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Libri sul tema "Vancouver Five"

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Autore: Grafiati

Pubblicato: 26 luglio 2024

Ultima modifica: 26 luglio 2024

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1

Fraser Institute (Vancouver, B.C.). Challenging perceptions: Twenty-five years of influential ideas : a retrospective. Vancouver]: Fraser Institute, 1999.

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2

LeBaron, Michelle. Conflict and culture: Research in five communities in Vancouver, British Columbia. Victoria: UVic Institute for Dispute Resolution, 1993.

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3

Hunter, Mark A. Relative distributions of five coho stocks caught in the west coast of Vancouver Island troll fishery. Olympia, Wash: State of Washington, Dept. of Fisheries, 1988.

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4

Society, Clark County Genealogical. In celebration of twenty-five years: A brief history of Clark County Genealogical Society, Vancouver, Washington. [Vancouver, WA]: The Society, 1997.

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5

Hunter, Mark A. Relative distributions of five coho stocks caught in west coast Vancouver Island troll fishery, 1979-1984. Olympia, WA: State of Washington, Dept. of Fisheries, Harvest Management Division, 1988.

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6

Morrissey, Sinéad. There was fire in Vancouver. Manchester [England]: Carcanet, 1996.

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7

Matches, Alex. Vancouver's bravest: 120 years of firefighting history. Surrey, B.C: Hancock House, 2007.

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8

Association, Vancouver Firemen's Benefit. Fire prevention and first aid manual. Vancouver: Vancouver Firemen's Benefit Association, 1997.

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9

Hagelund, William A. Harbour burning: A century of Vancouver's maritime fires. Surrey, B.C: Hancock House, 2002.

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10

Mitchell, Keith. Keith Mitchell: Terragraphs & calligrams : April 6-29, 1988, UBC Fine Arts Gallery, Vancouver, B.C., Canada. Vancouver, B.C: The Gallery, 1989.

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11

University of British Colombia. Fine Arts Gallery., a cura di. Vincent Trasov: Word paintings : organized by U.B.C. Fine Arts Gallery, Vancouver, Canada : October 22-November 30, 1991. [Vancouver, Canada: Canada Council, 1991.

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12

Baselitz, Georg. Georg Baselitz: Vancouver Art Gallery, November 2, 1984-January 2, 1985. [Vancouver, B.C.]: The Gallery, 1985.

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13

Campbell, Jim, e Jalil Muntaqim. The Vancouver Five: Armed Struggle In Canada. Solidarity/Arm The Spirit, 2002.

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14

Trepanier, Carl. The Vancouver Area Diving Guide: First in a Series of Five Diving Guidebooks to the B.C. Coast. Gordon Soules Book Publishers, 1994.

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15

Twenty-five years of service, 1895-1920: Commemorating the twenty-fifth anniversary of the founding of the W.H. Malkin Company Limited, wholesale grocers and importers, tea blenders and coffee roasters, Vancouver, British Columbia. [Vancouver?: The Company?, 1995.

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16

Smith, Lisa Anne. Vancouer Is Ashes: The Great Fire of 1886. Ronsdale Press, 2014.

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17

Aircrew memories: Being the collected World War II and later memories of members of the Air Crew Association, Vancouver Island Branch, Victoria, B.C. : sixty-five stories of service with the Royal Canadian Air Force and Royal Air Force in war and peace. Victoria: Victoria Pub. Co., 1999.

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18

Southin, Gwendolyn. Death As a Fine Art. TouchWood Editions, 2012.

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19

British Columbia Society of Fine Arts. First Annual Exhibition, April 20th to 28th 1909, Dominion Hall, Vancouver, B. C [microform]. Creative Media Partners, LLC, 2021.

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20

Levinson, Elizabeth. An Edible Journey: Exploring the Island's Fine Food, Farms and Vineyards. 2^a ed. TouchWood Editions, 2005.

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21

Nelson, Peter. Limology. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450283.

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Abstract (sommario):

Limology is an original 20 minute work in three sections for percussion ensemble, composed by Peter Nelson between 2017–18 during a fellowship from the Bogliasco Foundation, as part of a theatrical work in five parts, Nómadas conceived by Caribbean-born choreographer Henry Daniel. It was commissioned by Cambridge Music Conference for the Canadian ensemble Fringe Percussion. Nómadas is a collaborative work with composers Nigel Osborne (UK) and Owen Underhill (Canada), on the subject of the contemporary migration crisis. Preliminary discussions based on existing work by Daniel took place between the four principal collaborators, and one conceptual area was agreed for each of the three composers. Limology deals specifically with Mediterranean migration, using structural concepts from border theory. It forms the third part of the work, using images reflecting contemporary media representations. Swell portrays the surge of the Mediterranean, or any stormy crossing seen from a rubber raft or overcrowded vessel, passing from crisis to loss. Flight presents the imagined border between hope and terror, crossed and re-crossed in the mind of the migrant. Limbo evokes the temporary stasis of the refugee camp or detention centre. Thematic elements composed by Nelson for Limology were taken by Underhill as the basis for the final part of the work. The decision to work collaboratively was a conscious attempt to share concepts and materials emblematic of the cultural divides and reconciliations at the heart of the project. The place of performance, Squamish land in the heart of the city of Vancouver, was implicated from the start as a site of critical importance in the imagination of the work, as a site settled by immigrants. The cross-cultural imperatives of the creative process led to a work that presents its diverse materials as imagined in the contexts and contrasts of settler culture, and as recognising the encounters arising from contemporary migration.

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