Bibliografie tematiche / War images

Letteratura scientifica selezionata sul tema "War images"

Autore: Grafiati

Pubblicato: 22 giugno 2024

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Articoli di riviste sul tema "War images":

Chan, Evans. "War & Images". Film International 1, n. 5 (maggio 2003): 10–23. http://dx.doi.org/10.1386/fiin.1.5.10.

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Mandel, Hal. "Images of war". Medicine and War 6, n. 4 (ottobre 1990): 312–13. http://dx.doi.org/10.1080/07488009008408954.

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CROSS, TIM. "Images of war". Review of International Studies 35, n. 4 (ottobre 2009): 872–74. http://dx.doi.org/10.1017/s026021050999026x.

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Griffin, Michael. "Media images of war". Media, War & Conflict 3, n. 1 (aprile 2010): 7–41. http://dx.doi.org/10.1177/1750635210356813.

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Corbin, John. "Images of war: Picasso'sGuernica". Visual Anthropology 13, n. 1 (gennaio 1999): 1–21. http://dx.doi.org/10.1080/08949468.1999.9966786.

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Barsdorf-Liebchen, Nicolette. "Book review: Memory of Fire: Images of War and the War of Images". Media, War & Conflict 7, n. 1 (24 marzo 2014): 121–26. http://dx.doi.org/10.1177/1750635213516226.

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Lippe, Berit von der. "Images of Victory Images of Masculinity? Images of Victory Images of Masculinity?" Nordicom Review 27, n. 1 (1 febbraio 2006): 63–79. http://dx.doi.org/10.1515/nor-2017-0219.

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Abstract (sommario):

Abstract The focus of this article will be on the televised constructions, both in leading American mass media and in the two leading Norwegian television networks, of Bush’s announcement of victory in Iraq on May 1 2003, on board the battleship Abraham Lincoln. The article opens with a consideration of hegemony in mass media, focusing on hegemonic discourse in general, and at times of war in particular. Looking through my ‘gendered lenses’ might reveal how some kinds of hegemonic masculinity are embedded in this discourse and regarded as universal. The intention is to shed light on how non-hegemonic discourses (such as those in Norwegian media) are restrained, in subtle ways, from being counter-hegemonic. By highlighting the gendered perspectives the article may also serve as a kind of feminist and non-military intervention in dichotomic discourses, be it the dichotomies war-peace, victory-defeat or characteristics attributed to “we” and “them”. The approach is strongly influenced by cultural analysis, critical discourse analysis as well as by rhetorics.

Siopsi, Anastasia. "Images of War in Opera". Open Journal for Studies in History 3, n. 2 (11 dicembre 2020): 25–34. http://dx.doi.org/10.32591/coas.ojsh.0302.01025s.

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The main aim of this article is to raise questions with wars seen as part of cultural history attempting, thus, to provide a cultural reading. As such, I attempt to show operatic responses to war, to the meaning of violence, and to the ways they illustrate emotions that are at the core of such destructive activities (that is, patriotism, heroism and so forth) and depict wartime ideologies, practices, values and symbols. This paper is a critical and selective overview of images of war in opera mainly up to the twentieth century. There is no aspect in human activities which is not related, more or less, with the issue of war. War has been part of the total human experience. Subsequently, my paper is about the various ways of projecting images of war in opera. In more detail, it is about the ways that opera, since the era of its birth, responds to human conflicts, named wars, and bring on stage an interpretation: an illustration of a hero, a context of values related to the necessity or the avoidance of war, a message to humanity to make us look at our civilization in either positive or negative ways. A cultural contemplation is not about “truths” of the war but raises the question as to how different “truths” inhabit the political and cultural Western European world by means of the total work of art of opera. Opera has had a fundamental role in privileging some ideals of “truths” from others. The main aim is to raise questions with wars seen as part of cultural history attempting, thus, to provide a cultural reading. As such, I attempt to show operatic responses to war, to the meaning of violence, and to the ways they illustrate emotions that are at the core of such destructive activities (that is, patriotism, heroism and so forth) and depict wartime ideologies, practices, values and symbols.

De Angelis, Emma. "Images Of The Invisible War". RUSI Journal 160, n. 6 (2 novembre 2015): 78–83. http://dx.doi.org/10.1080/03071847.2015.1124627.

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Spencer, J. "Images of Pre-War Suffolk". English 35, n. 151 (1 marzo 1986): 54–56. http://dx.doi.org/10.1093/english/35.151.54.

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Tesi sul tema "War images":

Meyer, Christina. "War & trauma images in Vietnam War representations". Hildesheim Zürich New York, NY Olms, 2007. http://d-nb.info/991472861/04.

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McIntosh, Terresa (Terresa Ann) Carleton University Dissertation Canadian Studies. "Other images of war : Canadian women war artists of the first and second world wars". Ottawa, 1990.

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Steele, K. D. "Psychophysiological reactions to media images of war". Thesis, University of Nottingham, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372673.

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Woolson, Ash Kyrie. "Untitled Media Images". The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306961851.

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Wilkinson, Glenn Ralph. "#The blessings of war' : depictions and images of war in Edwardian newspapers, 1899 - 1914". Thesis, Lancaster University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240502.

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Ketzler, Nancy A. "American Prisoners of the Luftwaffe: images and realities". Connect to online version at OhioLINK EDT Connect to online version at Digital.Maag, 1998. http://hdl.handle.net/1989/3747.

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Swallow, Andrew Bolton. "The Great War : images of reality in the French novel". Thesis, University of Hull, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305000.

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Dine, Philip Douglas. "French literary images of the Algerian war : an ideological analysis". Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/3544.

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Abstract (sommario):

The Algerian war of 1954 to 1962 is generally acknowledged to have been the apogee of France's uniquely traumatic retreat from overseas empire. Yet, despite the war's rapid establishment as the focus for a vast body of literature in the broadest sense, the experience of those years is only now beginning to be acknowledged by the French nation in anything like a balanced way. The present study seeks to contribute to the continuing elucidation of this historical failure of assimilation by considering the specific role played by prose fiction in contemporary and subsequent perceptions of the relevant events. Previous research into this aspect of the Franco-Algerian relationship has tended either to approach it as a minor element in a larger conceptual whole or to attach insufficient importance to its fundamentally political nature. This thesis is conceived as an analysis of the images of the Algerian war communicated in a representative sample of French literature produced both during and after the conflict itself. The method adopted is an ideological one, with particular attention being given in each of the seven constituent chapters to the selected texts' depiction of one of the principal parties to the conflict, together with their attendant political mythologies. This reading is primarily informed by the Barthesian model of semiosis, which is drawn upon to explain the linguistic foundations of the systematic literary obfuscation of this period of colonial history. By analysing points of ideological tension in the fictional imaging of the war, we are able to identify and to evaluate examples of both artistic mystification and demystifying art. It is argued in conclusion that the former category of narrative has never ceased to predominate, thus enabling French public opinion to continue to avoid its ultimate responsibility for the war and its conduct.

Abu, Bakar Shamsul. "Understanding Attitudes and Perceptions For Civil War Battlefield, Interpretive Images". Diss., Virginia Tech, 2013. http://hdl.handle.net/10919/50642.

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Civil War images are important visual records that captured and depict the realities endured by the American people during the Civil War. These images are a powerful visual platform that depicts the vivid representation of past history. Images of Civil War are frequently used as interpretive media, particularly at historic battlefields to enhance the visitor experience and understanding. However, empirical studies of the characteristics of Civil War images that can influence visitors\' experience are limited. Using historic images of Civil War landscapes, this study identified visitors\' preferences and attitudes for Civil War images at five different American Civil War battlefields: Chickamauga and Chattanooga Chickamauga and Chattanooga National Military Park, Shiloh National Military Park, Manassas National Battlefield Park, Antietam National Battlefield, and Gettysburg National Military Park. For this study, the Content Identifying Method (CIM) and eye-tracking technology were used in understanding visitors\' preferences. The results indicate that visitors at historic battlefields prefer images that have a strong sense of active military activities and battle-related action. In addition visitors also preferred images that exhibit a high sense of mystery and are visually complex. The study also revealed that visitor background variables such as gender, age group, and ancestors who fought in the Civil War significantly influence visitor preference for Civil War images. Motivation variables such as interest in learning about "the people," "the military elements," "physical artifacts of the Civil War," and distance travelled to historic battlefields also significantly influence visitor preferences. In term of visitor attitudes towards gruesome images, the majority of the participants believe that these types of images are important visual media that can influence their visitation experience at historic battlefields. Eye-tracking technology was useful in revealing the content that attracted participant attention in some of the images, but not in other images. This study provides information that will be useful to park managers and interpretive designers regarding the characteristics of Civil War images that are important in developing interpretive media for the public and factors that may help in the process of customizing the visitor experience at historic battlefields.
Ph. D.

Westwell, Guy. "History-in-images/images in history : American cultural memory and film representations of the Vietnam War". Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340278.

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This thesis charts points of convergence between the fields of historical studies and film studies that generate a line of inquiry which questions how the development and dissemination of film and television have significantly shaped historical conscIOusness. Taking this line of inquiry as a starting point, this thesis identifies the ways in which film (and television) representations have informed American cultural memory of the Vietnam War. The thesis describes how the reporting of the war in newspapers and on television results in the production of a number of vivid and powerful 'nodal images'; these images enable their viewers to locate themselves in relation to the larger event and offer guidance regarding how other representations produced in response to the war might be understood. The thesis goes on to explore how these images play a significant. role in secondary film and television representations, including Hollywood feature films, whereby the initial connotations of the image are recirculated, reenacted and re-scripted. The thesis also indicates how other film representation of the war - such as the film records produced by the American military for tactical and strategic purposes and amateur film produced by American military personnel- are side-lined by the dominance of these nodal images. This study closes by proposing a taxonomy of the key features of these film (and television) representations and profiles the ways in which these features determi~e American cultural memory of the war and mediate historical experience more generally. The conclusion arrived at is that the historical consciousness engendered by these representations encourages the meaning of the Vietnam War to be located in relation to individual phenomenological experience and that the priVileging of this experience above all others marginalises the wider frames of reference - politics, history, economics and so on - which might make that experience meaningful.

Più fonti

Libri sul tema "War images":

Karine, Hildenbrand, e Hugues Gérard, a cura di. Images of war and war of images. Newcastle: Cambridge Scholars Pub., 2008.

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Robert, Stone, e Julene Fischer. Images of war. Boston, MA: Boston Pub. Co., 1986.

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Stallabrass, Julian. Memory of fire: Images of war and the war of images. Brighton: Photoworks, 2013.

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Sassower, Raphael. War images: Fabricating reality. Lanham: Lexington Books, 2010.

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Jordan, James L. Historic medical images: War. [U.S.]: James and Deovina Jordan, 2000.

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Jeffrey, Walsh, e Aulich James 1952-, a cura di. Vietnam images: War andrepresentation. New York: St. Martin's Press, 1989.

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Meyer, Christina. War & trauma images in Vietnam war representations. Hildesheim: George Olms Verlag, 2008.

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Jeffrey, Walsh, e Aulich James 1952-, a cura di. Vietnam images: War and representation. London: Macmillan, 1989.

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Walsh, Jeffrey, e James Aulich, a cura di. Vietnam Images: War and Representation. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19916-7.

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Meyerson, Joel D. Images of a lengthy war. Washington, D.C: Center of Military History, U.S. Army, 1986.

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Capitoli di libri sul tema "War images":

Broks, Peter. "Images". In Media Science before the Great War, 41–52. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-25043-1_4.

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Allan, Stuart. "Configurations of the ‘War Photographer’". In Conflicting Images, 35–54. London: Routledge, 2024. http://dx.doi.org/10.4324/9780203129852-4.

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Smits, Thomas. "Foreign images of war". In The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News, 1842–1870, 131–70. London ; New York : Routledge, 2020. | Series: Routledge studies in modern European history: Routledge, 2019. http://dx.doi.org/10.4324/9780429284380-4.

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Allan, Stuart. "Visual Evidence and the Precarities of War Photography". In Conflicting Images, 228–39. London: Routledge, 2024. http://dx.doi.org/10.4324/9780203129852-15.

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Allan, Stuart. "The ‘Visual Doctrine’ of War Photography in Iraq". In Conflicting Images, 195–212. London: Routledge, 2024. http://dx.doi.org/10.4324/9780203129852-13.

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Allbeson, Tom. "Concerned Photographers between Decolonial Violence and Cold War Conflict". In Conflicting Images, 125–49. London: Routledge, 2024. http://dx.doi.org/10.4324/9780203129852-9.

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Allbeson, Tom. "Imperialism, Officialdom, and Human Interest in the First World War". In Conflicting Images, 57–82. London: Routledge, 2024. http://dx.doi.org/10.4324/9780203129852-6.

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Sabin, Philip A. G. "Images of World War Three". In The Third World War Scare in Britain, 11–39. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-08521-7_2.

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Shaw, Christine. "Propaganda and images of war". In The Italian Wars 1494–1559, 333–59. Second edition. | Abingdon, Oxon; New York, NY : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9780429429354-11.

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Baraban, Elena V., Stephan Jaeger e Adam Muller. "Introduction: Representing War across the Disciplines". In Fighting Words and Images, a cura di Elena V. Baraban, Stephan Jaeger e Adam Muller, 1–22. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442686731-003.

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Atti di convegni sul tema "War images":

Pînzariu, Florin. "Wars of images". In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.25.

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Abstract (sommario):

In the current political context, shaped by revisionist political attitudes, we notice an exacerbation of the propagandistic phenomenon carried out through images. The current revival of visual messages communicated by the authorities, sometimes followed by messages in response from opponents or private entities, brings back to the fore the battle of images characteristic of the inter-war and post-war period. Alongside this, the ethical issue of communicating images returns to our attention. In this study I propose a brief analysis of visual propaganda.

Bono, Francesco. "IMAGES OF THE GREAT WAR: NOTES ON THE PORTRAYAL OF THE FIRST WORLD WAR IN ITALIAN FILM IN THE 1930s". In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s07.039.

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Kendall, William B. "Real-time geo-spatial registration of target images from the WAR HORSE sensor". In AeroSense 2002, a cura di Raja Suresh e William E. Roper. SPIE, 2002. http://dx.doi.org/10.1117/12.478722.

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Trofymchuk, Oleksandr, Vyacheslav Vishnyakov, Natalia Sheviakina, Viktoriia Klymenko e Snizhana Zahorodnia. "ANALYSIS OF IMPACTS OF WAR ON ECOSYSTEMS OF PROTECTED AREAS UKRAINE". In 23rd SGEM International Multidisciplinary Scientific GeoConference 2023. STEF92 Technology, 2023. http://dx.doi.org/10.5593/sgem2023v/3.2/s14.36.

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The article presents the results of satellite remote sensing to assess the consequences of hostilities in nature protected areas. Since February 24, 2022, 20% of the nature reserve fund of Ukraine has suffered from the war. The real level of damage to the objects of the nature reserve fund as a result of the war cannot be estimated. After all, active hostilities continue, and restrictions are created for environmental activities in the temporarily occupied territories. Therefore, remote monitoring is the only tool for studying changes in the occupied protected areas and territories on the front line. To analyze satellite data, advanced image processing methods were used, including algorithms for detecting changes and classification based on a series of satellite images of the Sentinel-2A, SkySat and WorldView 01-03 missions, with a spatial resolution of 10 to 0.5 meters. It was found in places of violation of the surface layer of soil by vents, numerous fortifications (trenches, trenches, dugouts), burned out, the tracks were formed due to the active movement of military equipment. The obtained result makes it possible to understand which territories are most affected by hostilities, including the destruction of vegetation, changes in soil cover. The results of the study contribute to understanding the environmental consequences of hostilities and are a valuable tool for managing the environment for post-war recovery in Ukraine.

Pavelka, Karel. "USING SATELLITE IMAGES FOR DOCUMENTATION OF DAMAGES IN ALEPPO HISTORICAL CENTRE DURING CIVIL WAR". In 18th International Multidisciplinary Scientific GeoConference SGEM2018. Stef92 Technology, 2018. http://dx.doi.org/10.5593/sgem2018/2.3/s10.035.

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Stratoulias, Dimitris, e M. Erdem Kabadayi. "Land Cover Feature Extraction from Corona Spy Satellite Images During the Cold WAR - 1968". In IGARSS 2020 - 2020 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2020. http://dx.doi.org/10.1109/igarss39084.2020.9324485.

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Stepanenko, Evgenia A. "THE IMAGERY METAPHORS OF SPACE IN THE DUTCH WAR NON-FICTION WORKS". In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063588.

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The article explores the roles space metaphors play in the Dutch war non-fiction novels published during the period of 2010–2020. We hereby define metaphor as instrument the authors use to make up a personal view and to portray the events described, as well as to introduce and to define a war metaphor as well as to study the functions metaphors can have within a non-fiction texts. Another point of the article is a phenomenon of war metaphor seen as complex cognitive units which principal function is to underline the subjects related to the World War II. War metaphors are present in the texts explicitly (x is y) but also implicitly, as images. Among the principal war metaphors in the texts are ‘war is lack of freedom’, ‘war is a a disclosed space’, ‘war is an up-and-down movement’. These metaphors are nationally marked and are transparent for the Dutch as nation. As the notion of space is deeply rooted in the Dutch culture, we suggest that the war is also presented in the Dutch non-fiction as lack of space and distortion of common living space.

Andreeva, Ekaterina. "ANCIENT RUSSIAN MOTIFS AND IMAGES IN THE POEMS OF ARSENY TARKOVSKY 1941-1945". In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3637.khmelita-19/149-159.

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The article examines the functioning of ancient Russian artistic images and motifs in the poetry of Arseny Tarkovsky during the Great Patriotic War. The appeal to this motives and images fits modern events into the historical context, helps to create a general picture linking the past and present of the country. The author is particularly in demand for the images of Igor and Yaroslavna from “The Word about Igor's Regiment”, he reinterprets and re-creates images taking into account the new situation. Yaroslavna turns into a symbol of love, sadness, longing, memory, in her image everything opposes war and cruelty. In the poems of 1941-1946 there are references to the Horde invasion. Images of invaders appear in the lines of the poems associatively, intuitively: these are mongols, “tatarva”, Mamai. Poems about the war are devoid of pictures of battle, descriptions of cruel and destructive consequences, their main theme is the theme of love (not only between a man and a woman, but also love for the motherland) and memory, the connection of the past, present and future. Overestimating the cultural and historical material Arseny Tarkovsky fills the famous images with a new, universal sound.

Zanders, Viesturs. "Soviet Disinformation and Latvian Diaspora after World War II". In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.16.

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The topicality of the study is determined by the fact that the currently widespread Russian disinformation policy is rooted in the experience amassed during the Soviet period, including the attempts to influence the Latvian diaspora living outside Latvia. Until now, research has highlighted the public political activities of diaspora organizations, neglecting the publications they produced. However, the documents available in the memory institutions of Latvia permit the researchers to reveal in sufficient detail the process of preparation and dissemination of these publications, as well as the frequently contradictory assessment of these publications. The aim of the research is, by using a range of unpublished documents and press publications of Latvians in exile community, which have not previously been included in the scientific circulation, to ascertain the experience of the Latvian exile society in the context of spreading true information about the history of Latvia and the situation in occupied Latvia, as well as evaluating the risks that could be caused by the uncritical use of Soviet publications sent to Latvians in the diaspora. The Latvian National Foundation (LNF, founded in Stockholm in 1947) can be considered the most consistent producer of such publications over a longer period of time. The materials released by LNF include publications that use sources of information available in the free world, as well as texts and images received from Latvia, which are published under cover names. A fair part of LNF’s publications was released in foreign languages (English, Swedish, German, etc.), as their target audience was the policy makers of Western countries. Some of the publications of LNF predominantly display the characteristics of representative gifts, but in general they form a significant part of Latvian publishing, – a contribution to maintaining the idea of the continuity of Latvian statehood. Relatively intensive sending of printed materials of occupied Latvia to Latvians in exile, starting from the second half of the 1950s, raises discussions about the value and place of these publications on the bookshelves of Latvians in exile. The findings of the research yield new insights into the role of certain organizations (in this case, the Latvian National Foundation) in Latvian book publishing in exile and the experience of the diaspora in dealing with Soviet disinformation.

Jiang, Ke, e Qian Xu. "Building Images of “President Trump”: Comparing Co-evolutions of the Trade War Discourse between Influencers and Regular Users on Twitter". In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2021. http://dx.doi.org/10.24251/hicss.2021.360.

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Rapporti di organizzazioni sul tema "War images":

Donaghey, S., S. Berman e N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, maggio 2016. http://dx.doi.org/10.34074/emed.035.

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More Than a War: Remembering 1914-1918 presents a creative juxtaposition of digital platforms—a combination of audio, video, archival images, soundscapes, and social media, among others—to tell the stories from 1914–1918 a century later. Led by Sara Donaghey, Sue Berman and Nina Seja, the transmedia project brings together staff and students from Unitec Institute of Technology’s Department of Communication Studies and Auckland Libraries to provide a unique oral contribution to recording the history of Aotearoa New Zealand in The First World War.

Khan, Mahreen. The Environmental Impacts of War and Conflict. Institute of Development Studies, marzo 2022. http://dx.doi.org/10.19088/k4d.2022.060.

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In modern warfare, the first widely acknowledged scientific study and documented case of environmental damage during conflict was the (direct and deliberate) use of Agent Orange and other toxic chemicals by US forces, from 1961-1971, during the Vietnam War in a policy known as herbicide. The Vietnam War has been relatively well documented for the sheer horror and magnitude of the devastation to natural habitats and because it was the first war where television and global media brought vivid images and accounts into people’s homes, making the war a matter of political and public conscience This helped stir academic and scientific interest and facilitated evidence collection and documentation of environmental damages. This helpdesk report is a rapid literature review on the main environmental impacts of war and conflict, drawing primarily on academic, and peer reviewed literature and only some policy and practitioner sources, as per the request. Where current situations are discussed, such as the ongoing Ukraine war, a few blogs are referred to. Within the literature focused on the environmental impacts of conflict, common case studies include: the North Atlantic Treaty Organisation (NATO) bombing of Kosovo (1999), and the conflict in the Donbas region of Ukraine (2014). Interestingly there is comparatively less literature on the conflicts in Afghanistan (2001-2021), the Iraq-Iran War (1980-1988), the Gulf Wars (1991 and 2003), the Yemeni civil war (2014 – present) and the ongoing war in Syria (since 2011) despite their relatively greater severity, intensity and duration.

Olivier, Jason, e Sally Shoop. Imagery classification for autonomous ground vehicle mobility in cold weather environments. Engineer Research and Development Center (U.S.), novembre 2021. http://dx.doi.org/10.21079/11681/42425.

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Autonomous ground vehicle (AGV) research for military applications is important for developing ways to remove soldiers from harm’s way. Current AGV research tends toward operations in warm climates and this leaves the vehicle at risk of failing in cold climates. To ensure AGVs can fulfill a military vehicle’s role of being able to operate on- or off-road in all conditions, consideration needs to be given to terrain of all types to inform the on-board machine learning algorithms. This research aims to correlate real-time vehicle performance data with snow and ice surfaces derived from multispectral imagery with the goal of aiding in the development of a truly all-terrain AGV. Using the image data that correlated most closely to vehicle performance the images were classified into terrain units of most interest to mobility. The best image classification results were obtained when using Short Wave InfraRed (SWIR) band values and a supervised classification scheme, resulting in over 95% accuracy.

Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, dicembre 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.

Asari, Vijayan, Paheding Sidike, Binu Nair, Saibabu Arigela, Varun Santhaseelan e Chen Cui. PR-433-133700-R01 Pipeline Right-of-Way Automated Threat Detection by Advanced Image Analysis. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), dicembre 2015. http://dx.doi.org/10.55274/r0010891.

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A novel algorithmic framework for the robust detection and classification of machinery threats and other potentially harmful objects intruding onto a pipeline right-of-way (ROW) is designed from three perspectives: visibility improvement, context-based segmentation, and object recognition/classification. In the first part of the framework, an adaptive image enhancement algorithm is utilized to improve the visibility of aerial imagery to aid in threat detection. In this technique, a nonlinear transfer function is developed to enhance the processing of aerial imagery with extremely non-uniform lighting conditions. In the second part of the framework, the context-based segmentation is developed to eliminate regions from imagery that are not considered to be a threat to the pipeline. Context based segmentation makes use of a cascade of pre-trained classifiers to search for regions that are not threats. The context based segmentation algorithm accelerates threat identification and improves object detection rates. The last phase of the framework is an efficient object detection model. Efficient object detection �follows a three-stage approach which includes extraction of the local phase in the image and the use of local phase characteristics to locate machinery threats. The local phase is an image feature extraction technique which partially removes the lighting variance and preserves the edge information of the object. Multiple orientations of the same object are matched and the correct orientation is selected using feature matching by histogram of local phase in a multi-scale framework. The classifier outputs locations of threats to pipeline.�The advanced automatic image analysis system is intended to be capable of detecting construction equipment along the ROW of pipelines with a very high degree of accuracy in comparison with manual threat identification by a human analyst. �

Allard, J. C. The Falkland Islands War: An Image of War in the 21st Century. Fort Belvoir, VA: Defense Technical Information Center, aprile 1997. http://dx.doi.org/10.21236/ada326561.

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Lee, W. S., Victor Alchanatis e Asher Levi. Innovative yield mapping system using hyperspectral and thermal imaging for precision tree crop management. United States Department of Agriculture, gennaio 2014. http://dx.doi.org/10.32747/2014.7598158.bard.

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Original objectives and revisions – The original overall objective was to develop, test and validate a prototype yield mapping system for unit area to increase yield and profit for tree crops. Specific objectives were: (1) to develop a yield mapping system for a static situation, using hyperspectral and thermal imaging independently, (2) to integrate hyperspectral and thermal imaging for improved yield estimation by combining thermal images with hyperspectral images to improve fruit detection, and (3) to expand the system to a mobile platform for a stop-measure- and-go situation. There were no major revisions in the overall objective, however, several revisions were made on the specific objectives. The revised specific objectives were: (1) to develop a yield mapping system for a static situation, using color and thermal imaging independently, (2) to integrate color and thermal imaging for improved yield estimation by combining thermal images with color images to improve fruit detection, and (3) to expand the system to an autonomous mobile platform for a continuous-measure situation. Background, major conclusions, solutions and achievements -- Yield mapping is considered as an initial step for applying precision agriculture technologies. Although many yield mapping systems have been developed for agronomic crops, it remains a difficult task for mapping yield of tree crops. In this project, an autonomous immature fruit yield mapping system was developed. The system could detect and count the number of fruit at early growth stages of citrus fruit so that farmers could apply site-specific management based on the maps. There were two sub-systems, a navigation system and an imaging system. Robot Operating System (ROS) was the backbone for developing the navigation system using an unmanned ground vehicle (UGV). An inertial measurement unit (IMU), wheel encoders and a GPS were integrated using an extended Kalman filter to provide reliable and accurate localization information. A LiDAR was added to support simultaneous localization and mapping (SLAM) algorithms. The color camera on a Microsoft Kinect was used to detect citrus trees and a new machine vision algorithm was developed to enable autonomous navigations in the citrus grove. A multimodal imaging system, which consisted of two color cameras and a thermal camera, was carried by the vehicle for video acquisitions. A novel image registration method was developed for combining color and thermal images and matching fruit in both images which achieved pixel-level accuracy. A new Color- Thermal Combined Probability (CTCP) algorithm was created to effectively fuse information from the color and thermal images to classify potential image regions into fruit and non-fruit classes. Algorithms were also developed to integrate image registration, information fusion and fruit classification and detection into a single step for real-time processing. The imaging system achieved a precision rate of 95.5% and a recall rate of 90.4% on immature green citrus fruit detection which was a great improvement compared to previous studies. Implications – The development of the immature green fruit yield mapping system will help farmers make early decisions for planning operations and marketing so high yield and profit can be achieved.

Decroux, Agnes, Kassem Kalo e Keith Swinden. PR-393-205100-R01 IRIS X-Ray CT Qualification for Flexible Pipe Inspection (Phase 1). Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), marzo 2021. http://dx.doi.org/10.55274/r0012068.

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There are several techniques available to inspect single wall carbon steel pipelines including; Magnetic flux leakage (MFL), ultrasonic testing (UT), Electro-Magnetic Acoustic Transducer (EMAT), Phased Array, guide wave testing (GWT), etc. However, for more complex structures such as flexible pipelines the technology available to inspect them is far more limited. PRCI commissioned a program (SPIM 2-1) under the Subsea TC (2017-2020) to evaluate all known and suspected technologies that could be used to provide a detailed subsea inspection of a flexible riser. PRCI produced four samples of flexible pipe containing pre-manufactured cracks and corrosion defects which were located in; the outer armour layer, inner armour layer, pressure vault and carcass. The samples were used for blind testing of all identified inspection technologies. On conclusion of the SPIM 2-1 program, HR-XCT was identified as the technology showing the most promise and a follow-on program (SPIM 2-2) was commissioned to further explore the capabilities. This report will show the way in which high resolution image clarity and image manipulation was extracted from the HR-XCT system when used on the PRCI flexible pipe samples. The XCT results from SPIM 2-2 will be presented to show the initial setup of the experiment and 2D and 3D high resolution sectioned images from the testing. These images clearly identify and characterize 100% of the pre-manufactured defects introduced into the samples in all layers.

Cohen, Yafit, Carl Rosen, Victor Alchanatis, David Mulla, Bruria Heuer e Zion Dar. Fusion of Hyper-Spectral and Thermal Images for Evaluating Nitrogen and Water Status in Potato Fields for Variable Rate Application. United States Department of Agriculture, novembre 2013. http://dx.doi.org/10.32747/2013.7594385.bard.

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Potato yield and quality are highly dependent on an adequate supply of nitrogen and water. Opportunities exist to use airborne hyperspectral (HS) remote sensing for the detection of spatial variation in N status of the crop to allow more targeted N applications. Thermal remote sensing has the potential to identify spatial variations in crop water status to allow better irrigation management and eventually precision irrigation. The overall objective of this study was to examine the ability of HS imagery in the visible and near infrared spectrum (VIS-NIR) and thermal imagery to distinguish between water and N status in potato fields. To lay the basis for achieving the research objectives, experiments in the US and in Israel were conducted in potato with different irrigation and N-application amounts. Thermal indices based merely on thermal images were found sensitive to water status in both Israel and the US in three potato varieties. Spectral indices based on HS images were found suitable to detect N stress accurately and reliably while partial least squares (PLS) analysis of spectral data was more sensitive to N levels. Initial fusion of HS and thermal images showed the potential of detecting both N stress and water stress and even to differentiate between them. This study is one of the first attempts at fusing HS and thermal imagery to detect N and water stress and to estimate N and water levels. Future research is needed to refine these techniques for use in precision agriculture applications.

Bhatt, Parth, Curtis Edson e Ann MacLean. Image Processing in Dense Forest Areas using Unmanned Aerial System (UAS). Michigan Technological University, settembre 2022. http://dx.doi.org/10.37099/mtu.dc.michigantech-p/16366.

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Imagery collected via Unmanned Aerial System (UAS) platforms has become popular in recent years due to improvements in a Digital Single-Lens Reflex (DSLR) camera (centimeter and sub-centimeter), lower operation costs as compared to human piloted aircraft, and the ability to collect data over areas with limited ground access. Many different application (e.g., forestry, agriculture, geology, archaeology) are already using and utilizing the advantages of UAS data. Although, there are numerous UAS image processing workflows, for each application the approach can be different. In this study, we developed a processing workflow of UAS imagery collected in a dense forest (e.g., coniferous/deciduous forest and contiguous wetlands) area allowing users to process large datasets with acceptable mosaicking and georeferencing errors. Imagery was acquired with near-infrared (NIR) and red, green, blue (RGB) cameras with no ground control points. Image quality of two different UAS collection platforms were observed. Agisoft Metashape, a photogrammetric suite, which uses SfM (Structure from Motion) techniques, was used to process the imagery. The results showed that an UAS having a consumer grade Global Navigation Satellite System (GNSS) onboard had better image alignment than an UAS with lower quality GNSS.