Letteratura scientifica selezionata sul tema "Tīfāšī"
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Articoli di riviste sul tema "Tīfāšī"
Lucena Romero, Miguel Ángel. "La dietética afrodisíaca a través del Manifiesto de los secretos del coito de al-Šayzarī (s. XIII)". Anuario de Estudios Medievales 51, n. 2 (27 dicembre 2021): 781–800. http://dx.doi.org/10.3989/aem.2021.51.2.10.
Testo completoPoché. "UN NOUVEAU REGARD SUR LA MUSIQUE D'AL-ANDALUS: LE MANUSCRIT D'AL-TĪFĀSHĪ". Revista de Musicología 16, n. 1 (1993): 367. http://dx.doi.org/10.2307/20795895.
Testo completoKahl, Oliver. "Armin Schopen and Karl W. Strauss,Aḥmad ibn Yūsuf at-Tīfāšīs “Buch der königlichen Steine”: Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts". Journal of Semitic Studies 60, n. 2 (luglio 2015): 514–16. http://dx.doi.org/10.1093/jss/fgv021.
Testo completoLettinck, Paul. "SCIENCE IN ADAB LITERATURE". Arabic Sciences and Philosophy 21, n. 1 (18 febbraio 2011): 149–63. http://dx.doi.org/10.1017/s0957423910000159.
Testo completoReynolds, Dwight F. "The Musical Modes of al-Andalus". Oriens, 4 maggio 2023, 1–22. http://dx.doi.org/10.1163/18778372-12340021.
Testo completoForster, Regula. "Schopen, Armin / Strauß, Karl W.: Aḥmad ibn Yūsuf at-Tīfāšīs „Buch der königlichen Steine“. Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts. 2014." Orientalistische Literaturzeitung 112, n. 4-5 (14 novembre 2017). http://dx.doi.org/10.1515/olzg-2017-0127.
Testo completoTesi sul tema "Tīfāšī"
Daoues, Khalil. "L'écriture de la sexualité dans l'œuvre romanesque d'Andréa de Nerciat et dans les Délices des cœurs d'Ahmad Al Tifachi". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL011.
Testo completoOur study focuses on the writing of sexuality in the novels of Andréa de Nerciat and Ahmad Al Tifachi's Délices des cœurs. Both writers belong to eminently subversive traditions. Despite the generic and formal differences between their works, Ahmad Al Tifachi and Nerciat were in dialogue with the novelists, poets, theologians and politicians of their time. Moreover, they readily associate the obscene with the comic. Humor manifests itself in onomastics, neologisms, puns and anecdotes. Parody and theatricality go hand in hand with carnivalesque laughter that overturns the established order. Despitethis subversive dimension, writing about sexuality is a reflection of the commonrepresentation of different sexual practices. The representation of masculinity and femininity illustrates the complexity of relations between the sexes. Moreover, the marginality of particular sexual practices reflects the cultural differences between the two writers
Libri sul tema "Tīfāšī"
ʻAbbāsī, al-Maḥjūb. Tīfāwīn n tūzūnīn: Dīwān shiʻr. [Rabat]: al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.
Cerca il testo completoMistāwī, Muḥammad. Tīfāwīn: Amthāl wa-ḥikāyāt Amāzighīyah muʻarrabah. [Morocco]: Mistāwī, 1985.
Cerca il testo completoJaʻfarī, Muḥammad al-ʻArabī. Tīfāwīn n tūddart: Nūr al-ḥayāh : dīwān shiʻr Amāzīghī. [Agadir?]: Muḥammad al-ʻArabī al-Jaʻfarī, 2011.
Cerca il testo completoKhātamī, Sayyid Riz̤ā. Qūrmāghahʹʼī rū-yi tīfāl: Majmūʻah-i shiʻr. Tihrān: Nashr-i Chashmah, 2010.
Cerca il testo completoAḥmad ibn Yūsuf at-Tīfāšīs, "Buch der königlichen Steine": Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts. Wiesbaden: Harrassowitz, 2014.
Cerca il testo completoCapitoli di libri sul tema "Tīfāšī"
"Appendix: Ibn Khurdādhbih’s Passage Quoted by al-Tīfāshī". In Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 282–83. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_109.
Testo completo"Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī". In Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 257–58. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_101.
Testo completo"On Dance, Its Types and Names [Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī][fols. 100a–100b; ZY 112]". In Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 256. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_100.
Testo completoSawa, George Dimitri. "The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners [fols. 56–58; al-Sillāmī 167–168]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 82–84. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_024.
Testo completoSawa, George Dimitri. "Melodies That Resemble the Meanings and Suit the Poems [fols. 45–47; al-Sillāmī 149–150]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 68–69. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_017.
Testo completoSawa, George Dimitri. "What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis [fols. 55–56; al-Sillāmī 165–166]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 80–81. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_023.
Testo completoSawa, George Dimitri. "Good and Bad, Stated or Implied Song Themes [fols. 58–60; al-Sillāmī 169–170]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 85–86. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_025.
Testo completoSawa, George Dimitri. "The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music [fols. 11–12; al-Sillāmī 71–72]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 12–13. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_007.
Testo completoSawa, George Dimitri. "Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) [fols. 145–146; al-Sillāmī 267–272]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 156–58. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_047.
Testo completoSawa, George Dimitri. "The Process of Composition [fols. 52–54; al-Sillāmī 159–161]". In <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 76–78. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_021.
Testo completo