aveva predominato. Soggetto di analisi storica restava sempre lo Stato ma l’enfasi maggiore era posta sui fattori economici che ne influenzavano l’azione: si metteva in rilievo l’interazione tra l’interesse privato e il soggetto statale. Capofila di questa nuova scuola fu William Appleman Williams. Questa ricerca si pone l’obiettivo di delineare il contesto storiografico dal quale emersero gli studi di Williams e di cui egli ne roviesciò alcuni assunti fondamentali. Si intende tracciare il suo percorso intellettuale – storiografico e pubblico – al fine di restituire la complessità di un personaggio che divenne un vero e proprio «intellettuale pubblico». I quesiti, a cui questa ricerca vuole dar risposta riguardano l’evoluzione del percorso intellettuale di Williams tanto in ambito storiografico quanto, più in generale, in quello pubblico; il contributo alla ridefinizione dell’identità statunitense e del suo ruolo internazionale; il lascito della sua riflessione nella storiografia. Prendendo le mosse dall’idea di frontiera proposta da Turner, Williams sostenne che la fine dell’espansione territoriale «interna» aveva obbligato gli Stati Uniti a cercare nuovi mercati per il proprio surplus. Era stata tale necessità a catalizzare la Open Door Diplomacy, guidata da ragioni economiche, che presto identificarono l’interesse nazionale per trasformarsi in una vera e propria ideologia nel XX secolo.L’esito di tale politica estera fu la creazione di un impero non più territoriale ma frutto dell’espansione economica. E proprio questa riflessione sull’impero influenzò, negli anni Sessanta, la protesta studentesca che chiese un ripensamento del ruolo internazionale degli Stati Uniti.
The early Fifties saw the emergence of a new synthesis of the American diplomatic history, advanced by a young historian, William Appleman Williams. In the midst of what was called “consensus history” he proposed a different interpretation of American foreign policy, focusing on economic factors. Archiving a diplomatic history conceived as history of treaties or as the interactions between leading élites, abandoning a vision conceiving of the balance of power as the inspiring principle of States’ actions, Williams placed major emphasis on the interplay between the private interest and the State in explaining Us foreign relations. The aim of this dissertation is threefold: - To analyze the evolution of Williams’ intellectual career both in the historiographical field and in the public one, where he could be considered a “public intellectual”; - To evaluate Williams’ contributions to the redefinition of Us identity and of its international role during the Sixties; - To delineate the legacies of Williams’ ideas and interpretations within the historiographical field. The evolution of Williams’ intellectual career is interpreted in terms of an analysis of his major books: The Tragedy of American Diplomacy, Contours of American History and Empire As a Way of Life. In all those volumes, it is possible to delineate the main ideas of Williams’ interpretation of US foreign policy, that is, the maintenance of domestic democracy and prosperity was assured by and imperial drive. Nonetheless, I will also analyze his writings both on journals and on newspapers. Part of the thesis is dedicated to the connection between Williams and the student movement of the Sixties. He could be considered an inspiratory of the young dissenters who claim, as Williams did, a new definition of United States’ identity.
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Libri sul tema "William"

1

Williams, William Carlos. William Carlos Williams. New York: Sterling Pub. Co., 2004.

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2

Whitaker, Thomas R. William Carlos Williams. Boston: Twayne Publishers, 1989.

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3

Berry, S. L. William Carlos Williams. Mankato, MN: Creative Education, 1997.

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4

Carlos, Williams William. William Carlos Williams. Mankato, Minn: Creative Education, 2004.

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5

Morgan, Derec Llwyd. William Williams Pantycelyn. [Cardiff]: HTV Cymru Wales, 1991.

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6

Carlos, Williams William. William Carlos Williams. New York, N.Y: New York Center for Visual History, 1988.

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7

Carlos, Williams William. William Carlos Williams. New York: Sterling Pub. Co., 2004.

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8

Harold, Bloom, a cura di. William Carlos Williams. New York: Chelsea House Publishers, 1986.

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9

Robert, Franciosi, a cura di. William Carlos Williams issue. Hempstead, N. Y: Hofstra University, 1989.

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10

Callan, Ron. William Carlos Williams and Transcendentalism. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12116-8.

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Capitoli di libri sul tema "William"

1

Löffler, Marion. "Williams, William". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21750-1.

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Mariani, Paul. "William Carlos Williams". In The Craft of Literary Biography, 133–53. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_9.

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Peterfy, Margit. "Williams, William Carlos". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18928-1.

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MacGowan, Christopher. "William Carlos Williams". In A Companion to Modernist Poetry, 389–401. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch32.

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5

Wisker, Alistair. "William Carlos Williams". In American Poetry: The Modernist Ideal, 62–80. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_5.

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Peterfy, Margit. "William Carlos Williams". In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 60–63. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_10.

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Peterfy, Margit. "Williams, William Carlos: The Autobiography of William Carlos Williams". In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18930-1.

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Lanska, D. J. "Keen, William Williams". In Encyclopedia of the Neurological Sciences, 788–91. Elsevier, 2014. http://dx.doi.org/10.1016/b978-0-12-385157-4.00929-5.

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Perelman, Bob. "William Carlos Williams". In The Cambridge History of American Poetry, 557–82. Cambridge University Press, 2014. http://dx.doi.org/10.1017/cho9780511762284.029.

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Copestake, Ian. "William Carlos Williams". In The Cambridge Companion to American Poets, 201–13. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781316403532.016.

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Atti di convegni sul tema "William"

1

Cao, Yanqin, e Zhaohong Yao. "A Study on Iconicity in William Carlos Williams’ Poems". In Proceedings of the 2018 6th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ieesasm-18.2019.44.

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2

Pensyl, William. "William Pensyl". In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931165.

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3

"William T. Chen". In 2007 8th International Conference on Electronic Packaging Technology. IEEE, 2007. http://dx.doi.org/10.1109/icept.2007.4441547.

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4

"William R. Cherry". In Conference Record of the Thirty-First IEEE Photovoltaic Specialists Conference. IEEE, 2005. http://dx.doi.org/10.1109/pvsc.2005.1488052.

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5

"William R. Cherry". In 2006 IEEE 4th World Conference on Photovoltaic Energy Conference. IEEE, 2006. http://dx.doi.org/10.1109/wcpec.2006.279308.

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6

"William J. Miller". In 2013 IEEE International Conference on Smart Energy Grid Engineering (SEGE). IEEE, 2013. http://dx.doi.org/10.1109/sege.2013.6707888.

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7

Demianski, M., e C. W. F. Everitt. "RELATIVISTIC GRAVITATIONAL EXPERIMENTS IN SPACE". In First William Fairbank Meeting. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814536202.

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8

"William C. Carter Award". In 2019 49th Annual IEEE/IFIP International Conference on Dependable Systems and Networks (DSN). IEEE, 2019. http://dx.doi.org/10.1109/dsn.2019.00011.

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9

Mulliner, Collin. "William C Carter award". In 2012 IEEE/IFIP 42nd International Conference on Dependable Systems and Networks Workshops (DSN-W). IEEE, 2012. http://dx.doi.org/10.1109/dsnw.2012.6264656.

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10

"William C. Carter Award". In 2015 45th Annual IEEE/IFIP International Conference on Dependable Systems and Networks (DSN). IEEE, 2015. http://dx.doi.org/10.1109/dsn.2015.64.

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Rapporti di organizzazioni sul tema "William"

1

Napp, Anke. Du bon William Longespee. Technische Universität Dresden, Forschungsstelle für Vergleichende Ordensgeschichte (FOVOG - Dresden), 2022. http://dx.doi.org/10.25368/2023.17.

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2

Vodden, C. Sir William Logan wants you! Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1992. http://dx.doi.org/10.4095/301720.

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3

Taggart, F. William Morris: esthetic for community. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.15.

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4

Massarello, Chloe. William Marshal, 2nd Earl of Pembroke, and the Commissioning of the History of William Marshal. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.330.

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5

Vodden, C. Sir William Logan nécessite votre aide! Natural Resources Canada/CMSS/Information Management, 1992. http://dx.doi.org/10.4095/330361.

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Kimmitt, Mark T. William T Sherman and the Clausewitzian Trinity. Fort Belvoir, VA: Defense Technical Information Center, gennaio 1996. http://dx.doi.org/10.21236/ada441439.

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7

Gray, D. H. Geographical naming practices of William J. Stewart. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/298296.

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8

Wolf, L. W., e J. N. Davies. Glacier-generated earthquakes from Prince William Sound, Alaska. Alaska Division of Geological & Geophysical Surveys, 1985. http://dx.doi.org/10.14509/1163.

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9

Long, W. E. Iceberg production in the Prince William Sound area. Alaska Division of Geological & Geophysical Surveys, 1992. http://dx.doi.org/10.14509/1543.

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10

Boozer, A. H., e G. M. Vahala. Theoretical plasma physics. [College of William and Mary]. Office of Scientific and Technical Information (OSTI), maggio 1992. http://dx.doi.org/10.2172/7245535.

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