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Letteratura scientifica selezionata sul tema "Tapa"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 31 luglio 2024

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Articoli di riviste sul tema "Tapa"

Mora. "Arte de tapa". Mora, n. 26 (1 dicembre 2020): 261–62. http://dx.doi.org/10.34096/mora.n26.10098.

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Mora, Revista. "Arte de tapa". Mora, n. 27 (1 gennaio 2021): 245–46. http://dx.doi.org/10.34096/mora.n27.11120.

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O'Donnell, James J. "An Electronic TAPA". Transactions of the American Philological Association (1974-) 123 (1993): 417. http://dx.doi.org/10.2307/284340.

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Cejas, C. "Nueva tapa, ¿nueva etapa?" Revista Argentina de Radiología 81, n. 2 (aprile 2017): 91. http://dx.doi.org/10.1016/j.rard.2017.04.003.

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Barton, Gerry, e Sabine Weik. "The conservation of tapa". Conservator 18, n. 1 (gennaio 1994): 28–40. http://dx.doi.org/10.1080/01410096.1994.9995082.

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Rahman, Aby, Yon Hendri e Nora Anggraini. "Produksi Karya Musik “The Story of Tapa Malenggang” (Production of Musical Works "The Story of Tapa Malenggang")". Musica: Journal of Music 2, n. 1 (6 luglio 2022): 24. http://dx.doi.org/10.26887/musica.v2i1.2370.

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Tujuan artikel ini adalah untuk menjabarkan proses kerja produksi karya musik The Story of Tapa Malenggang.Tapa Malenggang merupakan sastra lisan yang berasal dari Kabupaten Batanghari, Desa Tanjung, Maruo Provinsi Jambi. Tapa Malenggang mempunyai nama asli yaitu Mambang Diawan yang hidup dipintu langit merupakan sebuah ritual. Dalam ritual Tapa Malenggang, terdapat dendang yang dihadirkan sebagai bentuk syukur dan terima kasih atas kebaikan Tapa Malenggang yang telah menjaga kedamaian masyarakat disekitar sungai Batanghari. Pengkarya tertarik untuk mengangkat cerita Tapa Malenggang dengan mengadodpsi sepenggal melodi dendang ke dalam konsep musik elektro-akustik dan menggunakan beberapa teknik-teknik sound design. Elektro-akustik merupakan suara atau bunyi yang terdengar, tidak lagi terlihat sumber aslinya. Metode yang di gunakan dalam artikel ini adalah pengolahan elektro-akustik menggunakan beberapa teknik sound design seperti audio synthesis yang meliputi wave shape, LFO dan volume envelope. Hasil yang diperoleh dalam artikel ini adalah gambaran proses kerja dalam produksi karya musik The Story of Tapa Malenggang.ABSTRACTThe purpose of this article is to describe the work process of producing the musical work The Story of Tapa Malenggang. Tapa Malenggang is an oral literature originating from Batanghari Regency, Tanjung Village, Maruo, Jambi Province. Tapa Malenggang has a real name, namely Mambang Diawan, who lives at the door of the sky as a ritual. In the Tapa Malenggang ritual, there is a song that is presented as a form of gratitude and thanks for the kindness of Tapa Malenggang who has kept the peace of the community around the Batanghari river. The authors are interested in bringing up the story of Tapa Malenggang by adopting a piece of dendang melody into the concept of electro-acoustic music and using several sound design techniques. Electro-acoustic is a sound or sound that is heard, no longer seen the original source. The method used in this article is electro-acoustic processing using several sound design techniques such as audio synthesis which includes wave shape, LFO and volume envelope. The results obtained in this article are an overview of the work process in the production of the musical work The Story of Tapa Malenggang.

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Mubin, Mubin, Anita Treisya Aristawati, Radhiyatul Ula, Eka Aji Pramita, Roni Hermawan, Mohamad Akbar e Mohamad Syahril. "Kualitas Kimia Mie Basah Rono Tapa". JAGO TOLIS : Jurnal Agrokompleks Tolis 4, n. 1 (11 novembre 2023): 32. http://dx.doi.org/10.56630/jago.v4i1.514.

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Rono tapa (teri panggang) adalah ikan teri yang dibungkus daun pisang lalu dipanggang. Rono dan tapa, adalah dua suku kata dari bahasa Kaili. Rono artinya ikan teri dan Tapa artinya panggang. Penelitian ini bertujuan untuk mengetahui kualitas kimia mie basah rono tapa, sedangkan manfaatnya adalah untuk dapat memberikan informasi ilmiah mengenai kualitas kimia mie basah rono tapa. Penelitian ini dilaksanakan pada bulan Agustus 2023. Pembuatan Mie Basah Rono Tapa dilaksanakan di Laboratorium THP STPL Palu. Analisis protein, kadar air, kadar abu dan kalsium dilaksanakan di Laboratorium Kimia FMIPA Universitas Tadulako Palu. Penelitian ini menggunakan Rancangan Acak Lengkap (RAL) yaitu pengujian kadar air dan kadar abu yang terdiri dari 4 perlakuan dan 3 ulangan sehingga diperoleh 12 unit percobaan. sedangkan pengujian kalsium dan protein menggunakan deskriptif dengan formulasi mie basah empat taraf perlakuan, yaitu 0%, 15%, 25%, dan 35% rono tapa setiap perlakuan dilakukan 3 ulangan dan dilanjutkan dengan uji Anova. Hasil dari pengujian analisis didapatkan diantaranya; rata-rata kadar kalsium tertinggi adalah pada perlakuan P3 yaitu 0,035 % dan yang terendah terdapat pada perlakuan P0 yaitu 0,020 %. Rata-rata kadar air tertinggi adalah pada perlakuan P3 yaitu 44 % dan yang terendah terdapat pada perlakuan P0 yaitu 38 %. Rata-rata kadar protein tertinggi adalah pada perlakuan P3 yaitu 7,975 % dan yang terendah terdapat pada perlakuan P0 yaitu 4,706 %. Rata-rata kadar abu tertinggi adalah sama untuk 3 perlakuan yaitu 3 % dan yang terendah terdapat pada perlakuan P0 yaitu 2 %. Analisis kimia pada mie basah rono tapa yang terbaik adalah pada perlakuan P3 yaitu kadar kalsium 0,035%. kadar air 44%. kadar protein 7,975%. Kadar abu adalah sama untuk 3 perlakuan yaitu 3%.

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Siregar, Elma Sema Putri. "PENGEMASAN BAHAN AJAR TARI TAPA-TAPA DALAM BENTUK AUDIO VISUAL (VCD) UNTUK SISWA KELAS X SEKOLAH MENENGAH ATAS DI SUMATERA UTARA". Gesture: Jurnal Seni Tari 9, n. 1 (25 giugno 2020): 54. http://dx.doi.org/10.24114/senitari.v9i1.17965.

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ABSTRACTThis study aims to describe the packaging of teaching materials on the material of Appreciation and Expression of the Tapa-tapa Dance through audio visual to be taught to students of class X of High Schools in North Sumatra. In addition, it describes the steps and results in making Tapa-tapa Dance packaging through audio visual to be taught to high school students in North Sumatra. The theories used are Setyosari's (2015) packaging theory, namely packaging steps which include planning, compilation, production, and evaluation. The theory of teaching materials Prastowo (2015) is a teaching material that is arranged systematically and used for the learning process in the form of audio visual. The method used in this study is a qualitative research method. The instrument used to test the feasibility of audio visual teaching material (VCD) is to use the Audio Visual Product Validation Test (VCD) questionnaire and the Material Validation Test Questionnaire, this questionnaire consists of aspects of assessment which are based on competency standards. This research resulted in an audio visual teaching material product VCD for Tapa-tapa dance material. Starting from (1) Planning by making teaching materials, selecting dancers, determining the location of taking photos and videos of products, and preparing facilities and infrastructure, (2) Preparation, where all teaching materials for KD 3 appreciation and KD 4 expressions covering background behind the Tapa-tapa dance, the Tapa-tapa dance function, the basic movements of the Tapa-tapa dance, cosmetology, fashion, musical instruments, tutorials and video performances of the Tapa-tapa dance performance that can be used as teaching material in dance learning, (3) Production is editing of images and sound results using Wondershare Filmore, (4) Evaluation, conducted by 2 validators for material validation and 1 validator for audio visual validation (VCD) by providing a validation questionnaire. In the validation stage, the results of validation by material experts with a score of 4.6 and validation by audio visual product (VCD) experts with a score of 4.4. From the score the product of teaching material in the form of audio visual (VCD) got a very good category applied to students of class X of High School in North Sumatra. Keywords: Packaging, Teaching Materials, Audio Visual (VCD) ABSTRAKPenelitian ini bertujuan untuk mendeskripsikan pengemasan bahan ajar pada materi Apresiasi dan Ekspresi Tari Tapa-tapa melalui audio visual untuk diajarkan kepada siswa kelas X Sekolah Menengah Atas di Sumatera Utara. Selain itu mendeskripsikan langkah-langkah dan hasil dalam pembuatan pengemasan Tari Tapa-tapa melalui audio visual untuk dapat diajarkan kepada siswa Sekolah Menengah Atas di Sumatera Utara. Teori-teori yang digunakan adalah teori pengemasan Setyosari (2015) yaitu langkah-langkah pengemasan yang meliputi perencanaan, penyusunan, produksi, dan evaluasi. Teori bahan ajar Prastowo (2015) yaitu materi ajar yang disusun sistematis dan digunakan untuk proses pembelajaran dalam bentuk audio visual. Metode yang digunakan dalam penelitian ini adalah metode penelitian kualitatif. Instrumen yang digunakan untuk menguji kelayakan bahan ajar audio visual (VCD) adalah dengan menggunakan angket Uji Validasi Produk Audio Visual (VCD) dan Angket Uji Validasi Materi, angket ini terdiri dari aspek penilaian yaitu berdasarkan standar kompetensi. Penelitian ini menghasilkan suatu produk bahan ajar audio visual VCD materi tari Tapa-tapa. Dimulai dari (1) Perencanaan dengan pembuatan materi bahan ajar, pemilihan penari, penetapan lokasi pengambilan foto dan video produk, serta penyiapan sarana dan prasarana, (2) Penyusunan, dimana semua materi bahan ajar kegiatan KD 3 apresiasi dan KD 4 ekspresi yg meliputi latar belakang tari Tapa-tapa, fungsi tari Tapa-tapa, gerak dasar tari Tapa-tapa, tata rias, tata busana, alat musik, tutorial serta penampilan video pertunjukan tari Tapa-tapa yang dapat digunakan sebagai bahan ajar pada pembelajaran tari, (3) Produksi yakni penyuntingan hasil gambar dan suara dengan menggunakan Wondershare Filmore, (4) Evaluasi, dilakukan oleh 2 validator untuk validasi materi dan 1 validator untuk validasi audio visual (VCD) dengan cara pemberian angket validasi. Pada tahap validasi, dengan hasil validasi oleh ahli materi dengan skor 4,6 dan validasi oleh ahli produk audio visual (VCD) dengan skor 4,4. Dari skor tersebut produk bahan ajar dalam bentuk audio visual (VCD) mendapat kategori sangat baik diterapkan untuk siswa kelas X Sekolah Menengah Atas di Sumatera Utara.Kata Kunci: Pengemasan, Bahan Ajar, Audio Visual (VCD)

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Arya Pradhana, Dewi Ayu Wisnu Wardani e Agus Riyadi. "FUNGSI TAPA PEPE DALAM TRADISI HINDU JAWA". Jawa Dwipa 2, n. 2 (6 dicembre 2021): 147–63. http://dx.doi.org/10.54714/jd.v2i2.44.

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Tapa Pepe merupakan sebuah metode penyatuan antara Atman dengan Brahman melalui metode meditasi dengan memusatkan kepada sumber matahari. Tapa Pepe memfokuskan konsentrasinya pada “Sapta Cakra” yang ada dalam tubuh manusia. Untuk mengaktifkan cakra-cakra tersebut dengan tujuan mendekatkan diri dengan Tuhan. Ketika cakra-cakra dalam tubuh manusia terbuka, maka manusia akan banyak mendapatkan manfaat baik secara medis dan non medis, sekala dan niskala. Tapa Pepe merupakan tradisi Hindu yang telah dilaksanakan para leluhur pendahulu kita di tanah Jawa sebagai cara mendekatkan diri dalam proses menyatu dengan alam yang tiada lain adalah Tuhan itu sendiri sesuai dengan tujuan agama Hindu yaitu “mokshartam jagadhita ya ca iti dharma” dimana proses penyatuan diri seseorang melalui laku tertentu ibarat seperti seseorang melaksanakan laku upawasa (puasa) yang juga secara otomatis juga menyucikan dirinya sebagai jalan kepada Tuhan. Ritual Tapa Pepe yang dilakukan oleh Umat Hindu Jawa di Pura Mandira Seta Kraton Surakarta tidak jauh berbeda dengan ritual tapa pepe dibeberapa tempat. Perbedaanya adalah tempat pelaksanaannya dimana pada umumnya dilakukan di tempat terbuka, halaman rumah dan lain-lain. Berbeda dengan Tapa Pepe yang berada di Pura Mandira Seta dilakukan di dalam areal pura, dimana laku tapa pepe ini dilakukan di pelataran mandala tengah pura atau madya mandala, tepatnya di pelataran Arca Bhatari Dhurga Mahisasura Mardini. Tujuan dari Tapa Pepe di Pura Mandira Seta yaitu menyatukan Atman dengan Brahman yang berada dalam diri melalui metode menatap matahari sebagai sarana konsentrasinya. Konsentrasi pada Tapa Pepe atau Yoga Matahari berpusat pada cakra-cakra yang ada dalam tubuh. Tujuh cakra itu yaitu : Cakra Sahasrara (Cakra Mahkota), Ajna Cakra (Cakra Mata Ketiga/kening), Wisudha Cakra (Cakra Tenggorokan), Anahata Cakra (Cakra Jantung), Manipura Cakra (Cakra Pusar), Swadistana Cakra (Cakra Kelamin), Muladara Cakra (Cakra Tulang Ekor). Ketika cakra-cakra itu aktif, maka seseorang yang melakukan Tapa Pepe akan mendapatkan banyak manfaat seperti tidak mudah sakit karena menyerap energi matahari terbukti sekarang dilakukan banyak orang dimasa pendemi covid 19 ini.

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Aletheia, Equipo Editorial. "Acerca de imagen de tapa". Aletheia 11, n. 21 (1 dicembre 2020): e075. http://dx.doi.org/10.24215/18533701e075.

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Più fonti

Tesi sul tema "Tapa"

Tarzi, Zemaryalai. "Hadda a la lumiere des fouilles afghanes de tapa-e-shotor et tapa-e-top-e -kalan". Université Marc Bloch (Strasbourg) (1971-2008), 1991. http://www.theses.fr/1991STR20026.

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Site archeologique d'afghanistan, rendu celebre par la decouverte d'innombrables statues bouddhiques modeles en stuc, en argile ou taillees dans le schiste ou du calcaire, caracterise par un art d'inspiration nettement hellenique,hadda et son ecole artistique sont consideres comme un maillon indispensable dans l'histoire des relations entre l'occident et le monde indien. Situe dans la plaine fertile du djallalabad actuel (nagarahara de l'antiquite), hadda a du en partie sa prosperite a sa position geographique favorisee par les routes reliant les grandes villes et lieux saints du bouddhisme. Lui meme une des places importantes dans laquelle des reliques du buddha etaient gardees devint un centre religieux et artistique de renom. Un peu partout autour de l'ancienne ville de hadda la hi-lo (hidda) des pelerins chinois, des dizaines de monasteres bouddhiques ont vu jour du 1er-2e siecle apres j-ch jusqu'au 8e-9e siecle apres j-ch. Les six annees de fouilles a hadda, plus particulierement sur les sites de tapa-e-shotor (tsh) et tapa-e-top-e-kalan (ttk) ont permis au candidat d'avoir une connaissance suffisante pour qu'il considere l'art de hadda non comme un descendant de l'ecole artistique dit "greco-bouddhique" du gandhara (nord-ouest de l'inde, a cheval sur l'afghanistan et le pakistan modernes) mais comme une evolution parallele a cette derniere, car la difference residait surtout dans l'emploi des materiaux utilises
Archaeological site of afghanistan famous for the discovery of countless buddhist statues moulded in stucco, clay or cut in schist or limestone characterized by an art definitly of hellenistic inspiration, hadda and its artistic school are tought of an essential link in the history of the relations between the west and the indian world in the fertile plain of the present djallalabad (nagarahara of ancient times), hadda owes part of its prosperity to its geografical position, advantage by the roads connecting the great towns and the holly places of buddhism. Being itself an important place where relics of buddha were kept, it became a well knowed artistic center. Every where all around of hadda the hi-lo (hidda) of the chines straveller, tens of buddhist monastries saw the light from the 1st-2nd to 5nd centuries and the 8-9nd centuries a. D. The six years of excavations of hadda and specially the sites of tapa-e-shotor (tsh) and tapa-e-top-e-kalan (ttk) allowed the candidate to get cnough knowledge so that he considers the art of hadda not as a descendant of the artistic school called "greco-buddhic art" of gandhara (north-west of india which sat astride between the present afghanistan and pakistan) but like a parallel evolution to the last one becauses the difference was mainly due to materials used

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Wenz, Kupfer Diego. "Plan de globalización para empresa Tapa Company S.A". Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/113497.

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Magíster en Gestión para la Globalización
A nivel mundial, la creciente demanda por productos tanto saludables como amigables con el medio ambiente, sumado a un aumento en los niveles de obesidad de la población, han generado un cambio en el patrón de consumo de la población en busca de alimentos más sanos y vinculados a un mayor bienestar. Es en este contexto que la empresa The Tapa Company desarrolló un nuevo concepto de packaging en botellas, al incorporar un espacio dentro de la tapa para almacenar un soluto sin estar en contacto con el líquido, permitiendo de este modo prescindir de saborizantes, colorantes y preservantes artificiales potencialmente dañinos para la salud. Esta tapa contempla además un sistema de dispensador hermético HDS (Hermethic dispenser system). El objetivo principal de este estudio es proponer una estrategia de internacionalización para productos con tecnología HDS patentada por la empresa chilena con sede en Santiago, The Tapa Company S.A. El estudio comienza con una selección de mercado basado en la utilización de diversos indicadores, tanto de la industria y del mercado en general, así como de variables económicas y demográficas donde finalmente se decide por Australia como uno de los destinos con mejor potencial para la empresa. Posteriormente, se realiza un análisis del mercado seleccionado evaluando la industria en particular, basándose en el modelo estratégico de Porter. Junto a ellos se analiza la cadena de valor presente en la industria, los posibles competidores, así como el retail australiano vinculados a los canales de distribución. Complementariamente se desarrolla un análisis interno respecto a los recursos y capacidades de la empresa, identificando posibles oportunidades y amenazas. En una segunda etapa se evalúan diferentes modos de entrada al mercado australiano y una estrategia adecuada de timing y escala donde se opta por exportar parte del producto de manera directa (la tapa) instalando una oficina en Australia y subcontratar los demás procesos de formulación y embotellado en destino. El producto deberá lanzarse en primavera partiendo en Sydney el primer año y Melbourne durante e segundo. Junto a esto se plantea una estrategia comercial enfocada en la diferenciación, así como directrices para un plan de marketing definiendo el mercado objetivo. Se plantea a su vez el posicionamiento del producto dentro de la oferta actual como una alternativa más saludable y medioambientalmente responsable, alineándolo con la estrategia de marca, las políticas de precio, producto, plaza y promoción. Finalmente se elaboran proyecciones de venta en base a la participación histórica de las diferentes marcas presentes en el mercado objetivo. Con estimaciones conservadoras de venta se realiza un análisis financiero de la operación en un horizonte de 5 años, dando resultados positivos con un VAN de US$9.400.800 con una tasa de descuento del 15% y una TIR del 60%. El análisis financiero arroja que el proyecto es rentable en base a los supuestos establecidos. Aún con escenarios pesimistas en cuanto al volumen de ventas (25% menor), el resultado sigue siendo atractivo.

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Garshasbi, Farzam, e Ebrahimi Shahram Pasha. "Supply Chain Security Programs Comparing TAPA FSR with ISPS". Thesis, Högskolan i Borås, Institutionen Ingenjörshögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16642.

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In this era, where international outsourcing and global distribution systems are thriving, providing the security of products in the logistic system is very crucial now. For corporates, it is highly vital to know how secure high-tech products and materials are handled, warehoused and transported as they move throughout the globe. Different international security standards have been introduced, two of which are TAPA FSR and ISPS. TAPA FSR (Freight Security Requirements) defines the smallest required security standards for goods travelling throughout the supply chain and the suitable approaches in keeping those standards. ISPS (International Ship and Port Facility Security) is another security standard which identifies the tasks of governments, shipping companies, shipboard personnel, and port/facility personnel to find security threats and take preemptive actions against security events influencing ships or port facilities used in global business. This research attempts to study the literature on security of transportation in supply chain. By comparing the requirements of TAPA FSR and ISPS, we aim to find their basic differences and to analyze to what extent the two standards respond to the crucial concepts of security in the supply chain.
Program: BSc in Industrial Engineering - International Business Engineering

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Virkkula, E. (Esa). "”Soittaminen ammattilaisen kanssa on paras tapa oppia”:työpajaperustainen työssäoppiminen muusikoiden ammatillisessa koulutuksessa". Doctoral thesis, Oulun yliopisto, 2014. http://urn.fi/urn:isbn:9789526205465.

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Abstract This research deals with the strengthening of work-life cooperation in secondary vocational music education leading to basic qualification. The starting point is to examine students' and professional musicians’ action processes in workshops based on a new kind of cooperation in on-the-job learning and to evaluate their suitability to arranging on-the-job learning. The original publications are joined by the framework of sociocultural learning. The purpose of this research is to add understanding about realizing work-life cooperation and learning produced in workshop action in the education of musicians. The pedagogical purpose is to open paths to planning and availing of problem-based learning in on-the-job method which adds to the learner´s involvement. The research is a qualitative case study comprising the total of 143 students and several teachers in the Conservatoire in Oulu and a few professional musicians. The research material (original publications I-III) consists of structured questionnaires, namely: a) students' workshop plans and learning objectives written before the workshops, and b) the written reflective reports after the workshop experiences. The research data was dealt with a theory-based contents analysis. The data was transcribed and tabulated according to a Finnish meta-study categories of learning obstacles and promoters. To widen his understanding of the workshop method the researcher acted as a participating observer in the workshops of Conservatory teachers and professional musicians (6 workshops) the results of which were reported in the original publication IV. The research results show that acting as a musician in a workshop supports learning professional skills and the key competences of lifelong learning. From the pedagogical viewpoint workshop action 1) emphasizes the learner's initiative and taking responsibility, 2) offers work environments typical of music field, 3) builds the action on problem solving and interaction, and 4) changes the role of a visiting professional musician from a source of information and the demonstrator of the “right” performances to a fellow musician. The challenge of vocational teachers is to develop their pedagogical competencies especially in the designing and coordinating learning environments that support students´ learning broadly. This research will bring a new, concrete viewpoint to the planning and implementation of work-life cooperation
Tiivistelmä Tutkimus käsittelee työelämäyhteistyön vahvistamista musiikkialan perustutkintoon johtavassa toisen asteen ammatillisessa koulutuksessa. Lähtökohtana on tarkastella opiskelijoiden ja ammattimuusikoiden uudenlaiseen yhteistyöhön perustuvien työssäoppimisen työpajojen toimintaprosesseja sekä arvioida niiden soveltuvuutta työssäoppimisen järjestämisessä. Empiiristä tutkimusta yhdistää sosiokulttuurisen oppimisen viitekehys. Tutkimuksen tavoite on lisätä ymmärrystä työelämäyhteistyön toteuttamisesta sekä työpajatoiminnan tuottamasta oppimisesta muusikoiden koulutuksessa. Pedagogisena tavoitteena on avata suuntia opiskelijan osallisuutta lisäävän, ongelmaperustaisen työssäoppimismenetelmän suunnittelulle ja hyödyntämiselle. Tutkimus on laadullinen tapaustutkimus, johon osallistui vuosina 2003–2011 yhteensä 143 Oulun konservatorion opiskelijaa, lukuisia opettajia sekä ammattimuusikoita. Tutkimusaineisto koostuu (osajulkaisut I–III) strukturoiduista kyselyistä, joita ovat: a) opiskelijoiden ennen työpajaa kirjoittamat työpajasuunnitelmat ja oppimistavoitteet sekä b) työpajan jälkeen tehdyt kokemusten kirjalliset reflektoinnit. Aineiston analyysissä käytettiin teorialähtöistä sisällönanalyysiä. Aineisto litteroitiin ja taulukoitiin suomalaisen työssäoppimisesta tehdyn metatutkimuksen oppimista edistävien ja estävien kategorioiden mukaan. Työpajamenetelmään liittyvän ymmärryksen laajentamiseksi tutkija teki osallistuvaa havainnointia konservatorion opettajien ja ammattimuusikoiden työpajoissa (6 kpl), joiden tuloksista raportoitiin osajulkaisussa IV. Tutkimustulokset osoittavat, että muusikkona toimiminen työpajassa tukee oppimista ammatillisen osaamisen sekä elinikäisen oppimisen avaintaitojen kehittymisen osalta. Pedagogisesta näkökulmasta työpajatyöskentelyssä korostuvat 1) oppijan aloitteellisuus ja vastuun ottaminen, 2) toimiminen musiikkialalle tyypillisissä työympäristöissä, 3) ongelmanratkaisukeskeisyys ja vuorovaikutus, 4) kanssamuusikkous – vierailevan ammattimuusikon muuttunut rooli tietoa jakavasta mestarista ja ”oikeiden” suoritusten demonstroijasta yhtyekumppaniksi. Ammatillisten opettajien haasteena on kehittää pedagogista osaamistaan erityisesti opiskelijoiden oppimista laaja-alaisesti tukevien oppimisympäristöjen suunnittelussa ja koordinoinnissa. Tämä tutkimus tuo uuden, konkreettisen näkökulman työelämäyhteistyön suunnitteluun ja toteutukseen

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Filho, Celso Alves. "Fuma?a vermelho hematoma e o tapa que dei em mim mesmo". Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2018. http://tede2.pucrs.br/tede2/handle/tede/8274.

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Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES
As usual in dissertation's projects that belongs to PUCRS's creative writting area, this also has two volumes. The first is the novel Fuma?a vermelho hematoma, narrated in a dystopic reality where the consume and the business lobby rules government and people at the point that art is considered crime and treated as police case, transforming artists from diferent areas into criminals - for consequence of that, they turns into terrorists. The second volume is a journal about the creation of the novel, with the title O tapa que dei em mim mesmo, and brings the way of how the story was inspired, planned and written, including the effects on the autor, motivated by the study's about neoliberalism business arrangements and it's effect in society. One paper is the consequence of the other and vice versa, because the goal of write about the theory of the narrative bring closer the critic thinking, not only about the ficcional side, but also political.
Como ? de costume dos projetos de disserta??o pertencentes ? ?rea de Escrita Criativa da PUCRS, esse tamb?m possui dois volumes. O primeiro deles ? o romance Fuma?a vermelho hematoma, narrado em uma realidade dist?pica em que o consumo e o lobby empresarial dominam Estado e habitantes a tal ponto que a arte ? considerada crime e tratada como caso de pol?cia, transformando artistas de diversas ?reas em criminosos que, em consequ?ncia disso, se tornam terroristas e guerrilheiros. O segundo volume ? um di?rio de percurso sobre a cria??o de tal romance, intitulado O tapa que dei em mim mesmo, e traz a forma como a obra foi inspirada, planejada e escrita, al?m dos efeitos em seu autor sob o impacto do estudo sobre os arranjos empresariais do neoliberalismo e o efeito deles na sociedade. Um trabalho ? consequ?ncia do outro e vice-versa, pois ao idealizar um fazer mais pr?ximo do te?rico - o di?rio de percurso - a escrita narrativa foi pensada de forma cr?tica, trabalhada n?o apenas em seu car?ter ficcional, mas tamb?m pol?tico.

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Thorp, Kathryn. "Looking at dance through the Te Whare Tapa Wha model of health". Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12295.

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This dissertation uses Mason Durie's Te Whare Tapa Wha (the house of four sides) model of health to examine the benefits of participating in dance. Durie's (1994) model is widely used and taught throughout Aotearoa New Zealand as a guide for discussions and practices involving total health and wellbeing. The four sides of the house are: taha wairua, the spiritual aspect of health; taha whānau, social aspect; taha hinengaro, mental and emotional aspect; and taha tinana, the physical aspect; each of which will be applied to circumstances, situations, and phenomena found in dance. Each aspect of health, although they stand alone in their own right, is interconnected with, and relies on the other. Dance is a place to explore, understand, and come to know oneself and others in each aspect of health; as dance is a holistically healthy activity which empowers an individual in life, as it reflects and amplifies issues, perceptions, and ideas, and is a place to explore those issues. Dance enhances the sense of spirituality and connection to one's self, others, and the environment. This occurs through muscular bonding, use of the shared breath, and the feeling of connectedness between people when honouring and embodying one's ancestors and history through movement. The dance community can also be a surrogate family, through developing how one builds and maintains relationships by building rapport, caring for others, and creating a sense of belonging within the group. Dance improves the ability to think through the body, and is a site for physically maintaining and improving the body.

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Silva, Juliana Yukiko Akisawa da. "Ou de um ou de qualquer um: apropriações do teatro de Luigi Pirandello para a representação e para a leitura". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-05042017-082659/.

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Luigi Pirandello destacou-se no teatro pela inovação de seus textos. Além de compor peças, criou sua própria companhia teatral, na qual atuou como diretor. Sob críticas e aplausos, seu trabalho ganhou repercussão internacional, inclusive no teatro brasileiro. As peças de Pirandello ainda marcam presença no cenário contemporâneo das artes cênicas brasileira, destacando-se os trabalhos da companhia teatral Grupo TAPA. Existe a problemática da escassez de traduções de obras teatrais de Pirandello disponíveis no mercado editorial brasileiro e as traduções existentes dificilmente são apropriadas para realizar o trabalho de cena. Diante dessa situação, o Grupo TAPA realizou a tradução da peça O di uno o di nessuno para posteriormente apresentá-la nos palcos. Assim, esta pesquisa aborda as especificidades da tradução teatral, bem como efetua o cotejo entre o texto original, a tradução realizada pelo Grupo TAPA e a tradução literária de Davi Pessoa.
Luigi Pirandello has distinguished himself through the innovation in his theater scripts. In addition to writing plays, he created his own theater group where he was the director. Under criticism and applause, his work has reverberated internationally, including the Brazilian Theater. Pirandellos plays are still present in the contemporary scene of Brazilian performing arts, with the works of the theater company Grupo TAPA standing out. There is a problem concerning the scarcity of Pirandellos theater scripts that are translated and available at the Brazilian publishing market; in addition, such translated texts are seldom proper for scene work. Within such context, Grupo TAPA translated the play O di uno o di nessuno in order to present it afterwards. Thus this research will study the traits of the theatrical translation and then compare the original text, the Grupo TAPAs translation and the literary translation done by Davi Pessoa.

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Martins, Rafael. "Nobody knows you when you´re down and out: a encenação de Alguns Blues do Tennessee pelo Grupo TAPA no Teatro de Arena Eugênio Kusnet". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-17042018-142235/.

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A proposta desse trabalho é a análise da encenação do espetáculo Alguns blues do Tennessee, dentro do projeto TAPA no Arena: uma ponte na História no ano de 2013 no Teatro de Arena, vencedor do Edital de Ocupação do Teatro de Arena Eugenio Kusnet. Trata-se da encenação de três peças em um ato, O quarto escuro, Verão no Lago e A dama da loção antipiolho, do dramaturgo estadunidense Tennessee Williams. O espetáculo é o resultado do trabalho iniciado no ano de 2009 com a direção de Eduardo Tolentino e Brian Penido Ross, tendo no elenco Conrado Sardinha, Isabella Lemos, Kadi Moreno e Rita Giovanna. A apresentação foi desenvolvida em sala de ensaios pelos atores do Grupo TAPA num processo que contou o estudo sistematizado da dramaturgia da obra de Williams. Recebeu a tradução de um lote de 26 peças curtas e 6 peças longas do autor, tendo como resultado, além da produção do espetáculo, na publicação, pela editora É Realizações, dos livros Mister Paradise e outras peças em um ato (WILLIAMS, 2011), 27 carros de algodão e outras peças em um ato (WILLIAMS, 2012), O zoológico de vidro; De repente no último verão; Doce pássaro da juventude (WILLIAMS, 2014) e Gata em telhado de zinco quente; A descida de Orfeu; A noite do iguana (WILLIAMS, 2016).
The purpose of this work is the analysis of the performance staging of the play \"Some blues by1 Tennessee\" within Tapa no Arena project: a bridge in history in 2013 at Arena Theater, winner of the Edict of Occupation of the Arena Theater Eugenio Kusnet. It\'s the staging of three one act plays: \"The Dark Room\", \"Summer on the Lake\" and \"The lady of the Larkspur Lotion\" of the American playwright Tennessee Williams. The performance is the result of a work that began in 2009 with Eduardo Tolentino and Brian Penido Ross as directors and Conrado Sardinha, Isabella Lemos, Kadi Moreno and Rita Giovanna in the cast. This work has been developed in a rehearsal room by the Tapa Group actors during a process which included the systematic study of the dramaturgy work of Williams and the translation of a batch of 26 one-act plays and 6 long plays of the author. Besides the production of the show, it also resulted the publication of the books: \"Mister Paradise e outras peças em um ato\" (Williams, 2011), \"27 carros de algodão e outras peças em um ato\" (Williams, 2012), \"O zoológico de vidro; De repente no último verão; Doce pássaro da juventude (Williams, 2014) and \"Gata em telhado de zinco quente; A descida de Orfeu; A noite do iguana (Williams, 2016) by \"É Realizações\" publisher.

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Earl, Christopher. "Understanding the role of TapA in the formation of B. subtilis biofilms : a biochemical and genetic analysis". Thesis, University of Dundee, 2018. https://discovery.dundee.ac.uk/en/studentTheses/c495b811-e0fe-4038-949d-d20bdd4df74e.

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Peña, Ahumada Bárbara. "Identificación y caracterización genética de textiles etnográficos (tapa) antiguos elaborados a partir de fibra vegetal usando diferentes marcadores moleculares". Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/169805.

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Tesis presentada a la Universidad de Chile para optar al grado de Magíster en Bioquímica, área de especialización en Toxicología y Diagnóstico Molecular y Memoria para optar al Título de Bioquímico
Las colecciones de museos son una fuente preciada de información acerca del pasado. En particular las colecciones de plantas y animales, como también los objetos etnográficos de origen biológico se han sometidos recientemente a análisis genéticos, permitiendo la reconstrucción directa de ciertos aspectos del pasado. A diferencia del análisis genético de muestras contemporáneas que sólo permiten proponer una hipótesis acerca del pasado, los análisis de muestras antiguas permiten acceder a información sin el sesgo o alteraciones provocados por eventos históricos posteriores. Los estudios de ADN antiguo (ADNa) han permitido reconstruir las rutas de migración de los primeros grupos humanos que salieron de África. El último gran movimiento migratorio humano hacia zonas inhabitadas del planeta, que culminó con el poblamiento de las islas de Oceanía Remota, finalizó hace tan solo alrededor de mil años, cuando el hombre colonizó las islas de Hawái, Rapa Nui y Nueva Zelanda. Este proceso fue complejo, y no hay consenso de las rutas seguidas por los navegantes prepolinésicos. La reconstrucción de las rutas de los humanos para llegar a las remotas islas del Océano Pacífico, se ha abordado mediante diversas estrategias. Una de ellas es el “enfoque comensal”, que consiste en el estudio genético de especies animales y vegetales estrechamente asociadas al hombre y que fueron transportadas intencionalmente hasta las islas de Oceanía Remota. El estudio de estas especies permite dilucidar posibles rutas migratorias, complementando información arqueológica y lingüística existente. Entre las especies vegetales transportadas hacia el Pacífico se encuentra la morera de papel (Broussonetia papyrifera), especie dioica proveniente de Taiwan y el sur y este de Asia continental. Esta especie fue introducida al Pacífico por su gran valor cultural como fuente de fibra para la elaboración de textiles, conocidos como tela de corteza (“bark-cloth”) o “tapa”. Los textiles de corteza, al ser un símbolo de riqueza y poder, se conservaban en las familias por mucho tiempo, por lo que podrían entregar información genética de individuos de B. papyrifera presentes en Oceanía de tiempos incluso anteriores a los primeros contactos con los europeos, y anteriores a la toma de las primeras muestras para herbarios. Además, fueron materiales etnográficos de interés para los europeos que los colectaron o recibieron como regalos, por lo que actualmente se encuentran en diversas colecciones del mundo. La pregunta fundamental de investigación que guió este trabajo fue la siguiente: ¿Es posible obtener ADN a partir de tapa antigua y caracterizarlo mediante marcadores moleculares? Las hipótesis de esta tesis son: 1.- Es posible extraer y caracterizar ADN de textiles etnográficos (tapa) antiguos mediante la región ITS-1 para identificar la especie vegetal utilizada como fuente de fibra y 2.- Es posible caracterizar ADN de B. papyrifera aislado a partir de textiles etnográficos antiguos (tapa) mediante un marcador de sexo y marcadores de microsatélites, para aportar a la comprensión general de la dispersión antrópica de esta especie en Oceanía Remota. El objetivo general de este trabajo fue aislar y caracterizar ADN de muestras de textiles etnográficos (tapa) antiguos mediante marcadores moleculares y comparar las características genéticas de los textiles elaborados a partir de B. papyrifera con los datos de muestras contemporáneas y de herbario con el fin de aportar a la comprensión general de la dispersión antrópica de esta especie en Oceanía Remota. A partir de 17 muestras de textiles antiguos provenientes de distintas islas de Oceanía, se extrajo exitosamente ADN antiguo de todas las muestras, no observándose una correlación entre la antigüedad de la pieza de tapa y la cantidad de ADN obtenido. Mediante el estudio del marcador molecular ITS-1 se determinó la especie vegetal de origen de cada pieza textil, identificándose 13 de las 17 piezas como elaboradas a partir de B. papyrifera. Además, se detectaron sitios polimórficos en la región ITS-1. Para caracterizar las piezas elaboradas a partir de B. papyrifera, se utilizó un marcador de sexo, que permitió tipificar una pieza textil como proveniente de una planta femenina. Además, el análisis mediante 10 marcadores de SSR indicó la presencia de 41 alelos detectados anteriormente en muestras contemporáneas y de herbario de B. payrifera. Interesantemente, se encontraron 74 nuevos alelos no observados anteriormente en material de herbario, ni contemporáneo de B. papyrifera, sugiriendo que en el pasado existió una mayor diversidad genética en individuos de B. papyrifera en Oceanía Remota. El estudio de 51muestras de herbario provenientes de las mismas islas o de islas cercanas de las cuales provenían las muestras de tapa antigua analizadas en esta tesis, contribuyó a la comparación de resultados. Se registraron además 9 alelos y 10 genotipos nuevos en muestras de herbario, no observados anteriormente en material contemporáneo ni en otras muestras de herbario de B. papyrifera. Los resultados de esta tesis confirman que es posible extraer y caracterizar ADNa proveniente de piezas textiles antiguas, siendo éste el primer reporte hasta la fecha, de la extracción y análisis de ADN a partir de muestras etnográficas y arqueológicas de textiles de origen vegetal
Museum collections are a prized source of information about the past. In particular, collections of plants and animals, as well as ethnographic objects of biological origin have recently undergone genetic analysis, allowing the direct reconstruction of certain aspects of the past. Unlike the genetic analysis of contemporary samples that only allow to propose a hypothesis about the past, the analyses of old samples allow access to information without the bias or alterations provoked by later historical events. Ancient DNA studies have allowed reconstructing the migration routes of the first human groups that left Africa. The last great human migratory movement to uninhabited areas of the planet, culminating in the settlement of the islands of Remote Oceania, ended only about a thousand years ago, when humans colonized the islands of Hawaii, Rapa Nui and New Zealand. This process was complex, and there is no consensus on the routes followed by pre-polynesian navigators. The reconstruction of human routes to reach the remote islands of the Pacific Ocean has been approached through various strategies. One of these is the "commensal approach," which consists of the genetic study of animal and plant species closely associated with humans and that were intentionally transported to the islands of Remote Oceania. The study of these species allows to suggest migratory routes taken by these species and the people that transported them, complementing existing archaeological and linguistic information. Among the plant species transported into the Pacific is paper mulberry (Broussonetia papyrifera), a species native to South and continental Asia, as well as Taiwan. This multifunctional dioecious tree species was introduced to the Pacific because of its great cultural value as a source of fiber for the production of textiles, known as bark-cloth or tapa. Bark cloth textiles, being a symbol of wealth and power, were kept in families for a long time, and therefore can provide genetic information on the genetic diversity of the B. papyrifera poplation used to manufacture these textiles. These samples may even provide information on paper mulberry in Oceania that precedes even the first contacts with Europeans. Barkcloth may also provide a window to the past on times prior to the taking of the first herbarium samples by European explorers. Bark cloth was of interest to Europeans who collected or received them as gifts, and later these became part of various museum collections around the world
FONDECYT 1120175

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Libri sul tema "Tapa"

1932-, Pendergrast Mick, Pfeiffer Krzysztof e Auckland Institute and Museum, a cura di. Pacific tapa. Auckland, New Zealand: D. Bateman, 1997.

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Barford, Cherie. Tapa talk. Wellington, N.Z: Huia Publishers, 2007.

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Arbeit, Wendy. Tapa in Tonga. [Honolulu, Hawaii: Palm Frond Productions, 1994.

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Rāṇapurā, Dilīpa. Ā paṇa tapa. Amadāvāda: Gurjara Grantharatna Kāryālaya, 2003.

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Paegle, Sp. Kā Latvijas valsts tapa. Stokholmā: Latviešu Nacionālais fonds, 1985.

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Rāṇapurā, Dilīpa. Ā paṇa tapa--: Māṅgalyakathāo. Amadāvāda: Gūrjara Grantharatna Kāryālaya, 2001.

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1932-, Pendergrast Mick, e Pfeiffer Krzysztof, a cura di. Tapa of the Pacific. Auckland, New Zealand: D. Bateman in association with Auckland Museum, 2001.

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Mesenhöller, Peter. Made in Oceania: Tapa - Kunst und Lebenswelten = Tapa - art and social landscapes. Köln: Rautenstrauch-Joest-Museum, 2013.

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G, Winter Joan, a cura di. Talking tapa: Pasifika bark cloth in Queensland. Southport, Qld: Keeaira Press, 2009.

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Jauhala, Umindara. Sadīāṃ dā tapa: Kāwi-saṅgrahi. Ludhiāṇā: Cetanā Prakāshana, 2010.

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Capitoli di libri sul tema "Tapa"

Wierucka, Aleksandra. "Tapa". In Huaorani of the Western Snippet, 167–72. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137539885_13.

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Gonçalves, João, Helena Soares, Norman L. Eberhardt, Sarah C. R. Lummis, David R. Soto-Pantoja, David D. Roberts, Umadas Maitra et al. "TAPA-1". In Encyclopedia of Signaling Molecules, 1831. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4419-0461-4_101314.

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Kuo, Su-Chiu. "Tapa Beaters from 5000 to 4200 BP in Taiwan". In Prehistoric Maritime Cultures and Seafaring in East Asia, 251–68. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9256-7_14.

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Mohamad, Yehya, Carlos A. Velasco, Sylvia Damm e Holger Tebarth. "Cognitive Training with Animated Pedagogical Agents (TAPA) in Children with Learning Disabilities". In Lecture Notes in Computer Science, 187–93. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-27817-7_28.

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Mohamad, Yehya, S. Hammer, F. Haverkamp, M. Nöker e H. Tebarth. "First Evaluational Results in the Development of Training by Animated Pedagogical Agents (TAPA)". In Berichte des German Chapter of the ACM, 145–54. Wiesbaden: Vieweg+Teubner Verlag, 2002. http://dx.doi.org/10.1007/978-3-322-89884-5_15.

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Green, Sara Wolf. "Treatment of Tapa Cloth with Special Reference to the Use of the Vacuum Suction Table". In ACS Symposium Series, 168–86. Washington, DC: American Chemical Society, 1989. http://dx.doi.org/10.1021/bk-1989-0410.ch012.

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Stevenson, Susan F., e Kristyl C. Zagala. "Future Institutional and Student Services Leadership Challenges: Implementing a Holistic Whare Tapa Rima – Five-Sided Home Model". In Student Support Services, 1–19. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-13-3364-4_11-1.

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Fauzi, Reza, e Nur Intan Simangunsong. "The Effect of Green Planning Design on Pedestrian Way at Jln. Kyai Tapa, Grogol Petamburan, West Jakarta". In Advances in Biological Sciences Research, 363–74. Dordrecht: Atlantis Press International BV, 2023. http://dx.doi.org/10.2991/978-94-6463-166-1_47.

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"Tapa". In Encyclopedic Dictionary of Archaeology, 1353. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_200100.

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"TAPA-1". In Encyclopedia of Genetics, Genomics, Proteomics and Informatics, 1929. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6754-9_16666.

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Atti di convegni sul tema "Tapa"

Aparicio, Aránzazu, Laura María Bermejo, Elena Rodríguez-Rodríguez, Bricia López-Plaza, Rosa María Ortega, Esther Cuadrado-Soto, África Peral-Suárez, Isabel Martín de la Torre e Ana María López-Sobaler. "TAPA TOOL – PRACTICAL APPLICATION WORK FOR STUDENTS". In 13th annual International Conference of Education, Research and Innovation. IATED, 2020. http://dx.doi.org/10.21125/iceri.2020.0735.

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Romanoni, Andrea, e Matteo Matteucci. "TAPA-MVS: Textureless-Aware PAtchMatch Multi-View Stereo". In 2019 IEEE/CVF International Conference on Computer Vision (ICCV). IEEE, 2019. http://dx.doi.org/10.1109/iccv.2019.01051.

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Agirre Zapirain, Ugaitz. "Tipi-tapa euskararen erritmoan: Korrikako abestien bilakaera, 1980-2019". In III. Ikergazte. Nazioarteko ikerketa euskaraz. Bilbao: UEU arg, 2019. http://dx.doi.org/10.26876/ikergazte.iii.01.12.

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Prakriya, Neha, Yuze Chi, Suhail Basalama, Linghao Song e Jason Cong. "TAPA-CS: Enabling Scalable Accelerator Design on Distributed HBM-FPGAs". In ASPLOS '24: 29th ACM International Conference on Architectural Support for Programming Languages and Operating Systems, Volume 3. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3620666.3651347.

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Shen Li, Tarek Abdelzaher e Mindi Yuan. "TAPA: Temperature aware power allocation in data center with Map-Reduce". In 2011 International Green Computing Conference (IGCC). IEEE, 2011. http://dx.doi.org/10.1109/igcc.2011.6008602.

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Yulsafli, Yulsafli, Burhanuddin AG e Ismawirna Ismawirna. "The Code Of Literature Of Acehnese Oral Literature In Jugi Tapa Saga". In Proceedings of the 3rd International Conference on Economic and Social Science, ICON-ESS, 17–18 October 2018, Banda Aceh, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.17-10-2018.2294220.

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El Mabrouk, Y., A. Ben Ammou, S. Akremi, A. Ben Abid e M. Ben Salah. "AB1684-PARE I WANT TO TALK ABOUT MY MENTAL HEALTH, BUT…: THE TE WHARE TAPA WHA MODEL". In EULAR 2024 European Congress of Rheumatology, 12-15 June. Vienna, Austria. BMJ Publishing Group Ltd and European League Against Rheumatism, 2024. http://dx.doi.org/10.1136/annrheumdis-2024-eular.3834.

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Tulgar, S., O. Senturk e O. Selvi. "ESRA19-0506 Ultrasound guided blockade of thoracoabdominal nerves through perichondrial approach (TAPA) for postoperative analgesia in abdominal surgeries: case series". In Abstracts of the European Society of Regional Anesthesia, September 11–14, 2019. BMJ Publishing Group Ltd, 2019. http://dx.doi.org/10.1136/rapm-2019-esraabs2019.394.

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Rochet-Capellan, Amélie, Jean-Luc Schwartz, Rafael Laboissière e Arturo Galvàn. "Pointing to a target while naming it with /pata/ or /tapa/: the effect of consonants and stress position on jaw-finger coordination". In Interspeech 2007. ISCA: ISCA, 2007. http://dx.doi.org/10.21437/interspeech.2007-277.

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Hong, In-Kee, Sun-Ju Wang, Moon-Sung Lee, Iha Park, Young-Myeong Kim e Hansoo Lee. "Abstract 526: Tetraspanin CD81/TAPA-1 up-regulates MT1-MMP involved in melanoma cell motility through Akt-dependent Sp1 activation signaling pathways". In Proceedings: AACR 101st Annual Meeting 2010‐‐ Apr 17‐21, 2010; Washington, DC. American Association for Cancer Research, 2010. http://dx.doi.org/10.1158/1538-7445.am10-526.

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Rapporti di organizzazioni sul tema "Tapa"

Kimel, Isidoro, e William M. Yen. Magnetic Tape Undulators. Fort Belvoir, VA: Defense Technical Information Center, dicembre 1986. http://dx.doi.org/10.21236/ada221736.

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Krull, R. 8mm video tape test. Office of Scientific and Technical Information (OSTI), ottobre 1990. http://dx.doi.org/10.2172/6375254.

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Sherman, Max H., e Iain S. Walker. Duct Tape Durability Testing. Office of Scientific and Technical Information (OSTI), aprile 2004. http://dx.doi.org/10.2172/826108.

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Alam, Tunazzina Binte, Alex Bradshaw, Harrison Freund, Victoria Halloran, Peterson Wambuu, Charles Connerly e Scott Spak. Tama 2040 comprehensive plan. Iowa City, Iowa: University of Iowa, maggio 2020. http://dx.doi.org/10.17077/rep.005277.

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NMR Publikations. Pohjoismaiden tasa-arvoyhteistyön toimintasuunnitelma 2011. Nordisk Ministerråd, settembre 2012. http://dx.doi.org/10.6027/anp2012-722.

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Mark A. Rhode. Tampa Electric Neural Network Sootblowing. Office of Scientific and Technical Information (OSTI), marzo 2004. http://dx.doi.org/10.2172/900191.

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Mark A. Rhode. Tampa Electric Neural Network Sootblowing. Office of Scientific and Technical Information (OSTI), giugno 2004. http://dx.doi.org/10.2172/900192.

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Mark A. Rhode. Tampa Electric Neural Network Sootblowing. Office of Scientific and Technical Information (OSTI), settembre 2004. http://dx.doi.org/10.2172/900193.

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Mark A. Rhode. Tampa Electric Neural Network Sootblowing. Office of Scientific and Technical Information (OSTI), settembre 2002. http://dx.doi.org/10.2172/903064.

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Mark A. Rhode. Tampa Electric Neural Network Sootblowing. Office of Scientific and Technical Information (OSTI), dicembre 2003. http://dx.doi.org/10.2172/903065.

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