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Articoli di riviste sul tema "Trinidadian Arts"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 30 luglio 2024

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1

Carlson, Amanda B. "Calabar Carnival: A Trinidadian Tradition Returns to Africa". African Arts 43, n. 4 (dicembre 2010): 42–59. http://dx.doi.org/10.1162/afar.2010.43.4.42.

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2

Weir, Donna. "A Trinidadian Sanke (For My Rebel Youth)". Frontiers: A Journal of Women Studies 14, n. 3 (1994): 170. http://dx.doi.org/10.2307/3346691.

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3

Angrosino, Michael V. "The Case History of an East Indian Trinidadian Alcoholic". Ethos 17, n. 2 (giugno 1989): 202–25. http://dx.doi.org/10.1525/eth.1989.17.2.02a00040.

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4

Birth, Kevin K. "Trinidadian Times: Temporal Dependency and Temporal Flexibility on the Margins of Industrial Capitalism". Anthropological Quarterly 69, n. 2 (aprile 1996): 79. http://dx.doi.org/10.2307/3318035.

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5

Schäffner, Raimund. "Carnival, Cultural Identity, and Mustapha Matura's ‘Play Mas’". New Theatre Quarterly 18, n. 2 (maggio 2002): 186–95. http://dx.doi.org/10.1017/s0266464x0200026x.

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Abstract (sommario):

Carnival has been appropriated in many ways – by cultural critics after Bakhtin, who expanded the pre-Lenten festival to embrace all such inversions of the established order; by elegant maskers imposing their own social status on the celebration; and more recently by popular entertainers, creating the kind of mass event typified by the midsummer carnival at Notting Hill, divorced alike from religious and calendric associations. Here, Raimund Schäffner considers the critique dramatized in Mustapha Matura's Play Mas (1974) of the appropriation of carnival by the dominant political forces of the state in the context of the Trinidadian inheritance of social and racial tensions, colonial and post-colonial – the context also for the dismissal of the event as socially divisive rather than socially critical by such a figure as Derek Walcott. Raimund Schäffner teaches English and post-colonial literature in the English Department at the University of Heidelberg. He is the author of a book on David Edgar and British political drama after 1968, and of articles on David Edgar, Howard Brenton, Caryl Churchill, and Doug Lucie.

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6

Meer, Philipp. "Automatic alignment for New Englishes: Applying state-of-the-art aligners to Trinidadian English". Journal of the Acoustical Society of America 147, n. 4 (aprile 2020): 2283–94. http://dx.doi.org/10.1121/10.0001069.

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Gohrisch, Jana. "World War I and its aftermath: Reaching for the past and across the Atlantic". Journal of European Studies 51, n. 3-4 (novembre 2021): 304–17. http://dx.doi.org/10.1177/00472441211033410.

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This article focuses on the British West Indies beginning with the involvement of African Caribbean soldiers in the Great War. It challenges the enduring myth of the First World War as a predominantly white European conflict. The main part focuses on C. L. R. James, the Trinidadian historian and playwright, following his paradigmatic trajectory from the colony to the ‘mother country’ and his involvement in the protracted transnational process of decolonization after the First Word War. It concentrates on one of his political pamphlets and on his play Toussaint Louverture. The work of the British writer and left-wing political activist Nancy Cunard is also presented as another ‘outsider’ text which can further an ongoing methodological project: the re-integration and cross-fertilization of received knowledge about the war with seemingly outlying knowledge, unorthodox political commitment and challenging aesthetics to produce a richer understanding of this formative period across the Atlantic divide.

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Alea, Nicole, Susan Bluck e Sideeka Ali. "Function in context: Why American and Trinidadian young and older adults remember the personal past". Memory 23, n. 1 (3 luglio 2014): 55–68. http://dx.doi.org/10.1080/09658211.2014.929704.

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9

Mislán, Cristina. "The imperial ‘we’: Racial justice, nationhood, and global war in Claudia Jones’ Weekly Review editorials, 1938–1943". Journalism 18, n. 10 (18 agosto 2016): 1415–30. http://dx.doi.org/10.1177/1464884916664109.

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During World War II, Black journalists sought to shape United States’ domestic and international policies to fight Jim Crowism and fascism. This article demonstrates how Claudia Jones, a Trinidadian-born journalist, placed ‘superexploited’ voices at the center of a conversation about nationhood, race, and war politics. Employing a historical and thematic analysis of Jones’ editorials in the Young Communist League’s Weekly Review from 1938 to 1943, the author highlights three themes. This analysis demonstrates how Jones promoted US intervention in World War II by linking Jim Crowism to fascism and promoting military service and transnational solidarity. In centering ‘superexploited’ voices, Jones employed an imperial ‘we’ discourse that intersected racial justice with the Communist Party of the USA’s Popular Front platform. Her journalism complicates historical narratives about alternative journalism, illustrating how voices like Jones at times contributed to the growth of US global power, even while they critiqued its policies.

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Alea, Nicole, Sideeka Ali e Blaine Marcano. "The Bumps in Trinidadian Life: Reminiscence Bumps for Positive and Negative Life Events". Applied Cognitive Psychology 28, n. 2 (19 novembre 2013): 174–84. http://dx.doi.org/10.1002/acp.2975.

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11

Semaj-Hall, Isis. "Constructing a dub identity: What it means to be “Back Home” in Jamaica". Cultural Dynamics 30, n. 1-2 (febbraio 2018): 96–108. http://dx.doi.org/10.1177/0921374017752272.

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In this essay, Isis Semaj-Hall explores the intersections of being Jamaican, American, black, woman, and mother. Using what she terms a dub aesthetic, Semaj-Hall juxtaposes her circular migration with the Dominican characters in Junot Diaz’s fiction as well as the autobiographical story told by Jamaican author Anthony Winkler. Using Trinidadian-Canadian author Ramabai Espinet as a literary anchor, Semaj-Hall questions how the familiar memory becomes unfamiliar in the moment that it collides with present reality. Finally, Claudia Rankine is brought in as a way for the author to honor the impact that her black American experience with racism shades her perspective on Jamaican colorism. This article takes readers on an unexpected walk through Kingston, Jamaica, revealing Semaj-Hall’s daily negotiations with what it means to be “Back Home” in the place she had for so long nostalgiaized.

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12

Foxcroft, Nigel H., e Christian Høgsbjerg. "The Alfred H. Mendes – Malcolm Lowry Connection". University of Toronto Quarterly 91, n. 2 (1 giugno 2022): 78–103. http://dx.doi.org/10.3138/utq.91.2.04.

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A brief friendship kindled in 1930s New York between the Trinidadian novelist and short-story writer of Portuguese Creole ancestry, Alfred Hubert Mendes (1897–1991) and the late modernist English author, Malcolm Lowry (1909–57), which forged a personal and literary camaraderie, revealing significant rapport reflected in the intersection of their lives. Certain important, mutually enabling parallels between their experiences, political affinities, and literary influences can assist us in making better sense of their relationship. Though Mendes was shaped by adventures in Britain and the United States, his writings were rooted in the concerns of everyday existence and in the cultural traditions of his native island of Trinidad. His realist short stories – and novels like Pitch Lake (1934) and Black Fauns (1935) – helped pioneer West Indian literature and attracted praise from Aldous Huxley. Lowry was inspired by visits to the Far East (1927), Germany (1928), Norway (1931), France (1932), Spain (1933–34), the United States (1934–36), and Mexico (1936–38 and 1945–47), where his masterpiece, Under the Volcano (1947), was set. These countries exerted a long-lasting impression on his literary imagination, which encompassed a kaleidoscopic range of influences from East and West, including esotericism. It was his trajectory toward the New World that was conducive to his acquaintance with Mendes in New York in 1936.

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13

Lynch, Rebecca. "Living in the end of days: risk, anxiety, subjectivity and the devil in a Trinidadian village". Anthropology & Medicine 28, n. 1 (2 gennaio 2021): 47–61. http://dx.doi.org/10.1080/13648470.2021.1888547.

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14

Lewis, Linden. "Masculinity and the Dance of the Dragon: Reading Lovelace Discursively". Feminist Review 59, n. 1 (giugno 1998): 164–85. http://dx.doi.org/10.1080/014177898339514.

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The exploration and examination of the construction of masculinity is increasingly emerging as an integrated part of the study of gender in society in general, and in the Caribbean in particular. We are constantly in search for new sources of material which tell us about the ways in which men construct their masculinity in Caribbean society. In this paper I draw on the imagery and ideas provided by the literary text. I interrogate the novel The Dragon Can't Dance, written by Trinidadian novelist Earl Lovelace. The writer uses the metaphor of the dragon, the costume donned by the main protagonist Aldrick in the yearly Carnival masquerade, as a mask which disguises the need for Aldrick to confront his own masculinity under poor, urban conditions in Trinidad. In the struggles and confrontations between urban working–class men and women in the community of Calvary in Trinidad, the novelist teases out the different constructions of masculinity in the various characters he portrays. I explore the novel, focusing particularly on the ways in which this construction is embedded in the struggles over issues of identity, ethnicity, reputation and honor. While the novelist is clearly able to read into the mind of the male in society, his renditions of the female are not so incisive. However, this is not a shortcoming as the women, though not as well-rounded characters in the novel, play key roles in the definition and shaping of masculinities. This reading of the novel illustrates that the literary text suggests itself as a critical site for further explorations of the illusive data on gender and especially that on masculinity.

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15

Riggio, Milla Cozart. "Performing in the Lap and at the Feet of God: Ramleela in Trinidad, 2006–2008". TDR/The Drama Review 54, n. 1 (marzo 2010): 106–49. http://dx.doi.org/10.1162/dram.2010.54.1.106.

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The island of Trinidad is home to one of the world's largest annual performances of the Hindu epic drama known locally as Ramleela. Far away from their ancestral homeland, Indo-Trinidadians perform their own identities as a Caribbean people in a drama of exile that hauntingly replicates their diasporic experience.

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16

Winer, Lise. "Indic Lexicon in the English/Creole of Trinidad". New West Indian Guide / Nieuwe West-Indische Gids 79, n. 1-2 (1 gennaio 2005): 7–30. http://dx.doi.org/10.1163/22134360-90002499.

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Examines the contemporary lexical component of the English/Creole of Trinidad (TEC) that is derived from languages of India. Author focuses on the TEC as spoken among Indo-Trinidadians, but also pays attention to Indic words used in the TEC of Afro-Trinidadians and other groups. Author sketches the history of Indian immigration into Trinidad, explaining how most came from the Bihar province in northern India and spoke Bhojpuri, rather than (closely related) Hindi, and how in the 20th c. Indian languages were replaced by English with education. She further focuses on retained Indic words incorporated in current-day TEC, and found 1844 of such words in usage. She discusses words misassigned locally as Indian-derived, but actually from other (European or African) languages. Then, she describes most of the Indo-TEC lexicon, categorizing items by their semantic-cultural domain, with major domains for Indian-derived words: religious practice, music, dance and stickfighting, food preparation, agriculture, kinship, and behaviour or appearance. Further, the author discusses to what degree Indic words have been mainstreamed within the non-Indian population of Trinidad, sometimes via standard English, sometimes directly assimilated into TEC, and made salient through the press or street food selling.

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17

Moraga Riquelme, Julián Antonio, Leslie E. Sponsel, Katrien Pype, Diana Riboli, Ellen Lewin, Marina Pignatelli, Katherine Swancutt et al. "Book Reviews". Religion and Society 11, n. 1 (1 settembre 2020): 205–28. http://dx.doi.org/10.3167/arrs.2020.110115.

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Andía, Juan Javier Rivera, ed., Non-Humans in Amerindian South America: Ethnographies of Indigenous Cosmologies, Rituals and Songs, 396 pp., illustrations, bibliography, index. New York: Berghahn Books, 2018. Hardback, $135.00. ISBN 9781789200973.Cassaniti, J. L., Remembering the Present: Mindfulness in Buddhist Asia, 318 pp., glossary, references, index. Ithaca, NY: Cornell University Press, 2018. Paperback, $27.95. ISBN 9781501709173.Casselberry , Judith, and Elizabeth A. Pritchard, eds., Spirit on the Move: Black Women and Pentecostalism in Africa and the Diaspora, 248 pp. Durham, NC: Duke University Press, 2019. Paperback, $25.95. ISBN 9781478000327.Elison, William, The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai, 336 pp., illustrations, notes, references, index. Chicago: University of Chicago Press, 2018. Paperback, $35.00. ISBN 9780226494906.Hackman, Melissa, Desire Work: Ex-Gay and Pentecostal Masculinity in South Africa, 216 pp., illustrations, notes, references, index. Durham, NC: Duke University Press, 2018. Paperback, $24.95. ISBN 9781478000822.Leite, Naomi, Unorthodox Kin: Portuguese Marranos and the Global Search for Belonging , 344 pp., notes, references, index. Oakland: University of California Press, 2017. $29.95. ISBN 9780520285057.Li, Geng, Fate Calculation Experts: Diviners Seeking Legitimation in Contemporary China , 158 pp., references, index. New York: Berghahn Books, 2019. Hardback, $120.00. ISBN 9781785339943.Lynch, Rebbeca, The Devil Is Disorder: Bodies, Spirits and Misfortune in a Trinidadian Village, 282 pp., illustrations, bibliography, index. New York: Berghahn Books, 2020. Hardback, $120.00. ISBN 9781789204872.Matory, J. Lorand, The Fetish Reisited: Marx, Freud, and the Gods Black People Make, 392 pp., illustrations, bibliographical references, index. Durham, NC: Duke University Press, 2018. Paperback, $29.95. ISBN 9781478001058.Pansters, Wil G., ed., La Santa Muerte in Mexico: History, Devotion, and Society, 230 pp., illustrations, bibliography, index. Albuquerque: University of New Mexico Press, 2019. Hardback, $65.00. ISBN 9780826360816.Pierini, Emily, Jaguars of the Dawn: Spirit Mediumship in the Brazilian Vale do Amanhecer, 290 pp., illustrations, bibliography, index. New York: Berghahn Books, 2020. Hardback, $135.00. ISBN 9781789205657.Pitarch, Pedro, and José Antonio Kelly, eds., The Culture of Invention in the Americas: Anthropological Experiments with Roy Wagner, 288 pp. Canon Pyon: Sean Kingston Publishing, 2019. Hardback, $90.00. ISBN 9781912385027.Rambelli, Fabio, ed., Spirits and Animism in Contemporary Japan: The Invisible Empire, 240 pp., illustrations, notes, bibliography, index. London: Bloomsbury Academic, 2019. Hardback, $153.00. ISBN 9781350097094.Richman, Karen E., Migration and Vodou, 384 pp., illustrations, notes, bibliography, index. Gainesville: University Press of Florida, 2018. Paperback, $28.95. ISBN 9780813064864.Vitebsky, Piers, Living without the Dead: Loss and Redemption in a Jungle Cosmos, 380 pp., illustrations, glossary, references, index. Chicago: University of Chicago Press, 2017. Paperback, $25.00. ISBN 9780226475622.

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18

Kurhade, Geeta, B. Shivananda Nayak, Arvind Kurhade, Chandrasekhar Unakal e Krutika Kurhade. "Effect of martial arts training on IL-6 and other immunological parameters among Trinidadian subjects". Journal of Sports Medicine and Physical Fitness 58, n. 7-8 (giugno 2018). http://dx.doi.org/10.23736/s0022-4707.17.07666-6.

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19

Glazier, Stephen D. "Demanding Deities and Reluctant Devotees: Belief and Unbelief in the Trinidadian Orisa Movement". Social Analysis 52, n. 1 (1 gennaio 2008). http://dx.doi.org/10.3167/sa.2008.520102.

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