Bibliografie tematiche / Trinidadian Arts

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Letteratura scientifica selezionata sul tema "Trinidadian Arts"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Trinidadian Arts"

Carlson, Amanda B. "Calabar Carnival: A Trinidadian Tradition Returns to Africa". African Arts 43, n. 4 (dicembre 2010): 42–59. http://dx.doi.org/10.1162/afar.2010.43.4.42.

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Weir, Donna. "A Trinidadian Sanke (For My Rebel Youth)". Frontiers: A Journal of Women Studies 14, n. 3 (1994): 170. http://dx.doi.org/10.2307/3346691.

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Angrosino, Michael V. "The Case History of an East Indian Trinidadian Alcoholic". Ethos 17, n. 2 (giugno 1989): 202–25. http://dx.doi.org/10.1525/eth.1989.17.2.02a00040.

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Birth, Kevin K. "Trinidadian Times: Temporal Dependency and Temporal Flexibility on the Margins of Industrial Capitalism". Anthropological Quarterly 69, n. 2 (aprile 1996): 79. http://dx.doi.org/10.2307/3318035.

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Schäffner, Raimund. "Carnival, Cultural Identity, and Mustapha Matura's ‘Play Mas’". New Theatre Quarterly 18, n. 2 (maggio 2002): 186–95. http://dx.doi.org/10.1017/s0266464x0200026x.

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Carnival has been appropriated in many ways – by cultural critics after Bakhtin, who expanded the pre-Lenten festival to embrace all such inversions of the established order; by elegant maskers imposing their own social status on the celebration; and more recently by popular entertainers, creating the kind of mass event typified by the midsummer carnival at Notting Hill, divorced alike from religious and calendric associations. Here, Raimund Schäffner considers the critique dramatized in Mustapha Matura's Play Mas (1974) of the appropriation of carnival by the dominant political forces of the state in the context of the Trinidadian inheritance of social and racial tensions, colonial and post-colonial – the context also for the dismissal of the event as socially divisive rather than socially critical by such a figure as Derek Walcott. Raimund Schäffner teaches English and post-colonial literature in the English Department at the University of Heidelberg. He is the author of a book on David Edgar and British political drama after 1968, and of articles on David Edgar, Howard Brenton, Caryl Churchill, and Doug Lucie.

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Meer, Philipp. "Automatic alignment for New Englishes: Applying state-of-the-art aligners to Trinidadian English". Journal of the Acoustical Society of America 147, n. 4 (aprile 2020): 2283–94. http://dx.doi.org/10.1121/10.0001069.

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Gohrisch, Jana. "World War I and its aftermath: Reaching for the past and across the Atlantic". Journal of European Studies 51, n. 3-4 (novembre 2021): 304–17. http://dx.doi.org/10.1177/00472441211033410.

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This article focuses on the British West Indies beginning with the involvement of African Caribbean soldiers in the Great War. It challenges the enduring myth of the First World War as a predominantly white European conflict. The main part focuses on C. L. R. James, the Trinidadian historian and playwright, following his paradigmatic trajectory from the colony to the ‘mother country’ and his involvement in the protracted transnational process of decolonization after the First Word War. It concentrates on one of his political pamphlets and on his play Toussaint Louverture. The work of the British writer and left-wing political activist Nancy Cunard is also presented as another ‘outsider’ text which can further an ongoing methodological project: the re-integration and cross-fertilization of received knowledge about the war with seemingly outlying knowledge, unorthodox political commitment and challenging aesthetics to produce a richer understanding of this formative period across the Atlantic divide.

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Alea, Nicole, Susan Bluck e Sideeka Ali. "Function in context: Why American and Trinidadian young and older adults remember the personal past". Memory 23, n. 1 (3 luglio 2014): 55–68. http://dx.doi.org/10.1080/09658211.2014.929704.

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Mislán, Cristina. "The imperial ‘we’: Racial justice, nationhood, and global war in Claudia Jones’ Weekly Review editorials, 1938–1943". Journalism 18, n. 10 (18 agosto 2016): 1415–30. http://dx.doi.org/10.1177/1464884916664109.

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During World War II, Black journalists sought to shape United States’ domestic and international policies to fight Jim Crowism and fascism. This article demonstrates how Claudia Jones, a Trinidadian-born journalist, placed ‘superexploited’ voices at the center of a conversation about nationhood, race, and war politics. Employing a historical and thematic analysis of Jones’ editorials in the Young Communist League’s Weekly Review from 1938 to 1943, the author highlights three themes. This analysis demonstrates how Jones promoted US intervention in World War II by linking Jim Crowism to fascism and promoting military service and transnational solidarity. In centering ‘superexploited’ voices, Jones employed an imperial ‘we’ discourse that intersected racial justice with the Communist Party of the USA’s Popular Front platform. Her journalism complicates historical narratives about alternative journalism, illustrating how voices like Jones at times contributed to the growth of US global power, even while they critiqued its policies.

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Alea, Nicole, Sideeka Ali e Blaine Marcano. "The Bumps in Trinidadian Life: Reminiscence Bumps for Positive and Negative Life Events". Applied Cognitive Psychology 28, n. 2 (19 novembre 2013): 174–84. http://dx.doi.org/10.1002/acp.2975.

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Più fonti

Tesi sul tema "Trinidadian Arts"

Griffith, Sandy. "Cross-Cultural Differences in Attitudes toward Domestic Violence between Trinidadian and American College Students". Honors in the Major Thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/759.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf
Bachelors
Arts and Sciences
Psychology

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Ferguson, Clarabelle. "The Relationship Between American Media Exposure and Trinidadian Female Adolescents' Body Image Satisfaction". Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3100.

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ABSTRACT Numerous studies have examined the development of body image among people, especially girls and young women. Many factors have been associated with the development of body image dissatisfaction. Especially important are exposure to mass media and its relationship with three theoretical constructs: Awareness of a thin ideal, internalization of a thin ideal, and perceived pressures to be thin. Extending existing research, this study examined through experimentation the relationships among exposure to American media content and the awareness and internalization of the American norms and expectations for thinness, pressures to adopt these norms, and Trinidadian female adolescents' body image satisfaction. Based on previous findings, this study hypothesized that the three risk factors in the development of body image disturbance (awareness, internalization and pressures) would mediate the relationship between American media exposure and body image satisfaction among Trinidadian female adolescents. The results indicated that American media exposure and all three risk factors had statistically significant relationships with Trinidadian female adolescents' body image satisfaction. The more hours Trinidadian female adolescents spent watching American sitcoms, the less satisfied they are with their body image. An increase in American media exposure also resulted in the increase in the adolescents' awareness and internalization of the American norms and expectations for thinness, as well as the pressures to adopt those norms and expectations. Results also revealed that the three risk factors in the development of body image disturbance (awareness, internalization and pressures) were negatively correlated with body image satisfaction among Trinidadian female adolescents. Taken as a whole, the study supported the sociocultural model for the development of body image dissatisfaction.

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Libri sul tema "Trinidadian Arts"

Johnson, Kwynn. Jam limyè a rantre: Nap montre sa ki disparel ak sa ki la toujou nan ansyen kay kraz Kalmel yo = Comment pénètre la lumière : Visualier l'absence et la continuite dans les ruines de Jacmel = How the light enters : Visualising absence and continuity in the Jacmelian ruinscape. [St. Augustine, Trinidad?]: [publisher not identified], 2013.

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Women in Art Organisation of Trinidad and Tobago., a cura di. Women in art 2000. [Port of Spain, Trinidad and Tobago: s.n., 2000.

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Art Society of Trinidad and Tobago, a cura di. The International Waterfront Gallery, Port-of-Spain, Trinidad. Federation Park [Port of Spain], Trinidad & Tobago: Art Society of Trinidad and Tobago, 2009.

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contributor, Crichlow Kenwyn, Hinkson Jackie 1942 contributor, Pereira, Mark N., contributor, copyright holder e Raymond Judy (Journalist) contributor, a cura di. Cazabon: New perspectives. Port of Spain, Trinidad and Tobago: Mark N. Pereira/101 Art Gallery, 2019.

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National Museum and Art Gallery (Port of Spain, Trinidad and Tobago), a cura di. Eye Hayti ... cries ... everywhere. Port of Spain, Trinidad and Tobago: Legacy House, 2015.

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McGregory, Jerrilyn. One Grand Noise. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834775.001.0001.

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This study interrogates the Boxing Day holiday which is globally celebrated on December 26. Although it is a long standing bank holiday for members of the British Commonwealth of Nations, no monograph exists attesting to its origin, especially as longstanding cultural holiday in the Protestant circum-Caribbean Basin. After historicizing its connection to ancient festivals and Catholicism, Jerrilyn McGregory explores how the Anglicized Caribbean World constitutes a gombe-complex marked by the privileging African-based rhythms and drums. McGregory considers Bermuda’s Gombey dancers, Bahamian Junkanoo, Garifuna Jankunú, Trinidadian style Carnivals in St. Croix and St. Kitts, and even a North Florida Shooting Match with semblances to these Caribbean festival arts. Ultimately, McGregory argues for an interpretive approach to deconstruct the vernacular tropes: “one grand noise”, “Foreday morning”, and “from back-o-town.” Therefore, rather than an island-by-island interrogation, this study will illuminate cultural resonances antithetical to hegemonic rule noise, darkness, and temporal-spatiality. While the cultural producers adhere to variant historical contexts, all function as forms of persistence and resistance. In the final analysis, McGregory documents the move from the simply carnivalesque to the ritualesque with the insinuation of their offspring to ensure continuity without fixity to ward off the threat of cultural tourism.

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Manuel, Peter. Tassa Drumming from India to the Caribbean and Beyond. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038815.003.0005.

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Tassa drumming is an Indo-Trinidadian art form of extraordinary originality and richness, combining technical virtuosity and innovative dynamism over a solid base of traditional repertoire and style. With more than one hundred semiprofessional groups performing on the island, tassa is heard at competitions and various other functions, and it is indispensable at Hindu weddings and the Muslim Hosay (Muharram) commemoration. This chapter discusses tassa drumming in its relation to North Indian counterparts and with regard to its present forms, styles, and social contexts. Formal analyses are presented both as timely documentation of this impressive and understudied art form and in order to advance arguments about its evolution and the nature of its incorporation of creole elements.

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Capitoli di libri sul tema "Trinidadian Arts"

Munro, Hope. "Woman Is Boss: Music and Gender in Trinidad’s Cultural History". In What She Go Do. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496807533.003.0002.

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This chapter situates Afro-Trinidadian women within the complex ethno-history of the nation and highlights their roles as cultural agents over time. In the Caribbean, the music world and public culture in general has been male-dominated, and for the most part this continues to be the case. In the music scene of Trinidad and Tobago, however, there has been remarkable progress in achieving gender equality within certain expressive realms. Over the course of the cultural history of Trinidad and Tobago, musical practices that were based in communal spaces such as the gayelle and drum dances changed with the emergence of the professional calypsonians and became essentially male-dominated art forms. This chapter examines the ways in which gender and music intersected in Trinidad's cultural history, showing in particular how the prosperity, optimism, and relative liberalism of the 1960s and 1970s set up the conditions for women to (re)emerge in the country's expressive culture.

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Margurran, Anne E. "The Causes and Consequences of Geographic Variation in Antipredator Behavior: Perspectives from Fish Populations". In Geographic Variation in Behavior. Oxford University Press, 1999. http://dx.doi.org/10.1093/oso/9780195082951.003.0011.

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Predators are extremely effective agents of selection. After all, if an individual member of a prey species does not survive long enough to reproduce, it will have lost its chance (kin selection considerations apart) to bequeath its genes to future generations. It is not surprising, therefore, that many cases of population difference have been attributed to geographic variation in risk. These population differences can take a variety of forms and may, for example, involve modifications to morphology or to life-history traits. The correlation between armor and predation in the three-spined stickleback, Gasterosteus aculeatus, is one case that has been well documented (see Reimchen 1994 for a review and discussion), while another is the association between reproductive allotment and risk (Reznick and Endler 1982) and male color pattern and risk (Endler 1980) in the Trinidadian guppy, Poecilia reticulata. However, such adaptations can be futile if they are not accompanied by effective antipredator behavior. For instance, a cryptic color pattern confers no advantage if its holder chooses the “wrong” background or behaves in a conspicuous manner. Behavior is also flexible in a way that life histories or morphology may not be, and it allows moment-to-moment changes in response as risk increases or decreases. Because it is such an important weapon in the evolutionary arms race, antipredator behavior provides important insights into the causes and consequences of natural selection. Some of the best examples of geographically variable antipredator responses occur in populations of freshwater fish (see, e.g., Bell and Foster 1994). The predation regime of these populations is relatively easy to classify—at least in terms of the presence and absence of predatory species—and the distribution of key predators can explain much of the documented variation in antipredator behavior (see p. 140). Covariance in predation regime and antipredator responses is compelling evidence for natural selection. Moreover, because predation regimes can change (or be manipulated) over relatively short periods of time, there is an opportunity to record heritable changes in antipredator responses—in other words, to watch evolution in action.

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