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Articoli di riviste sul tema "The birds (Motion picture)"

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Autore: Grafiati

Pubblicato: 26 luglio 2024

Ultima modifica: 26 luglio 2024

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1

Park, Sangyoub, e Eui Hang Shin. "Patterns of Market Polarization and Market Matching in the Korean Film Industry". Journal of East Asian Studies 4, n. 2 (agosto 2004): 285–300. http://dx.doi.org/10.1017/s1598240800001843.

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Despite its embedded ambiguity, conventional wisdom tends to prevail over time. This may be because old adages recurrently embrace some ingredients of truth. As James A. Mathisen highlights, conventional wisdom plays a significant role in constituting knowledge as a starting point. For many people, numerous adages (the rich get richer while the poor get poorer; birds of a feather flock together) are most commonly perceived as true. More interestingly, the accuracy of the two folk wisdoms appears to be more salient in culture-producing industries, including the motion picture industry. Concomitantly, the two adages have long been connected to diverse societal phenomena and sociological knowledge.

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2

Heppner, Frank H., e John G. T. Anderson. "Leg Thrust Important in Flight Take-Off in the Pigeon". Journal of Experimental Biology 114, n. 1 (1 gennaio 1985): 285–88. http://dx.doi.org/10.1242/jeb.114.1.285.

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Measurements of the force generated by the legs of rock doves Columba livia during vertical and near-vertical take-off showed that the birds were able to develop an upward directed force of from 1.3 to 2.3 times their body weight. This force resulted in an instantaneous acceleration of 15.63 ms−2 at maximum thrust. Motion pictures taken during the take-off showed that as the birds' feet left the experimental perch, their wings were in the overhead clap position. We suggest that the vertical take-off in birds is accomplished in three stages; leg thrust, clap-and-fling and steady-state flight.

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3

Wang, Xiaodong, Ying Lyu, Yujia Ji, Ziyi Sun e Xiaoming Zhou. "Substrate binding in the bile acid transporter ASBTYf from Yersinia frederiksenii". Acta Crystallographica Section D Structural Biology 77, n. 1 (1 gennaio 2021): 117–25. http://dx.doi.org/10.1107/s2059798320015004.

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Apical sodium-dependent bile acid transporter (ASBT) retrieves bile acids from the small intestine and plays a pivotal role in enterohepatic circulation. Currently, high-resolution structures are available for two bacterial ASBT homologs (ASBTNM from Neisseria meningitides and ASBTYf from Yersinia frederiksenii), from which an elevator-style alternating-access mechanism has been proposed for substrate transport. A key concept in this model is that the substrate binds to the central cavity of the transporter so that the elevator-like motion can expose the bound substrate alternatingly to either side of the membrane during a transport cycle. However, no structure of an ASBT has been solved with a substrate bound in its central cavity, so how a substrate binds to ASBT remains to be defined. In this study, molecular docking, structure determination and functional analysis were combined to define and validate the details of substrate binding in ASBTYf. The findings provide coherent evidence to provide a clearer picture of how the substrate binds in the central cavity of ASBTYf that fits the alternating-access model.

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4

Weihmann, Tom, Hanns Hagen Goetzke e Michael Günther. "Requirements and limits of anatomy-based predictions of locomotion in terrestrial arthropods with emphasis on arachnids". Journal of Paleontology 89, n. 6 (novembre 2015): 980–90. http://dx.doi.org/10.1017/jpa.2016.33.

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AbstractModern computer-aided techniques foster the availability and quality of 3D visualization and reconstruction of extinct and extant species. Moreover, animated sequences of locomotion and other movements find their way into motion pictures and documentary films, but also gain attraction in science. While movement analysis is well advanced in vertebrates, particularly in mammals and birds, analyses in arthropods, with their much higher variability regarding general anatomy and size, are still in their infancies and restricted to a few laboratory species. These restrictions and deficient understanding of terrestrial arthropod locomotion in general impedes sensible reconstruction of movements in those species that are not directly observable (e.g., extinct and cryptic species). Since shortcomings like over-simplified approaches to simulate arthropod locomotion became obvious recently, in this review we provide insight into physical, morphological, physiological, behavioral, and ecological constraints, which are essential for sensible reconstructions of terrestrial arthropod locomotion. Such concerted consideration along with sensible evaluations of stability and efficiency requirements can pave the way to realistic assessment of leg coordination and body dynamics.

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5

Verberck, Bart. "Motion picture". Nature Physics 10, n. 5 (30 aprile 2014): 332. http://dx.doi.org/10.1038/nphys2971.

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6

Kubota, Toshihiro, e Yasuhiro Awatsuji. "Femtosecond motion picture". IEICE Electronics Express 2, n. 9 (2005): 298–304. http://dx.doi.org/10.1587/elex.2.298.

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7

Smallridge, Rachel. "A motion picture". Nature Reviews Molecular Cell Biology 3, n. 4 (aprile 2002): 228. http://dx.doi.org/10.1038/nrm786.

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8

Boegner, Ray F. "Motion-Picture Projectors". Scientific American 279, n. 4 (ottobre 1998): 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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9

Offit, Paul. "Motion picture sickness". New Scientist 230, n. 3070 (aprile 2016): 20–21. http://dx.doi.org/10.1016/s0262-4079(16)30705-9.

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10

Björklund, M. "Speciation in birds - a complete picture?" Journal of Evolutionary Biology 15, n. 6 (25 ottobre 2002): 1095–96. http://dx.doi.org/10.1046/j.1420-9101.2002.00453.x.

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11

Watt, Fiona M., e Richard Sever. "Consortia – the motion picture". Journal of Cell Science 118, n. 21 (1 novembre 2005): 4915. http://dx.doi.org/10.1242/jcs.118.21.4915.

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12

Fovet, Frederic. "120 BPM [Motion Picture]". Journal of Homosexuality 66, n. 11 (18 ottobre 2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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13

Finnie, Paul, e Yoshikazu Homma. "Epitaxy: the motion picture". Surface Science 500, n. 1-3 (marzo 2002): 437–57. http://dx.doi.org/10.1016/s0039-6028(01)01730-7.

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14

Fagot, Joel, e Carole Parron. "Picture Perception in Birds: Perspective from Primatologists." Comparative Cognition & Behavior Reviews 5 (2010): 132–35. http://dx.doi.org/10.3819/ccbr.2010.50007.

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15

Cleveland, David. "Preservation of motion picture films". Journal of Audiovisual Media in Medicine 8, n. 4 (gennaio 1985): 133–36. http://dx.doi.org/10.3109/17453058509155997.

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16

Umenhoffer, Tamás, László Szécsi e László Szirmay-Kalos. "Hatching for Motion Picture Production". Computer Graphics Forum 30, n. 2 (aprile 2011): 533–42. http://dx.doi.org/10.1111/j.1467-8659.2011.01878.x.

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17

TERAMATSU, Shogo, Tetsu NAGASAKA, Ryoichi HASEGAWA e Hiroshi KAMADA. "Motion Picture Color Learning System". Journal of JSEE 67, n. 6 (2019): 6_47–6_52. http://dx.doi.org/10.4307/jsee.67.6_47.

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18

Holman, Tomlinson. "Motion picture theater loudspeaker system". Journal of the Acoustical Society of America 81, n. 5 (maggio 1987): 1662. http://dx.doi.org/10.1121/1.395048.

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19

Abramson, Nils. "Motion picture of short pulses". Nature Photonics 5, n. 7 (30 giugno 2011): 389–90. http://dx.doi.org/10.1038/nphoton.2011.138.

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20

L., Jagath J., Shalij P. R e Haris Naduthodi. "Motion Picture Data Management System". International Journal of Business Innovation and Research 1, n. 1 (2020): 1. http://dx.doi.org/10.1504/ijbir.2020.10034213.

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21

Jenkins, C. Francis. "History of the Motion Picture". SMPTE Journal 98, n. 3 (marzo 1989): 188–94. http://dx.doi.org/10.5594/j02808.

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22

Kennel, Glenn, John Pytlak, Richard Sehlin e Ronald Uhlig. "Major Motion-Picture Production Standards". SMPTE Journal 97, n. 12 (dicembre 1988): 985–90. http://dx.doi.org/10.5594/j02849.

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23

Ward, Anne. "Trash Trout Motion Picture Show". Journal of Appalachian Studies 29, n. 1 (1 aprile 2023): 132–36. http://dx.doi.org/10.5406/23288612.29.1.10.

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24

Stauder, Jurgen, Corinne Porée, Patrick Morvan e Laurent Blondé. "Gamut Mapping for Motion Picture". Conference on Colour in Graphics, Imaging, and Vision 5, n. 1 (1 gennaio 2010): 380–86. http://dx.doi.org/10.2352/cgiv.2010.5.1.art00060.

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25

Chen, Si Xi, e Shu Chen. "Research on Intangible Cultural Heritage Based on Motion Capture". Applied Mechanics and Materials 568-570 (giugno 2014): 676–80. http://dx.doi.org/10.4028/www.scientific.net/amm.568-570.676.

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The application of digital technology on the protection of intangible cultural heritage is a major topic of research in recent years. The motion capture technology of protection will gradually replace the traditional recording methods such as texts, pictures and videos. It is valuable to build a high-fidelity, high-modular and low-cost digital platform for choreographic data collection and extended application. This paper studies the intangible cultural heritage of Quanzhou breast-clapping dance, one of the most famous choreographic intangible cultural heritages from China with standard optical motion capture method. The data are acquiring and processing after the dance motion capture, we binds the motion data and three-dimensional model using Motion Builder and build digital demonstration platform base on an OGRE engine to display the movements. The viewer can view at any angle and distance. The system can be easily applied in motion intangible cultural heritages protection project. Furthermore, the system can be provided versatile motion data for additional use.

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26

Srygley, Robert B. "Evolution of the wave: aerodynamic and aposematic functions of butterfly wing motion". Proceedings of the Royal Society B: Biological Sciences 274, n. 1612 (30 gennaio 2007): 913–17. http://dx.doi.org/10.1098/rspb.2006.0261.

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Many unpalatable butterfly species use coloration to signal their distastefulness to birds, but motion cues may also be crucial to ward off predatory attacks. In previous research, captive passion-vine butterflies Heliconius mimetic in colour pattern were also mimetic in motion. Here, I investigate whether wing motion changes with the flight demands of different behaviours. If birds select for wing motion as a warning signal, aposematic butterflies should maintain wing motion independently of behavioural context. Members of one mimicry group ( Heliconius cydno and Heliconius sapho ) beat their wings more slowly and their wing strokes were more asymmetric than their sister-species ( Heliconius melpomene and Heliconius erato , respectively), which were members of another mimicry group having a quick and steady wing motion. Within mimicry groups, wing beat frequency declined as its role in generating lift also declined in different behavioural contexts. In contrast, asymmetry of the stroke was not associated with wing beat frequency or behavioural context—strong indication that birds process and store the Fourier motion energy of butterfly wings. Although direct evidence that birds respond to subtle differences in butterfly wing motion is lacking, birds appear to generalize a motion pattern as much as they encounter members of a mimicry group in different behavioural contexts.

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27

Scott, Tom. "SMPTE Progress Report: Engineering, Motion Picture". SMPTE Motion Imaging Journal 116, n. 9 (settembre 2007): 331. http://dx.doi.org/10.5594/j16064.

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28

Golitzinsky, Michel. "Motion Picture Laboratory Services Technology (L6)". SMPTE Motion Imaging Journal 116, n. 9 (settembre 2007): 344. http://dx.doi.org/10.5594/j16075.

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29

Ponech, Trevor. "Visual Perception and Motion Picture Spectatorship". Cinema Journal 37, n. 1 (1997): 85. http://dx.doi.org/10.2307/1225691.

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30

Yeston, Jake. "Motion picture of a conical intersection". Science 361, n. 6397 (5 luglio 2018): 38.11–40. http://dx.doi.org/10.1126/science.361.6397.38-k.

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31

Wakabayashi, Akio, e Asami Katsumata. "The Motion Picture Mind-Reading Test". Journal of Individual Differences 32, n. 2 (gennaio 2011): 55–64. http://dx.doi.org/10.1027/1614-0001/a000034.

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The Motion Picture Mind Reading (MPMR) Test is a novel naturalistic mind-reading task, designed to measure individual differences in a young adult population in Japan. Short scenes from TV films showing characters in social situations were presented to 128 university students; participants judged the mental state of a character in these films. The distribution of task performance (MPMR Test) of participants was approximately normal and its psychometric properties were found to be satisfactory. The MPMR Test scores correlated positively with those of the Eyes Test and also with scores on the empathy quotient (EQ); they correlated negatively with scores on the systemizing quotient (SQ). The MPMR Test provides a further method for assessing subtle individual differences in mind-reading ability in the general population.

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32

Baetens, Jan. "Still: American Silent Motion Picture Photography". History of Photography 38, n. 3 (3 luglio 2014): 317–19. http://dx.doi.org/10.1080/03087298.2014.912500.

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33

Kubick, Chris, e Anne Walsh. "Sound Library: A Motion Picture Event". Leonardo Music Journal 16 (dicembre 2006): 54–55. http://dx.doi.org/10.1162/lmj.2006.16.54.

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34

Kim, Hyounggon, e Sarah L. Richardson. "Motion picture impacts on destination images". Annals of Tourism Research 30, n. 1 (gennaio 2003): 216–37. http://dx.doi.org/10.1016/s0160-7383(02)00062-2.

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35

Koltz, Rebecca. "Open Water 2: Adrift [Motion Picture]". Journal of Creativity in Mental Health 3, n. 2 (31 luglio 2008): 175–78. http://dx.doi.org/10.1080/15401380802226687.

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36

Cochrane, Robert H. "Beginning of motion picture press agenting". Film History: An International Journal 19, n. 3 (settembre 2007): 330–32. http://dx.doi.org/10.2979/fil.2007.19.3.330.

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37

Murphy, Shawn. "Motion Picture Scoring Stages an Overview". Acoustics Today 9, n. 2 (2013): 22. http://dx.doi.org/10.1121/1.4817490.

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38

Griffen, Ann P. "Packaging Innovations for Motion-Picture Films". SMPTE Journal 98, n. 3 (marzo 1989): 184–87. http://dx.doi.org/10.5594/j02807.

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39

Sasaki, H., K. Karaki, M. Mitsunaga e N. Uesugi. "Holographic motion picture: theory and observations". Journal of Luminescence 64, n. 1-6 (maggio 1995): 273–81. http://dx.doi.org/10.1016/0022-2313(95)00042-o.

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40

Stauder, Jürgen, Corinne Porée, Patrick Morvan e Laurent Blondé. "Motion Picture Versioning by Gamut Mapping". Color and Imaging Conference 18, n. 1 (1 gennaio 2010): 178–83. http://dx.doi.org/10.2352/cic.2010.18.1.art00031.

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41

NAKAZONO, Kaoru. "Motion Detection from Animated Sign Language Picture Using Motion Vector". Journal of the Visualization Society of Japan 23, Supplement1 (2003): 331–34. http://dx.doi.org/10.3154/jvs.23.supplement1_331.

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42

Wang, Jiajia, Wenfeng Jia, Fu Zhang, Xiqiang Ma, Zhaomei Qiu, Zhihui Qian, Luquan Ren, Zhijun Guo e Yakun Zhang. "Study on the Structural Characteristics of Bird Necks and Their Static Motion Features in the Sagittal Plane". Coatings 11, n. 10 (9 ottobre 2021): 1228. http://dx.doi.org/10.3390/coatings11101228.

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The necks of birds that possess complex structures, graceful curves, and flexible movements are perfect natural motion actuators. Studying their structural features, mechanic characteristics, and motion rules can provide valuable references for imitating such actuators and motion functions artificially. Previous studies have analyzed the influence of two-dimensional motion geometric features and anatomical structure of the neck on motion efficiency and motion stability. However, the mechanism of motion flexibility from the perspective of neck structure has not been investigated. This study investigates the general law of the relationship between the structural parameters and motion characteristics of birds’ necks using tomography technology and 3D reconstruction technology. The results show that the structural characteristics of geese and ducks are similar, and there are significant differences in joint motion characteristics. Geese obtains complex neck postures through active intervertebral joints and highly flexible facet joints and possesses higher neck flexibility than ducks. This study provides a generic measuring method for obtaining birds’ cervical spinal vertebral structural dimensional parameters and offers a new theoretical concept for bionic robotic structural design and manufacture.

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43

ECHIZEN, ISAO, YASUHIRO FUJII, TAKAAKI YAMADA, SATORU TEZUKA e HIROSHI YOSHIURA. "PERCEPTUALLY ADAPTIVE VIDEO WATERMARKING USING MOTION ESTIMATION". International Journal of Image and Graphics 05, n. 01 (gennaio 2005): 89–109. http://dx.doi.org/10.1142/s0219467805001677.

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Video watermarks must maintain picture quality and withstand image processing, and resolving the tradeoff between these conflicting requirements has been one of the central problems in research on video watermarking. This paper shows that watermarks are less perceptible where picture contents are moving and proposes a new criterion for measuring watermark imperceptibility from motion vectors and deformation quantities. It also proposes a watermarking method that uses this criterion to allocate watermarks to picture areas adaptively. Experimental evaluation showed that the proposed method reduces degradation in picture quality and that, for the same picture quality after MPEG encoding and decoding, between 30% and 40% more watermarks can be embedded, improving detection reliability after MPEG processing by an average of 9.5%. The proposed method would be most effective when used with MPEG encoders because they already have the necessary motion estimation functions.

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44

Zhai, Qiang. "Application of Visual Correction on Physical Training". Advanced Materials Research 989-994 (luglio 2014): 5461–63. http://dx.doi.org/10.4028/www.scientific.net/amr.989-994.5461.

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A method is presented for three-dimensional motion posture correction employing Fuzzy kernel estimation and affine transformation. As selecting human moving node by a visual sensor and smoothing single frame image with irregular motion, noise interference is reduced. Based on principles of perspective and affine transformation, adjustment strategy of three-dimensional posture is deduced for irregular single-frame motion picture. In addition to determination of motion picture rotation, accurate correction of irregular single-frame motion picture is proposed. Experimental results show that, under different noise conditions, the algorithm corrects posture of a three-dimensional moving image accurately and presents strong anti-noise performance.

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45

DuMont, C. L., A. F. Kurtz, B. D. Silverstein e D. H. Kirkpatrick. "Design Improvements for Motion Picture Film Projectors". SMPTE Journal 110, n. 11 (novembre 2001): 785–91. http://dx.doi.org/10.5594/j16428.

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46

정성욱. "Korea-Japan Overseas Motion Picture Subject Comparison". Journal of the society of Japanese Language and Literature, Japanology ll, n. 40 (febbraio 2008): 317–38. http://dx.doi.org/10.21792/trijpn.2008..40.016.

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47

Powell, Steven J., Richard C. Sehlin, Roland J. Zavada e Mitchell J. Bogdanowicz. "Interface of Motion-Picture Films and Video". SMPTE Journal 95, n. 6 (giugno 1986): 614–23. http://dx.doi.org/10.5594/j06522.

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Mitsunaga, M., H. Sasaki, K. Karaki e N. Uesugi. "Holographic motion picture by Eu^3+:Y_2SiO_5". Optics Letters 19, n. 10 (15 maggio 1994): 752. http://dx.doi.org/10.1364/ol.19.000752.

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Gavrilov, E. V., e V. K. Kirillovskii. "Modern motion-picture lenses and their testing". Journal of Optical Technology 72, n. 10 (1 ottobre 2005): 773. http://dx.doi.org/10.1364/jot.72.000773.

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Miyamori, Shinji. "Digital sound recording on motion picture film". Journal of the Acoustical Society of America 102, n. 5 (1997): 2475. http://dx.doi.org/10.1121/1.420424.

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