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Libri sul tema "Transmission practices in dance"

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Autore: Grafiati

Pubblicato: 20 luglio 2024

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1

Kämpfe, Vicky. Dance Practices as Research. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8.

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2

Ravn, Susanne, e Leena Rouhiainen. Dance spaces: Practices of movement. Odense: University Press of Southern Denmark, 2012.

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3

Sieni, Virgilio. La trasmissione del gesto =: The transmission of the gesture = La transmission du geste. Firenze: M&m, 2009.

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4

Sam, Samdani G., a cura di. Heat transfer technologies and practices. New York: McGraw-Hill, 1996.

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5

Melanie, Bales, e Nettl-Fiol Rebecca 1953-, a cura di. The body eclectic: Evolving practices in dance training. Urbana: University of Illinois Press, 2008.

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6

Melanie, Bales, e Nettl-Fiol Rebecca 1953-, a cura di. The body eclectic: Evolving practices in dance training. Urbana: University of Illinois Press, 2008.

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7

Dinges, Martin. The transmission of health practices (c. 1500 to 2000). Stuttgart: Franz Steiner Verlag, 2011.

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8

SAE Transmission and Drivetrain Committee., a cura di. Design practices: Passenger car automatic transmissions. 2^a ed. Warrendale, PA: Society of Automotive Engineers, 1988.

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9

SAE Transmission/Axle/Driveline Forum Committee., a cura di. Design practices--passenger car automatic transmissions. 3^a ed. Warrendale, PA: Society of Automotive Engineers, 1994.

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10

SAE Transmission/Axle/Driveline Forum Committee. Design practices--passenger car automatic transmissions. 4^a ed. Warrendale, Pa: Society of Automotive Engineers, 2012.

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11

Ingber, Judith Brin. Seeing Israeli and Jewish dance. Detroit: Wayne State University Press, 2011.

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12

Melin, Mats. One with the music: Cape Breton step dance tradition and transmission. Sydney, Nova Scotia: Cape Breton University Press, 2015.

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13

India. Central Board of Irrigation and Power., a cura di. Power sub-transmission and distribution system: Prevailing practices in India. New Delhi: Central Board of Irrigation & Power, 1987.

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14

Hagood, Thomas K., a cura di. Legacy in Dance Education: Essays and Interviews of Values, Practices, and People. Amherst, NY, USA: Cambria Press, 2008.

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15

Zamorska, Magdalena Anna. Intense Bodily Presence: Practices of Polish Butō Dancers. Bern: Peter Lang International Academic Publishers, 2018.

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16

Jayarajan, V. Teyyam: A divine dance tradition of Kerala. A cura di Indirā Gāndhī Rāshṭrīya Mānava Saṅgrahālaya. Bhopal: Indira Gandhi Rashtriya Manav Sangrahalaya, 2008.

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17

Ingber, Judith Brin. Seeing Israeli and Jewish dance. Detroit: Wayne State University Press, 2011.

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18

K, Hagood Thomas, a cura di. Legacy in dance education: Essays and interviews on values, practices, and people : an anthology. Amherst, NY: Cambria Press, 2008.

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19

Hanʾguk Yesul Chonghap Hakkyo Segye Minjok Muyong Yŏnʾguso. 2004 Kukche Haksul Hoeŭi. Han, Chung, Il kungjung muyong ŭi pyŏnchʻŏn kwa chŏnsŭng = The transition and transmission of court dances in Korea, China and Japan. Sŏul Tʻŭkpyŏlsi: Hanʾguk Yesul Chonghap Hakkyo Muyongwŏn pusŏl Segye Minjok Muyong Yŏnʾguso, 2004.

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20

Bunnell, Fred L., e Jacklyn F. Johnson. Policy and practices for biodiversity in managed forests: The living dance. Vancouver: UBC Press, 1998.

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21

Sellers-Young, Barbara. Teaching personality with gracefulness: The transmission of Japanese cultural values through Japanese dance theatre. Lanham, MD: University Press of America, 1993.

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22

Chŏng, Hye-jin. Chaesu kut ŭi chʻum yŏng̕u: Ŭisik ŭi kusŏng e ttarŭn chʻum sawirŭl chungsim ŭro. [Korea?: s.n.], 1985.

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23

Munhwajae Yŏn'guso (Korea). Yenŭng Minsok Yŏnʼguso. Mumu. [Seoul]: Munhwajae Kwalliguk Munhwajae Yŏnʼgusil], 1987.

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24

Sijilmāsī, Ibrāhīm ibn Hilāl. al-Radd ʻalá man ittakhadha al-shaṭḥ wa-al-raqṣ ʻibādah. Fès (Morocco): [s.n.], 2008.

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25

Yi, Ae-hyŏn. Pʻyŏngan-do tari kut ŭi chʻum yŏng̕u. [Korea: s.n.], 1985.

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26

(Korea), Chŏngjae Yonʼguhoe, a cura di. Hanʼguk munmyo ilmu ŭi mihak. Sŏul: Pogosa, 2008.

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27

Abdulezer, Loren. Excel Best Practices for Business. New York: John Wiley & Sons, Ltd., 2003.

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28

Main, Lesley. Transmissions in Dance: Contemporary Staging Practices. Palgrave Macmillan, 2017.

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29

Main, Lesley. Transmissions in Dance: Contemporary Staging Practices. Palgrave Macmillan, 2019.

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30

Chakravorty, Pallabi. This is How We Dance Now! Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199477760.001.0001.

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Abstract (sommario):

How is cosmopolitan modernity performed in a liberalizing India? From the spectacular celebrity culture of dance television reality shows and Bollywood films to dance-making in the movie and TV studios, dance halls, rehearsals, and auditions in obscure corners of Mumbai and Kolkata, this book explores the voices, aspirations, and dance practices of a new generation of dancers and choreographers. As the old system of dance pedagogy is broken down by the growth of media, migration, and a deepening democracy, the concept of ‘remix’ has replaced it. It explains, in a word, both the new practices of bodily knowledge transmission and the new aesthetics of Indian dance. This book situates Bollywood dance and dance reality shows at the centre of the changing visual culture in India, and illuminates new and original intersections of ideas from the fields of anthropology, dance studies, philosophy, media studies, gender studies, and postcolonial theory. It tells the story of the transformation of Indian dance by drawing from the deep wells of theories from these fields, but also from the vantage point of intimate ethnographic eyes.

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31

Larasati, Diyah. Crossing the Seas of Southeast Asia. A cura di Anthony Shay e Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.012.

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This chapter rearticulates the study of female citizenship and the transmission of dance among the Islamic communities of the Sama and Bajau of Southeast Asia. The research examines how indigenous people’s aesthetic practices have been shared, distributed, and passed down through internal genealogical alliances, as well as through transmission in public, internationalized space. The traditional, genealogical transmission of these practices has been disrupted and challenged by post-9/11 antiterrorism laws, which affect border crossings. Examining regulation and its consequences for society by examining the body, its geopolitical mapping, and its interconnected cultural policies among the Sama and Bajau, this research also contributes to the mapping and theorization of diaspora, the politics of memory, and “the performance of culture” to understand how the aesthetic of dance is transmitted and protected as cultural knowledge, as well as its mobility across and through the fluid borders formed by the state’s law in Southeast Asia.

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32

Bleeker, Maaike. Transmission in Motion: The Technologizing of Dance. Taylor & Francis Group, 2016.

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33

Bleeker, Maaike. Transmission in Motion: The Technologizing of Dance. Taylor & Francis Group, 2016.

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34

Bleeker, Maaike. Transmission in Motion: The Technologizing of Dance. Taylor & Francis Group, 2016.

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35

Bleeker, Maaike. Transmission in Motion: The Technologizing of Dance. Taylor & Francis Group, 2016.

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36

Bleeker, Maaike. Transmission in Motion: The Technologizing of Dance. Taylor & Francis Group, 2016.

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37

Bleeker, Maaike. Transmission in Motion: The Technologizing of Dance. Taylor & Francis Group, 2016.

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38

Thinking Through Dance The Philosophy Of Dance Performance And Practices. Dance Books Ltd, 2013.

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39

Weiss, Lara, Nico Staring e Huw Twiston Davies. Perspectives on Lived Religion: Practices Transmission Landscape. Sidestone Press, 2019.

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40

Weiss, Lara, Nico Staring e Huw Twiston Davies. Perspectives on Lived Religion: Practices Transmission Landscape. Sidestone Press, 2019.

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41

Henley, Matthew, e Rosemary Candelario. Dance Research Methodologies: Ethics, Orientations, and Practices. Taylor & Francis Group, 2023.

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42

Henley, Matthew, e Rosemary Candelario. Dance Research Methodologies: Ethics, Orientations, and Practices. Taylor & Francis Group, 2023.

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43

Henley, Matthew, e Rosemary Candelario. Dance Research Methodologies: Ethics, Orientations, and Practices. Taylor & Francis Group, 2023.

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44

Akinleye, Adesola. Narratives in Black British Dance: Embodied Practices. Springer, 2018.

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45

(Editor), Melanie Bales, e Rebecca Nettl-Fiol (Editor), a cura di. The Body Eclectic: Evolving Practices in Dance Training. University of Illinois Press, 2008.

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46

(Editor), Melanie Bales, e Rebecca Nettl-Fiol (Editor), a cura di. The Body Eclectic: Evolving Practices in Dance Training. University of Illinois Press, 2008.

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47

Eternal Sundays: The Heavenly Dance and Some Other Practices. Victor Dario Wouters, 2009.

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48

Klein, Gabriele. Pina Bausch's Dance Theater: Company, Artistic Practices, and Reception. Transcript Verlag, 2020.

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49

MacDonald, Colla J. Changing elementary teachers' attitudes and practices regarding creative dance. 1989.

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50

Mokhatab, Saeid, William A. Poe e John Y. Mak. Handbook of Natural Gas Transmission and Processing: Principles and Practices. Elsevier Science & Technology Books, 2018.

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