Articoli di riviste sul tema "Spectator’s place"
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Christoffersen, Erik Exe. "Intermedial Performance and the vertical perspective". Peripeti 14, S6 (1 gennaio 2017): 23–30. http://dx.doi.org/10.7146/peri.v14is6.110658.
Shmatova, G. A. "“Open space”: The spectator’s place in contemporary theatre communications". Shagi / Steps 3, n. 3 (2017): 97–107. http://dx.doi.org/10.22394/2412-9410-2017-3-3-97-107.
Klobukova (Golubinskaya), N. F. "At the Crossroads of Cultures: A Story of Two Performances". Russian Japanology Review 5, n. 2 (24 gennaio 2023): 95–115. http://dx.doi.org/10.55105/2658-6444-2022-2-95-115.
Stańczyk, Marta. "Liberté, égalité, sororité. Kobiece gatunki cielesne i francuskie „ekstremistki”". Literatura i Kultura Popularna 24 (18 aprile 2019): 97–112. http://dx.doi.org/10.19195/0867-7441.24.8.
Staniškytė, Jurgita. "Reinstalling the Fourth Wall: Digital Performance and Spectatorship in (Post-)Pandemic Era". Art History & Criticism 19, n. 1 (30 novembre 2023): 31–38. http://dx.doi.org/10.2478/mik-2023-0003.
Davydova, Olga S., e Larisa E. Muravieva. "The spectator’s anxiety in film narrative: Notes on films by Bertrand Bonello". Media Linguistics 9, n. 1 (2022): 64–76. http://dx.doi.org/10.21638/spbu22.2022.105.
Yeung, Lorraine. "The Nature of Horror Reconsidered". International Philosophical Quarterly 58, n. 2 (2018): 125–38. http://dx.doi.org/10.5840/ipq2018326104.
Sofer, Andrew. "Catastrophe Practices and the Ontological Gambit: Nicholas Mosley’s Plays for Not Acting". Theatre Journal 75, n. 4 (dicembre 2023): 455–67. http://dx.doi.org/10.1353/tj.2023.a922216.
Silva, Carlos Nogueira da. "O objecto estético como mundo, na phénoménologie de l’expérience esthétique i, de mikel dufrenne". Phainomenon 3, n. 1 (1 ottobre 2001): 57–66. http://dx.doi.org/10.2478/phainomenon-2001-0010.
Boczkowska, Kornelia. "The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel". Kultura Popularna 4, n. 54 (7 maggio 2018): 24–35. http://dx.doi.org/10.5604/01.3001.0011.6717.
Borody, Claire. "Michel Tremblay at Ralph Connor House". Canadian Theatre Review 126 (marzo 2006): 58–61. http://dx.doi.org/10.3138/ctr.126.011.
Orel, Barbara. "Fusing the Fictional and the Real in the Contemporary Performing Arts". Nordic Theatre Studies 26, n. 1 (1 ottobre 2018): 44–54. http://dx.doi.org/10.7146/nts.v26i1.109739.
Wakefield, Kirk L., Jeffrey G. Blodgett e Hugh J. Sloan. "Measurement and Management of the Sportscape". Journal of Sport Management 10, n. 1 (gennaio 1996): 15–31. http://dx.doi.org/10.1123/jsm.10.1.15.
Lee, Hyun-Woo, Heetae Cho, Emily M. Newell e Woong Kwon. "How multiple identities shape behavioral intention: place and team identification on spectator attendance". International Journal of Sports Marketing and Sponsorship 21, n. 4 (25 maggio 2020): 719–34. http://dx.doi.org/10.1108/ijsms-09-2019-0097.
Ndlovu, Jenitha. "Spectator Violence in Football Matches in Bulawayo Metropolitan Province". International Journal of Research and Innovation in Social Science VII, n. IX (2023): 734–44. http://dx.doi.org/10.47772/ijriss.2023.70962.
Jun, Se-Hyun, Min-Seok Lee e Chul-Won Lee. "Relationship among Retro Marketing, Place Attachment and Viewing Satisfaction for K-League Visitors: Focused on FC Seoul". Korean Society for Leisure Sciences 14, n. 3 (30 novembre 2023): 213–26. http://dx.doi.org/10.37408/kjls.2023.14.3.213.
Da Costa, Luiz Cláudio. "AS “SITUAÇÕES” GRÁFICAS DE ANNA BELLA GEIGER E O LIVRE JOGO DAS TRANSFIGURAÇÕES / Anna Bella Geiger's “situations”: the free play of transfiguration". Arte e Ensaios 27, n. 41 (24 luglio 2021): 315–30. http://dx.doi.org/10.37235/ae.n41.17.
Confederat, Olga, e Natalya Dyadyk. "Scopic regime and its place in the epistemological plan of visual culture". Socium i vlast, n. 3 (settembre 2022): 71–82. http://dx.doi.org/10.22394/1996-0522-2022-3-71-82.
Golosov, Oleg, Ilya Selyuzhenkov e Evgeny Kashirin. "Data-Driven Methods for Spectator Symmetry Plane Estimation in CBM Experiment at FAIR". Particles 4, n. 3 (21 luglio 2021): 354–60. http://dx.doi.org/10.3390/particles4030030.
Doroszuk, Hanna. "Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)". Ikonotheka, n. 29 (16 settembre 2020): 229–48. http://dx.doi.org/10.31338/2657-6015ik.29.9.
Nogueira, Patrícia. "Ways of affection: How interactive documentaries affect the interactor’s felt experience and performance". New Cinemas: Journal of Contemporary Film 17, n. 1 (1 marzo 2020): 49–68. http://dx.doi.org/10.1386/ncin_00004_1.
Cook, Amy. "Shadow Play". TDR: The Drama Review 67, n. 4 (dicembre 2023): 57–71. http://dx.doi.org/10.1017/s1054204323000424.
Pręgowski, Filip. "W przestrzeni wymiany. Obrazy Jacka Goldsteina i fotografie Olivera Wasowa". Artium Quaestiones, n. 28 (22 maggio 2018): 87–110. http://dx.doi.org/10.14746/aq.2017.28.4.
Zhang, Yiqian. "Analysis of Female Gaze in Lesbian Films from the Perspective of Camera Language —Taking Portrait of a Lady on Fire as an Example". BCP Social Sciences & Humanities 21 (15 febbraio 2023): 227–31. http://dx.doi.org/10.54691/bcpssh.v21i.3482.
Legan, Michał. "Z głębokości milczę do Ciebie, Boże! "Milczenie" Endō/Scorsese jako traktat teologiczny". Studia Filmoznawcze 40 (27 giugno 2019): 155–63. http://dx.doi.org/10.19195/0860-116x.40.12.
Flood, Maria. "Brutal Visibility: Framing Majid's Suicide in Michael Haneke's Caché (2005)". Nottingham French Studies 56, n. 1 (marzo 2017): 82–97. http://dx.doi.org/10.3366/nfs.2017.0169.
Delage, Christian. "A Place for the Spectator". Television & New Media 3, n. 2 (maggio 2002): 163–67. http://dx.doi.org/10.1177/152747640200300206.
Åkervall, Lisa. "A Differential Theory of Cinematic Affect". Deleuze and Guattari Studies 15, n. 4 (novembre 2021): 571–92. http://dx.doi.org/10.3366/dlgs.2021.0458.
Schwartz, Stephen Adam. "Baudelaire's Two Cosmopolitanisms". Irish Journal of French Studies 21, n. 1 (1 ottobre 2021): 85–98. http://dx.doi.org/10.7173/164913321833983141.
Scott, Kathleen, e Stefanie Van de Peer. "Sympathy for the Other: Female Solidarity and Postcolonial Subjectivity in Francophone Cinema". Film-Philosophy 20, n. 1 (febbraio 2016): 168–94. http://dx.doi.org/10.3366/film.2016.0009.
Krpič, Tomaž. "The Sleeping Spectator in Her/His Body-Home: Some Reflections on the Public Performance of Private Dreams". Maska 33, n. 189 (1 giugno 2018): 76–80. http://dx.doi.org/10.1386/maska.33.189-190.76_1.
Petersen, Frederik. "TRIANGULATION AND REPRESENTATION". JOURNAL OF ARCHITECTURE AND URBANISM 35, n. 1 (31 marzo 2011): 67–72. http://dx.doi.org/10.3846/tpa.2011.08.
Lian, Olaug S., e Geir Fagerjord Lorem. "“I Do Not Really Belong Out There Anymore”". Qualitative Health Research 27, n. 4 (9 luglio 2016): 474–86. http://dx.doi.org/10.1177/1049732316629103.
Macías, Ricardo, José Bonal, Iyán Iván-Baragaño, Jairo León-Quismondo, Marta Herráiz, Mercedes Leguina, Javier Del Arco, Benito Pérez-González, Pablo Burillo e Álvaro Fernández-Luna. "Golf players as a customer segment: the influence of handicap level and residency in customer satisfaction and expenditure". Retos 52 (18 dicembre 2023): 154–63. http://dx.doi.org/10.47197/retos.v52.101596.
Araujo, Patxi. "The Trained Particles Circus: Dealing with Attractors, Automatons, Ghosts and Their Shadows". Leonardo 52, n. 4 (agosto 2019): 389–94. http://dx.doi.org/10.1162/leon_a_01781.
Cilliers, L. "Aristoteles se siening van dramatiese spanning in die tragedie en die invloed daarvan op moderne dramateorie". Literator 13, n. 2 (6 maggio 1992): 27–40. http://dx.doi.org/10.4102/lit.v13i2.736.
Min, Doo-Sik. "The effect of international sporting event marketing mix (7Ps) on foreign spectators’ destination image, satisfaction and revisit intention: An empirical evidence from 2019 Gwangju FINA World Championships". Korean Journal of Sport Science 31, n. 4 (31 dicembre 2020): 707–27. http://dx.doi.org/10.24985/kjss.2020.31.4.707.
Knobling, Clemens. "Das Turnierhaus am Münchner Hofgarten". Architectura 47, n. 1-2 (24 luglio 2019): 24–37. http://dx.doi.org/10.1515/atc-2017-0002.
Koski, Pirkko. "Challenging the Centre: Asylum Seekers Encounter Native Citizens". Nordic Theatre Studies 27, n. 1 (12 maggio 2015): 42. http://dx.doi.org/10.7146/nts.v27i1.24238.
Zúñiga Vargas, Iván. "La comunicación entre actor y espectador: una aproximación al psicoanálisis". Investigación Teatral. Revista de artes escénicas y performatividad 11, n. 18 (20 ottobre 2020): 195–211. http://dx.doi.org/10.25009/it.v11i18.2656.
Verner, Martin, Michal Polak e Tomáš Plachy. "An Experimental Analysis of Grandstand Vibrations Caused by Crowd of Spectators during Two Football Matches". Applied Mechanics and Materials 827 (febbraio 2016): 312–15. http://dx.doi.org/10.4028/www.scientific.net/amm.827.312.
Morrow, Jim. "Mermaid Theatre and its Place in Canadian Puppetry". Canadian Theatre Review 95 (giugno 1998): 13–16. http://dx.doi.org/10.3138/ctr.95.003.
Berlova, Maria. "Playing King". Nordic Theatre Studies 26, n. 1 (1 ottobre 2018): 80–90. http://dx.doi.org/10.7146/nts.v26i1.109744.
Berlova, Maria. "Playing King". Nordic Theatre Studies 26, n. 1 (1 ottobre 2018): 80–90. http://dx.doi.org/10.7146/nts.v26i1.109744.
BALME, CHRISTOPHER. "Editorial". Theatre Research International 29, n. 1 (marzo 2004): 1–3. http://dx.doi.org/10.1017/s0307883303001202.
Hales, Mike. "Information Systems Strategy, a Cultural Borderland, Some Monstrous Behaviour". Sociological Review 42, n. 1_suppl (maggio 1994): 103–17. http://dx.doi.org/10.1111/j.1467-954x.1994.tb03412.x.
Wilkie, Fiona. "Kinds of Place at Bore Place: Site-Specific Performance and the Rules of Spatial Behaviour". New Theatre Quarterly 18, n. 3 (agosto 2002): 243–60. http://dx.doi.org/10.1017/s0266464x02000337.
Khurshid, Saba, Hafsa Khalil Toor e Farrah Pervaiz. "Violence behind the Closed Door: Depression, Suicidal Ideation and Future Concerns Among its Spectators". Pakistan Armed Forces Medical Journal 73, n. 6 (30 dicembre 2023): 1683–86. http://dx.doi.org/10.51253/pafmj.v73i6.9633.
Ellis, Robert. "Sporting Space, Sacred Space: A Theology of Sporting Place". Religions 10, n. 8 (10 agosto 2019): 473. http://dx.doi.org/10.3390/rel10080473.
Rodríguez, Karen, e Bradley Rink. "Performing Cities: Engaging the High-tech Flâneur". Frontiers: The Interdisciplinary Journal of Study Abroad 20, n. 1 (15 marzo 2011): 103–19. http://dx.doi.org/10.36366/frontiers.v20i1.293.