Articoli di riviste sul tema "Transformations musicales"
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St-Laurent, Méi-Ra. "Quand le metal flirte avec ABBA : Analyse des transformations formelles et thématiques de « Summer Night City »". Articles 34, n. 1-2 (26 maggio 2015): 135–51. http://dx.doi.org/10.7202/1030873ar.
Andreatta, Moreno. "Une introduction musicologique à la recherche « mathémusicale » : aspects théoriques et enjeux épistémologiques". Circuit 24, n. 2 (13 agosto 2014): 51–66. http://dx.doi.org/10.7202/1026184ar.
Santerre, Ariane. "L’intertextualité dans Le Verfügbar aux Enfers et d’autres témoignages concentrationnaires". Revue musicale OICRM 3, n. 2 (6 giugno 2019): 55–77. http://dx.doi.org/10.7202/1060107ar.
Aubert, Laurent. "Du « bon usage » des musiques du monde. Questions sur une éthique de la diversité culturelle". Les Cahiers de la Société québécoise de recherche en musique 11, n. 1-2 (21 novembre 2018): 21–29. http://dx.doi.org/10.7202/1054020ar.
Morrongiello, Barbara A., Caroline L. Roes e Faith Donnelly. "Children's Perception of Musical Patterns: Effects of Music Instruction". Music Perception 6, n. 4 (1989): 447–62. http://dx.doi.org/10.2307/40285442.
Castro, Paulo F. de. "“Wie ein Naturlaut”: La representación musical del paisaje como desafío a la teoría de los tópicos". Súmula: Revista de Teoría y Análisis Musical 1, n. 2 (7 dicembre 2023): 120–40. http://dx.doi.org/10.59180/29525993.a9859250.
Bigo, Louis, Daniele Ghisi, Antoine Spicher e Moreno Andreatta. "Representation of Musical Structures and Processes in Simplicial Chord Spaces". Computer Music Journal 39, n. 3 (settembre 2015): 9–24. http://dx.doi.org/10.1162/comj_a_00312.
Ovchinnikova, Yulia S. "Pedagogical Meaning of Study of Transformation Musical Practices of Peoples of the World in Modern Education". Musical Art and Education 7, n. 2 (2019): 57–76. http://dx.doi.org/10.31862/2309-1428-2019-7-2-57-76.
Carterette, Edward C., Donald V. Kohl e Mark A. Pitt. "Similarities among Transformed Melodies: The Abstraction of Invariants". Music Perception 3, n. 4 (1986): 393–409. http://dx.doi.org/10.2307/40285345.
Beuscart, Jean-Samuel. "Les transformations de l'intermédiation musicale". Réseaux 141-142, n. 2 (2007): 143. http://dx.doi.org/10.3917/res.141.0143.
Rings, S. "Generalized Musical Intervals and Transformations; Musical Form and Transformation: Four Analytic Essays; Studies in Music with Text". Journal of Music Theory 50, n. 1 (1 gennaio 2006): 111–27. http://dx.doi.org/10.1215/00222909-2008-010.
MATSUNOBU, KOJI. "Music for life: a Japanese experience of spirituality, ageing and musical growth". Ageing and Society 38, n. 6 (27 febbraio 2017): 1100–1120. http://dx.doi.org/10.1017/s0144686x1600146x.
Ruiz, Émilie, Albéric Tellier e Julien Pénin. "Comprendre les transformations de l’industrie musicale". Revue Française de Gestion 47, n. 294 (gennaio 2021): 79–97. http://dx.doi.org/10.3166/rfg.2021.00505.
Laplante, Chantale. "Le son généreux [pour une hyper-écoute]". Articles 26, n. 2 (7 dicembre 2012): 69–74. http://dx.doi.org/10.7202/1013226ar.
Hall, Rachel Wells. "Review: Generalized Musical Intervals and Transformations by David Lewin; Musical Form and Transformation: Four Analytic Essays by David Lewin". Journal of the American Musicological Society 62, n. 1 (2009): 205–22. http://dx.doi.org/10.1525/jams.2009.62.1.205.
Stewart, Lauren. "Neurocognitive Studies of Musical Literacy Acquisition". Musicae Scientiae 9, n. 2 (luglio 2005): 223–37. http://dx.doi.org/10.1177/102986490500900204.
Leroux, Philippe. "Composer l’espace sonore en interaction avec le monde". Circuit 32, n. 2 (31 agosto 2022): 71–77. http://dx.doi.org/10.7202/1091905ar.
LOSSEFF, NICKY. "Casting Beams of Darkness into Bartók’s Cantata Profana". Twentieth-Century Music 3, n. 2 (settembre 2006): 221–54. http://dx.doi.org/10.1017/s1478572207000473.
Latincic, Dragan. "Central rotation of regular (and irregular) musical poligons". Muzikologija, n. 28 (2020): 205–34. http://dx.doi.org/10.2298/muz2028205l.
Hearne, James, e David Lewin. "Generalized Musical Intervals and Transformations". Computer Music Journal 12, n. 1 (1988): 69. http://dx.doi.org/10.2307/3679839.
Rahn, John, e David Lewin. "Generalized Musical Intervals and Transformations". Journal of Music Theory 31, n. 2 (1987): 305. http://dx.doi.org/10.2307/843712.
Hughes, J. Robin, e David Lewin. "Generalized Musical Intervals and Transformations". Music Analysis 8, n. 3 (ottobre 1989): 325. http://dx.doi.org/10.2307/854293.
Alaminos-Fernández, Antonio Francisco. "Musical transformations of non-places". OBETS. Revista de Ciencias Sociales 13, n. 3 (9 novembre 2018): 211. http://dx.doi.org/10.14198/obets2018.13.1.08.
Ustinova, Daniela V., e Natalia V. Lashtabova. "TRANSLATION TRANSFORMATIONS OF THE LIBRETTO BY N. TATE FOR THE OPERA “DIDO AND AENEAS”". Sovremennye issledovaniya sotsialnykh problem 14, n. 2 (30 giugno 2022): 260–70. http://dx.doi.org/10.12731/2077-1770-2022-14-2-260-270.
Zhao, Tingting, Joanne Pei Sze Yeoh e Fung Chiat Loo. "Cultural integration and innovation in string music: A study on the transformation of Heze string music". Herança 6, n. 2 (19 ottobre 2023): 61–73. http://dx.doi.org/10.52152/heranca.v6i2.765.
Pierson, Michael. "From rage to riches: swag and capital in the Tanzanian hip hop industry". Popular Music 39, n. 3-4 (dicembre 2020): 523–38. http://dx.doi.org/10.1017/s0261143020000434.
Rusanova, Ekaterina. "CULTURAL MEANING OF JAZZ (THROUGH THEODOR ADORNO’S CONCEPTION)". Studia Humanitatis 20, n. 3 (novembre 2021): 36–41. http://dx.doi.org/10.15393/j12.art.2021.3764.
Shahray, Oksana, e Larysa Melnyk. "Transformation of musical culture today". Pedagogìčnij časopis Volinì 4(11), n. 2018 (2018): 83–89. http://dx.doi.org/10.29038/2415-8143-2018-04-83-89.
Hood, Sarah B. "Musical Metamorphoses: Opera in Transformation". Canadian Theatre Review 64 (settembre 1990): 18–21. http://dx.doi.org/10.3138/ctr.64.003.
Dallaire, Frédéric. "« Just allow the space to tell us what we should be… what we should be doing » : l’expérience cinématographique de la musique improvisée". Revue musicale OICRM 5, n. 1 (9 aprile 2018): 92–102. http://dx.doi.org/10.7202/1044445ar.
Vereš, Jozef. "Transformations of the musical-pedagogical thinking". Hudba - integrácie - interpretácie 20, n. 1 (luglio 2017): 11–95. http://dx.doi.org/10.17846/hii.2017.20.11-95.
Dienes, Zoltan, e Christopher Longuet-Higgins. "Can musical transformations be implicitly learned?" Cognitive Science 28, n. 4 (luglio 2004): 531–58. http://dx.doi.org/10.1207/s15516709cog2804_2.
Noll, Thomas. "Musical intervals and special linear transformations". Journal of Mathematics and Music 1, n. 2 (luglio 2007): 121–37. http://dx.doi.org/10.1080/17459730701375026.
LEE, Inho, e Johee LEE. "Analysis of chromatic mediant relationship in film music score with Neo-Riemannian theory". Rast Müzikoloji Dergisi 10, n. 4 (30 dicembre 2022): 449–61. http://dx.doi.org/10.12975/rastmd.20221041.
Junyi, Liu. "CROSS-CULTURAL MUSICAL TRANSFORMATION: SHAPING CHINESE TRADITIONS". Scientific Journal of Polonia University 59, n. 4 (15 novembre 2023): 43–48. http://dx.doi.org/10.23856/5906.
Lityagina, Lydia, e Nikolai Naumov. "The Graphovox System of Musical Transformation". Leonardo Music Journal 6 (1996): 64. http://dx.doi.org/10.2307/1513313.
Bailey, Walter B. (Walter Boyce). "Schoenberg's Transformation of Musical Language (review)". Notes 64, n. 2 (2007): 294–96. http://dx.doi.org/10.1353/not.2007.0156.
Kudlička, Ján. "Transformations. Landscape as visual and musical phenomenon". Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Plastyczna. Fotografia 12 (2017): 105–14. http://dx.doi.org/10.16926/ep.2017.12.08.
Clough, John. "Generalized Musical Intervals and Transformations David Lewin". Music Theory Spectrum 11, n. 2 (ottobre 1989): 226–31. http://dx.doi.org/10.2307/745937.
Clough, John. ": Generalized Musical Intervals and Transformations . David Lewin." Music Theory Spectrum 11, n. 2 (ottobre 1989): 226–31. http://dx.doi.org/10.1525/mts.1989.11.2.02a00050.
Rose, Ethan. "Translating Transformations: Object-Based Sound Installations". Leonardo Music Journal 23 (dicembre 2013): 65–69. http://dx.doi.org/10.1162/lmj_a_00157.
Kang, Da hye, e Woon Seung Yeo. "A Study of Remix Music’s Transformation Methods". Korean Association for the Study of Popular Music 30 (30 novembre 2022): 9–37. http://dx.doi.org/10.36775/kjpm.2022.30.9.
Ailamaz’ian, A. M. "From Musical Experience to Personality Transformation: The Practice of Musical Movement". Journal of Russian & East European Psychology 55, n. 1 (2 gennaio 2018): 15–41. http://dx.doi.org/10.1080/10610405.2018.1491238.
Yang, In-Jeong. "Virtual Musical Instruments on Smart Device and Transformation in Musical Experience". Korean Society of Culture and Convergence 42, n. 7 (30 luglio 2020): 71–100. http://dx.doi.org/10.33645/cnc.2020.07.42.7.71.
Rapport, Evan. "Hearing punk as blues". Popular Music 33, n. 1 (gennaio 2014): 39–67. http://dx.doi.org/10.1017/s0261143013000524.
Thilakan, Jithin, Balamurali BT, Jer-Ming Chen e Malte Kob. "Classification of the perceptual impression of source-level blending between violins in a joint performance". Acta Acustica 7 (2023): 62. http://dx.doi.org/10.1051/aacus/2023050.
Smoliar, Stephen W., e David Lewin. "Musical Form and Transformation: Four Analytic Essays". Computer Music Journal 18, n. 3 (1994): 75. http://dx.doi.org/10.2307/3681189.
Morris, Robert D., e David Lewin. "Musical Form and Transformation: 4 Analytic Essays". Journal of Music Theory 39, n. 2 (1995): 342. http://dx.doi.org/10.2307/843972.
Whittall, Arnold, e David Lewin. "Musical form and Transformation: Four Analytic Essays". Musical Times 134, n. 1809 (novembre 1993): 652. http://dx.doi.org/10.2307/1002808.
Lukashenko, Larysa. "Musical Culture of Podlasie: Change, Transformation, Assimilation". Tautosakos darbai 59 (2 giugno 2020): 147–64. http://dx.doi.org/10.51554/td.2020.28372.