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Letteratura scientifica selezionata sul tema "Still-life in art"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 28 luglio 2024

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Articoli di riviste sul tema "Still-life in art"

Hassler, Donald M. "Still Life Art". Academic Questions 31, n. 4 (16 ottobre 2018): 517–18. http://dx.doi.org/10.1007/s12129-018-9746-9.

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Ruprecht, Louis A. "Still Life". liquid blackness 6, n. 1 (1 aprile 2022): 140–65. http://dx.doi.org/10.1215/26923874-9546602.

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Abstract This essay explores the subtle interplay between sculptural bodies and animate bodies by exploring several “moments” in the history of classical and neoclassical aesthetics. These exemplary moments include the ancient Roman period (Pliny's reflections on Greek sculpture); the eighteenth and nineteenth centuries (Winckelmann's reflections on Greek sculpture and later Italian excavations at Pompeii); the twentieth century (Nazi adaptations of ancient Greek sculpture in Munich); and the twenty-first century (recurring discussion of polychromatic Greek art). Given that most of the art under discussion was “pagan,” this slippage between sculptural bodies and animate bodies highlights the presence of desire, specifically a desire for forbidden bodies.

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Coldwell, Paul. "Still Life". IMPACT Printmaking Journal 3 (14 maggio 2024): 11. http://dx.doi.org/10.54632/1305.impj14.

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The pandemic and the subsequent lockdown caused me to reflect on my practice and some key influences on my work. I have long been associated with the Estorick Collection of Modern Italian Art, particularly with their collection of works by Giorgio Morandi, a key influence on my work for over four decades. I curated the exhibition ‘Morandi’s Legacy: Influences on British Art’ for them in 2006, and over the years, I have contributed to several catalogue essays and gallery talks. As part of their plans to reopen in September 2021 after being closed due to COVID, I was invited to rehang their Morandi collection alongside the work that I had done in lockdown. I wholeheartedly embraced the opportunity to present my work alongside Morandi’s. Centred on the idea of still life, I wanted to explore similarities and differences between our works, most prominently to contrast the enforced restrictions imposed by lockdown with the self-imposed restrictions that Morandi had worked under. It also caused me to reflect on the nature of the studio as a place of self-reflection and play. The work I presented consisted of small plaster sculptures, woodcuts, and a series of four photo-etchings, all engaged with the idea of still life. The objects I featured included picture frames, bottles, miniature furniture, and asthma inhalers, a veiled reference to the fact that COVID attacks the lungs. Furthermore, and a radical departure for me, I included several poems I had written during lockdown. My illustrated talk will explore the ideas that underpinned the exhibition.

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Winstead, Ted. "Still Life with Movement: Video as Art". Imagine 5, n. 5 (1998): 18–19. http://dx.doi.org/10.1353/imag.2003.0114.

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Bekkerman, Sonya. "Mikhail Larionov's Still Life with Crayfish". Gastronomica 2, n. 4 (2002): 10–12. http://dx.doi.org/10.1525/gfc.2002.2.4.10.

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Mikhail Larionov's Still-Life with Crayfish is a result of the artist sintense engagement with Russian folk art traditions. In attempting to liberate Russian art from the influence of the West, Larionov discovered new formal languages by looking to his heritage and bringing into his paintings images derived from icons, lubki (popular prints) as well as painted shop signs and children sart. Although Larionov did not spearhead the Russian crafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov's insistence on russifying Western forms. The lessons of Czanne and the bold experiments of the Fauves figure prominently;however, the artist's conception of line, depth and color is a clear reference to lubki. The strident palette reflects Eastern influences, and the feast itself conveys an essentially Russian character. Larionov spassionate interest in creating new art forms inclined him to draw upon a diversity of sources. His admiration for the stability and timelessness of Russian peasant culture, life and art played a critical role in developing his oeuvre and allowed him to create a distinctive style independent of the West without wholly rejecting it.

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Rini, Yeti Septo, e Setyo Tohari Caturiyanto. "BUNGA LAYU DALAM FOTOGRAFI STILL LIFE". TEXTURE : Art and Culture Journal 4, n. 1 (28 aprile 2022): 1–10. http://dx.doi.org/10.33153/texture.v4i1.4192.

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Flowers are one of the extraordinary forms that are enjoyed by their beauty. Starting from a childhood experience, this work tries to manifest anxiety through the art of photography. The object selected in this work is a lay flower. Wither is where a condition is not fresh or pale. Based on changes in flower color, irregular textures and shapes are interesting to visualize in a photographic work. One of the genres of photography used is still life photography. A work of art that creates an image of an inanimate object or object to make it appear much more alive. The work of this work, uses air-filled media with other supporting objects. The selection of media that contains water is used to facilitate the arrangement in order to achieve aesthetic or beauty value. The values of beauty include unity, complexity, and sincerity in creating such works. All of these things are related to the results in the process of working on the work. The Creation of Withered Flowers in Still life Photography has meaning, not just a visual form without aesthetic value.

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Vallance, Elizabeth (Beau). "Exploring Visual Culture Downtown: Shop Windows as Still Life". Visual Arts Research 35, n. 1 (1 luglio 2009): 35–49. http://dx.doi.org/10.2307/20715486.

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Abstract That aesthetic experience can be encountered almost anywhere enables use of a wide range of everyday encounters with visual culture in teaching art; vernacular still-life arrangements can be a rich resource in teaching students to see as artists see. Here, I make this argument through one case, the looking-and-writing assignments in an undergraduate elementary-education course. I propose a framework for including shop-window designs as visual-culture teaching resources, arguing that the artful compositions in shop windows can introduce and explore traditional subjects in painting. The article addresses two questions: (a) Can art-novice students respond to shop-window compositions with innovative interpretations, using art-appropriate terms? (b) Does student interpretation of paintings as commercial communication encourage defensible interpretations of artworks? After a brief review of some still-life principles, Dewey’s concept of aesthetic experience, and a concept of how framing operates conceptually in the museum setting, some examples of art-novice interpretations of downtown imagery provide the background to questions for further research.

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Moyle, Peter B., e Marilyn A. Moyle. "Fish imagery in art 62: Chase'sfish and still life". Environmental Biology of Fishes 40, n. 2 (giugno 1994): 158. http://dx.doi.org/10.1007/bf00002542.

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Grube, Vicky. "Beyond Still Life: Collecting the World in Small Handfuls". Visual Arts Research 34, n. 1 (1 luglio 2008): 99–108. http://dx.doi.org/10.2307/20715465.

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Abstract This study uses portraiture methodology to understand how ideas travel among preschool children in an art studio. The researcher, also the art teacher, is watchful of the children’s feelings, perspectives, and experiences, and analyzes her data through the writing. The researcher sees children co-constructing knowledge, negotiating truth, and redefining themselves while their relationships deepen. Buber and Husserl’s reflections concerning our search for an identical other are layered in with anecdotal episodes of the researcher and the children. Relationships, influenced by the cultural and practical world, are in constant flux. External needs and desires impact subjective experiences, and pairs — once engaged in shared consciousness — rebound, searching for a mirror more in focus. In the preschool art studio, intersubjectivity, married somehow to repetition, sets forth the proliferation of ideas.

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Pichkur, M. "Digital still life painting: art production, composition, imitation and stylization". Art and education, n. 4 (2020): 42–49. http://dx.doi.org/10.32405/2308-8885-2020-4(98)-42-49.

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Tesi sul tema "Still-life in art"

Black, Joshua Steven. "Life is still beautiful". Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1204.

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My individual journey as an artist has allowed me to develop in what can be considered two societal extremes; growing up in condensed suburban Southern California to living in rural mid-American Iowa. This change in settings caused me to question how the environment one grows up in influences his cultural and social perspective. Within this environment exists a support structure of family, friends, and community who also play a large role in how an individual's perception develops, including concepts of honesty, integrity, and ethics- but to what extent? This question of how different circumstances and interactions define our beliefs and values is the heart of my artistic practice.

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Dunlop, Richard Noel. "Signs of Still Life". Thesis, Griffith University, 2007. http://hdl.handle.net/10072/366633.

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The research question under investigation is: Working within the genre of still life, how can my current work represent a ‘radical revision’ of selected aspects of this traditional genre? The issues and art historical knowledge informing the creation of my contemporary still lifes is the central subject of this project – involving a selfeffacing, metacognitive process of ‘radical revisionism’ (see Butler, 2005), reflecting contemporary practices among artists and art historians alike. The ancient genre of still life, stemming from Pompeian frescoes and mosaics to the current day, will be exposed to an openly subjective historical narrative, compelled in directions associated with the creation of my own artwork. My own processes of art making will likewise be questioned in terms of the way they might be historically understood against the scholarship of art historians and critics, and where they may find a place within the broad intellectual and academic framework under construction by a range of international artists and art historians. The contribution to be made to new knowledge will by the nature of the subject under investigation and result in an analysis of the continual interaction of making and theorising about art. New theoretical knowledge linked to the creation of my own artworks will be partially constructed through and by the artwork, so that the completed artworks and their making are theorised themselves (Macleod and Holdridge, 2006: 2) against a backdrop of considerable existing writings on the origins, contexts and meanings of still life. The contemporary theorising of Rex Butler (2005) on ‘radical revisionism’ will be important to this endeavour. Butler (2005:9) summarises the difficulties and preferences of the contemporary art historian in bringing to bear present knowledge and values to any study of the past, the subject of an enduring debate in historiography: It is a history, therefore, that sees the artists of the past speaking across what we might like to call ‘time-separated’ areas to contemporary issues. In other words – and we should try to remain aware of just what is so extraordinary about this – it is a history that conceives of the artists of the past as though they were already post-modernists, already reacting in their work to the same concerns that artists of today do. It is a theoretical position which is well-suited to the present study because Butler (2005) seeks to displace a straightforward dichotomy between analysing objects, people or actions on their own past terms and their work and behaviour in relation to contemporary reference points. It is an analytical stance which automatically dismisses claims for an ‘impartial’, ‘objective’ or ‘singular’ history and locates the interpreter as a person who is wilfully intervening in the recasting of the motives and meanings linked to objects, people and actions. The notion of ‘radical revisionism’ will be applied to an historical account of members of the genre of still life as well as to the developmental processes of my own artworks. The work of a range of contemporary artists who have sought to rejuvenate the language and conventions of still life will be examined, followed by the discussion of my own work. Any emerging divide in operation between theory and practice will be viewed as mutable. Central to the written research output was the creation of a major body of works on paper and paintings, and this research includes an analysis of the deliberations involved in the development of my artworks. The works on paper and paintings reveal the application of relatively instinctual artistic decisionmaking processes in conjunction with more reflective theoretical and art-historical considerations. Other mediums such as video or installation could equally have been used by me (or preferred by other artists) in subsequent related investigations to explore similar concerns. Likewise, genres other than still life could be viewed by others as suitable vehicles for reflecting on the interaction between theorising and art making against the long backdrop of an historical genre.
Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
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Cardwell, Thomas. "Still life and death metal : painting the battle jacket". Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12036/.

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This thesis aims to conduct a study of battle jackets using painting as a recording and analytical tool. A battle jacket is a customised garment worn in heavy metal subcultures that features decorative patches, band insignia, studs and other embellishments. Battle jackets are significant in the expression of subcultural identity for those that wear them, and constitute a global phenomenon dating back at least to the 1970s. The art practice juxtaposes and re-contextualises cultural artefacts in order to explore the narratives and traditions that they are a part of. As such, the work is situated within the genre of contemporary still life and appropriative painting. The paintings presented with the written thesis document a series of jackets and creatively explore the jacket form and related imagery. The study uses a number of interrelated critical perspectives to explore the meaning and significance of the jackets. Intertextual approaches explore the relationship of the jackets to other cultural forms. David Muggleton’s ‘distinctive individuality’ and Sarah Thornton’s ‘subcultural capital’ are used to emphasise the importance of jacket making practices for expressions of personal and corporate subcultural identity. Italo Calvino’s use of postmodern semiotic structures gives a tool for placing battle jacket practice within a shifting network of meanings, whilst Richard Sennett’s‘material consciousness’ helps to understand the importance of DIY making practices used by fans. The project refers extensively to a series of interviews conducted with battle jacket makers between 2014 and 2016. Recent art historical studies of still life painting have used a materialist critique of historic works to demonstrate the uniqueness of painting as a method of analysis. The context for my practice involves historical references such as seventeenth century Dutch still life painting. The work of contemporary artists who are exploring the themes and imagery of extreme metal music is also reviewed.

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Riches, Colin. "There is still life : a study of visual art in a prison". Thesis, Royal College of Art, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267089.

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Maines, Lauren Ann. "The nature of realism /". Online version of thesis, 1988. http://hdl.handle.net/1850/11541.

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Cohen, Matthew. "The still life: Domesticity, subjectivity, and the bachelor in nineteenth-century America". W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539623409.

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"The Still Life" explores debates over single manhood in the culture of the nineteenth-century United States. Until recently, the "bachelor" was less an identifiable social type than a battleground for discourses of privacy and intimacy, sympathy and sentiment, and labor and leisure. Representations of the bachelor tended to excite readers' concerns about the relationships among emotion, public behavior, and intellectual prowess. Concentrating on constructions of the bachelor within specific discursive arenas, this dissertation examines "bachelorhood" as a way culture organized a wide range of ideologies and experiences. Though the bachelor's particular significance faded in the twentieth century, a conceptual roadblock dramatized by the figure remains: the notion that an emotionally rewarding family life and the production of works of public significance are fundamentally at odds.;The Introduction traces the evolution of the notion of "bachelor" from European religious, martial, and academic origins to its United States version. Distinguishing "bachelorhood" from "single manhood," it sets the terms of inquiry within the theoretical context of cultural studies of masculinity.;The first chapter explores an apparent paradox: while much American writing of the early nineteenth century declared the single male a dangerous figure, Washington Irving's use of the bachelor as narrator evoked a quite different response. as a sentimental male narrator, Irving's bachelor participated in the construction of sympathy (crucial to post-Revolution politics) by observing the family and re-uniting alienated members of the body politic.;Chapter Two moves this discussion into the writings of Nathaniel Hawthorne and Herman Melville. Hawthorne's The Blithedale Romance and Melville's Pierre suggest a very different relationship between manhood and the domestic than Irving's model, one that criticized domesticity. Subverting the language of domestic spheres, these stories suggest that intimacy and privacy could be at odds.;The final chapter argues that we see competitive individual masculinity as a complex product of a shared domestic life. It focuses on fin-de-siecle still life paintings by William Harnett and John Peto that depicted men's paraphernalia. These paintings and the contemporary popular literature of masculine domesticity suggest that the new urban bachelor culture was a companionate one, forged in shared living spaces.

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McCune, Janet Marie Krupp. "Re-envisioning the ordinary : a study of vantage points in painting". Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864937.

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Viewed from odd angles, the ordinary looks new and the commonplace becomes unusual. The purpose of my creative project, Re-envisionina the Ordinary: A Study of Vantage Points in Painting, was to use unusual vantage points and multiple viewpoints as compositional devices to show familiar household scenes and objects in a new way. Analysis of artworks and writings by realist painters such as Edgar Degas, Paul Cezanne and Pierre Bonnard helped me learn how each of these artists used unusual or multiple viewpoints While researching these artists, I began to understand why space is one of the fundamental issues of art. I found that, as an artist, I cannot use vantage points and viewpoints without considering the larger issue of space.Artists throughout time have wrestled with the question: how does one represent three-dimensional space on a two-dimensional surface? By presenting different treatments of space, I showed how various artists have answered the question. Leonardo da Vinci solved the problem using linear perspective. Edgar Degas and Pierre Bonnard answered the question usingoriental space and unusual or multiple viewpoints. Paul Cezanne's solution was a new system of unified space.Contemporary artists provide other answers to the question of space. Rene Magritte used the illusionary devices of linear perspective to paint his surreal world. Philip Pearlstein returned to Degas' and Cezannes' concept of space to emphasize both the three-dimensionality of the figures and the twodimensionality of the picture plane. David Hockney found his solution in the multiple viewpoints of cubism.My creative project is my answer to the question. I integrated unusual vantage points, and multiple viewpoints to create ten paintings with unified space. I used some conventions of linear perspective to show depth. For example, sizes and details in my paintings diminish with distance. I then contradicted the three-dimensionality by using some conventions of oriental space that flatten the picture plane: oblique perspective, overlapping and positioning an object next to the front surface.
Department of Art

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Allen, Kate Elizabeth. "How beautiful is thy dwelling". Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1530.

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This work focuses on the cross-section between classic still-life art and complex personal issues. It uses traditional and nontraditional still life photography to tell individual vignettes about my life. I explore unresolved issues, which offer subtle suggestion of an experiential narrative. All of the backgrounds and objects included are intentional and represent specific places, people, and events. I allow the viewer to bring their own experiences to the photographs, by not giving them specifics of my stories. I used this work as a way for me to move past these experiences and my hope is that they might also help others. I have created beauty from my dwelling.

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Labuschagne, Emily. "Masters, master, masturbate (a master's debate) - relooking at the home, body and self through seventeenth century Dutch still life painting". Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32716.

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The still life genre has been, and arguably still is, regarded as the lowest form of painting in Western fine art history. The absence of the human figure in still life painting means that the artist does not require knowledge of either human anatomy or history for the production of the work. Given seventeenth century female painters' exclusion from the academies where anatomy was taught, it was thus a genre regarded as appropriate for female painters in Europe prior to the nineteenth century. Such dictates of propriety were indicative of gender constructs that relegated women to the private sphere of society and the domestic environment. As an accompaniment to my Masters in Fine Art exhibition titled Masters, Master, Masturbate (A master's debate), this text explores what still life painting may reveal about the relationship between the home, the body and the self in the present day. Produced from my position as a contemporary, white, female painter of Dutch descent raised within an Afrikaner culture in the context of South Africa, I suggest that a critical reconsideration of this apparently constrictive genre offers potentially liberating perspectives of gender constructs and the female painter.

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Boch, Elizabeth. "A Pawn’s Toil: Advocating for a Return to the Toybox". Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors153599598226024.

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Libri sul tema "Still-life in art"

Buchan, Jack. Still life. London: Hamlyn, 1993.

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Jonathan, Baker, a cura di. Still life. London: Hamlyn, 2001.

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1949-, Wolf Norbert, a cura di. Still life. Hong Kong: Taschen, 2008.

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S, Bolotina I., a cura di. Still life in Russian art. Leningrad: Aurora Art Publishers, 1987.

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Norbert, Schneider. Still life: Still life painting in the early modern period. Köln: Benedikt Taschen, 1990.

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Elza, Ajzenberg, Canton Katia 1962-, Universidade de São Paulo. Museu de Arte Contemporânea. e Galeria de Arte do SESI (São Paulo, Brazil), a cura di. Natureza-morta =: Still life. São Paulo: USP, MAC, 2004.

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Museo de Arte Carrillo Gil. Still life: Naturaleza muerta. México: Museo de Arte Carrillo Gil, 2003.

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Bonacci, Stefano. Stefano Bonacci: Still life. Cinisello Balsamo, Milano: Silvana editoriale, 2019.

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Schneider, Norbert. Still life: Still life painting in the early modern period. 2^a ed. Köln: Taschen, 2009.

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Venturi, Simonetta. Still life in impressionism. London: Park Lane, 1993.

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Capitoli di libri sul tema "Still-life in art"

Diderot, Denis, e Jean S. D. Glaus. "Still Life". In On Art and Artists: An Anthology of Diderot's Aesthetic Thought, 121–24. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-94-007-0062-8_9.

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Mullins, Pamela. "The Art of Regarding Still Life". In Dis/ability in Media, Law and History, 31–42. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003257196-3.

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Hadley, Louisa. "Verbal and Visual Art: Still Life (1985)". In The Fiction of A. S. Byatt, 34–47. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-349-92181-2_4.

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Gouy, Alexandre, e Diana Ivette Cruz Dávalos. "Nothing Stands Still in the Streams of Life". In The Art of Theoretical Biology, 56–57. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_28.

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Johnson, Linda. "Looking Askance: The Changing Shape of “Meat” in Dutch Still Life Painting". In Art, Ethics and the Human-Animal Relationship, 183–219. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78833-9_5.

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Kearns, James. "No Object too Humble? Still Life Painting in French Art Criticism during the Second Empire". In French Literature, Thought and Culture in the Nineteenth Century, 148–68. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11824-3_9.

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Jonker, Jan, e Niels Faber. "The Art of Doing". In Organizing for Sustainability, 177–86. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78157-6_14.

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AbstractThe purpose of the Business Model Template (BMT) is to help you turn your idea into a viable project or organization. To illustrate this, two real-life case studies are offered in this chapter. Firstly, the KipCaravan project, which is a mobile home—a caravan—for chickens. It involves low-scale egg production in several locations. Secondly, the Sun at School NSV2 project in the city of Nijmegen. For both projects you will find a step-by-step description of the different routes followed. As you will see, the interpretation of the building blocks is different for every project and there is no best order in which to stack the building blocks. Bear in mind that both projects are still up and running successfully at the time of writing. These examples are shown in simplified versions and with the benefit of hindsight, of course. Perhaps the essence of doing business is having the courage to start without a ready-made recipe.

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Pan, Yuandong, Zhiqi Hu e Ioannis Brilakis. "Digital Twins and Their Roles in Building Deep Renovation Life Cycle". In Disrupting Buildings, 83–96. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-32309-6_6.

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AbstractDigital twins have started to diffuse within architecture, engineering, construction, and operations (AECO), based on their emerging and anticipated benefits to the various stakeholders involved in the building life cycle. However, their applications are still at an early stage, and much effort is still needed to exploit their full potential. This chapter explains some key notions to help understand digital twins in AECO. It exposes the various definitions of digital twins and illustrates the basic steps and relevant methods for creating a digital twin. The chapter also provides an overview of the state-of-the-art deep learning methods for digital twins and discusses some real-life use cases. Finally, the chapter discusses the benefits and challenges associated with the adoption of digital twins.

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Straube, Sirko, Nina Hoyer, Niels Will e Frank Kirchner. "The Challenge of Autonomy: What We Can Learn from Research on Robots Designed for Harsh Environments". In Robots in Care and Everyday Life, 57–80. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11447-2_4.

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AbstractIn addition to areas of application in people’s everyday lives and the area of education and services, robots are primarily envisioned in non-immediate living environments by the society—i.e., in inaccessible or even hostile environments to humans. The results of this population survey clearly demonstrate that such application options come across with a high level of acceptance and application potential among the population. Nevertheless, it is expected that the underlying AI in such systems works reliably and that safety for humans is guaranteed.In this chapter, the results of the study are compared with state-of-the-art systems from classical application environments for robots, like the deep-sea and space. Here, systems have to interact with their environment to a large extent on their own over longer periods of time. Although typically the designs are such that humans are able to intervene in specific situations and so external decisions are possible, the requirements for autonomy are also extremely high. From this perspective one can easily derive what kind of requirements are also necessary, and what challenges are still in front of us, when robots should be acting largely autonomous in our everyday life.

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Doukari, Omar, Mohamad Kassem e David Greenwood. "Building Information Modelling". In Disrupting Buildings, 39–51. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-32309-6_3.

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AbstractFrom its origins as a computer-aided three-dimensional modelling tool, Building Information Modelling (BIM) has evolved to incorporate time scheduling, cost management, and ultimately an information management framework that has the potential to enhance decision-making throughout the whole life-cycle of built assets. This chapter summarises state-of-the-art BIM and its benefits. It then considers the particular characteristics of deep renovation projects, the challenges confronting their delivery, and the potential for using BIM to meet the challenges. This includes the application of Artificial Intelligence (AI) and Machine Learning (ML) to BIM models to optimise deep renovation project delivery. The prospects for this are encouraging, but further development work, including the creation of ontologies that are appropriate for renovation work, is still needed.

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Atti di convegni sul tema "Still-life in art"

Sierra, Vladimir. "Still Life #2". In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179063.

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Curtin, Scott. "Still life". In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.282005.

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Xiaoling, Wen. "On the Interest in the Still Life of Modern Lacquer Painting". In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.027.

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Furusho, Yoshiko, e Kazunori Kotani. "A Linear Regression Evaluation Model for Still-Life Pencil Drawing in Art Education". In 2022 10th International Conference on Information and Education Technology (ICIET). IEEE, 2022. http://dx.doi.org/10.1109/iciet55102.2022.9779005.

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Христолюбова, Т. П. "STILL-LIFE IN THE WORK OF IVAN POKROVSKY". In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.26.

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Иван Покровский (1962–2022) — недавно ушедший из жизни художник, получивший профессиональное образование и участвовавший в художественной жизни Санкт- Петербурга. Его творческое наследие многогранно: после себя он оставил работы, выполненные в разных техниках и жанрах. В настоящее время систематизация творческого наследия Ивана Покровского представляется актуальной. Автор данной статьи делает акцент на исследовании его натюрмортных работ 2010-х — начала 2020-х гг. Ivan Pokrovsky (1962–2022) is a recently deceased artist who received a professional art education and participated in the artistic life of St. Petersburg. His creative legacy is multifaceted: he left behind works made in different techniques (graphics, painting, sculpture, decorative and applied arts) and genres (portrait, landscape, still life, religious painting, subject-themed painting). Currently, the systematization of the creative heritage of Ivan Pokrovsky seems relevant. The author of this article focuses on the study of his still life works of the 2010s — early 2020s.

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Avdonina, Kseniya Sergeevna. "Features among school age students of skills formation while implementing graphic still life using art work "pastel"". In VIII International research and practice conference, chair Sergei Vasiljevich Ermolin. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-112373.

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Zizhiyan, Sergey. "TRENCH ART THE PERIOD OF THE GREAT PATRIOTIC WAR. PRIMITIVE ART ON BOTH FRONT LINES". In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3649.khmelita-19/320-329.

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This article attempts to reveal the most characteristic features of “trench art” as a type of primitive art of the period of the Great Patriotic War and its role in the history of everyday life and military history. Through the prism of the analysis of artifacts stored in the funds of the GUK “Bykhovsky District Museum of Local Lore”, the finds of the search engines of the search group “Bykhovsky Frontier” tells about the items made by soldiers in the trenches on both front lines. The author attempts to typologize the objects of “trench art”, discusses the aspects of the creation and use of such artifacts, provides the main features regarding the methods of production and materials for manufacturing. Despite the fact that the complexes of these objects stored in many museums around the world are still not recognized as a separate art form in its classical sense, their role in military history and the history of everyday life of a soldier in war is undeniable, and deserves attention from researchers, historians and art historians.

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Rienzo, Maria Gabriella. "ELECTRIC ENERGY IN THE EARLY MODERN HOME: THE CASE OF ITALY XIX-XX CENTURIES". In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs09.19.

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This paper aims to afford the issue of the role of energy in the early modern home and the relations between energy transition and social consumer behavior in Italy between the XIX and XX centuries. While the history of electric energy has been exploited by economic historians within the fields of studies on the industrial revolution, less attention was paid to the effects of energy transition on households and on their material culture. At the beginning the use of electricity in civil life was above all light, as a symbol of modernity, but Italians in the 1920s still had a deep distrust towards electric tools, electricity was still synonymous of danger. The prices of household appliances were high and their frequent use represented a considerable increase in the domestic expenses. The spread in the use electricity, promoted in other countries by more prosperous income situations, was still minimal in Italy and was considered expression of a model of late economic growth. Only later the mysterious energy, which inspired the writings of Jules Verne, progressively integrated into civil life, becoming an asset irreplaceable.

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Пудова, П. А., e А. В. Карпов. "THE PIECES OF TRADITIONAL AFRICAN ART IN THE SOVIET STILL LIFE OF THE SECOND HALF OF THE XX CENTURY: IMAGE SOURCES AND REPRESENTATION OPTIONS". In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.58.

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Африканская пластическая традиция оказала влияние на творчество ряда известных отечественных художников ХХ в., чему в немалой степени способствовали активные культурные контакты СССР. В статье анализируется натюрморт с «экзотической» скульптурой в творчестве советских художников- африканистов М. А. Бирштейна, М. Я. Шагинян, Б. В. Преображенского, Д. Н. Дубровина и Н. Г. Хотемовой, который рассматривается как самостоятельное художественное явление в контексте диалога культур и традиций. The African plastic tradition infl uenced the artwork of a number of famous Russian artists of the twentieth century, which was greatly facilitated by the active cultural contacts of the USSR. The article analyzes a still life with an “exotic” sculpture in the works of Soviet African artists M. Birstein, M. Shaginyan, B. Preobrazhensky, D. Dubrovin and N. Hotemova, which is considered as an independent artistic phenomenon in the context of a dialogue of cultures and traditions.

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Purg, Peter, e Kristina Pranjić. "To Know a Tree: Symbiotic Mutualism and Artistic Exploration against Anthropocentric Science". In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-77-full-purg-et-al-to-know-a-tree.

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Looking across the art-science nexus, the contribution discovers an emerging symbiotic mutualism that goes against mere inter-species tolerance of the posthuman perspective. This new understanding of symbiosis may be described as a transaction, both physical or factual in scientific terms, and arguably symbolical in the artistic sense. Therefore, different combinations of art-science and human-tree relationships shall be revealed along the treatment of one primary and four secondary cases of sciartistic practice, all revolving around trees as oldest, biggest, most globally spread life forms, still quite foreign to humans. Taming the Forest is an ongoing interdisciplinary project, chartering a cross field among bioeconomy, cultural history, policy, and art(ivism). In the context of this paper, it acts as the case for researching the conflicting narratives of history and economy about biodiversity in general, and specifically on forests that represent a most massive entity of manifold exchange, and thus a field of inevitable symbiosis with humans (as well). The contribution further shows how different blends of methodologies in artistic-cum-scientific research can become truly relevant for both of their respective realms, opening new creative pathways that combine radical thinking and post-human research formats, embedded into critical use of technologies.

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Rapporti di organizzazioni sul tema "Still-life in art"

Sierra, Ricardo, e Inder J. Ruprah. Mothers Are Right: Eat Your Vegetables And Keep Away From The Girls (Boys): Bullying Victimization Profile in the Caribbean. Inter-American Development Bank, agosto 2014. http://dx.doi.org/10.18235/0008446.

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About 29 percent of teenagers are bullied at school in the Caribbean. Victims of bullying are more lonely, sleep less, and have fewer friends than do their nonbullied peers. Although victims of bullying eat more frequently at fast food restaurants, they also experience more periods of hunger than do nonbullied children. Acting out with the goal of being considered a "cool" teenager does not work; even if adolescents frequently smoke cigarettes, bullies may still intimidate and harass them. The opposite is true for virgins. Good parenting can, however, make a difference in preventing a child from being a victim of bullying. Growing international evidence has shown that school-based programs can reduce the prevalence of bullying and that bullying has long-term negative consequences into adult life (for both bullies and victims).

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Xiang, Kemeng, Huiming Hou e Ming Zhou. The efficacy of Cerus and Cucumis Polypeptide injection combined with Bisphosphonates on postmenopausal women with osteoporosis:A protocol for systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, maggio 2022. http://dx.doi.org/10.37766/inplasy2022.5.0067.

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Review question / Objective: The aim of this review is to evaluate the effectiveness of Cerus and Cucumis Polypeptide injection combined with Bisphosphonates for postmenopausal osteoporosis. Condition being studied: Postmenopausal osteoporosis (PMOP) is a disorder of bone metabolism caused by estrogen deficiency in women after menopause, which manifests clinically as pain, spinal deformities and even fragility fractures, affecting the quality of life of patients and possibly shortening their life span. Bisphosphonates are commonly used to control and delay the progression of the disease, improve the patient's symptoms and reduce the incidence of fragility fractures. However, single drugs are still lacking in controlling the progression of the disease, and the combination of drugs is the clinical priority.

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Mehta, Goverdhan, Alain Krief, Henning Hopf e Stephen A. Matlin. Chemistry in a post-Covid-19 world. AsiaChem Magazine, novembre 2020. http://dx.doi.org/10.51167/acm00013.

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The long-term impacts of global upheaval unleashed by Covid-19 on economic, political, social configurations, trade, everyday life in general, and broader planetary sustainability issues are still unfolding and a full assessment will take some time. However, in the short term, the disruptive effects of the pandemic on health, education, and behaviors and on science and education have already manifested themselves profoundly – and the chemistry arena is also deeply affected. There will be ramifications for many facets of chemistry’s ambit, including how it repositions itself and how it is taught, researched, practiced, and resourced within the rapidly shifting post-Covid-19 contexts. The implications for chemistry are discussed hereunder three broad headings, relating to trends (a) within the field of knowledge transfer; (b) in knowledge application and translational research; and (c) affecting academic/professional life.

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Attanasio, Orazio P., Florencia Lopez Boo, Diana Perez-Lopez e Sarah Anne Reynolds. Inequality in the Early Years in LAC: A Comparative Study of Size, Persistence, and Policies. Inter-American Development Bank, dicembre 2023. http://dx.doi.org/10.18235/0005359.

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Gaps in child development by socioeconomic status (SES) start early in life, are large and can increase inequalities later in life. We use recent national-level, cross-sectional and longitudinal data to examine inequalities in child development (namely, language, cognition, and socio-emotional skills) of children 0-5 in five Latin American countries (Chile, Colombia, Mexico, Peru and Uruguay). In the cross-section analysis, we find statistically significant gaps with inequality patterns that widely differ across countries. For instance, gaps in language and cognition for Uruguay and Chile are much smaller than those for Colombia and Peru. When turning to the longitudinal data, average SES gaps are similar to those of the cross-section in language but differ substantially in cognition, mainly in Uruguay where they emerge as more unequal when cohort effects do not operate. Importantly, we also find that the ECD gaps found at early ages (0-5), still manifest 6-12 years later in almost all locations and realms in which we have measures of early child development, but they do not increase with age. Results are robust to using different measures of inequality (income and maternal education). Gaps are smaller but generally remain when adjusting for possible explanatory factors (e.g., family structure, parental education, geographic fixed effects). To reduce ECD inequality and promote equality in later life outcomes, policymakers should look to implementing evidence-based interventions at scale to improve developmental outcomes of the most disadvantaged children in society.

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Hunter, Fraser, e Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, settembre 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world

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Al-Qadi, Imad, Egemen Okte, Aravind Ramakrishnan, Qingwen Zhou e Watheq Sayeh. Truck Platooning on Flexible Pavements in Illinois. Illinois Center for Transportation, maggio 2021. http://dx.doi.org/10.36501/0197-9191/21-010.

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Truck platoons have many benefits over traditional truck mobility. Truck platoons have the potential to improve safety and reduce fuel consumption between 5% and 15%, based on platoon configuration. In Illinois, trucks carry more than 50% of freight tonnage and constitute 25% of the traffic on interstates. Therefore, expected fuel savings would be significant for trucks. Deployment of truck platoons within interstate highways may have a direct effect on flexible pavement performance, as the time between consecutive axle loads (i.e., resting time) is expected to decrease significantly. Moreover, platoons could potentially accelerate pavement damage accumulation due to trucks’ channelized position, decreasing pavement service life and increasing maintenance and rehabilitation costs. The main objective of this project was to quantify the effects of truck platoons on pavements and to provide guidelines to control corresponding potential pavement damage. Finite-element models were utilized to quantify the impact of rest period on pavement damage. Recovered and accumulated strains were predicted by fitting exponential functions to the calculated strain profiles. The results suggested that strain accumulation was negligible at a truck spacing greater that 10 ft. A new methodology to control pavement damage due to truck platoons was introduced. The method optimizes trucks’ lateral positions on the pavements, and an increase in pavement service life could be achieved if all platoons follow this optimization method. Life cycle assessment and life cycle cost analysis were conducted for fully autonomous, human-driven, and mixed-traffic regimes. For example, for an analysis period of 45 years, channelized truck platoons could save life cycle costs and environmental impacts by 28% and 21% compared with human-driven trucks, respectively. Furthermore, optimum truck platoon configuration could reduce life cycle costs and environmental impacts by 48% and 36%, respectively, compared with human-driven trucks. In contrast, channelized traffic could increase pavement roughness, increasing fuel consumption by 15%, even though platooning vehicles still benefit from reduction in air drag forces. Given that truck platoons are expected to be connected only in the first phase, no actions are required by the agency. However, in the second phase when truck platoons are also expected to be autonomous, a protocol for driving trends should be established per the recommendation of this study.

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McDuffie, Magali, e Anne Poelina. Martuwarra Country: A historical perspective (1838-present). Martuwarra Fitzroy River Council; Nulungu Research Institute, The University of Notre Dame Australia., 2020. http://dx.doi.org/10.32613/nrp/2020.5.

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The report seeks to examine the impacts of colonisation, more particularly pastoralism, on the Martuwarra Country and its people and concludes with the contemporary voices of Martuwarra people. In doing this, one must note the at times highly disparaging tone of the European explorers, the dark deeds they committed, and their racist expressions and bias, which may offend some readers. This report provides an extensive, period-specific historical account of the Martuwarra people’s connections to their Country as a point of departure and a premise for discussion contrasting Aboriginal perspectives and the development lens of the State. In doing so, this report also juxtaposes the events of the past with the continued contemporary imposition of development strategies still at odds with Aboriginal life-ways

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LI, Peng, Junhong Ren e Yan Li. Lung ultrasound guided therapy for heart failure: an updated meta-analyses and trial sequential analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, febbraio 2022. http://dx.doi.org/10.37766/inplasy2022.2.0124.

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Review question / Objective: We aim to evaluate the effect of lung ultrasound (LU) guided therapy on the rates of adverse cardiac events (MACE) in heart failure (HF) patients. Condition being studied: Previous studies have found that B-lines assessed by lung ultrasound can be used for risk stratification in patients with HF and to predict the occurrence of adverse cardiac events. Therefore, similar to BNP, lung ultrasound has clinical value in guiding the management of patients with HF. However, the role of LU in guiding HF therapy is still controversial. Moreover, previous study's samples are too small to explain the over clinical outcomes. Besides, previous meta-analyses study did not perform meta-regression and/or subgroup analyses, or further analyze other parameters, such as heart function, quality of life and length of hospital stay.

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Gedi,, Zeri Khairy. “Freedom Belongs to Everyone”: The Experiences of Yazidi Women in Bashiqa and Bahzani. Institute of Development Studies, dicembre 2022. http://dx.doi.org/10.19088/creid.2022.009.

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This CREID Policy Briefing provides recommendations to address the marginalisation, discrimination and exclusion faced by Yazidi women in Bashiqa and Bahzani. Yazidi women in Bashiqa and Bahzani today are still living through the trauma and consequences of the genocide committed by the Islamic State (ISIS). In addition, they face a range of further challenges as marginalised women from a minority religion. While more Yazidi girls and young women are progressing in education, harmful social norms, customs and practices – originating from both wider Iraqi society and the Yazidi community itself – create barriers for Yazidi women who want or need to work outside of the home, access healthcare or engage in public life. Widows and divorced women face specific challenges as they are seen as without male protection. Yazidi women also face the stigma that comes from being a former captive of ISIS, and the discrimination that comes from being judged an “infidel” due to their religion.

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WU, Jingyi, Jiaqi LI, Ananda Sidarta e Patrick Wai Hang Kwong. Neural mechanisms of bimanual coordination in humans and application of neuromodulation therapy: a scoping review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, maggio 2023. http://dx.doi.org/10.37766/inplasy2023.5.0080.

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Background: Bimanual coordination deficits are one of the most common characteristics of people with stroke, which have an adverse influence on their independence of activities daily living and other occupational activities. Existing studies and reviews mainly focused on how to improve motor impairment of the affected limb and cortical activation and functional connectivity in the impaired brain hemisphere by a series of rehabilitation strategies, e.g., non-invasive brain stimulation and rehabilitation robotics. It should be noted that functional bilateral abilities are not a simple compound and a combination of one-handed skills. Therefore, the bimanual coordination dysfunctions still need to be explored and addressed in clinical practice. Better understandings of the neural mechanisms underlying bilateral cooperative tasks in healthy subjects and changes in neural activities in stroke patients help foster the development of effective rehabilitation strategies, such as TMS and tDCS, and enhance the bimanual coordination through stimulating altered cortical areas, which is essential for boosting the independence and quality of daily life in stroke individuals.

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