Bibliografie tematiche / Space and time in art

Letteratura scientifica selezionata sul tema "Space and time in art"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Space and time in art"

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Cartlidge, Edwin. "The art of space-time". Science 359, n. 6371 (4 gennaio 2018): 41. http://dx.doi.org/10.1126/science.aar6576.

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De Melo, Marcelo José. "Occupying Time Occupying Space". Excursions Journal 6, n. 1 (24 gennaio 2020): 1–13. http://dx.doi.org/10.20919/exs.6.2015.195.

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In this article, I focus on the main concerns and influences in my art practice, considering how occupying time has led me to be concerned with time occupying space in sculptural practices. The main ideas discussed here are repetition of material activity and rhizomatic methodology in art.
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Von Werlhof, Jay. "Geoglyphs in time and space". Estudios Fronterizos, n. 35-36 (1 gennaio 1995): 73–81. http://dx.doi.org/10.21670/ref.1995.35-36.a04.

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Using the relationship between art and religion u a take-off point. This article examines two types of earthen art: rock alignments and geoalypht. Differences and similarities in form and content are discussed. As regarding earthen art in various locations, and speculations are made as regarding their religious significance.
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Lai, Linda Chiu-han. "Algorithmic Art: Shuffling Space and Time". Transfers 9, n. 2 (1 giugno 2019): 112–18. http://dx.doi.org/10.3167/trans.2019.090208.

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Why are art-science dialogues important, and how should they take place? How do our everyday culture and institutional constructs define and delimit such possibilities? Why do contemporary art lovers still presume they are immune to and from scientific knowledge? How should a visitor of a media art event make sense of the machine work? Algorithmic Art: Shuffling Space & Time (AA) directed these questions to technical experts, artists, art lovers, and the public through a series of themed discussions and a six-hundred-square-meter indoor playground of machines and computational installations. AA also sought to key in on the question of survival. What mark has the struggling existence of the twenty-year-old School of Creative Media at the City University of Hong Kong left to Hong Kong’s (media) art history? The school remains the only pedagogic research center in Hong Kong where conceptual issues of new media art creation and how to “live” in an age of big data are interrogated through scholarship and practice.
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Small, Jocelyn Penny. "Time in Space: Narrative in Classical Art". Art Bulletin 81, n. 4 (dicembre 1999): 562. http://dx.doi.org/10.2307/3051334.

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Drewal, Margaret Thompson, e Henry John Drewal. "Composing time and space in Yoruba art". Word & Image 3, n. 3 (luglio 1987): 225–51. http://dx.doi.org/10.1080/02666286.1987.10435383.

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ZHAO, YUANSHENG. "Expressions of time and space in lighting art". TECHART: Journal of Arts and Imaging Science 5, n. 4 (30 novembre 2018): 6–8. http://dx.doi.org/10.15323/techart.2018.11.5.4.06.

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Bertolami, Orfeu. "Zen and the Art of Space-Time Manufacturing". EPJ Web of Conferences 58 (2013): 02001. http://dx.doi.org/10.1051/epjconf/20135802001.

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Levin, Aaron. "Travel Through Space, Time at Museum of Art". Psychiatric News 42, n. 4 (16 febbraio 2007): 7. http://dx.doi.org/10.1176/pn.42.4.0007.

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Brieber, David, Marcos Nadal, Helmut Leder e Raphael Rosenberg. "Art in Time and Space: Context Modulates the Relation between Art Experience and Viewing Time". PLoS ONE 9, n. 6 (3 giugno 2014): e99019. http://dx.doi.org/10.1371/journal.pone.0099019.

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Tesi sul tema "Space and time in art"

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Smith, Craig. "Structuring interactivity : space and time in relational art". Thesis, Goldsmiths College (University of London), 2006. http://research.gold.ac.uk/11018/.

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This thesis describes the concepts of space, time and interactivity in Relational Art. Relational Art is an interdisciplinary art practice described by the art critic and curator Nicolas Bourriaud in his book Relational Aesthetics (1998/2002). For Bourriaud, Relational Art consists of a location (space) in which viewers endure a physical encounter with the artist and artworks exhibited (time). Bourriaud describes this encounter as `interactivity; ' a term borrowed from digital aesthetics and 20'h Century performance art to describe `viewer-participation' with artworks. This thesis tests the capacity of Bourriaud's Relational Aesthetics to provide a theory of `interactivity. ' The thesis is divided into three parts. Part One includes a critical reading of Bourriaud's Relational Aesthetics and the concept of space in Relational Art practices. In Part One, Bourriaud's `space of encounter' is compared to the `Literalist' artwork described in Michael Fried's "Art and Objecthood" (1968) as well as James Meyer's concept of the 'Mobile Site' (2000). Both Fried and Meyer depict the use of `location' in contemporary artworks. Part Two of this thesis is a demonstration of Bourriaud's concept of time in Relational Aesthetics. Bourriaud describes `time' as that which is `lived through' by the artist, artwork and viewer. The thesis demonstrates this concept of time through the design and performance of an artwork produced specifically for this thesis. Entitled: PartnerWork, this performance artwork consists of two persons continuously exercising in a hotel gymnasium for an `endured' period of nine hours. In Part Three, the thesis proposes a set of criteria for recognizing 'interactivity' in Relational Art practices, including the example of PartnerWork. Interactivity is determined to be 'structured' through successive stages of participation, and is described as having the capacity to alter the formal structure of an artwork.
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Ouzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.

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Thesis (Ph. D.)--University of California, San Diego, 2008.
Title from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.
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Shatava, Katsiaryna, e Katerina Shatavo. "Art is everything what people do with time and space". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_154656-72400.

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Art is everything what people do with time and space is a theoretical text, which includes some of the author’s ideas on contemporary art situation and its definition. The work could be interesting for the people working in the sphere of humanities, as much as to everybody else living in this world.
"Menas yra viskas, ką žmonės daro su laiko ir erdve" - teorinis tekstas, kuriame galima atrasti kai kurias autoriaus mintys apie šiandieninę situaciją su menu ir apie šio termino definiciją. Darbas gali būti įdomūs kaip žmonėms, dirbantiems humanitarinių mokslų srityje, taip pat ir visiems kitiems žmoniems gyvenantiems šiame pasaulyje.
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Mousinho, Magalhães Pacheco Maria Helena. "Space-time and creation in art : three practice-led experiments". Thesis, University of Newcastle upon Tyne, 2013. http://hdl.handle.net/10443/2313.

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This study addresses site-specific sculptural practice and examines the tensions arising from the interactive relations between site and the artworks that exist within it. It applies the concept of ‘anthropophagy’ to re-signify traditional models of representation in order to re-organize them into new contexts through practice-led research into site-specificity. Anthropophagy, a metaphorical vision of the Brazilian indigenous people, utilises cannibalistic customs “in order to legitimate their critical, selective and metabolising appropriation of European artistic tendencies” (Mosqueira 2010: 12). The use of this concept in this thesis arises from the idea of simultaneously belonging to two geographically separated cultural universes: one individual (in my case, Brazilian) and another related to the centralised European/US cultural model of influence that dominates the art world. The differences and intersections between these two universes provide a rich field for practice-led research into how artistic creation is affected by attitudes to space and time. In order to explore this, the thesis is divided into four chapters. The first develops a theoretical framework dealing with concepts of space and time and demonstrates how anthropophagy draws these concepts together. The next chapter examines walking in the UK as an art practice to expand the understanding of site-specific practice through the artworks of Richard Long and Hamish Fulton. The third chapter focuses on work, site and location in order to examine how anthropophagy can re-signify the idea of walking as related in Chapter two. The final chapter analyses site-specificity, drawing on my own practice-led research explored through three art projects implemented in Brazil and England. These projects develop ways to negotiate the complex relationship between art, place and temporal contexts, re-inscribing events within specific sites over time. To build a methodology for the research, I have developed three different projects and situations testing the spatial-temporal contexts of site. By using site-specific art practice I shape my arguments upon a creative practice ruled by concepts, materials and techniques. In my practice I have delineated some creative responses to the transformations of the contemporary world, weaving iii reflections between work/site/body as well as on my own perception regarding current ‘temporalities’. The theoretical frameworks that inform this study range from postmodernism to globalisation theories in order to draw together work, site and location under the overarching concept of anthropophagy.
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Lin, Hoi-to Maurice, e 練海濤. "Time, space and femininity in Wong Kar-wai's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953657.

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Rawles, Erica M. "The Changing Meanings of Memory, Space, and Time in Photography". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1520.

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What happens to the memories that are left behind in photographs when the person who’s memories they are passes away? After the passing of both my mother and my grandmother, I began to notice the fleeting significance of photographs. I spent time going through boxes of pictures they had saved and every so often I would come across an old photo of someone or something that no one in my family could find a meaning behind or attach a significance to. This paper reveals how the meaning and importance of photographs shift over time from the perspective of the photographer to that of the preserver. I discuss the history of photography and its evolution from a purely scientific method of recording to fine art. I also discuss the psychology behind taking a photograph, looking at the art historical and philosophical writings of Susan Sontag and John Berger to discover how photography relates to memory, nostalgia, mortality, and the presence of the absent. Putting my own work in a historical context, I examine the works of contemporary artists dealing with similar themes of photography, physical space, and memory, such as Carmen Argote, Manal Al Dowayan, Christian Boltanski, and Doris Salcedo. For my senior project, I contemplate the mystery behind my mom's decision to photograph unsuspected places. I explore the passage of time and the vulnerability of memories as they relate to photography. Through an installation of hanging panels of photographs printed on sheer fabric, my piece works to explore these two main themes: the preservation of memory and the space that grief fills.
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Nheu, Anie Art College of Fine Arts UNSW. "At the periphery of space". Awarded by:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/43554.

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Ka'ili, Tēvita O. "Tauhi Vā : creating beauty through the art of sociospatial relations /". Thesis, e-Book (PDF), 2008. http://www.library.auckland.ac.nz.ezproxy.auckland.ac.nz/eproducts/ebooks/Tauhi_Va_Creating_Beauty_Final_Copy.pdf.

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Santamas, Mihalis. "The space between : time, memory and transcendence in audio-photographic art". Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/29144/.

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This portfolio and commentary documents an approach to audiovisual composition that utilises sound and photographic images in an effort to create immersive, affective art which I call audio-photographic art. When presented in an immersive context, I contend that the temporal dissonance between still image and sound opens up a space between the materials. I draw upon Gernot Böhme's writings on the aesthetic of 'atmosphere', as well as the the theoretical writings of Roland Barthes, Paul Ricoeur and Eleni Ikoniadou among others to illustrate how this experience is constituted. This space between is an affective conceptual space in which the participant enters into a relationship with the materials of the piece, transcending their usual perception of time as they are immersed in the internal times of the artwork, their own memories and atmosphere. Through the use of maximal aesthetics and atmosphere as compositional tool, these themes are explored and developed throughout the creative portfolio. In the written submission I study the practical and theoretical concerns of the space between from three perspectives: 'The Temporal Space', 'The Memorial Space' and 'The Atmospheric Space'.
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Lin, Hoi-to Maurice. "Time, space and femininity in Wong Kar-wai's films". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262233.

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Libri sul tema "Space and time in art"

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Belgium), Be-Part (Waregem, a cura di. Time space poker face. Ghent: MER Papre Kunsthalle, 2013.

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Susan, Buck-Morss, Yard Sally e Installation Gallery, a cura di. inSITE97: Private time in public space. San Diego: Installation Gallery, 1998.

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Andrea, Schlieker, a cura di. Folkestone Triennial: Tales of time and space. London: Cultureshock Media Ltd., 2008.

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Freeman-Zachery, Ricë. Creative time and space. Cincinnati, Ohio: North Light Books, 2009.

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1964-, Oguibe Olu, Ho Melissa, Enwezor Okwui, University of South Florida. Contemporary Art Museum., Track 16 Gallery and Mainspace. e Indianapolis Museum of Art, a cura di. Cross/ing: Time, space, movement. Santa Monica, Calif: Smart Art Press, 1998.

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University of Southern Florida (Contemporary Art Museum), a cura di. Cross-ing: Time, space, movement. Tampa: Contemporary Art Museum, University of South Florida, 1997.

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1952-, Sultan Terrie, Arning Bill e Blaffer Gallery, a cura di. Chantal Akerman: Moving through time and space. Houston: Blaffer Gallery, the Art Museum of the University of Houston, 2008.

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Nelson, Mary Carroll. Layering: An art of time and space. Albuquerque, N.M. (2000 Mountain Rd. NW, Albuquerque): Albuquerque Museum, 1985.

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Hitoshi, Nomura. Time-space: 1968 to 1993. Kyoto: Korinsha Press, 1994.

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1955-, Ramírez Mari Carmen, Olea Héctor e Museum of Fine Arts, Houston, a cura di. Color in Space and Time: Cruz-Diez. Houston: The Museum of Fine Arts, Houston and The Cruz-Diez Foundation, 2011.

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Capitoli di libri sul tema "Space and time in art"

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Blay, Christopher. "Space and Time". In Art as Social Practice, 177–82. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003169109-17.

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Jaffee, Barbara. "When Art History Was Global: Helen Gardner’s Art through the Ages in 1948". In Across Space and Time, 253–68. New Brunswick, New Jersey : Transaction Publishers, 2016. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315083100-13.

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Kaesbohrer, Barbara. "Time as space; visualizing time in painting, sculpture, or video art". In Time and Space, 289–93. London: CRC Press, 2023. http://dx.doi.org/10.1201/9781003260554-42.

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Potts, John. "Space and Displacement in Contemporary Art". In The New Time and Space, 75–92. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137494382_5.

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Muñoz Morcillo, Jesús, Florian Faion, Antonio Zea, Uwe D. Hanebeck e Caroline Y. Robertson-von Trotha. "e-Installation: Synesthetic Documentation of Media Art via Telepresence Technologies". In Space and Time Visualisation, 173–91. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24942-1_11.

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Pinto, Paula Reaes, e António Gorgel Pinto. "Shifting Ground—Outro Chão; creating a space of inclusion and democratic participation through social art and design". In Time and Space, 257–61. London: CRC Press, 2023. http://dx.doi.org/10.1201/9781003260554-37.

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Marchenkov, Vladimir L. "Teleology in Nature and Life-Transforming Art". In Phenomenology of Space and Time, 227–36. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-02015-0_18.

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Neumann, Dietrich. "Space Time and the Bauhaus". In Bauhaus Effects in Art, Architecture, and Design, 116–33. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003268314-8.

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Rhoden, Imke. "State of the Art". In Space and Time in German Innovative Activity, 7–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-28600-2_2.

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Navas, Eduardo. "Time-Based Media in Physical Space". In Art, Media Design, and Postproduction, 109–16. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315453255-13.

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Atti di convegni sul tema "Space and time in art"

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Girvits, Galina. "Aesthetical education of younger schoolchildren by means of folk art". In PERSONALITY IN SPACE AND TIME. SmolGU, 2021. http://dx.doi.org/10.35785/978-5-88018-430-9-2021-10-31-37.

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В статье рассматриваются вопросы эстетического воспитания и художественно-эстетического развития младших школьников на уроках технологии в процессе изучения основ народного искусства. Как один из положительных факторов влияния на успешность эстетического воспитания и художественно-эстетического развития младших школьников выделены ключевые стороны художественной и духовно-нравственной составляющей народного орнамента.
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Bowen, Jonathan, Tula Giannini, Gareth Polmeer, Carla Gannis, Jeremy Gardiner, Jonathan Kearney, Bruce Wands e Jon Weinel. "States of Being: Art and identity in digital space and time". In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.1.

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Li, Tiantong. "Physics in Masaaki Yuasa’s Films: Space-Time Light and Shadow". In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.069.

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Rocca, Paolo, Lorenzo Poli e Shiwen Yang. "Space-Time Coding through Time-Modulated Arrays - State-of-the-Art and Recent Trend/Advances". In 2019 IEEE International Conference on Microwaves, Antennas, Communications and Electronic Systems (COMCAS). IEEE, 2019. http://dx.doi.org/10.1109/comcas44984.2019.8958447.

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Mitchell, Bonnie. "THE IMMERSIVE ARTISTIC EXPERIENCE AND THE EXPLOITATION OF SPACE". In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.11.

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Liu, Man. "Discussion about the Art of Time and Space in "A Farewell to Arms"". In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.82.

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Lou, Yushuang. "Research on Space-time Construction and Perceptual Experience of New Media Art Installation". In Proceedings of the International Conference on Art Design and Digital Technology, ADDT 2022, 16-18 September 2022, Nanjing, China. EAI, 2022. http://dx.doi.org/10.4108/eai.16-9-2022.2324873.

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Di, Wu. "Chinese Five Elements Conceptual Metaphors on Time and Space". In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.97.

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jian, Yu. "Meta-verse Non-Heritage in Art Exhibitions: Virtual Reality Contextual Narrative Across Time and Space". In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002904.

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Abstract (sommario):
The meta-universe is a digital living space constructed by humans using digital technologies such as digital twin, virtual reality, Internet of Things, and cloud computing to connect reality and imagination. This mirror simulation of the real world breaks the boundaries of time and space and builds a new digital space-time context. Digital technology through sensing and VR makes people experience the retro atmosphere constructed by virtual reality across space and time while perceiving the real space-time embodied experience, which is the missing means to break the boundaries of space-time to experience the contextual narrative, revitalize historical relics, interpret historical stories, and achieve living heritage in art exhibitions. The concept of "contextual narrative" in the meta-universe ICH in the art exhibition will use digital modalities to recreate ICH scenes, and in terms of research methodology, it will draw on the narrative structure, characteristics, characters and plot of ICH scenes for inter-temporal construction.
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Murphy, Jim, Dugal McKinnon e Mo H. Zareei. "Lost Oscillations: Exploring a City’s Space and Time With an Interactive Auditory Art Installation". In The 22nd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2016. http://dx.doi.org/10.21785/icad2016.019.

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Lost Oscillations is a spatio-temporal sound art installation that allows users to explore the past and present of a city’s soundscape. Participants are positioned in the center of an octophonic speaker array; situated in the middle of the array is a touch-sensitive user interface. The user interface is a stylized representation of a map of Christchurch, NewZealand, with electrodes placed throughout the map. Upon touching an electrode, one of many sound recordings made at the electrode’s real-world location is chosen and played; users must stay in contact with the electrodes in order for the sounds to continue playing, requiring commitment from users in order to explore the soundscape. The sound recordings have been chosen to represent Christchurch’s development throughout its history, allowing participants to explore the evolution of the city from the early 20th Century through to its post-earthquake reconstruction. This paper discusses the motivations for Lost Oscillations before presenting the installation’s design, development, and presentation.
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Rapporti di organizzazioni sul tema "Space and time in art"

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Jansen, Leonard J. The Emergence of Operational Art for Space: Is it Time for Another Mitchell or Mahan. Fort Belvoir, VA: Defense Technical Information Center, febbraio 1998. http://dx.doi.org/10.21236/ada348439.

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Butyrina, Maria, e Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, febbraio 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.
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Khomenko, Tetiana. TIME AND SPACE OF HISTORICAL PARALLELS OF EUGEN SVERSTIUK’S JOURNALISM. Ivan Franko National University of Lviv, marzo 2021. http://dx.doi.org/10.30970/vjo.2021.50.11095.

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The article is dedicated to the investigation of time-space measurements of journalistic works of Eugen Sverstiuk, a well-known Ukrainian journalist. In particular, the time-space continuum of his works is being discussed, which is characterized as comprehensive, continuous, filled with archetypical images which metaphorize the text, but at the same time structure it, and are beaded on the axis of time and documentarily located in the space. The logics of images initiated in the text is exaggerated by constant dwelling of the author in the time-space dimensions of the epoque, of which he was a contemporary, as well as precise knowledge of World and Ukrainian history and culture. Historical parallelism of journalism of E. Sverstiuk possesses double potential. On the one hand, the author provides arguments for confirmation of his own opinion, and on the other, he shows us historical collisions in the new aspect, which helps consider the past, better understand the present, and think of the future. Pages of his works is space for author’s considerations, which logics impresses by free transgression of the author in the time, and his ability to grasp the most essential, although sometimes precedent, sometimes sudden and forgotten, or even unknown historical facts in order to force them to resonate in the new historical realities, first of all to indicate the importance of national and the need for assigning to it more significance. Using retrospectives, E. Sverstiuk encourages us to return to the national sources and to seek in ourselves the reflections of nationality in order to return historical truth to our audience. This is what, according to E. Sverstiuk, was believed to be one of the most necessary conditions of existence to the independent state. Time-space continuum of E. Sverstiuk’s journalism is reproduction of comprehensive history as continuous process of the development of humanity, and of formation of comprehensive, total, and so to say epic reading and understanding of these processes via accentuation of reader’s attention on key events, phenomena, and facts.
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Kularatne, Dhanushka N., Subhrajit Bhattacharya e M. Ani Hsieh. Computing Energy Optimal Paths in Time-Varying Flows. Drexel University, 2016. http://dx.doi.org/10.17918/d8b66v.

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Autonomous marine vehicles (AMVs) are typically deployed for long periods of time in the ocean to monitor different physical, chemical, and biological processes. Given their limited energy budgets, it makes sense to consider motion plans that leverage the dynamics of the surrounding flow field so as to minimize energy usage for these vehicles. In this paper, we present two graph search based methods to compute energy optimal paths for AMVs in two-dimensional (2-D) time-varying flows. The novelty of the proposed algorithms lies in a unique discrete graph representation of the 3-D configuration space spanned by the spatio-temporal coordinates. This enables a more efficient traversal through the search space, as opposed to a full search of the spatio-temporal configuration space. Furthermore, the proposed strategy results in solutions that are closer to the global optimal when compared to greedy searches through the spatial coordinates alone. We demonstrate the proposed algorithms by computing optimal energy paths around the Channel Islands in the Santa Barbara bay using time-varying flow field forecasts generated by the Regional Ocean Model System. We verify the accuracy of the computed paths by comparing them with paths computed via an optimal control formulation.
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Powell, Andrew. 2016 Latin American and Caribbean Macroeconomic Report: Time to Act: Latin America and the Caribbean Facing Strong Challenges. Inter-American Development Bank, aprile 2016. http://dx.doi.org/10.18235/0005867.

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The commodities boom that once buoyed the regions economies is over, and countries have less fiscal space to undertake counter-cyclical policies than they did during the global financial crisis. This years Latin American and Caribbean Macro Report surveys the challenges facing the region in a new economic era and offers guidance on how policymakers can reduce long-term risks in a period of lower growth.
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Lynch, James F. A Higgs Universe and the flow of time. Woods Hole Oceanographic Institution, aprile 2024. http://dx.doi.org/10.1575/1912/69338.

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Theoretically considering velocities greater than c implies considering an observer’s past and extends the overall analysis into the complex plane. By using a series of rotations by i in the complex plane, one can create a four-lobed structure of “instants of time,” which together with considering matter and antimatter in the lobes and the +/- sense of the rotation, leads to a Higgs field representation of space and time. A 10x10 metric is developed for this system as well as a generalized spacetime interval. It is also shown that the Friedmann Equations are consistent with our “Higgs Cosmology” if generalized to a set of coupled equations that connect the forward and backward going solutions. Simple solutions for the forward and backward going universes are presented, and are shown to be consistent with the backward solution providing both inflation and a “cosmological constant” type of dark energy, Dark matter is also discussed and is hypothesized to be due to the mass of the four “Higgs sectors” as seen through the lens of relativity by an observer in our universe. A PowerPoint presentation on this work is presented at the end of the report as a supplement.
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Datsyshyn, Chrystyna. FUNCTIONAL PARAMETERS OF ANTHROPONYM AS ONE OF THE VARIETIES OF FACTUAL MATERIAL IN THE MEDIA TEXT. Ivan Franko National University of Lviv, marzo 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12169.

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The main objective of the study is to reveal the functional parameters of anthroponyms in the media texts. Methods of investigation: the method of media texts monitoring, the comparative method; the method of contextual analysis, the methods of functional analysis. Results. Anthroponyms in media texts contribute to the exact reproduction of facts, the display of a certain time-space. The use of an anthroponym in the media gives its bearer greater social significance; silencing an anthroponym demonstrates a desire to remove its bearer from the public agenda. Anthroponyms can reflect person’s social connections, inform about a belonging to a certain national, ethnic, age, social group. Conclusions Anthroponyms give media text more credibility, because they inform about a specific person in specific realities, personalize information. Anthroponyms are capable to mark time-space, therefore the actualization of proper names can be a means of transferring to another time, informing about forgotten historical facts and persons. Given the ability of anthroponyms – the names of famous persons – to be reduced, the journalist should take into account the possible difficulties of identifying such a person in a different time-space or under the condition of insufficient recognition. Entering the language game, anthroponyms are actualizing simultaneously meanings associated with different time-spaces, such ability can be effectively used to draw historical or cultural parallels, create an expressive load. Given the ability of anthroponyms to increase or decrease social status, journalists should be responsible in the selection of proper names as part of the factual material of the media text. Marking through anthroponyms the connection with national, social, age groups makes these words unique identifiers of the division into “own” or “strangers”, demonstrates the attitude of the speaker towards the bearer of his own name. Significance. The revealed functional parameters of anthroponyms as part of the actual material of the media text provide journalists with ample opportunities for the implementation of various communicative tasks. Key words: media text, anthroponym, factual material, language picture of the world, time-space, social communications.
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Morkun, Vladimir S., Natalia V. Morkun e Andrey V. Pikilnyak. Augmented reality as a tool for visualization of ultrasound propagation in heterogeneous media based on the k-space method. [б. в.], febbraio 2020. http://dx.doi.org/10.31812/123456789/3757.

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For programming the AR tools, interactive objects and creating the markers, the method of fiber spaces (k-space) for modeling of ultrasonic wave propagation in an inhomogeneous medium using coarse grids, with maintaining the required accuracy was used. The algorithm and tools of augmented reality were introduced into the adaptive control system of the pulp gas phase in the iron ore flotation process using a control action on the basis of high-energy ultrasound dynamic effects generated by ultrasonic phased arrays. The tools of augmented reality based on k-space methods allow to facilitate wider adoption of ultrasound technology and visualize the ultra-sound propagation in heterogeneous media by providing a specific correspondence between the ultrasound data acquired in real- time and a sufficiently detailed augmented 3D scene. The tools of augmented reality allow seeing the field of ultrasound propagation, its characteristics, as well as the effect of the dynamic effects of ultrasound on the change in the gas phase during the flotation process.
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Al-Kaddo, Hajar, e Sarah Rosenberg-Jansen. Definitions and Differences: The Evolving Space of Energy Access in Humanitarian Energy. Coventry University, giugno 2021. http://dx.doi.org/10.18552/heed/2021/0003.

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The paper draws on definitional ideas presented in the book ‘Energy Access and Forced Migration’ (Grafham 2020) and builds on analytical work from our doctoral research. The definitions presented in the following sections are intended as starting points for discussion, rather than representing formally formal terms. It is hoped that over time, such definitions can evolve as an ‘industry standard’ lexicon for humanitarian energy policy and practice. We welcome feedback and discussion of these ideas to further support the development of the humanitarian energy sector.
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Camenzind, Lauren, Molly Kafader, Rachel Schwam, Mikayla Taylor, Zoie Wilkes e Madison Williams. Space Retrieval Training for Memory Enhancement in Adults with Dementia. University of Tennessee Health Science Center, maggio 2021. http://dx.doi.org/10.21007/chp.mot2.2021.0013.

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The final portfolio contains 8 research articles from national and international journals. Study designs include one systematic review, one randomized control trial with pretest-posttest design, three small-scale randomized control trials, one quasi-experimental study with no control, one time-series study, and one case study. All studies relate directly to components of the evidence-based practice question and will be used to draft new recommendations for implementation regarding spaced retrieval training for memory enhancement in adults with dementia. Seven out of the eight articles looked at the effects of SR techniques on functional tasks. Articles looked at eating difficulty (1), independent use of walkers (1), iADL function (3), use of technology (1), and ADL function (1). One out of eight articles looked at benefits of spaced retrieval techniques on episodic memory, which is not necessarily a functional task, but is needed to perform functional tasks.
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