Articoli di riviste sul tema "Theatre Directors"
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Mark Gasper, Tekena. "Approaches to Play Directing in Contemporary Nigerian Theatre: A Study of Segun Adefila and Bolanle Austen-Peters". Journal of Contemporary Drama in English 7, n. 2 (7 novembre 2019): 314–32. http://dx.doi.org/10.1515/jcde-2019-0022.
Testo completoCornford, Tom. "Reconstructing Theatre: the Globe under Dominic Dromgoole". New Theatre Quarterly 26, n. 4 (novembre 2010): 319–28. http://dx.doi.org/10.1017/s0266464x1000062x.
Testo completoKruger, Loren, David Bradby e David Williams. "Directors' Theatre". Theatre Journal 41, n. 3 (ottobre 1989): 414. http://dx.doi.org/10.2307/3208197.
Testo completoMojžišová, Michaela. "Contribution of Slovak Directors to the Profile of the Czech Opera Theatre After 1993". Slovenske divadlo /The Slovak Theatre 66, n. 4 (1 dicembre 2018): 380–97. http://dx.doi.org/10.2478/sd-2018-0023.
Testo completoHildebrand, Wil. "The Dramatic Theatre in The Netherlands". Theatre Research International 27, n. 2 (18 giugno 2002): 192–200. http://dx.doi.org/10.1017/s0307883302000263.
Testo completoVeksler, Asya F. "Nadezhda Bromley and Boris Sushkevich: Actors, Directors, Vakhtangov Followers (Materials for a Creative Biography)". Observatory of Culture 17, n. 5 (12 novembre 2020): 526–37. http://dx.doi.org/10.25281/2072-3156-2020-17-5-526-537.
Testo completoLybo, O. L. "Characteristics of Kharkiv theatre development in1840–1860’s (on the materials of State Archive of the Kharkiv Region)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, n. 51 (3 ottobre 2018): 126–41. http://dx.doi.org/10.34064/khnum1-51.07.
Testo completoPosner, Dassia N. "PERFORMANCE AS POLEMIC: TAIROV'S 1920PRINCESS BRAMBILLAAT THE MOSCOW KAMERNY THEATRE". Theatre Survey 51, n. 1 (26 aprile 2010): 33–64. http://dx.doi.org/10.1017/s0040557410000219.
Testo completoKOZODAYEV, Pavel Igorevich. "FORMATION OF EPISODIC THINKING SKILLS AMONG STUDENTS – FUTURE DIRECTORS OF AMATEUR THEATRES". Tambov University Review. Series: Humanities, n. 174 (2018): 128–34. http://dx.doi.org/10.20310/1810-0201-2018-23-174-128-134.
Testo completoShevtsova, Maria. "The Valery Fokin Festival at the Aleksandrinsky Theatre, St Petersburg". New Theatre Quarterly 25, n. 1 (febbraio 2009): 44–51. http://dx.doi.org/10.1017/s0266464x09000049.
Testo completoWilliford, Christa. "Fifty Key Theatre Directors (review)". Theatre Topics 16, n. 2 (2006): 197–98. http://dx.doi.org/10.1353/tt.2006.0026.
Testo completoMorozova, Irina Pavlovna. "Theatre activity in the southern Urals at the initial period of the thaw". Samara Journal of Science 6, n. 4 (1 dicembre 2017): 169–73. http://dx.doi.org/10.17816/snv201764211.
Testo completoŻurowski, Andrzej, e Piotr Kuhiwzak. "Old and New in the Polish Theatre: a Season at the Stary". New Theatre Quarterly 3, n. 10 (maggio 1987): 178–83. http://dx.doi.org/10.1017/s0266464x00008666.
Testo completoPrunet, Monique. "A Galaxy of Directors". Theatre Research International 25, n. 2 (2000): 168–74. http://dx.doi.org/10.1017/s0307883300013006.
Testo completoȘușu, Petre, Carmen Mihaela Crețu e Aurelian Bălăiță. "1. The Acting Student’s Choreographic Training. Several Cognitive Objectives". Review of Artistic Education 15, n. 1 (1 marzo 2018): 110–26. http://dx.doi.org/10.2478/rae-2018-0012.
Testo completoHäti-Korkeila, Marjatta, e Laura Gröndahl. "From Permanent Positions to Visiting Jobs". Nordic Theatre Studies 30, n. 1 (2 agosto 2018): 89–114. http://dx.doi.org/10.7146/nts.v30i1.106925.
Testo completoKENNEDY, DENNIS. "The Director, the Spectator and the Eiffel Tower". Theatre Research International 30, n. 1 (marzo 2005): 36–48. http://dx.doi.org/10.1017/s0307883304000859.
Testo completoHerbert, Ian. "Directors Shine in Bucharest". New Theatre Quarterly 28, n. 1 (31 gennaio 2012): 97–98. http://dx.doi.org/10.1017/s0266464x12000097.
Testo completoSeppälä, Mikko-Olavi. "S.O.S. - A Pacifist Intervention in Helsinki 1929. The Intercrossing of Modernism and Socialism". Nordic Theatre Studies 28, n. 1 (22 giugno 2016): 39. http://dx.doi.org/10.7146/nts.v28i1.23971.
Testo completoShevtsova, Maria. "An Editor's Wish List". New Theatre Quarterly 25, n. 4 (novembre 2009): 303–5. http://dx.doi.org/10.1017/s0266464x0900058x.
Testo completoEkaterina, Eryomina. "INDEPENDENT ENSEMBLES AND NEW DIRECTIONS IN THEATRICAL ART OF BELARUS OFTHE 2010S". Proceedings of Altai State Academy of Culture and Arts, n. 1 (2021): 42–49. http://dx.doi.org/10.32340/2414-9101-2021-1-42-49.
Testo completoAntoniou, Michaela. "Performing Ancient Greek Tragedy in Twentieth-Century Greece: Dimitris Rontiris and Karolos Koun". New Theatre Quarterly 33, n. 1 (10 gennaio 2017): 31–46. http://dx.doi.org/10.1017/s0266464x16000610.
Testo completoCornici, Antonella. "Hamlet’s Theatre Lesson". Theatrical Colloquia 10, n. 2 (1 dicembre 2020): 36–57. http://dx.doi.org/10.2478/tco-2020-0019.
Testo completoHerbert, Ian. "Veteran Directors and ‘New Realities’". New Theatre Quarterly 27, n. 3 (agosto 2011): 287–88. http://dx.doi.org/10.1017/s0266464x11000492.
Testo completoPukelytė, Ina. "Reconstructing a Nomadic Network: Itineraries of Jewish Actors during the First Lithuanian Independence". Nordic Theatre Studies 27, n. 1 (12 maggio 2015): 78. http://dx.doi.org/10.7146/nts.v27i1.24241.
Testo completoMok, Christine. "East West Players and After: Acting and Activism". Theatre Survey 57, n. 2 (13 aprile 2016): 253–63. http://dx.doi.org/10.1017/s0040557416000107.
Testo completoDe Corte, Dirk. "David Bradby en David Williams, Directors' Theatre". Documenta 10, n. 3 (21 aprile 2019): 267–70. http://dx.doi.org/10.21825/doc.v10i3.10848.
Testo completoGendrich, Cynthia. "Contemporary European Theatre Directors (review)". Modern Drama 54, n. 2 (2011): 246–48. http://dx.doi.org/10.1353/mdr.2011.0028.
Testo completoLaakkonen, Johanna. "Early Modern Dance and Theatre in Finland". Nordic Journal of Dance 4, n. 2 (1 dicembre 2013): 18–31. http://dx.doi.org/10.2478/njd-2013-0009.
Testo completoAvram, Cristi. "Pages from Memory – Maeterlinck and the Russian Theatre Creators". Theatrical Colloquia 9, n. 2 (1 dicembre 2019): 62–75. http://dx.doi.org/10.2478/tco-2019-0017.
Testo completoĐurica, Radmilla. "Imaginative Anarchy". Maska 31, n. 177 (1 giugno 2016): 102–9. http://dx.doi.org/10.1386/maska.31.177-178.102_1.
Testo completoPearce, Brian. "Beerbohm Tree's Production of ‘The Tempest’, 1904". New Theatre Quarterly 11, n. 44 (novembre 1995): 299–308. http://dx.doi.org/10.1017/s0266464x00009283.
Testo completoWaszkiel,, Marek. "The Director in Puppet Theatre". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, n. 51 (3 ottobre 2018): 180–88. http://dx.doi.org/10.34064/khnum1-51.10.
Testo completoModreanu, Cristina. "Elements of Ethics and Aesthetics in New Romanian Theatre". New Theatre Quarterly 29, n. 4 (novembre 2013): 385–93. http://dx.doi.org/10.1017/s0266464x13000705.
Testo completoMilohnić, Aldo. "On Collective and Devised Creation in Slovenian Theatre". Theatre and Community 9, n. 2021-1 (30 giugno 2021): 84–87. http://dx.doi.org/10.51937/amfiteater-2021-1/84-87.
Testo completoBrown, John Russell. "Research in the Service of Theatre: the Example of Shakespeare Studies". Theatre Research International 18, n. 1 (1993): 25–35. http://dx.doi.org/10.1017/s0307883300017557.
Testo completoNeamțu, Carmen. "Genres of Cultural Journalism: Theatre Review". Cadernos de Literatura Comparada, n. 44 (2021): 227–38. http://dx.doi.org/10.21747/2183-2242/cad44a13.
Testo completoVassiliev, Anatoli. "Studio Theatre, Laboratory Theatre". New Theatre Quarterly 25, n. 4 (novembre 2009): 324–32. http://dx.doi.org/10.1017/s0266464x0900061x.
Testo completoIacobuţe, Petronela-Ramona. "The “Here and Now” Theatre". Theatrical Colloquia 8, n. 2 (1 dicembre 2018): 355–58. http://dx.doi.org/10.2478/tco-2018-0026.
Testo completoShevtsova, Maria. "The Baltic House Theatre Festival, St Petersburg: Twenty-Five Years On". New Theatre Quarterly 32, n. 1 (7 gennaio 2016): 61–67. http://dx.doi.org/10.1017/s0266464x1500086x.
Testo completoOblak, Anina. "Sam Shepard's plays according to Slovenian theatre directors". Acta Neophilologica 36, n. 1-2 (1 dicembre 2003): 63–79. http://dx.doi.org/10.4312/an.36.1-2.63-79.
Testo completoNichols, Richard. "Contemporary Korean Theatre: Playwrights, Directors, Stage-Designers (review)". Asian Theatre Journal 19, n. 2 (2002): 351–54. http://dx.doi.org/10.1353/atj.2002.0023.
Testo completoMorris, Gay. "Considering directors and directing in South African Theatre". South African Theatre Journal 20, n. 1 (gennaio 2006): 11–29. http://dx.doi.org/10.1080/10137548.2006.9687823.
Testo completoSaro, Anneli. "Mobility and Theatre: Theatre Makers as Nomadic Subjects". Nordic Theatre Studies 27, n. 1 (12 maggio 2015): 90. http://dx.doi.org/10.7146/nts.v27i1.24242.
Testo completoRaymond, Caroline R. "Lloyd Richards Reflections from the Playwrights' Champion". TDR/The Drama Review 47, n. 2 (giugno 2003): 9–33. http://dx.doi.org/10.1162/105420403321921229.
Testo completoPerkyns, Richard. "Two Decades of Neptune Theatre". Theatre Research in Canada 6, n. 2 (gennaio 1985): 148–86. http://dx.doi.org/10.3138/tric.6.2.148.
Testo completoCook, Joe. "Blaho Uhlàr and the Slovak Theatre of Crisis". New Theatre Quarterly 8, n. 30 (maggio 1992): 178–86. http://dx.doi.org/10.1017/s0266464x0000662x.
Testo completoDIAMOND, CATHERINE. "The Palimpsest of Vietnamese Contemporary Spoken Drama". Theatre Research International 30, n. 3 (ottobre 2005): 207–22. http://dx.doi.org/10.1017/s030788330500146x.
Testo completoPuszak, Lubomir. "Твори Лесі Українки у світлі рампи сучасного театру". Kultury Wschodniosłowiańskie - Oblicza i Dialog, n. 7 (31 luglio 2018): 135–52. http://dx.doi.org/10.14746/kw.2017.7.11.
Testo completoSaivetz, Deborah. "‘What Counts is the Landscape’: the Making of Pino DiBuduo's ‘Invisible Cities’". New Theatre Quarterly 16, n. 1 (febbraio 2000): 50–64. http://dx.doi.org/10.1017/s0266464x00013452.
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