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Letteratura scientifica selezionata sul tema "Tristram Bibliography"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 10 febbraio 2022

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Articoli di riviste sul tema "Tristram Bibliography"

1

Descargues-Grant, Madeleine. "Naissance du roman moderne. Bibliographie Laurence Sterne, Vie et opinions de Tristram Shandy, gentilhomme". L'information littéraire Vol. 58, n. 4 (1 dicembre 2006): 46–51. http://dx.doi.org/10.3917/inli.584.0046.

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2

Servet, Pierre. "Les romans chevaleresques de la fin du Moyen Âge et de la Renaissance : éléments de bibliographie". Études françaises 32, n. 1 (15 marzo 2006): 109–13. http://dx.doi.org/10.7202/036015ar.

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Résumé Le Tristan de Pierre Sala, qui relate l'amitié de Lancelot et du neveu du roi Marc, contient des éléments thématiques et formels étrangers au roman chevaleresque. Cet article cherche à les rapprocher de l'art de la nouvelle et à interpréter la signification de leur présence dans un genre littéraire où on ne les attend pas.

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3

Kalinke, Marianne. "Der mittelalterliche Tristan-Stoff in Skandinavien. Einführung - Texte in Übersetzung - Bibliographie (review)". JEGP, Journal of English and Germanic Philology 110, n. 1 (2011): 109–11. http://dx.doi.org/10.1353/egp.2011.0004.

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4

Beintema, Albert. "A bibliography of Tristan da Cunha. P.J. Helyer and M.K. Swales. 1998. Oswestry: Nelson. 175 p, soft cover. ISBN 0-904614-62. £25.00." Polar Record 36, n. 198 (luglio 2000): 265. http://dx.doi.org/10.1017/s003224740001665x.

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5

"VI Horatian style and literary texture". New Surveys in the Classics 42 (2012): 73–83. http://dx.doi.org/10.1017/s053324511400008x.

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In this section I will briefly survey the literature on Horatian poetic style, and then offer some detailed translations and analyses of particular poems from different genres to try to show how Horatian expression works on the page, especially in terms of intertextuality, structural arrangement, and word order. Horace's exceptionally dense and refined poetic texture has been recognized as such since antiquity: Ovid (Tristia 4.10.50) refers to Horace's carmina culta (‘cultured poems’), and Petronius (118.5) to his curiosa felicitas (‘painstaking felicity of style’), while Quintilian (10.1.96) sees him as uerbis felicissime audax (‘most felicitously bold in expression’). All these comments are likely to refer primarily to the Odes, but can be applied in general to Horace's style through different genres. For the basic facts of Horatian diction and syntax, Bo 1960 remains unrivalled in its sheer level of detail; for more recent overviews and useful scholarly bibliography on Horatian poetic style see the excellent Muecke 1997 and the rest of the major section on style of which it forms the chief part in the Enciclopedia oraziana (Mariotti 1996–8), the list of publications in the area up to 2006 by Holzberg, and the helpful survey of the development of Horace's style and metrical practice in Knox 2013. On the metres of the Odes, the introductory section in Nisbet and Hubbard 1970 remains a reliable guide; for some more adventurous attempts to relate metre to literary content in Horace see Morgan 2010. The elaborate and expressive word order of the Odes is the topic of Nisbet 1999. But the best resources for the analysis of Horatian style and metre are the recent detailed commentaries on Horace's works (listed in Chapter I, section 3), which are closely used in what follows.

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Tesi sul tema "Tristram Bibliography"

1

Cary, Tristram. "Portfolio of original compositions". Title page and table of contents only, 2000. http://web4.library.adelaide.edu.au/theses/09MUD/09mudc333.pdf.

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Includes comprehensive bibliography the composer's works. Biographical notes and list of works -- The ladykillers: a suite for orchestra in three movements based on the music composed for the 1955 Ealing comedy -- Contours and densities at First Hill: fifteen landscapes for orchestra -- I am here, for soprano and tape -- Scenes from a life, for orchestra - one movement with three sections. Apart from Contours and densities at First Hill, which was commissioned by the University of Adelaide, these works submitted for D. Mus have not ben published commercially.

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Libri sul tema "Tristram Bibliography"

1

St. Helena, Ascension, and Tristan da Cunha. Oxford: Clio Press, 1997.

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2

Haug, Walter. Die höfische Liebe im Horizont der erotischen Diskurse des Mittelalters und der Frühen Neuzeit. Berlin: W. De Gruyter, 2004.

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3

Schmidt, Siegrid. Mittelhochdeutsche Epenstoffe in der deutschsprachigen Literatur nach 1945: Beobachtungen zur Aufarbeitung des Artus- und Parzival-Stoffes in erzählender Literatur für Jugendliche und Erwachsene mit einer Bibliographie der Adaptationen der Stoffkreise Artus, Parzival, Tristan, Gudrun und Nibelungen 1945-1981. Göppingen: Kümmerle, 1989.

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4

Schmidt, Siegrid. Mittelhochdeutsche Epenstoffe in der deutschsprachigen Literatur nach 1945: Beobachtungen zur Aufarbeitung des Artus- und Parzival-Stoffes in erza hlender Literatur fu r Jugendliche und Erwachsene mit einer Bibliographie der Adaptationen der Stoffkreise Artus, Parzival, Tristan, Gudrun und Nibelungen 1945-1981. Go ppingen: Ku mmerle, 1989.

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5

Schmidt, Siegrid. Mittelhochdeutsche Epenstoffe in der deutschsprachigen Literatur nach 1945: Beobachtungen zur Aufarbeitung des Artus- und Parzival-Stoffes in erza hlender Literatur fu r Jugendliche und Erwachsene mit einer Bibliographie der Adaptationen der Stoffkreise Artus, Parzival, Tristan, Gudrun und Nibelungen 1945-1981. Go ppingen: Ku mmerle, 1989.

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6

Helyer, Patrick, e Michael Swales. Bibliography of Tristan Da Cunha. Anthony Nelson, 1998.

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7

Colclough, Stephen. Readers and Reading Practices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199574803.003.0030.

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This chapter explores reading diaries to illustrate the bibliographic world in which individual readers encountered novels. From the recording of a baffled enjoyment of Tristram Shandy, through the conjuring up of the ‘excessive’ teenage delights taken in the illustrated novel, and on to the pleasures of dismissing emergent new genres as ‘too Highlandish’, the evidence presented here suggests just how much pleasure readers gained from novels. Readers engaged with fiction in a number of different forms during this time and textual context subtly altered the kind of reading that it was possible to produce. Similarly, anecdotal accounts of reading aloud recognizes reading as a material act, which brings the body as well as the mind into play. Moreover, it is worth remembering those everyday gestures of reading, such as hurrying to the library for the next volume, that were such an important part of the novel reader's experience during this period.

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8

Pierre, Michel, a cura di. Tristan Murail: Modèles et artifices. Strasbourg: Presses universitaires de Strasbourg, 2004.

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Capitoli di libri sul tema "Tristram Bibliography"

1

"Bibliography". In The Romance of Tristran by Beroul and Beroul II, 167–72. University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442621664-005.

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2

"Bibliography". In The Romance of Tristran by Beroul and Beroul II, 323–30. University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442621688-008.

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3

"Bibliography". In In the Footsteps of Flora Tristan, 227–50. Liverpool University Press, 2020. http://dx.doi.org/10.2307/j.ctv1675bnn.13.

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