Tesi sul tema "Translations into Portugese and French"
Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili
Vedi i top-50 saggi (tesi di laurea o di dottorato) per l'attività di ricerca sul tema "Translations into Portugese and French".
Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.
Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.
Vedi le tesi di molte aree scientifiche e compila una bibliografia corretta.
Jalabert, Adeline Marie. "Zazie dans le métro = violência na escrita de Raymond Queneau e nas traduções para o português do Brasil". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269766.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-17T05:49:07Z (GMT). No. of bitstreams: 1 Jalabert_AdelineMarie_M.pdf: 693645 bytes, checksum: 2bfca3c4ab3f575b1f3c54f1c26de6ac (MD5) Previous issue date: 2010
Resumo: No romance Zazie dans le métro (1959), Raymond Queneau explora a linguagem coloquial, valendo-se da língua que chamou de neo-francês. O autor faz um verdadeiro "exercício de estilo" oral popular, em que mistura registros e faz paródias, imprimindo ao romance, além de um ritmo rápido, redundâncias, ortografia fonética, ausência de concordâncias gramaticais, arcaísmos etc. em franca oposição aos preconceitos em relação à língua oral. O oulipiano questiona a língua, provocando o leitor e obrigando-o a se distanciar da linguagem a que está habituado. Este trabalho propõe uma reflexão sobre a violência observada tanto no texto dito 'original' de Queneau, quanto na tradução e, em particular, na passagem do neo-francês à língua portuguesa do Brasil. Se a própria escrita de Zazie na língua original (o neo-francês) já é um exercício, da tradução espera-se um trabalho que podemos chamar de "trabalho dobrado". Para tanto, admite-se a violência na tradução, o que permite levantar várias questões relativas à língua, à cultura, à identidade, à dicotomia entre língua oral e língua escrita, entre obra original e obra traduzida, além de questionar os limites e as proibições, a criação literária, o trabalho do tradutor, as normas acadêmicas, o desafio da escrita e favorece a divulgação de obras literárias importantes
Abstract: In the novel Zazie dans le métro (1959), Raymond Queneau explores colloquial language, making use of what he called neo-French. The author makes a real popular and oral "exercise in style", mixing registers and parodies, making the novel fast paced and using redundancy, phonetic spelling, grammatically incorrect expressions, archaisms etc. in clear opposition to the prejudices about oral language. The oulipian questions language and culture provoking the reader and forcing him to distance himself from the language he is accustomed to. This work proposes a reflection on violence observed both in Queneau's 'original' text and in its translations, particularly between neo-French and Brazilian Portuguese. If the actual writing of Zazie in the original language (neo-French) was already an exercise, in translation, a kind of "double work" is expected. Admitting violence in translation allows us to raise several issues relating to language, culture, identity, the dichotomy between oral and written language, and between original work and translated work, to limits and prohibitions, literary creation, the work of the translator, academic standards, the challenge of writing and dissemination of important literary works
Mestrado
Teoria, Pratica e Ensino da Tradução
Mestre em Linguística Aplicada
Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
Testo completoGreis, Yvone Soares dos Santos 1967. "Alector, narrativa fabulosa (1560) : tradução da narrativa fabulosa de Barthélemy Aneau e estudo crítico sobre a cidade imaginária de Orbe". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269947.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-24T15:31:30Z (GMT). No. of bitstreams: 1 Greis_YvoneSoaresdosSantos_D.pdf: 42909080 bytes, checksum: 8ba649c06ff16dc64d3e68e603b7e412 (MD5) Previous issue date: 2013
Resumo: O objetivo dessa tese é apresentar, em português, a tradução de Alector, histoire fabuleuse, obra de Barthelemy Aneau, publicada em 1560, em Lyon, por Pierre Fradin. A tradução dessa narrativa fabulosa inscreve-se no projeto de tradução de utopias literárias, como uma das linhas de pesquisa coordenada pelo professor Dr. Carlos Eduardo Ornelas Berriel, no Departamento de Teoria Literária do Instituto de Estudos da Linguagem da Universidade de Campinas, e foi co-orientada pela professora Dra Marie-Luce Demonet, do departamento de Letras Modernas, área Renascimento, do Centre d'Études Supérieures de la Renaissance, durante os dois anos de permanência na cidade de Tours, França (março de 2010 a março de 2012) e até o encerramento do doutorado. As evidências decorrentes de uma leitura linear dessa obra podem encobrir uma profusão de elementos que se distribuem em uma espiral de interesses de seu autor que vão do exercício da Retórica e defesa do vernáculo a um exercício da "ironia" pelo uso da palavra onde falta a liberdade para a sua expressão. Uma abordagem que desvie da linearidade parece ser uma das condições para se prosseguir nos desvendamentos de Alector. A hipótese de que personagens reais pudessem estar travestidos em personagens de ficção orientou a escolha metodológica: pesquisa bibliográfica e abordagem de diferentes centros de documentação, como os Arquivos da cidade de Bourges, Lyon, Paris, Vanves, Roma e Cidade do Vaticano. Intentou-se estabelecer vínculos entre a morte trágica de Barthélemy Aneau e as suspeitas de infiltração calvinista no Collège de la Trinité, onde Aneau foi "Principal" e justificar Alector como metáfora ou ironia de seu tempo. Essa tese organiza-se em duas partes: a Parte A cumpre oferecer um estudo crítico da cidade imaginária de Orbe. Essa parte constitui-se de três momentos: as análises de aspectos gerais da obra, principalmente o julgamento de Alector e o diálogo dos anciãos; a dimensão utópica da cidade orbitana; e, finalmente, a sua dimensão religiosa e a Parte B compreende o estudo que preparou a tradução e contém dois capítulos: o primeiro procura caracterizar a obra, discute o sentido da narrativa em seu contexto e apresenta seu autor, além de uma apresentação geral dos resultados das pesquisas realizadas nos arquivos; o segundo intenta refletir sobre o processo tradutório de Alector, visando a justificar a tradução filológica como uma das perspectivas possíveis de tratamento do corpus submetido ao trabalho de análise, a explicitar o referencial teórico, bem como as etapas de organização do trabalho de tradução. A conclusão retoma sucintamente a discussão apresentada nessas duas partes e vem seguida da tradução bilíngue de Alector, narrativa fabulosa. Os Anexos apresentam o repertório de documentos consultados nos Arquivos e bibliotecas na França, Itália e Cidade do Vaticano. As buscas nos Arquivos não revelaram nenhuma evidência que pudesse confirmar a hipótese anunciada, mas apontaram pistas para o prosseguimento da pesquisa: lacunas encontradas nos documentos da Nunciatura da França e documento inédito encontrado na Bibliothèque muncipale de Lyon sobre a morte do médico encarregado da "autópsia" do corpo de Barthélemy Aneau. Depois da tradução oferecida pelo médico inglês John Hammond, em 1590, espera-se que "Alector, narrativa fabulosa" possa contribuir a fomentar o interesse pelas utopias literárias produzidas durante o período do Renascimento
Abstract: This thesis presents the Portuguese translation of Alector, histoire fabuleuse by Barthelemy Aneau, published in Lyon in 1560 by Pierre Fradin. The translation of that fabulous story is part of the translation project of literary utopias and one of its research lines, supervised by Professor Carlos Eduardo Ornelas Berriel of the Department of Literary Theory of the Instituto de Estudos da Linguagem of the University of Campinas (São Paulo, Brazil); it was co-directed by Professor Marie-Luce Demonet of the Department of Modern Languages, Renaissance Studies, of the Centre d'Études Supérieures de la Renaissance during a two-year doctorate exchange program in the city of Tours, France (March 2010-March 2012). A linear reading of Alector could hide a variety of elements that are distributed in a spiral of interests by the author, ranging from the exercise of Rhetoric and the defense of the vernacular to a practice of 'irony' by the use of speech where freedom of expression lacks. Therefore, a non-linear approach seemed to be a prerequisite to progress in the research and in the interpretations of that work. The assumption that real people could hide behind the fictional characters guided our methodological choices: a survey of the literature and visits to several documentation centers, such as the archives of the city of Bourges, Lyon, Paris, Vanves, Rome, and the Vatican. We aimed to find a connection between the tragic death of Barthélemy Aneau and the suspected Calvinist infiltration at the Collège de la Trinité managed by Aneau and we wanted to demonstrate that Alector is a metaphor or irony of its time. Our thesis is made up of two parts: Part A contains a critical study of the imaginary town of Orbe and is made up of three sections: first, the analysis of the general aspects of the work, especially Alector's trial and the dialogue of the elder; second, the utopian dimension of the city of Orbe and third, its religious dimension. Part B contains the study that prepared the translation and features two sections: the first one characterizes the work, discusses the meaning of the narrative in its context, and introduces its author; it also contains the general analysis of the results of the research conducted at the archives. The second chapter reflects on the process of translating Alector and was developed to justify the philological translation as one of the possible ways of treating the analyzed corpus, to explain both the theoretical basis and the organizational stages of the translation. The conclusion briefly resumes the discussion presented in these two parts and is followed by the bilingual translation of Alector, histoire fabuleuse. The appendices list the documents we looked up at the archives and libraries in France, Italy, and the Vatican. Our research at the archives did not produce any proof that would confirm our hypothesis, but revealed leads for future research, such as the gaps found in the documents of the Nunciature in France or an unpublished document found at the Municipal Library of Lyon on the death of the physician in charge of the "autopsy" of Barthelemy Aneau's body. After the translation provided by the English doctor John Hammond in 1590, we hope that 'Alector, histoire fabuleuse' may contribute to raise interest in the literary utopias of the Renaissance
Doutorado
Teoria e Critica Literaria
Doutora em Teoria e História Literária
Ryland, C. A. "Memorialisation and metapoetics in Paul Celan's translations of French surrealist poetry". Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1445830/.
Testo completoBisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.
Testo completoLaachir, Karima. "The ethics and politics of hospitality in contemporary French society : Beur literary translations". Thesis, University of Leeds, 2003. http://etheses.whiterose.ac.uk/1599/.
Testo completoCossy, Valerie. "A study of the early French translations of Jane Austen's novels in Switzerland (1813-1830)". Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319070.
Testo completoStamenkovic, Zoran. "Culture-bound shifts in the first french and italian translations of Christopher Marlowe's Doctor Faustus". Thesis, Perpignan, 2018. http://www.theses.fr/2018PERP0052.
Testo completoThe aim of this research is to compare Christopher Marlowe’s play Doctor Faustus (1604, 1616) with the first French translation by Jean-Pierre Antoine Bazy (1850) and the first Italian translation by Eugenio Turiello (1898) in search of the changes that are symptomatic of the cultural and ideological context of translation production. The case of Doctor Faustus represents the epitome of the instability of a dramatic source text. Two main versions of the play (the A-text and the B-text) differ in structural, thematic and doctrinal terms. At the same time, neither version delivers a coherent vision. The research seeks to examine whether Bazy’s and Turiello’s translation, belonging to different yet related geographical, historical and literary traditions, further multiply the potential readings of the original or whether they display a more consistent framework. In addition, we will analyse the causes of textual variation, commonly labelled in Translation Studies as shifts. First, we identified a pattern of shifts manifested in the target texts in question. Then, we discussed the ways in which the identified patterns of shifts affect the general meaning and the structure of the texts. Finally, adopting a socio-cultural approach, we showed how certain shifts are conditioned by the translators’ ideology and their interpretation of the original. This in turn reveals the positions they occupy within the political and ideological space of each target culture and the main cultural and translation norms operating in the recipient systems
STAMENKOVIC, Zoran. "Culture-bound Shifts in the First French and Italian Translations of Christopher Marlowe's Doctor Faustus". Doctoral thesis, Università degli studi di Bergamo, 2018. http://hdl.handle.net/10446/126573.
Testo completoBosseaux, Charlotte Isabelle Aline. "Translation and narration : a corpus-based study of French translations of two novels by Virginia Woolf". Thesis, University College London (University of London), 2004. http://discovery.ucl.ac.uk/1446703/.
Testo completoChittiphalangsri, Phrae. "Translation, orientalism and virtuality : English and French translations of the Bhagavad Gita and Sakuntala 1784-1884". Thesis, University College London (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508274.
Testo completoNascimento, Aina Cunha Cruz de Souza. "A presença da terminologia na literatura traduzida (francês - português): algumas reflexões". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-13092012-125709/.
Testo completoThere is a tendency in the Translation Studies an attempt to establish a precise dividing line between literary translation and specific translation . This separation has as its main foundation in the fact that the Terminology, area with a great interface with the Translation, focus only in the study of specialized texts. In the literary translation, done by translators, or in the research of literary texts done by researchers (studious), it is clear, however, that the terminologies are also present in the literature. Therefore, considering terminological issues that go beyond the boundaries of specialized text and enter the text art, therefore this research project has as its main target to observe and study of the connection between terminology and literature translation. In order to lessen the gap between these two types of translation mentioned before, we are going to try to show that in the speech, there is not watertight boundaries between domains and that terms are recurrent in different textual forms, even in literary texts.
Fionda, Maria Ida. "Spanish in contact with French and English in Montreal lexical borrowings, semantic extensions, loan translations and morphosyntactic variation /". [Gainesville, Fla.] : University of Florida, 2008. http://purl.fcla.edu/fcla/etd/UFE0022778.
Testo completoPadiyar, Satish. "Homoeroticism in neoclassical poetics : French translations of the ideal male nude in late-eighteenth-century word and image". Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/1317798/.
Testo completoBarai, Aneesh. "Modernist repositionings of Rousseau's ideal childhood : place and space in English modernist children's literature and its French translations". Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/7903.
Testo completoDearnley, Elizabeth Claire. "French-English translation 1189-c.1450, with special reference to translators and their prologues". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609530.
Testo completoJanczur, Christine. "Apresentação de uma tradução comentada da Introdução e da Primeira Parte de Introduction à l\'étude de la médecine expérimentale de Claude Bernard: do projeto à realização". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-03122015-150538/.
Testo completoIn this study, we present a translation with commentary (or annotated translation), from French to Portuguese, covering a section of a classic work of scientific importance. The author chosen was the French physician and scientist Claude Bernard, who published dozens of books about his practice as a professor of physiology at the College de France in Paris between 1843 and 1879. Upon consideration of a large number of works by this author and with the experts` advice in the fields of Philosophy and History of Science, the book chosen for this work was Introduction à l\'étude de la médecine expérimentale (1865). The book that is our corpus consists of an Introduction, followed by three parts: The Experimental Reasoning; Experimentation in Living Beings; Applications of the Experimental Method in the Study of the Phenomena of Life. The proposed work includes the translation of the Introduction and First Part of the book, adding several notes of different types, related both to scientific content and to translation issues. Our choice of translation for the development of this proposal was to take the reader into the original text or to its author, consisting of a translation procedure denominated foreignizing (Venuti, 1995). Therefore, we focused on the author`s writing style and terminology, emphasizing the scientific issues in the context of the nineteenth century, compared to the twenty-first century.
Kennedy, Sarah Alice. "The masks of the poet : Baudelaire's petits poèmes en prose in English translations : a methodological study". Thesis, Swansea University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678660.
Testo completoYang, Lu, e 楊露. "On revolutionary road : translated modernity, underground reading movement and the reconstruction of subjectivity, 1970s". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196020.
Testo completopublished_or_final_version
Chinese
Doctoral
Doctor of Philosophy
Möckli, Elisabeth Anita. "Reporting Goebbels in translation : a study of text and context". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10600.
Testo completoKaiser, Ann. "The first translations of walt whitman’s leaves of grass into catalan, french and spanish: the special case of Cebrià Montoliu". Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/406010.
Testo completoThis thesis examines the first reception of Walt Whitman’s Leaves of Grass, in North American, but in particularly in Europe and focuses on the first translations for this poetry into French, Spanish and Catalan, not without some discussion on its repercussions in Italy and Germany as well. The Catalan story, and the translation of Whitman by Cebrià Montoliu (Fulles d’Herba, Biblioteca Popular de l’Avenç, 1909) as well as this urbanista, social and political activist’s in-depth study of the Whitman and his work (L’home is a tasca, 1913) are brought into focus, as are the comparable historical periods of mid-19th c. US and late 19thc.to early 20th c. European for their transformative effects on all aspects of society, as the modern era came into being.
Wolfgang, Bonnie J. "The silence of the forest : a translation from French to English with analysis and literature review". Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1033635.
Testo completoDepartment of English
Lahiani, Raja. "Eastern luminaries disclosed to Western eyes : a critical evaluation of the translations of the Mu'allaqat into English and French (1782-2000)". Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425649.
Testo completoBuzelin, Hélène. "Sur le terrain de la traduction". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38469.
Testo completoMather, Brian Scott. ""So Far from Home ..." : a Translation of Jacques Sternberg's "Si loin du monde ..."". PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3046.
Testo completoModrea, Andreea. "Ideology, subversion and the translator's voice: A comparative analysis of the French and English translations of Guillermo Cabrera Infante's Tres Tristes Tigres". Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26718.
Testo completoCazeilles, Olivier Demissy. "Problems of translating modern Scottish literature into French, with special reference to 'The crow road' by Iain Banks". Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/21839.
Testo completoMaestri, Eliana. "A comparative analysis of women's autobiographical narratives in English and their translations in Italian and French : J. Winterson, A.S. Byatt and Jamaica Kincaid : three case studies". Thesis, University of Bath, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.579175.
Testo completoCARNEIRO, TERESA DIAS. "CONTRIBUTIONS TO A THEORY OF PARATEXT OF THE TRANSLATED BOOK: THE CASE OF TRANSLATIONS OF FRENCH LITERARY WORKS IN BRAZIL SINCE THE MIDDLE OF THE 20TH CENTURY". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29928@1.
Testo completoCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Esta tese de doutorado apresenta algumas contribuições para a construção de uma teoria do paratexto do livro traduzido. A teoria do paratexto, que tem por sua obra seminal Paratextos editoriais, de Gérard Genette, não inclui como objeto de análise esse tipo de paratexto. A proposta desta tese é, portanto, complementar a teorização de Genette, contemplando um tipo específico de paratexto do livro traduzido, o prefácio/posfácio do tradutor, com interesse especial pelos prefácios/posfácios do tradutor que tratam da tradução e do projeto tradutório. Os aportes teóricos utilizados são os oriundos dos Estudos de Tradução, Historiografia da Tradução e Teoria dos Gêneros Discursivos, com base em observações recolhidas na pesquisa em um corpus constituído por obras literárias francesas traduzidas no Brasil a partir de meados do século XX, em sua maioria parte integrante do acervo da Biblioteca Nacional no Rio de Janeiro.
This Ph.D. dissertation provides with some contributions to the construction of a theory of paratext of the translated book. The theory of paratext is mainly based on the seminal work by Gérard Genette, Seuils, in which the author doesn t enter the field of this kind of paratext. Therefore, this dissertation aims at complementing the theorization by Genette, focusing on the analysis of translators prefaces/postfaces and, among them, of prefaces/postfaces in which translators talk about the translation and their translation project. The theory approaches employed in this work came from Translation Studies, Translation Historiography and the Theory of Textual/Discoursive Genres, based on data gathered in the research of a corpus compounded of French literary works translated in Brazil and published since the middle of the 20th century. The books selected to be examined are part of the collection of the Brazilian National Library, located in Rio de Janeiro, mainly.
Kernan, Ryan James. "Lost and found in black translation Langston Hughes's translations of French- and Spanish-language poetry, his Hispanic and Francophone translators, and the fashioning of radical Black subjectivities /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481658191&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Testo completoLéger, Benoit. ""Une fleur des païs étrangers" : Desfontaines traducteur au XVIIIe". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64599.pdf.
Testo completoNakhaeï, Bentolhoda. "Critical Analysis of the Stylistic Transformations in the 19th and 20th-century English and French Translations of Omar Khayyám’s Rubáiyát : exploring the Common Quatrains in FitzGerald, Arberry, Nicolas, and Lazard". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA144.
Testo completoThis thesis aims to carry out a meticulous analysis of the transformation of form and meaning in the rendition of the Rubáiyát in four significant 19th and 20th-century translations—two in English and two in French. The translators of the selected translations are Edward FitzGerald, Arthur John Arberry, Jean-Baptiste Nicolas, and Gilbert Lazard. The translations produced by these translators have offered opportunities of investigation within linguistic boundaries. In fact, one may wonder if the translators have transformed the meaning and the form of the Persian quatrains. If so, which procedures have they employed? More precisely, how are the underlying networks of signification rendered by the most significant English and French translators of the 19th and 20th centuries? Furthermore, what is the quality of the writing in the target language in each translation? On the whole, this thesis seeks to appreciate whether the translators have been successful in understanding the significance of the subtext and the elegance of the poetic form of the Rubáiyát.This dissertation provides its readers with a scientific application of the theoretical concepts of different theorists in translation studies, linguistics, and literature. The most salient theories employed in the present research are those of Antoine Berman, Henri Meschonnic, Peter Newmark, Eugene Albert Nida, Susan Bassnett, Mona Baker, Geoffrey N. Leech, I.A. Richards, Roger T. Bell, George Lakoff and Mark Johnson, Michael Hanne, and Max Black. In addition, it must be indicated that this thesis sets out to create a balance between two poles in translation studies, i.e. target-oriented and source-oriented translations.The translation of Omar Khayyám’s Rubáiyát into Germanic and Romance languages is an interesting and controversial subject to discuss. This research seeks to prove that the study of the translations of the Rubáiyát can contribute to highlighting the difficulties and the impossibilities of the rendition of certain issues from Persian into English or French
Henri-Lepage, Savoyane. "Traduire les voix dans The mill on the Floss de George Eliot". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81495.
Testo completoD'Albert-Durade's translation evacuates the linguistic diversity in order to shape the novel to the requirements of the target literary polysystem. Molitor, by homogenising the eliotian prose, turns the canonised English novel into a French popular novel. Jumeau, for his part, by rehabilitating the peasant sociolect in his translation, marks the beginning of a rehabilitation movement of George Eliot in France. This study, through the analysis of the voice of a few key characters, attempts to follow the French "translative journey" of The Mill on the Floss.
Deschamps, Maryse. "Octovien de Saint-Gelais : le livre des Epistres de Ovide". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61686.
Testo completoSofronidou, Foteini. "Les traductions grecques de la littérature française : contribution à l’inventaire et à l’étude de leur présence dans les lettres grecques de 1900 à 2010". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30049.
Testo completoThis study covers the Greek translations of French literature and their presence in the Greek literary world during the entire twentieth century and at the dawn of the twenty-first. The finding that translations play a crucial role in the absorption of this literature in Greece, and that, to date, their recording within the examined period is fragmented, set a research goal for the fullest possible, accurate and documented recording of any Greek translations of works of French literature (prose - plays - poetry), published in our country in the period from 1900 to 2010.The quantitative and qualitative processing of certain parameters, such as the year of publication of a translation, the translated author, the translator, the translated work and the publisher, as well as the relevant conclusions, intend to contribute to the presentation and overview of the overall image of this translation sector
Honrado, Álvaro Miguel Damas. "Décimas e quadras populares do concelho de Vidigueira: tradução para a língua francesa". Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/18559.
Testo completoAuger, Peter. "British responses to Du Bartas' Semaines, 1584-1641". Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:be0f89c2-c2e4-482d-ac8f-e867985ff72e.
Testo completoCallejas, Toro Ana María [Verfasser], Heiner [Akademischer Betreuer] Böhmer, Matthias [Gutachter] Hausmann e Gabriele [Gutachter] Knauer. "Realia, Style and the Effects of Translation in Literary Texts : A Case Study of Cien Años de Soledad and its English and French Translations / Ana María Callejas Toro ; Gutachter: Matthias Hausmann, Gabriele Knauer ; Betreuer: Heiner Böhmer". Dresden : Technische Universität Dresden, 2021. http://d-nb.info/1237748313/34.
Testo completoDelire, Jean-Michel. "Vers une édition critique des Sulbadipika et Sulbamimamsa, commentaires du Baudhayana Sulbasutra: contribution à l'histoire des mathématiques sanskrites". Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211507.
Testo completoDelattre, Alain. "Edition, traduction et commentaires de papyrus documentaires inédits, coptes et grecs, conservés aux Musées Royaux d'Art et d'Histoire de Bruxelles: recherches philologiques, historiques et économiques sur l'Egypte copte (VIIe-VIIIe siècles)". Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211203.
Testo completoL'introduction s'attache à retracer la genèse du lot et se conclut par un inventaire des papyrus qui peuvent lui être attribués.
Un premier chapitre présente le monastère de Baouît (sources, le fondateur, le site monastique et son histoire, les moines, l'organisation, la place du monastère dans le contexte régional).
Le deuxième chapitre est consacré aux textes documentaires du monastère de Baouît. Différents thèmes sont ensuite abordés: les supports de l'écriture, la paléographie, l'usage des langues (grec et copte), les particularités linguistiques et l'apport des textes édités.
Les 100 papyrus publiés sont répartis dans les sections suivantes: 1. ordres de l'administration monastique, 2. ordres de paiements; 3. comptes et listes; 4. reçus; 5. contrats de prêt; 6. autres contrats; 7. lettres; 8. protocoles; 9. varia; 10. annexe. Divers tableaux et annexes complètent les éditions.
Un dernier chapitre traite des activités économiques du monastère de Baouît (sources, patrimoine, productions, revenus et dépenses).
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
Placial, Claire. "Pour une histoire rapprochée des traductions. Étude bibliographique, historique et linguistique des traductions en langue française du Cantique des cantiques publiées depuis la Renaissance". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040254.
Testo completoThe primary aim of this thesis is to identify and to give a bibliographical description of all the French translations of the Song of Songs that have been published in print since the Renaissance, regardless of their editorial support, date and place of publication. A close reading of these translations will then allow us to determine, following Antoine Berman’s method, the “translation project” and the “translator’s horizon”, by comparing them with their source texts (mostly in Hebrew and Latin) and by situating them in their historical, editorial and religious contexts. Accordingly, a number of case studies have been carried out : first, considering theoretical problems of translation, then by comparing a selection of key excerpts from the text, the entire text corpus has been analyzed from both a diachronic and a synchronic perspective. The entire study illustrates the extent to which each translation is the embodiment of a specific reading of the Song of Songs
Taylor, Judith Louise. "The specificity of Simenon : on translating 'Maigret'". Thesis, St Andrews, 2009. http://hdl.handle.net/10023/713.
Testo completoSchoenecker, Aurore. "Les traductions françaises de l'espagnol et le marché du livre (1600-1660) : enquête sur une pratique d'écriture". Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEE090.
Testo completoThe literary influence exercised by Golden Age Spain on France in the first half of the 17th century is related to a very considerable mass of editorial activity. This thesis, which combines the history of the book and literary history, studies French translations of Spanish texts which circulated in France between 1600 and 1660 - translations concerning texts of all kinds (religious, literary, scientific, technical, etc.).In order to evaluate this editorial activity, a bibliometric enquiry must first be carried out. This enquiry allows us to reconstitute the history of of the circulation of this material in print. The principal centres of production are identified and the production of the workshops of the booksellers’ operating in this market are examined. The analysis then shifts to the activity of translation itself, in all its diversity. The profiles of the different principal translators from Spanish to French are laid out: the professional translator, the enlightened amateur, the printer, the cleric, the physician, etc. Particular attention is paid to men of letters who attempt to conciliate what is perceived as lowly hackwork with their literary ambitions. Finally, the translators’ practices themselves are the object of study, through comparison, using textual analysis as well as examining questions of format and layout, of different (concurrent or successive) translations of the same text. Account is thus made of the diverse motivations of these versions and the specificity of each writing project and publication. Taking as its base a large swathe of writing produced in French often neglected by literary history, this study of the penetration of Spanish culture in France and of the world of translators looks anew at the relation between writing and publication, as well as at the editorial role in the construction of literary legitimacy
Mazzù, Antonino. "De la psychologie descriptive à la phénoménologie transcendantale: essai sur la portée métaphysique de l'intériorité phénoménologique dans la pensée d'Edmund Husserl". Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211487.
Testo completoHuang, Chunli. "Les traductions françaises du Jingu qiguan et leurs influences sur la création littéraire en France (1735-1996)". Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3085.
Testo completoAt the end of the Ming Dynasty, Baoweng laoren has selected forty tales of the three collections of Feng Menglong and two collections of Ling Mengchu to compile another anthology entitled Jingu qiguan 今古奇觀 (curious spectacles of today and of the past). This anthology was a huge success at the time of its publication, and is constantly reprinted for centuries until today. Today it is considered as a main representative work of Chinese literature in vernacular language. The reputation of Jingu qiguan has already exceeded the Chinese border since a long time. Since the 18th century, three tales of the Jingu qiguan were translated for the first time in Europe by a French Jesuit. Therefore, throughout the centuries, the Jingu qiguan has experienced a lot of partial translations, retranslations and adaptation across Europe. Only in French, there are about thirty translations, retranslations and rewrite of Jingu qiguan. So that leads us to wonder why these stories have constantly been translated and retranslated, or even rewritten. Who have translated them and how they have been translated? How these translations did had some influence in the local literature? This study is intended to cover all these issues
Calero, Pons Àlvaro. "Llengua estándard, pluricentrisme i traducció. Les coedicions de Harry Potter en català i de l'obra de Jonathan Franzen en francés / Langue standard, pluricentrisme et traduction. Les coéditions de Harry Potter en catalan et de l'oeuvre de Jonathan Franzen en français". Doctoral thesis, Universitat de les Illes Balears, 2021. http://hdl.handle.net/10803/672594.
Testo completo[fre] Cette thèse compare deux cas analogues en catalan et en français. Notre objectif est d‘étudier, par rapport à la norme linguistique, d‘une part, la façon dont la variation diatopique apparaît dans des traductions qui présentent plusieurs versions territoriales parallèles et, d‘autre part, d‘analyser leurs implications politiques, économiques et symboliques, ainsi que les représentations qui les ont motivées. Cela permet d‘élucider le modèle de langue vers lequel tendent ces pratiques éditoriales. La traduction joue un rôle central dans ces processus comme outil de planification, dans la mesure où elle confère la qualité de neutre — standard — à des textes reconnus par le public cible comme étant externes à la communauté linguistique, car leur variation géographique n‘est pas attribuée à l‘origine de l‘auteur. Nous avons choisi comme corpus d‘étude les deux premiers tomes de la saga Harry Potter dans le cas du catalan, et de trois romans de Jonathan Franzen pour ce qui est du français. Dans les deux cas, il s‘agit de traductions littéraires, publiées dans le centre codificateur principal de la langue — Barcelone et Paris, respectivement —, dont le texte subit des modifications lors de sa distribution dans la périphérie — au Pays valencien et au Québec, respectivement —. Ces modifications linguistiques se produisent dans le cadre d‘une entente de coédition entre Empúries et Tàndem, dans le primer cas, et entre l‘Olivier et Boréal, dans le second. Le corpus en catalan se limite aux deux premiers tomes de la saga, Harry Potter i la pedra filosofal et Harry Potter i la cambra secreta, car les adaptations valenciennes se sont arrêtées là, déclenchant une forte polémique. Quant au corpus en français, nous nous sommes limités à l‘un des rares cas documentés: les romans de Franzen Les corrections, Freedom et Purity. Le catalan et le français pourraient être considérés comme deux contre-exemples : bien que les deux langues présentent une variation diatopique, le français commença son processus de standardisation de façon monocentrique et a souvent été perçu comme une langue avec une seule norme; par contre, la variation géographique du catalan a parfois été présentée comme un obstacle à la consolidation d‘une variété standard de type unitaire. Tandis que le français au Canada compte sur un cadre légal plus favorable, la standardisation du catalan vise encore à surmonter les limites administratives qui compartimentent son espace communicationnel. Dans ce contexte, nous constatons que certaines instances politiques s‘attachent à promouvoir des sentiments d‘individuation, notamment au Pays valencien. Ce discours nous mène alors au refus de formes linguistiques associées à d‘autres territoires et en est arrivé jusqu‘au point de nier l‘unité de la langue. Il s‘avère aussi crucial d‘analyser ces implications, étant donné que le discours qui accumule le plus de capital est celui qui détermine le sens où s‘oriente la planification linguistique. Ce travail aspire donc à contribuer au processus de standardisation du catalan.
[eng] This thesis compares two similar cases in Catalan and French. On the one hand, with regard to language norms, we seek to study how geographical variation appears in translations with several parallel territorial versions. On the other, we aim to analyse their political, economic and symbolic implications, as well as their underlying representations. This enables us to illuminate the type of language standard that these printing practices are moving towards. Translation plays a central role in these processes as a language planning tool, as it helps to confer the quality of neutral—standard—language to texts that are recognisable to their intended audience as external to the language community, since geographical variation is not related to author origins. The corpora we have selected are the first two books from the Harry Potter saga published in Catalan, and three of Jonathan Franzen‘s novels published in French. Both are literary translations published in the main centres for language codification—Barcelona and Paris, respectively—whose texts underwent changes when they were distributed in the periphery: Valencia and Quebec, respectively. These linguistic modifications occurred as part of a co-printing agreement between Empúries and Tàndem, in Catalan, and l‘Olivier and Boréal, in French. The Catalan corpus is narrowed to the two first books of the saga, Harry Potter i la pedra filosofal and Harry Potter i la cambra secreta, since there were no further Valencian adaptations, an issue that triggered huge controversy at the time. The French corpus is confined to one of the few documented cases of this kind: the novels Les corrections, Freedom and Purity. Catalan and French could be deemed two counterexamples: although both languages show geographical variation, French undertook its standardisation process in a monocentric pattern and tended to be perceived as a language with one only norm; the geographical variation of Catalan has, however, at times been presented as an obstacle to attaining a unitary standard variety. Whereas French in Canada count on a more favouring legal framework, Catalan standardization still struggles to overcome the administrative limits that compartmentalise its communicational space. Within this framework, some feelings of individuation appear to be promoted from some political authorities, especially in the Valencian Country. This speech leads to the rejection of language forms linked to other territories and went so far as to deny the language unity. It is essential that the implications of this are analysed, as the speech with the greater capital determines which direction language planning takes. This study aims therefore to contribute to the Catalan standardization process.
Olsson, Chloé. "La Traduction des Noms Propres Français : Les noms propres dans les textes socipolitiques et le risque d'incompréhension du lecteur suédois". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-66874.
Testo completoLouant, Emmanuel. "Le dieu-fils Harsomtous dans les temples égyptiens d'époque tardive : étude de sa relation avec le dieu-patron du sanctuaire pour définir sa personne et ses fonctions spécifiques en tant que dieu-fils dans et hors du temple d'Edfou". Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211729.
Testo completoYuan, Wei. "La traduction des romans français en Chine (1993-2017) :Champs, agents et paysages littéraires". Doctoral thesis, Universite Libre de Bruxelles, 2020. https://dipot.ulb.ac.be/dspace/bitstream/2013/314399/3/Contrat.pdf.
Testo completoThis work addresses the place of French literature in China by tracing the translation routes of contemporary French novels. The translation process was transformed at the end of 1992, when China signed two important international conventions of copyright. Inspired by the sociological approach of Translation Studies, this thesis adopts the conceptual tools of Pierre Bourdieu and proposes a study based on field research and quantitative analysis of first-hand statistics. The goal is thus to illustrate the translation mechanism shaped by the social structure, to identify the agents and to understand who translates what in this conditioned process. In the first section which traces the history of literary translation in China with Bourdieu's tools, we note that no matter who dominates the translation - writers, translators, the State or academics - the French literature conveys usually a rich symbolic capital in China. We argue in the second part that the introduction of a market economy in 1993 has reshaped the power relation between the various agents, and pushed the editors and publishers to play a relatively decisive role - even if still under state control. Therefore, commercial production is greatly enhanced. In this landscape, the situation of French novels seems out of step. We reveal in the third part that in terms of working process, French novels mobilize special agents trained by the academic field whose vocation lies in the literature of small-scale production rather than the large-scale production, and this observation is testified by analyzing the catalog of the most active publisher in the field (Shanghai 99). The fourth part presents a panorama of contemporary French authors who’s been translated, and realizes the presumption that French translated works are concentrated in the restricted pole: French bestsellers are also translated, but they do not sell well in China. However, we still observe that French authors with a limited readership have been able to find a Chinese publisher who corresponds to their literary genre and have their works translated systematically. In short, we argue that in China today, French novels are no less translated, but they are rather managed by agents who are located in the sub-field of small-scale production, in a balance of power between academic field and economic field.
Doctorat en Langues, lettres et traductologie
info:eu-repo/semantics/nonPublished
Vanhaelen, Maude. "Marsile Ficin et le Parménide de Platon: édition critique, traduction et perspectives de l'In Parmenidem". Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211057.
Testo completoDoctorat en philosophie et lettres, Orientation histoire des religions
info:eu-repo/semantics/nonPublished